d'Emilio, Emilio,Picasso, Luigi EBiblio.com
5 576 résultats
réf. 33414446-nnew. unknown
1939réf. PICASSOP014012The London Gallery London. May 1939. Revised edition. Quarto. 40 pages. Sewn wrappers. Double number devoted to the catalogue of a Picasso exhibition. 28 illustrations. A surrealist prose poem by Picasso is translated by Roland Penrose. Short texts by Paul Eluard and Conroy Maddox.Slight fading to spine. Very good indeed. The London Gallery, London. May, unknown
1966réf. 221217013Basel Switzerland: Galerie Beyeler 1966. First Edition. Paperback. Very Good. Large 4to. profusely ill. with tipped in plates chiefly in color. Sound binding with light creasing to spine touch of foxing to wraps no ownership markings.; Well packaged in a box ships with tracking Galerie Beyeler paperback
1952réf. PICASSOP013319Souillac. Octobre 1952. First edition. Quarto. 56 pages. Illustrated mostly with photographs. Card wrappers. The entire issue is devoted to Picasso. Interviews and essays. The contributors are Maurice Raynal Daniel Henry Kahnweiler Pierre Reverdy George Besson Tristan Tzara Paul Gay Edouard Pignon and Claude Roy.At page 51 there are three photographs of Picasso one of which is with Edouard Pignon. The page is signed by both of them and dated by Pignon 25 mai 53.Head and tail of spine a bit rubbed. Near fine. Souillac. Octobre, unknown
réf. DADAX0520282469New unknown
1969réf. B6537New York: Avant Garde. 1969. A very good copy. Edition: First Edition. Binding: publisher's paper boards title on the upper board and flat spine. Notes: This special issue of Avant-Garde is devoted entirely to one subject: a series of erotic gravures or engravings by Pablo Picasso the pre-eminent artis of our time. They are indeed to stand as self said “As an abiding celebration of life itself”. Pablo Ruiz Picasso 1881–1973 was a Spanish painter sculptor printmaker ceramicist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century he is known for co-founding the Cubist movement the invention of constructed sculpture the co-invention of collage and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon 1907 and Guernica 1937 a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Size: Large quarto Category: Book Modern; Book Erotica; Avant Garde. hardcover
réf. 25698Paris 1930. . Large 8vo. pp.112 printed paper wrappers 4 colour plates numerous b/w plates; light toning to page margins foxing to wrappers otherwise an unusually fine copy. Paris, 1930. unknown
réf. GOR003168784Hardback. Very Good. hardcover
réf. SONG1903278872Used: Good unknown
1975réf. 92148Barcelona: Fundacio Joan Miro Centre D'Estudis D'Art Contemporani 1975. Fine. Fundacio Joan Miro Centre D'Estudis D'Art Contemporani Barcelona 1975 27.5 x 37 cm Reliure de l'éditeur First edition one of 350 numbered copies on regular issue paper.Publisher's full yellow cloth binding smooth spine housed in its black full-cloth slipcase complete with the original silk tie.A few minor nicks to the slipcase.Profusely illustrated throughout.Contributions by Brassaï Magda Bolumar Joan Miro Joan Brossa Luis Bunuel Alexander Calder Eduardo Chillida Jacques Dupin Nina Kandinsky Roland Penrose Pablo Picasso Rafols Casamada Georges Raillard Josep Lluis Sert Michel Tapié Yvon Taillandier Antoni Tapies Patrick Waldberg. Fundacio Joan Miro Centre D'Estudis D'Art Contemporani hardcover
1986réf. P-10846Boston MA: Atlantic Monthly Press 1986. Hardcover. Fine/First Edition. Folio. First publication of Picasso's complete sketchbooks. A clean unmarked and unclipped copy. Atlantic Monthly Press hardcover
réf. Q22A-06352Abbeville Pr. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Abbeville Pr unknown
1937réf. 93431New York: Jacques Seligmann & Co. Inc. Fair. Numbered Limited Edition. Paperback. Rare numbered limited edition number 638 of 750 number hand-written. Covers have moderate staining and wear to corners and edges. Two small numerical notations in ink on front cover. Interior clean and unmarked. International shipping billed at cost. Photos upon request. Please note that the buyer is responsible for any customs duties tariffs or import fees levied by the destination country.; 8vo 8" - 9" tall . 1937. Jacques Seligmann & Co., Inc. paperback
1964réf. 011411PARIS / AMSTERDAM : EDITIONS CERCLE D'ART S.A / HARRY ABRAMS 1964. ASSUMED FIRST . Hardcover. Very Good/No Jacket. TIPPED IN PLATES. SOLID CLEAN BRIGHT AND UNMARKED 160 BEAUTIFUL TIPPED IN PRINTS BOUND IN GRAY WITH BRIGHT VIBRANT COMPLETE LETTERING A FIRST HAND ACCOUNT OF LIFE IN PICASSO'S STUDIO BY MS. PARMELIN PREFACE BY DOUGLAS COOPER EXCELLENT EXAMPLES OF THIS PERIOD OF PICASSO'S CAREER SEVERAL TINY PIN PRICKS TO COVER NO DATE STATED LACKING THE PAMPHLET AND JACKET A GRAND BOOK EDITIONS CERCLE D'ART S.A / HARRY ABRAMS hardcover
1970réf. SBBI-SBL-012929Calder Publications Ltd 1970. Paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Calder Publications Ltd paperback
1959réf. 22878Hachette. Very Good in Fair dust jacket. Hardcover. Quarter yellow cloth cover with white boards is worn at corners with very faint modest soiling but bright and in very good condition. Boards and spine are straight. Binding is tight. Pages are clean and near pristine. Dust jacket is worn and chipped with masking tape reinforcing the edges. DJ protected by a brand new clear acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. If pictured shown without the mylar cover for an accurate representation of dust jacket. . 1959. Hachette hardcover
réf. 11585698-6Museum of Modern Art. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Museum of Modern Art unknown
2003réf. 1269827376C & M Arts 2003. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket placed in mylar for preservation. Clean and unmarked pages. Binding is sound. This book shows minimal sign of wear to the cover binding or pages. Dust jacket condition is Acceptable. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. C & M Arts hardcover
1954réf. 92033Paris: Les Editeurs Français Réunis 1954. Fine. Les Editeurs Français Réunis Paris 1954 19.5 x 28.2 cm Broché Illustrated edition featuring 4 original lithographs by Picasso printed by Mourlot one of 430 numbered copies on wove paper the only issue after 5 copies on japon and 95 on Arches wove paper.A pleasing copy. Les Editeurs Français Réunis unknown
1937réf. 260601011New York: Valentine Gallery 1937. First Edition. Paperback. Very Good. 8 pages; 3 b/w plates; artists port.; 26 cm quarto. With the folding sheet insert 'Dreams and Lies of Franco' by Picasso. Light bumping to pages; worn/chipped wraps with edge creasing and some minor staining; no ownership markings. Well packaged in a box; ships with tracking Valentine Gallery paperback
1922réf. 8303New York: Broom 1922. First Edition. Quarto 33.5cm; original pictorial wrappers; 23-67 7pp ads; illus. Some toning dust-soil and scattered foxing to wrappers light wear to extremities a few streaks and scattered stains to rear wrapper with faint foxing to text margins; majority of pages are unopened; complete and Very Good. Late issue of Harold Loeb's extraordinary avant-garde literary magazine published between Rome Berlin and New York from 1921-1924. This issue includes contributions by Jean Toomer Fyodor Dostoevsky Malcolm Cowley Pablo Picasso Louis Grudin Louis Kassak and Albert Ehrenstein et al. See Hoffman The Little Magazine p.261. 8303. Broom unknown
1956réf. 89979Paris: Seghers 1956. Fine. Seghers Paris 1956 12 x 22.7 cm Broché First edition one of 10 lettered copies on Holland paper the only deluxe copies.Illustrated on the cover with a portrait of Max Jacob by Pablo Picasso.A rare and handsome copy. Seghers unknown
1939réf. 89995Paris: Paul Rosenberg 1939. Fine. First presentation at the Paul Rosenberg Gallery in Paris of an artwork foreshadowing the bull of Guernica: The Negro Sculpture before the Window. Paul Rosenberg Paris 1939 11 x 13.5 cm Une feuille pliée 4 pp. Rare first edition of the catalogue for Picassos final exhibition at the Galerie Paul Rosenberg in Paris held from 17 January to 18 February 1939 at 21 rue La Boétie. The front wrapper is illustrated with a black-and-white photograph of the exhibitions centrepiece: La sculpture nègre devant la fenêtre now known as Buste de Minotaure devant une fenêtre Private Collection; see Zervos vol. VIII p. 360. Painted on 19 April 1937 the work is widely regarded as a precursor to the bull of Guernica executed only a few weeks later. An excellent well-preserved copy. The plaquette lists the 33 works exhibited arranged by year of execution- 1936 1937 and 1938. The verso carries the notice of the next exhibition Centenary of Cézanne dated 20 February 1939. These two events were followed only by a final show devoted to Georges Braque before the gallery closed and Paul Rosenberg left France for permanent exile in the United States. The event met with considerable success as reported by the American collector and sculptor Meric Callery to Alfred H. Barr the first director of the Museum of Modern Art in New York: ""R's Rosenberg present show of Picasso is surprising in that it is so pretty colorful and gay. They have had over 600 people per day to see it."" Making Modernism Michael C. FitzGerald 1996 The adjectives pretty colourful and gay may seem surprising given both Picassos style and the political context of 1939. Indeed the exhibition - comprising chiefly still lifes painted between 1936 and 1938 in the Tremblay-sur-Mauldre studio - appears at first sight to contrast sharply with the tragic contemporary events. From 1937 onwards the Nazis began confiscating over 20000 modern artworks to mount the notorious Entartete Kunst Degenerate Art exhibition. Circulated throughout Germanys major cities it culminated in June 1939 in a large-scale auction to finance the war preceded by the burning of more than 5000 paintings in the courtyard of Berlins main barracks. Fully aware of the ongoing tragedy Paul Rosenberg took measures to save as many works as possible organising in the same year the first retrospective of Picasso at the Museum of Modern Art where Guernica was displayed and preserved. In 1940 he took permanent refuge in New York opening his celebrated gallery on 79th Street while some 2000 works he could not take with him were looted by the Nazis. Belying its seemingly innocuous appearance the exhibition of recent works by the foremost representative of so-called Degenerate Art held by a Jewish dealer constituted a genuine act of resistance to the rise of Nazism. Yet it was above all through a single work prominently displayed in the main salon and reproduced on the catalogues front that Rosenberg and Picasso transformed the still-life exhibition into a profoundly political statement. Later known as Buste du Minotaure devant une fenêtre this transitional work as noted by the art historian Vérane Tasseau is highly symbolic: The bull does not stand for fascism but for brutality and darkness Picasso remarked in the autumn of 1944 during an interview with the young painter Jerome Seckler for the American Marxist journal New Masses. Seckler had hoped to elicit from him the assertion that the late 1938 series of still lifes with bull heads was a political statement in continuity with Guernica."" This first bulls head in the still-life series gradually evolved over the course of 1938 into a curious zoomorphic human visage. It is nevertheless still titled in the catalogue La sculpture nègre devant la fenêtre. Although this title was not retained in subsequent monographs it establishes a remarkable link between two major themes in Picassos oeuvre: th Paul Rosenberg unknown
1973réf. 91826Paris: GLM 1973. Fine. GLM Paris 1973 16.2 x 22.5 cm En feuilles First edition one of the numbered copies on offset paper the only issue after 42 copies on Arches vellum. A pleasing copy. GLM hardcover
1971réf. 91834Paris Lausanne: Bibliothèque des ArtsClub français du livre 1971. Fine. Bibliothèque des Arts Club français du livre Paris Lausanne 1971 25.4 x 34 cm Reliure de l'éditeur sous étui Deluxe edition specially produced for members of the Club français du livre and printed in 1000 numbered copies. Publisher's special binding in full red cloth smooth spine housed in a black slipcase bearing at the foot of the upper cover the gilt statement : ""cette édition de luxe a été spécialement réalisée pour les adhérents du Club français du livre"". Richly illustrated with an essay by José Bergamin and the French translation prepared by Elisabeth Servan-Schreiber. Nice copy. Bibliothèque des ArtsClub français du livre hardcover
