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rif. PJH53986Hazan Monaco 2013. Near Fine in publishers decorated boards. Illustrated throughout. Text in French and English. 1st edition. ISBN 2754107053 Hazan (Monaco) 2013 hardcover
rif. PJH45564Runion des muses nationaux 2001. Near Fine in slightly rubbed publishers decorated wrappers. 365pp. Illustrated throughout. Attrative Catalogue. Text in French. ISBN 2711840905 Runion des muses nationaux 2001 unknown
1970rif. 163146N.p.: N.p. 1970. Vintage borderless photograph of sculptor and painter Pablo Picasso and his wife and muse Jacqueline circa 1970s. Printed mimeo snipe PIX agency stamp and Camera Press stamp on the verso. Picasso met Jacqueline née Jacqueline Roque in 1952 while she was working at the Madoura Studio in Vallauris France and the couple began a relationship shortly thereafter. They married in 1961 and remained together until Picasso's death in 1973. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 10.25 x 8.5 inches. About Near Fine. N.p. unknown
1956rif. 163145N.p.: N.p. 1956. Vintage borderless photograph of sculptor and painter Pablo Picasso standing outdoors with one of his sculptures in 1956. Stamp of noted Swiss photographer Kurt Blum on the verso along with two PIX agency labels. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 8.25 x 10.25 inches. Near Fine. N.p. unknown
rif. 332697Harry N Abrams 1959. FIRST EDITION lg quarto illus white heavy boards black lettering to spine frontispiece xiv 160pp illus VG light scuffing to extrems moderate foxing & soiling to spine & covers light to moderate tanning & foxing to page edges & eps prev. owner's name in ink & minor creasing to ffep Harry N Abrams 1959 hardcover
2012rif. 228413London.: Christie's. 2012. First edition. . Soft cover. . Fine copy. . Folio. Illustrated in black white and color. Important reference work. Very scarce in this condition. Christie's. paperback
1961rif. 165297New York & Monte Carlo: George Brazilier & André Sauret 1961. With four original lithographs First edition in English first printing published simultaneously with the French edition. With four lithographs executed by Picasso for this work entitled; La Pique Le Picador II Jeu de la Cape Les Banderilles. Sabartés 1881-1968 was an artist poet and writer as well as a close personal friend of Picasso's "the friendship of Picasso and Sabartés in later years the artist's secretary goes back more than 60 years to their youth in Barcelona" The Artist and the Book 240. This edition was printed in September 1961 by Draeger Frères; the lithographs printed by Mourlot Frères. Oblong folio. Title page printed in red and black four original lithographs one in colour and 103 full-page illustrations. Original red cloth lettering to spine and illustration to front cover in black illustrated endpapers. With the illustrated dust jacket. Fine in near fine dust jacket. Cramer 113; Freitag 9666. hardcover
1971rif. 166837Paris: Éditions de l'Atelier Crommelynck 1971. 66 original Picasso etchings First edition first printing number 36 of 350 copies signed by the artist. La Celestina a major work of Spanish literature first printed in 1499 here translated by Pierre Heugas was illustrated by Picasso as part of the famous 347 series for which Picasso etched 347 plates between March to October 1968 all printed by the Crommelynck brothers. Octavo. With 66 full page original etchings and aquatints of varying sizes dated between 11 April and 18 August 1968 printed on Richard-de-Bas laid paper with La Célestine watermark. Original full parchment boards lettering to front cover in black. Parchment and paper dust jacket lettering to spine in black. Housed in a parchment covered slipcase. Housed in a black cloth flat-back box by the Chelsea Bindery. A fine copy in a fine slipcase. Cramer Illustrated Books No. 140; Bloch 1602. hardcover
rif. 100752Stuttgart Hatje Cantz 1988. 4° 238 S. zahlr. Abb. OLwd. m. OU. Widmung a. Vors. Tadell. Jacqueline Picasso 24. Februar 1927 in Paris als Jacqueline Roque; † 15. Oktober 1986 in Mougins war die zweite und letzte Ehefrau von Pablo Picasso und sein meist dargestelltes Modell. Im Oktober 1954 malte der frisch verliebte 72-jährige Pablo Picasso die 27-jährige Jacqueline Roque seine neue Geliebte und spätere Ehefrau. Keine Frau porträtierte Picasso häufiger. Sie heirateten in Vallauris am 2. März 1961.Jacqueline verbrachte die letzten 20 Jahre mit Picasso davon zwölf legitim verheiratet bis zu seinem Tod 1973 die Ehe blieb kinderlos. Sie ließ seine Porträtmalerei wieder aufblühen und es entstanden mehr als 400 Porträts von ihr.Jacqueline Picasso nahm sich 1986 nach der Eröffnung einer von ihr mit arrangierten Picasso-Ausstellung durch Erschießen das Leben 13 Jahre nach dem Tod ihres Mannes. 010 Stuttgart, Hatje Cantz, 1988 unknown
1946rif. 140734Garden City New York: Doubleday & Company Inc. 1946. Signed limited edition of this compendium of over one hundred reproductions of Picasso's wartime paintings. Quarto original publisher's half buckram illustrated with 135 plates. One of three hundred and fifty numbered copies signed by Pablo Picasso on the limitation page this is number 188. Near fine in the original glassine and rare original slipcase which is in very good condition. An exceptional example. One of the most influential artists of the 20th century Pablo Picasso was extremely prolific throughout the course of his long life and achieved universal renown and immense fortune for his revolutionary artistic accomplishments. Picasso: The Recent Years 1939-1946 offers a selection of over one hundred of Picasso's paintings produced during the second world war. Doubleday & Company, Inc. hardcover
1997rif. 1-0851621910Boosey & Hawkes Music Pub Ltd 1997. Paperback. New. new edition. 168 pages. 12.00x9.00x0.40 inches. Boosey & Hawkes Music Pub Ltd paperback
2010rif. 1-0870707809Museum of Modern Art 2010. Hardcover. New. 192 pages. 10.63x9.25x0.87 inches. Museum of Modern Art hardcover
rif. 97729Paris Editon Cahier d'art 1948-1957. 4° je ca 40 Textblatt ca. 200 s/w. Tafeln. Orig.-Brosch. teilweise unbeschnitten Rücken von Vol. 1 m. Fehlstellen Bindung etwas locker sonst gutes Ex. Umschäge etwas gebräunt min fleckig innen sauber. Vol.1 u. 2 num Exemplare eines von einer Auflage von 500. Text franz.- Die berühmte umfangreiche Standard-Publikation zu Picasso die über einen Zeitraum von mehr als 30 Jahren in 33 Bänden erschien. 010 Paris, Editon Cahier d'art, 1948-1957 unknown
1998rif. 273351998. S.l. Knemann 1998. Un fort vol. au format in-4 carr 327 x 303 mm de 527 pp. Reliure d'dition de pleine percaline grÂge sous jaquette illustre et coffret cartonn. L'ouvrage s'agrmente d'une trÂs abondante iconographie plus de 1.500 peintures dessins collages esquisses. ''Il est le rsultat de dix annes passes rassembler et tudier l'importante production artistique de Picasso dans sa dcennie cubiste. L'auteur d'ainsi envisager toutes les facettes et toutes les ramifications du cubisme.'' TrÂs belle condition. b42961 unknown
rif. 4745München Prestel 1990. 4° 422 S. ca 600 teilw. farb. Abb. Broschur Tadell. Gewichtiger Ausstellungskatalog der gewichtigen Ausstellung im Kunstmuseum Basel 010 München, Prestel, 1990 unknown
1968rif. 261301968. S.l. chez l'auteur 1968. Un fort vol. au format in-4 305 x 217 mm de 304 pp. Reliure d'dition de pleine percaline grÂge sous jaquette illustre. Catalogue raisonn dcrivant et reproduisant 290 affiches ralises par Pablo Picasso. ''Picasso s'est mis excuter des affiches parce que sa curiosit toujours en veil a forcment t attire par cette exprience ''murale'' rel affrontement avec le public. Sa force cratrice et sa fantaisie pouvaient s'y donner libre cours''. DiscrÂtes plissures affectant la jaquette. TrÂs claires rousseurs dans le corps d'ouvrage ainsi qu'en gouttiÂre. Du reste trÂs belle condition. b42961 unknown
1969rif. 155791Paris: Galerie Leiris 1969. Edition of 50. Signed in pencil lower right by Picasso numbered lower left. At the age of 86 Picasso created 347 etchings between 16 March - 5 October 1968. This is plate no. 193 from the series. Aquatint scraper and drypoint on wove paper all edges deckled. Image size: 14.8 x 20.8 cm. Sheet size: 28 x 35.3 cm. Framed size: 38.3 x 43 cm. Excellent condition. Presented in a gold leaf frame with conservation acrylic glazing. Bloch 1673; Baer 1689 IV Bb1. unknown
1956rif. 265401956. Paris Imprimerie nationale / Andr Sauret 1956. Un fort vol. au format gd in-8 224 x 167 mm de 558 pp. broch sous couvertures rabats remplis. Tome Ier seul sur 3. Tirage de tÂte : un des 300 premiers exemplaires numrots CCXXVIII du tirage sur grand verg d'Arches ; les seuls comporter un deuxiÂme tat volant sur papier de Chine du frontispice figurant en tÂte de l'ouvrage tir en lithographie par les soins de Mourlot FrÂres. La Guerre et la Paix narre lÕhistoire de la Russie lՎpoque de Napolon Ier notamment la campagne de Russie en 1812. La richesse et le ralisme de ses dtails ainsi que ses nombreuses descriptions psychologiques font quÕil est souvent considr comme un roman majeur de lÕhistoire de la littrature. Tolsto y dveloppe une thorie fataliste de lÕhistoire o le libre arbitre nÕa quÕune importance mineure et o tous les vnements nÕobissent quՈ un dterminisme historique inluctable. Guerre et Paix a engendr un nouveau genre de fiction. Bien quÕaujourdÕhui considr comme un roman cette Ãuvre a cass de si nombreux codes du roman de son poque que de nombreux critiques ne le considrÂrent pas comme tel. Tolsto considrait lui-mÂme Anna Karnine comme sa premiÂre tentative de roman au sens o les Europens lÕentendaient. Guerre et Paix fut lՎpoque de sa publication un immense succÂs bien que Tolsto ne sÕy attendt pas ce dernier pensant mÂme que son oeuvre passerait inaperÂue. Cramer 202. Couverture prsentant un clat lgÂrement altr. Petite dchirure marginale et lgÂres plissures angulaires affectant la lithographie volante. Du reste trÂs belle condition. Exemplaire non rogn. b42961 unknown
1971rif. 253171971. Paris Editions Richard-Masse 1971. Un vol. au format pt in-4 267 x 197 mm de 182 pp. broch sous couverture rabats remplis. Edition originale. Un des exemplaires numrots du tirage sur verg teint Arjomari-Prioux seul papier. Il s'agrmente - ici en premier tirage - de 25 sur 25 compositions hors-texte par Picasso. ''C'est l'histoire de ces deux destins - celui de Lifar et celui de l'Opra Garnier - que je consacre la prsente tude''. TrÂs belle condition. b42961 unknown
rif. SONG1942603355Used: Good unknown
1950rif. 154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
1913rif. 128083Paris: Mercure de France 1913. First edition of Apollinaire's first collection of poems signed by him and Pablo Picasso. Octavo bound in three quarter morocco with gilt titles and raised bands to the spine patterned endpapers frontispiece portrait of the poet by Pablo Picasso. Association copy inscribed by both Apollinaire and Pablo Picasso on front free endpaper "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71 77 92 110 and 189. The recipient of Apollinaire's inscription Paul-Napoléon Roinard was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier included in the present volume on p. 129 to Roinard. The recipient of Picasso's inscription Robert Valançay was a poet translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet playwright short story writer novelist and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century he became one of the most popular members of the artistic community of Paris both in Montmartre and Montparnasse. His friends and collaborators in that period included Pablo Picasso Henri Rousseau Gertrude Stein Max Jacob André Salmon André Breton André Derain Faik Konitza Blaise Cendrars Giuseppe Ungaretti Pierre Reverdy Alexandra Exter Jean Cocteau Erik Satie Ossip Zadkine Marc Chagall Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement the term Orphism in 1912 and the term "Surrealism" in 1917 to describe the works of Erik Satie. Mercure de France hardcover
rif. 104308London Calder and Boyars 1970. . First edition in English first impression hardback issue. Inscribed and with an original pastel by the translator. 8vo; publisher's black boards titles to spine in silver. With the dust jacket. A very good copy in the lightly rubbed dust jacket with one or two very short tears. A superb presentation copy inscribed by the translator within a full page pastel artwork of a stylised flower/sun 'for Peggy with love Roland'. Though tempting to imagine the book to have been inscribed to the great Peggy Guggenheim the actual presentee is a much closer association for Penrose. Rosamund Berniers née Rosamond Margaret Rosenbaum was an art critic and long-time friend of the translator. Penrose a considerable artist in his own right is perhaps best known as the greatest proponent of Surrealism in the UK. Instrumental in staging the 1936 International Surrealist Exhibition in London he would would go on to establish with Lee Miller The Elephant Trust whose goal is "to develop and improve the knowledge understanding and appreciation of the fine arts in the United Kingdom." Penrose would often illustrate his presentation inscriptions but this one is particularly nice. Rosamond Berniers née Rosamond Margaret Rosenbaum was familiarly known as Peggy. London, Calder and Boyars, 1970. hardcover
1998rif. RWARE0000056810US: Fundación de Crédito Oficial 1998. Paperback. New. Fundación de Crédito Oficial paperback
1970rif. 17900CB1970. Basel Verlag Art C.C. 1970. Folio. 360 Seiten. Mit zahlreichen ein- u. mehrfarbigen teils montierten Abbildungen im Text und auf Tafeln. Original-Leinen mit Schutzumschlag. Der Schutzumschlag mit zwei kleinen Einrissen Name auf Vorsatz sonst gut erhalten. Das Referenzwerk zu den Plakaten von Picasso! The reference catalogue raisonné for the posters by Picasso. Teil 1: Original-Plakate von 1948-1966; Teil 2: Im Reproduktionsverfahren hergestellte Plakate von 1939-1970. International shipping costs for NON EU destinations are higher than ABE mentions. Please contact us. Thank you. unknown
