5 595 résultats
réf. BN11038Nicolai Nicolaische Verlagsbuchhandlung Auflage: 4. Auflage: 4. Hardcover. 304 x 233 x 37 cm. Heinz Berggruen 1914 in Berlin geboren zählt zu den erfolgreichsten Kunsthändlern und Sammlern Europas. Über viele Jahrzehnte hat er mit grosser Leidenschaft eine der bedeutendsten Sammlungen der klassischen Moderne zusammengetragen. "Picasso und seine Zeit" seit 1996 im westlichen Stülerbau in Charlottenburg zu sehen zieht Jahr für Jahr eine Vielzahl von Besuchern aus aller Welt an. Die Sammlung vereinigt mehr als einhundertfünfzig Meisterwerke. Im Mittelpunkt stehen dabei Arbeiten von Pablo Picasso und Paul Klee; sie werden ergänzt von Werken ihrer grossen Zeitgenossen Alberto Giacometti Henri Laurens Georges Braque und Henri Matisse. Die vierte aktualisierte und überarbeitete Auflage des Katalogs gibt zum ersten Mal einen vollständigen Überblick über den Bestand der Sammlung Berggruen die Ende 2000 in den Besitz der Bundesrepublik Deutschland übergegangen ist. Über den AutorPablo Picasso 1881-1973 spanischer Maler Grafiker und Bildhauer war Wegbereiter und einer der wichtigsten Repräsentanten der modernen Malerei des zwanzigsten Jahrhunderts. Er siedelte 1904 nach Paris um und nach dem Zweiten Weltkrieg zog er sich nach Südfrankreich zurück. Heinz Berggruen 1914 in Berlin geboren zählt zu den erfolgreichsten Kunsthändlern und Sammlern Europas. Über viele Jahrzehnte hat er mit grosser Leidenschaft eine der bedeutendsten Sammlungen der klassischen Moderne zusammengetragen. "Picasso und seine Zeit" seit 1996 im westlichen Stülerbau in Charlottenburg zu sehen zieht Jahr für Jahr eine Vielzahl von Besuchern aus aller Welt an. Die Sammlung vereinigt mehr als einhundertfünfzig Meisterwerke. Im Mittelpunkt stehen dabei Arbeiten von Pablo Picasso und Paul Klee; sie werden ergänzt von Werken ihrer grossen Zeitgenossen Alberto Giacometti Henri Laurens Georges Braque und Henri Matisse. Die vierte aktualisierte und überarbeitete Auflage des Katalogs gibt zum ersten Mal einen vollständigen Überblick über den Bestand der Sammlung Berggruen die Ende 2000 in den Besitz der Bundesrepublik Deutschland übergegangen ist. Über den AutorPablo Picasso 1881-1973 spanischer Maler Grafiker und Bildhauer war Wegbereiter und einer der wichtigsten Repräsentanten der modernen Malerei des zwanzigsten Jahrhunderts. Er siedelte 1904 nach Paris um und nach dem Zweiten Weltkrieg zog er sich nach Südfrankreich zurück. Nicolai Nicolaische Verlagsbuchhandlung hardcover
réf. GOR003535710Hardback. Very Good. hardcover
réf. 201506New York: Philosophical Library 1948. Cloth 63pp. Near fine in very good dust jacket. . Philosophical Library Hardcover
1954réf. PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
1971réf. PICASSOP000734Lund Humphries London. 1971. Second edition completely revised and enlarged from the original 1956 version. Quarto. 128 pages. 329 black and white illustrations and one in colour.Presentation copy from the author inscribed by him on the front free endpaper: ''Barbara from Roland - October 25th 1971.'' The recipient is Barbara Bagenal 1891-1984 whose address label is next to the inscription. She was an artist associated with various members of the Bloomsbury Group primarily Vanessa Bell Saxon Sydney-Turner and John Maynard Keynes. In the fifties she became the companion of Clive Bell and it was while touring France with him that she met Picasso. The Tate has a humorous photograph taken by her of Bell and Picasso together. She later noted in her journal ''P. kissed me!''.Covers slightly rubbed at head and tail of spine. Very good indeed in very good dustwrapper with a small chip at head of spine. Lund Humphries, London. unknown
1959réf. 87544Cannes 1959. Fine. Cannes 25 octobre 1959 17 x 32 cm un feuillet remplié Signed and inscribed newspaper clipping with Picasso's portrait. Newspaper clipping from 'Le Patriote de Nice et du Sud-Est' 25 October 1959 signed and inscribed by Pablo Picasso. A folded leaf inscribed with a large red felt-tip pen. A pictorial and unusual inscription signed by Picasso on the front page of a Nice newspaper celebrating his 78th birthday: For Max Pellequer / his friend / Picasso. A beautiful testimony of friendship in an important political newspaper which featured many of the artist's original creations. Banker and collector Max Pellequer was introduced to Picasso in 1914 by his uncle by marriage André Level. He quickly became one of Picasso's most important collectors and his financial advisor for over 30 years. Pellequer's interest in his art began as early as the 1910's when he purchased a Picasso bronze from art dealer Ambroise Vollard. During the 1930s and 1940s as Picasso's personal banker he made the painter exceptionally wealthy and allowed him to settle comfortably in the South of France. Picasso created a superb ex-libris for him bought him paintings including 'La Mer à L'Estaque' by Cézanne now in the Picasso museum and offered him a few works. Pellequer assembled a vast collection of paintings by the great masters of modern art: Degas Raoul Dufy Paul Gauguin Fernand Léger Henri Matisse Joan Miró Modigliani and Maurice Utrillo today in the most important international museums. The choice of this newspaper of the Nice Communist Party is particularly significant for Picasso. He had joined the Party in 1944 and advocated for peace in the post-war period with the communists. In 1946 he met the paper's future editor-in-chief Georges Tabaraud then a young journalist who had fought in the Resistance. They remained very close until Picasso's death: Le Patriote became in a way 'Picasso's newspaper' especially during the Nice Carnival: in 1951 as a gesture of friendship Picasso created a jester king for the front page of the daily newspaper for that particular day of popular jubilation and then every year from 1958 to 1967. He knew that the press was the main source of information for the French. His direct style is combined with a fraternal feeling a desire to act and work together. Georges Tabaraud and Pablo Picasso joined forces for better but also for worse when the news required serious action"" Picasso Foundation. Picasso had given the Patriote an exclusive portrait in his villa in Cannes for his 78th birthday. Highlighting the date he signs here around his photograph on the front page of the newspaper. The artist is seen sitting next to his Picador a striking linocut depicting a bullfighting scene - a theme dear to the artist throughout his long and versatile career: The painter has in fact just devoted his last weeks to linocut. He created an extraordinary collection of some thirty engravings . The entire team of our newspaper wishes good health for many years to come to the illustrious painter comrade and collaborator who make us the envy of the press all around the world is printed in the insert next to Picasso's red felt-tip pen. unknown
1988réf. Alibris.0009335ABRAMS. 1988. Hard cover. Fine in fine dust jacket. Text in English Spanish. Sewn binding. Cloth over boards. 102 p. . ABRAMS hardcover
réf. 33414446-nnew. unknown
1939réf. PICASSOP014012The London Gallery London. May 1939. Revised edition. Quarto. 40 pages. Sewn wrappers. Double number devoted to the catalogue of a Picasso exhibition. 28 illustrations. A surrealist prose poem by Picasso is translated by Roland Penrose. Short texts by Paul Eluard and Conroy Maddox.Slight fading to spine. Very good indeed. The London Gallery, London. May, unknown
1966réf. 221217013Basel Switzerland: Galerie Beyeler 1966. First Edition. Paperback. Very Good. Large 4to. profusely ill. with tipped in plates chiefly in color. Sound binding with light creasing to spine touch of foxing to wraps no ownership markings.; Well packaged in a box ships with tracking Galerie Beyeler paperback
1952réf. PICASSOP013319Souillac. Octobre 1952. First edition. Quarto. 56 pages. Illustrated mostly with photographs. Card wrappers. The entire issue is devoted to Picasso. Interviews and essays. The contributors are Maurice Raynal Daniel Henry Kahnweiler Pierre Reverdy George Besson Tristan Tzara Paul Gay Edouard Pignon and Claude Roy.At page 51 there are three photographs of Picasso one of which is with Edouard Pignon. The page is signed by both of them and dated by Pignon 25 mai 53.Head and tail of spine a bit rubbed. Near fine. Souillac. Octobre, unknown
réf. DADAX0520282469New unknown
1969réf. B6537New York: Avant Garde. 1969. A very good copy. Edition: First Edition. Binding: publisher's paper boards title on the upper board and flat spine. Notes: This special issue of Avant-Garde is devoted entirely to one subject: a series of erotic gravures or engravings by Pablo Picasso the pre-eminent artis of our time. They are indeed to stand as self said “As an abiding celebration of life itself”. Pablo Ruiz Picasso 1881–1973 was a Spanish painter sculptor printmaker ceramicist and theatre designer who spent most of his adult life in France. Regarded as one of the most influential artists of the 20th century he is known for co-founding the Cubist movement the invention of constructed sculpture the co-invention of collage and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon 1907 and Guernica 1937 a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War. Size: Large quarto Category: Book Modern; Book Erotica; Avant Garde. hardcover
réf. 25698Paris 1930. . Large 8vo. pp.112 printed paper wrappers 4 colour plates numerous b/w plates; light toning to page margins foxing to wrappers otherwise an unusually fine copy. Paris, 1930. unknown
réf. SONG1903278872Used: Good unknown
1975réf. 92148Barcelona: Fundacio Joan Miro Centre D'Estudis D'Art Contemporani 1975. Fine. Fundacio Joan Miro Centre D'Estudis D'Art Contemporani Barcelona 1975 27.5 x 37 cm Reliure de l'éditeur First edition one of 350 numbered copies on regular issue paper.Publisher's full yellow cloth binding smooth spine housed in its black full-cloth slipcase complete with the original silk tie.A few minor nicks to the slipcase.Profusely illustrated throughout.Contributions by Brassaï Magda Bolumar Joan Miro Joan Brossa Luis Bunuel Alexander Calder Eduardo Chillida Jacques Dupin Nina Kandinsky Roland Penrose Pablo Picasso Rafols Casamada Georges Raillard Josep Lluis Sert Michel Tapié Yvon Taillandier Antoni Tapies Patrick Waldberg. Fundacio Joan Miro Centre D'Estudis D'Art Contemporani hardcover
1986réf. P-10846Boston MA: Atlantic Monthly Press 1986. Hardcover. Fine/First Edition. Folio. First publication of Picasso's complete sketchbooks. A clean unmarked and unclipped copy. Atlantic Monthly Press hardcover
réf. Q22A-06352Abbeville Pr. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Abbeville Pr unknown
réf. 124157Paris Le Degré quarante et un 1968. . First edition one of 65 copies on vieux japon from a total edition of 75 this copy unnumbered but probably one of the XV hors-commerce copies 'réservés aux compagnons' signed by Iliazd in red pencil on the colophon and by nine of the artists on the upper flyleaf; oblong 4to 23.2 x 29 cm; illustrated with 13 drypoint engravings of which three are in colour from the following artists: Beaudin Bryen Derain Dunoyer de Segonzac Ernst Giacometti Magnelli Marcoussis Masson Miro Pascin Picasso and Survage; loose as issued in the publisher's vellum wrappers with title printed in black brown cloth chemise and slipcase with title in black to spine a fine copy. Signed by Iliazd and nine of the artists including Picasso Miro and Ernst. Signed by Iliazd and nine of the artists including Picasso Miro and Ernst. A wonderful example of this homage to the Parisian printer and publisher Roger Lacourière containing original etchings by thirteen artists who collaborated with him in his Montmartre atelier. Picasso not only contributed an etching but also a poem titled Aux quatre coins de la pièce which he had engraved on a copper plate. The original plate was lost and there was only one known impression. Through great skill Iliazd was able give to the poem in printed form the same aesthetic as the manuscript-engraving. This collaboration between Iliazd and Picasso is notably scarce due to its small edition. Our example is in the vellum wrappers with the title printed in black as opposed to the more common marbled parchment wrappers with the title printed in red. Paris, Le Degré quarante et un, 1968. hardcover
1937réf. 93431New York: Jacques Seligmann & Co. Inc. Fair. Numbered Limited Edition. Paperback. Rare numbered limited edition number 638 of 750 number hand-written. Covers have moderate staining and wear to corners and edges. Two small numerical notations in ink on front cover. Interior clean and unmarked. International shipping billed at cost. Photos upon request. Please note that the buyer is responsible for any customs duties tariffs or import fees levied by the destination country.; 8vo 8" - 9" tall . 1937. Jacques Seligmann & Co., Inc. paperback
1964réf. 011411PARIS / AMSTERDAM : EDITIONS CERCLE D'ART S.A / HARRY ABRAMS 1964. ASSUMED FIRST . Hardcover. Very Good/No Jacket. TIPPED IN PLATES. SOLID CLEAN BRIGHT AND UNMARKED 160 BEAUTIFUL TIPPED IN PRINTS BOUND IN GRAY WITH BRIGHT VIBRANT COMPLETE LETTERING A FIRST HAND ACCOUNT OF LIFE IN PICASSO'S STUDIO BY MS. PARMELIN PREFACE BY DOUGLAS COOPER EXCELLENT EXAMPLES OF THIS PERIOD OF PICASSO'S CAREER SEVERAL TINY PIN PRICKS TO COVER NO DATE STATED LACKING THE PAMPHLET AND JACKET A GRAND BOOK EDITIONS CERCLE D'ART S.A / HARRY ABRAMS hardcover
1970réf. SBBI-SBL-012929Calder Publications Ltd 1970. Paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Calder Publications Ltd paperback
réf. 11585698-6Museum of Modern Art. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Museum of Modern Art unknown
2003réf. 1269827376C & M Arts 2003. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket placed in mylar for preservation. Clean and unmarked pages. Binding is sound. This book shows minimal sign of wear to the cover binding or pages. Dust jacket condition is Acceptable. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. C & M Arts hardcover
1954réf. 92033Paris: Les Editeurs Français Réunis 1954. Fine. Les Editeurs Français Réunis Paris 1954 19.5 x 28.2 cm Broché Illustrated edition featuring 4 original lithographs by Picasso printed by Mourlot one of 430 numbered copies on wove paper the only issue after 5 copies on japon and 95 on Arches wove paper.A pleasing copy. Les Editeurs Français Réunis unknown