PICASSO, PabloBiblio.com
5 576 résultats
1948réf. 212943New York: Philosophical Library 1948. First edition and first printing. Hardcover. 63 pages. A play by Picasso translated from the French by Bernard Frechtman. A near fine copy in cloth boards and in a clean very good plus dust jacket but with some needless tape strengthening to the verso. Still a very pleasing copy of a book that is prone to wear. Philosophical Library unknown
1950réf. 212942London: Rider and Company 1950. First British edition and first printing. Hardcover. 60 pages. A play by Picasso translated from the French by Bernard Frechtman. Includes 4 black and white illustrations by Picasso. A near fine copy in cloth boards and in a very good plus dust jacket with some tiny chips and other very minor wear. Still a lovely copy. Rider and Company unknown
2012réf. 213443Munich Germany and New York: DelMonico Books and Solomon R. Guggenheim Museum 2012. First edition and first printing. Hardcover. 227 pages. Published in conjunction an exhibition that ran October 5 2012 through January 23 2013 at Solomon R. Guggenheim Museum and then February 20 through may 28 2013 at the Museum of Fine Arts in Houston. Features texts by Carmen Gimenez Richard Shiff Dore Ashton and Olivier Berggruen. Includes numerous illustrations and a checklist. A fine copy in black cloth boards and in a near fine dust jacket with some very minute wear. An attractive book that focuses on the monochromatic work from Picasso's large oeuvre. DelMonico Books and Solomon R. Guggenheim Museum unknown
1986réf. 207319Boston MA and New York: The Atlantic Monthly Press and Pace Gallery 1986. Limied collector's edition Hardcover. 349 pages. Features a preface by Arnold Glimcher memoir by Claude Picasso and essays by E.A. Carmean Robert Rosenblum Theodore Reff Rosalind Krauss Sam Hunter Gert Schiff Francoise Gilot and Matthew Marks. Includes numerous color and black and white illustrations. A clean and tight near fine copy in red cloth boards and from the library of Lucas Samaras with estate stamp to the front free endpaper and in a very near fine dust jacket and in a very near fine cloth covered slipcase and with laid in loose plate. A very nice copy with an interesting provenance. This is a heavy book and will require extra shipping. The Atlantic Monthly Press and Pace Gallery unknown
réf. DADAX3791377256New unknown
1966réf. 657New York: Harry N. Abrams Inc 1966. Hardcover. Very Good/Very Good. :: Translation by Norman Guterman :: The graphic arts have held an unending fascination for Picasso throughout his entire career and this volume which covers the years 1955 to 1965 provides ample proof that his capacity for invention and innovation is undiminished. :: 124 illustrations including 6 in full color. :: Bound in publishers black cloth front board bears reproduction of Picasso line illustration in white. Author title and publisher lettered upon spine in white. Quarto 11 3/16 x 8 13/16 inches; 284 x 223 millimeters. 144 pages. Condition: Very Good- in a Very Good- dust jacket. Notably both boards curve outward away from the textblock. There is foxing atop the textblock small stains. Internal pages and plates in nice shape printing quality excellent. Dust jacket is age-toned stained and worn with small splits/chips along edges and flaking at the hinges. Harry N. Abrams, Inc hardcover
1956réf. 209370New York: Harry N. Abrams Inc 1956. First edition and first printing. Hardcover. Features an introduction by Hans Bolliger translated by Norbert Guterman. Includes 100 black and white illustrations. A clean and tight near fine copy in black cloth boards and in a near fine printed acetate dust jacket that has some minor wear and rubbing. A very nice copy of this somewhat uncommon book. Harry N. Abrams, Inc unknown
réf. DADAX3906915379New unknown
1964réf. 205995np: np 1964. First edition. Number 189 from an edition of 375 copies in French from a total edition of 750. Features a softcover leperello with commentary text in French by Marcel Duhamel. Include a small hardcover that measures 3" by 4" that is a facsimile of a sketchbook by Picasso. Text booklet and sketchbook are in very fine condition and in a fine publisher envelope and in an about very good printed plastic slipcase that has some of the typical splitting and wear. A lovely copy of this very fragile and attractive production. np unknown
1971réf. 206890Paris: Editions Cercle D'Art 1971. First edition and first printing. Hardcover. 239 pages. Features text by Rafael Alberti translated into French by Georges Franck. Includes numerous illustrations color and black and white illustrations. A clean and tight near fine copy in cloth boards and in a near fine dust jacket with some very minute wear. A very nicely printed book. Editions Cercle D'Art unknown
1965réf. 176514Stuttgart: Verlag Gerd Hatje 1965. With two signed Picasso lithographs First edition first printing number 98 of 100 copies with a suite of 9 original lithographs printed by Mourlot Paris on BFK Rives paper and signed by the artists: 2 by Picasso and 1 each by Elie Lascaux André Beaudin André Masson Suzanne Roger Eugène de Kermadec Yves Rouvre and Sebastian Hadengue The picasso lithographs are titled Visage and Le femeur. Kahnweiler was a German-French art dealer who was a great supporter of burgeoning artists without dealers from the Montparnasse and Montmartre area. His initial purchases included works by Kees van Dongen André Derain André Masson Fernand Léger Georges Braque Juan Gris and Maurice de Vlaminck. He also represented all of the artists participating in this book. Quarto. Nine full-page lithographs including dust jacket tipped-in illustrations throughout. Original blue cloth boards lettering and design to front cover gilt. With dust jacket. Together with a blue cloth folder housing 9 original lithographs sheet sizes: 29.5 x 25 cm. All contained in publisher's cardboard slipcase. All in fine condition jacket unclipped. Bloch 1179 & 1180; Mourlot 403 & 404 Cramer 133. hardcover
réf. 24207962-nnew. unknown
réf. 33414446like new. unknown
1966réf. 172734Paris: Galerie Louise Leiris 1966. Edition of 50. Signed in pencil lower right by Picasso numbered lower left. Printed by Piero and Aldo Crommelynck. Etching and aquatint on Rives watermarked wove paper all edges deckled. Image size: 31.8 x 47.1 cm. Sheet size: 45.6 x 62 cm. Framed size: 59.6 x 76.8 cm. Excellent condition. Presented in a black and gold leaf wooden frame with conservation acrylic glazing. Bloch 1387; Baer 1409. unknown
1968réf. 9031054San Francisco: City Lights 1968. First U.S. Softcover. Fine. Bilingual text English versions by Paul Blackburn. Bound in publisher's original printed wrappers. Book is fine sharp edges and corners text block is tight and spine has no wear or evidence of use. 4 3/4 x 6 1/4 inches. 39 pages. City Lights paperback
1956réf. 200584New York: Universe Books 1956. First edition and first printing. Hardcover. Features text by Dominque Aubier. A collection of color and black and white photographs by Inge Morath of the famed once a year events in Pamplona Spain. A clean very near fine copy in cloth boards that feature designs by Pablo Picasso and in a very near fine dust jacket with some minute wear. A much fresher than usual copy. Universe Books unknown
1939réf. 589472London: Oxford University Press 1939. Hardcover. Very Good/Good. First edition. Illustrated with black and white plates. 12mo. 53pp. Spine toned loss to spine title and a bit of the front cover title endleaves with offsetting and a bit of spotting very good or better in a price-clipped good only dust jacket with loss to much of spine tears along the spine and edges. Robert Melville was an English art critic and journalist and a key member of the Birmingham Surrealists in the 1930s and 1940s. Oxford University Press hardcover
1961réf. 165297New York & Monte Carlo: George Brazilier & André Sauret 1961. With four original lithographs First edition in English first printing published simultaneously with the French edition. With four lithographs executed by Picasso for this work entitled; La Pique Le Picador II Jeu de la Cape Les Banderilles. Sabartés 1881-1968 was an artist poet and writer as well as a close personal friend of Picasso's "the friendship of Picasso and Sabartés in later years the artist's secretary goes back more than 60 years to their youth in Barcelona" The Artist and the Book 240. This edition was printed in September 1961 by Draeger Frères; the lithographs printed by Mourlot Frères. Oblong folio. Title page printed in red and black four original lithographs one in colour and 103 full-page illustrations. Original red cloth lettering to spine and illustration to front cover in black illustrated endpapers. With the illustrated dust jacket. Fine in near fine dust jacket. Cramer 113; Freitag 9666. hardcover
1971réf. 166837Paris: Éditions de l'Atelier Crommelynck 1971. 66 original Picasso etchings First edition first printing number 36 of 350 copies signed by the artist. La Celestina a major work of Spanish literature first printed in 1499 here translated by Pierre Heugas was illustrated by Picasso as part of the famous 347 series for which Picasso etched 347 plates between March to October 1968 all printed by the Crommelynck brothers. Octavo. With 66 full page original etchings and aquatints of varying sizes dated between 11 April and 18 August 1968 printed on Richard-de-Bas laid paper with La Célestine watermark. Original full parchment boards lettering to front cover in black. Parchment and paper dust jacket lettering to spine in black. Housed in a parchment covered slipcase. Housed in a black cloth flat-back box by the Chelsea Bindery. A fine copy in a fine slipcase. Cramer Illustrated Books No. 140; Bloch 1602. hardcover
1933réf. B-2022-0929Lot of three artistic programs: Le Ballet des Champs Elysées 1948 Les ballets 1933 au théâtre des Champs Elysées Les ballets de Roland Petit 1949. -Ballets des Champs Elysées. 1948 The program for the November 1948 ballet season with the cover designed by Picasso text by Sartre and Barrault. Incomplete with only 18 pages Picasso cover Sartre and Barrault text are included. Picasso cover with some painting stains at the bottom. -Les ballets 1933 de George Balanchine. Editions des quatre chemins Paris. Artistic director Boris Kochno Théâtre des Champs Elysées. Preface by Edward James. The program include presentation text of the performances and illustrations of scenography and customs by Derain Tchelitchew and a full page reproduction drawing by Caspar Neher for Les Sept Peches Capitaux performance. -Les ballets de Roland Petit. Paris 1949 Preface by Marcel Archard and Lenor Fini. With full pages of photographic portraits of Roland Petit Colette Marchano Serge Perrault and others performers illustrated with marquettes in color by Antoni Clavie and double page of Leonor Fini. French text. Good conditions. Please ask for complete report. paperback
1969réf. 155791Paris: Galerie Leiris 1969. Edition of 50. Signed in pencil lower right by Picasso numbered lower left. At the age of 86 Picasso created 347 etchings between 16 March - 5 October 1968. This is plate no. 193 from the series. Aquatint scraper and drypoint on wove paper all edges deckled. Image size: 14.8 x 20.8 cm. Sheet size: 28 x 35.3 cm. Framed size: 38.3 x 43 cm. Excellent condition. Presented in a gold leaf frame with conservation acrylic glazing. Bloch 1673; Baer 1689 IV Bb1. unknown
1950réf. 154025Paris & New York: L'Image Littéraire & R. Finelli-Feugère 1950. With an additional suite of Braque colour separations First edition first printing number 29 of 150 copies signed by all the artists and authors with each print numbered and signed by the respective artist and Robert Rey. This copy with an additional suite of 46 sheets with colour separations of Braque's print housed in separate wrappers lettered in black. The print titles included are: Braque "Nature morte au huitres"; Brianchon La neige a auteuil; Chagall La sirène; Desnoyer Liseuses au bord de mer; Dufy Le casino de la jetée a Nice; Laurencin Portrait de femme en rouge; Matisse Nature morte au magnolia; Picasso La cassarole Émaillée; Utrillo Le jardin de Montmagny; Van Dongen Tête de femme; Vlaminck Les blés dans la perche; and Waroquier Dolori sacrum. Folio. 12 colour woodcuts after each of the artists printed on Van Gelder Zonen wove paper with one edge untrimmed. Sheet sizes: 46.5 x 36 cm. Unbound sheets printed on Van Gelder Zonen wove paper in white wrappers titles to front cover in red. With glassine dust jacket. Housed in the publisher's blue morocco clamshell box titles to front cover and spine gilt. All contained in the original card packing box. Closed tear to front wrapper and glassine hinge of clamshell box split minor foxing in places otherwise a bright unfaded set. unknown
1971réf. 9027997New York: Harry N. Abrams 1971. 1st. Hardcover. Fine/near fine. Translated from the German by J. Maxwell Brownjohn. With 670 illustrations. "The first comprehensive historical and critical interpretation of Picasso's sculpture." Harry N. Abrams hardcover
réf. 19997France: Action Artistique. 1946. First edition. First edition. Limited edition of 5000 copies printed on 'Crèvecur du Marais vellum' paper. Publisher's original card wrappers. Illustrated with 14 black and white photographic plates. Text in English and French printed in green mauve and black. A very good or better copy the binding square and firm with a few minor marks. The contents are clean and bright throughout and remain free from any previous owners' inscriptions or stamps. An uncommon post-war exhibition catalogue showcasing the work of the two great artists. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers. [France]: Action Artistique. 1946 hardcover
1955réf. 147884Paris: Galerie Louise Leires 1955. Signed by Picasso Edition of 50. Signed in pencil lower right by Picasso numbered lower left. Aquatint and drypoint on vélin d'Arches watermarked wove paper all edges untrimmed. Plate size: 64.6 x 49.7 cm. Sheet size: 76.5 x 57 cm. Framed size: 105 x 88 cm. Paper toned hinging tape to upper edge and corners of verso otherwise bright. Presented in a white gold frame with conservation acrylic glazing. Bloch 771; Baer 927. unknown
