PICASSO, PabloABAA
5 487 résultats
1980réf. 603046New York: The Museum of Modern Art 1980. Softcover. Fine. Exhibition guide. Tall octavo. 16pp. Fine in stapled self-wrappers. Prints eight pages of gallery layouts and two pages of books for sale among other material. The Museum of Modern Art unknown books
1974réf. 1395275New York: Felicie 1974. Hardcover. Quarto 276 pages. In Good minus condition with a Good dust jacket. Spine is gold with black print. Dust jacket in mylar. Dust jacket has front “window” to portrait on front board but portrait is hidden by inside paper of mylar cover light edge wear. Boards in illustrated cloth white print. Wear to spine caps and corners slight warping. Text block has puckering to initial and to final pages. Illustrated: b&w and color. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area Quarto and Folio Case. 1395275. FP New Rockville Stock. Felicie hardcover books
1966réf. 1395228Greenwich CT: New York Graphic Society Limited 1966. Second Edition. Hardcover. Large quarto 348 pages. In Good condition with a Good dust jacket. Spine is pictorial with black text. Jacket protected in plastic sleeve price cut. Jacket has moderate shelf and edge wear. Age toning to jacket. Binding is solid. Book contains numerous black and white and tipped in color plates. Shelved in Art Monographs. 1395228. Shelved Dupont Bookstore. New York Graphic Society Limited hardcover books
1947réf. 29245New York: Lear Publishers. Very Good. 1947. Later Printing. Hardcover. no dust jacket modest shelfwear to bottom edges of covers bumped at base of spine internally unblemished. The Balzac story printed on facing pages to the lithographs is in two parts: "Gillette" and "Catherine Lescault." From Wikipedia: "'Le Chef-d'uvre inconnu' English: 'The Unknown Masterpiece' is a short story . first published in the newspaper L'Artiste with the title 'Maître Frenhofer' English: 'Master Frenhofer' in August 1831. It appeared again later in the same year under the title 'Catherine Lescault conte fantastique.' It was published in Balzac's Études philosophiques in 1837 and was integrated into La Comédie humaine in 1846. . The story is a reflection on art and has had an important influence on modernist artists." NOTE that the binding on this volume see scanned image does not match those described by other offered "first edition" copies hence I'm surmising that this may be a later printing. . Lear Publishers hardcover books
1954réf. 007666New York: The Noonday Press 1954. Limited First Edition. Cloth. Fine. No. 22 of 64 copies printed of which 55 were placed on sale. Printed on hand-made Fabriano paper by Igal Roodenk and James Lanier. Lithographs pulled in Paris by Fernand Mourlot Freres. The fine woven paper is various colors -- cream black blue rose. Folio 44 by 28.5 cm. Light wear to black cloth -- a few light scratches. Otherwise like new. The Noonday Press unknown books
1989réf. 23542Basel: Galerie Beyeler 1989. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Fine. 105 pages. 30 x 25 cm. 106 color plates printed recto only. Essay by Daniel-Henry Kahnweiler. Text in French. Galerie Beyeler unknown books
1972réf. 23266Barcelona: Editorial Gustavo Gill 1972. First edition. Hardcover. All three parts two books and case in fine condition. Picasso Pablo. 87 pages English text 61 pages Spanish text: 13 x 20 cm Limited edition copy 561 of 1000. The tiny Notebook 10.5 x 5 cm. of Picasso's drawings are in facsimile containing 46 sheets: drawings and notes from Picasso's stay in Paris in 1900 and reproduced in collotype and pochoir by Daniel Jacomet. Text and drawings encased in light green box with black paper cover label. Text in stiff white wrappers. Jacqueline Picasso Los Editores. Editorial Gustavo Gill hardcover books
1986réf. 18428Boston: Atlantic Monthly 1986. First edition. leather_bound. Full orange morocco. Fine in near fine solander case of quarter orange morocco with two spine inlays in gray morocco spine lightly sunned and beige basket weave cloth. 349 pages. 30 1/2 x 23 1/2 cm. Edited by Arnold Glimcher and Marc Glimcher. Bound by the Harcourt Bindery with their ticket at backcover paste-down in full orange morocco decorated in blind in a Picasso motif a line drawing of male/female faces intertwined with this design motif replicated on the cover of the solander case. Copiously illustrated in black and white and color including samples from each of 175 different sketchbooks. Features essays by Claude Picasso Robert Rosenblum Sam Hunter Francoise Gilot and others. The monograph presents for the first time the personal sketchbooks of Picasso and contains a catalogue raisonne which fully describes all 175 extant sketchbooks. This book was produced in conjunction with an accompanying exhibition at the Pace Gallery in New York in 1986. Atlantic Monthly unknown books
1952réf. 6065New York: MOMA 1952. First edition. Paperback. Twenty-three illustrations. Introduction by William Lieberman. Orig. illustrated white wrappers. Near fine. 24 pages. MOMA paperback books
1971réf. 316848New York: Weintraub Gallery 1971. Paperback. Plates as called for first struck between 1936 and 1942 and published 1942. Each reproduction is from the cancelled image showing the large superimposed "X" that cancels. Unpaginated each plate shown fullpage ergo 31 pages plus additional materials also unpaginated. Nice condition; softbound in matte-black wraps with labeling in bronze & white 9.5 inches square protected in a well-preserved acetate sur-wrapper. Item itself is mildly edgeworn while the clear acetate is a bit rubbed. Sound square clean and beyond a date penned neatly to front free endpaper without markings of any kind. This is a very good copy. Weintraub Gallery paperback books
1989réf. 310263Sainte-Amand Cher: DTV Compact Livre Le Dernier Terrain Vague 1989. Paperback. 101p. small book 6x4 inches printed large font a slightly disorienting feature softbound in glowing scarlet cardstock titled white and enclosed in a nice little dust jacket that bears the sole and only illustration. Card covers are mildly edgeworn and jacket is somewhat abraded along all fold-lines . sound in every other respect and within is entirely clean and unmarked. Note on a dust jacket flap lists authors besides Prudon that DTV has published these include to wit Kathy Acker and Charles Bukowski. DTV Compact Livre (Le Dernier Terrain Vague) paperback books
1946réf. 299391Briarcliff Manor NY: Briarcliff Junior College 1946. Magazine. pp193-288 6x9 inches essays criticism poetry fiction art worn and toned covers else good literary arts journal in stapled wraps. Briarcliff Junior College unknown books
1958réf. 296098New Haven: Yale University 1958. Paperback. 184p. essays facsimiles very good English language trade paperback journal in pictorial wraps. Picasso poems by Apollinaire Eluard Cocteau & Prévert. French Negro Poetry by Hoffmann. Yale University paperback books
1976réf. 185566Habaña: Editorial Gente Nueva 1976. Paperback. 144p. text in Spanish illustrations by Picasso very good first edition thus trade paperback in pictorial wraps. A small collection of poems by Garcia Lorca illustrated wuith b&w Picasso artworks. Only 2 copies located in OCLC as of 3/2014. Editorial Gente Nueva paperback books
1932réf. 2651Paris: np 1932. Fine. MAN RAY CAPTURES PICASSO'S ESSENCE IN LEGENDARY PORTRAIT. AN ICONIC PHOTOGRAPH WITH IMPORTANT PROVENANCE: From the famous Sotheby's sale of 1995 of items from the "Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray". The son of Russian-Jewish immigrants Emmanuel "Manny" Radnitzky 1890-1976 grew up in Brooklyn New York. He displayed creative abilities from a young age and studied to be a painter. He adopted "Man Ray" as his pseudonym and in 1915 formed the New York group of Dada artists with Marcel Duchamp. In the 1920s and 1930s Paris was the destination for the international avant-garde offering an exceptional number of galleries art dealers and wealthy patrons who promised artistic freedom. Man Ray sailed to the "City of Light" in 1921 joined Parisian Dada and Surrealist circles and became intimate associates with Pablo Picasso Max Ernst and other leading artists. He pursued fashion and portrait photography creating a pantheon of the city's cultural life. "As a photographer I was in demand" Ray explained to John Bainbridge a writer at The New Yorker. "I was like a doctor. Everybody needed me." Bolz To be photographed by Man Ray meant you had made it in the Parisian art world. Ray often said that Old Masters especially Hans Holbein the Younger Rembrandt and Vermeer inspired his portraits. "I. admired the respect with which they treated the proportions of human features" he wrote in an article published in Modern Photography magazine in November 1957. He also made considerable technological advancements in the field by creating "rayographs" photographic images composed of ordinary objects placed on photo sensitive paper exposed to light and developing solarization the process of tone reversal observed in cases of extreme overexposure. "I photograph the things that I do not wish to paint the things which already have an existence" Ray said. Schwarz 10 Ray sought to create a sense of drama and mystery believing that his photography could transcend the mechanical nature of a camera. When photographing his friends and colleagues Ray's emotional and psychological insights allowed him to expose the soul of each subject. One such subject and friend was Pablo Picasso. Man Ray and Picasso met in 1921 in Paris. They became friends through their connection to Surrealism spending holidays together and collaborating on creative pursuits. In his autobiography Man Ray described Picasso: "He gave me the impression of a man who was aware of all that was going on about him and in the world in general a man who reacted violently to all impacts but had only one outlet to express his feelings: painting." Man Ray 177 The intensity and awareness that Man Ray described is masterfully captured in his portraits of the painter. This photo we have on offer is from Man Ray's renowned series of Picasso portraits and coincided with the publication of the first volume of Picasso's catalogue raisonné reflecting the critical position Picasso's work occupied in the French artistic establishment. In this monumental photograph from 1932 Man Ray unusually presented Picasso in an open trench coat over his jacket and tie. Choosing to shoot this portrait in profile he captured Picasso's pensive expression. Ray used a bold lighting effect and an unadorned background so as not to detract from the subject. Picasso is slightly out-of-focus creating a subtle softness. The print is also on thin tissue-like paper creating texture and depth. Man Ray was famous for experimenting with different types of paper for his prints. This 1932 Portrait of Picasso was selected for Man Ray's seminal 1934 album which included his most important photographs. This print has the Man Ray stamps M28 and M30 on the reverse and was lot 487 from the sale of the "Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray" Sotheby's March 22 and 23 1995. Man Ray and Picasso remained close confidantes after this collaboration and during the summer of 1937 Man Ray filmed his friends including Pablo Picasso during a trip to the French Riviera. The result was On the French Riviera with Man Ray and Picasso a documentary film which portrayed the friendship of Picasso and Ray at the center of a close-knit community of artists. German occupation led Ray to leave Paris for the United States in 1940. He lived and worked in New York and Los Angeles returning to Paris in 1951 and resuming his friendship with Picasso and other artists. Ray died in Paris in 1976 yet his creativity and innovative techniques which demonstrate the distinctive cultural landscape of Paris during the interwar period had a substantial influence on contemporary art. Contributing to magazines like Vogue Vanity Fair and Harper's Bazaar he paved the way for Richard Avedon Annie Leibovitz and other artistic photographers. Ray achieved international recognition for his photography which he elevated to an art form. On May 14 2022 Man Ray's Le Violon d'Ingres 1924 sold for $12.4 million setting a new world record as the most expensive photograph ever sold at auction. He was a masterful portraitist renowned for capturing the essence of his subject's personality and mood. This collaboration between two of the most prolific creative and eclectic artists of the twentieth century had truly spectacular results. Provenance: Sotheby's London 22nd and 23rd March 1995 Lot 487: "Property of the Estate of Juliet Man Ray The Man Ray Trust and the Family of Juliet Man Ray." Image/Print Size: 6 3/4 x 9 3/8 in. Elegantly framed with wooden frame under UV-protecting museum glass to an overall size of 20 ½ x 24 ½ inches. Paris: 1932; printed later. Silver print on thin paper. With Man Ray stamps on reverse: M28 and M30 - 'Man Ray 31 bis Rue Campagne Première Paris XIVe' and with the copyright stamp ADAGP. Fine condition. References: Diane M. Bolz. "Visual Moment: Man Ray in Paris." Moment Magazine. Winter Issue 2022. The Editors of Encyclopaedia Britannica. "Man Ray." Encyclopedia Britannica. 14 Nov. 2022. Arthur Lubow. Man Ray: The Artist and His Shadows. New Haven: Yale University Press 2021. Man Ray. Photographs by Man Ray: 1920 Paris 1934. Hartford: James Thrall Soby 1934. Man Ray. Self Portrait. London: Bloomsbury 1988. Man Ray and Jean-Hubert Martin. Man Ray Photographs. London: Thames and Hudson 1982. Arturo Schwarz. Man Ray: The Rigour of Imagination. London: Thames and Hudson 1977. Slate Photo. "Man Ray's Portraits." Slate Magazine. February 6 2013. Alden Whitman. "Man Ray is Dead in Paris at 86; Dadaist Painter and Photographer." The New York Times. November 19 1976. np unknown books
1926réf. 009984Huntington NY: Pidgeon Hill Press 1926. First Edition. Printed Covers. VG. Slightly rolled spine small loss to upper right corner front cover internals near fine. Errata slip tipped-in at apstedown. Pidgeon Hill Press unknown books
1936réf. 27574London: Farleigh Press 1936. Very Good. London: Farleigh Press 1936. First Edition. Octavo 22cm.; publisher's white staple bound card wrappers printed in red and blue; 73-103pp. Light dust-soil wrapper margins toned else Very Good or better. Special issue featuring six poems by Pablo Picasso as well as the opening essay "Surrealism and Communism." Contributors also include Salvador Dali André Breton e.e. cummings and Dylan Thomas. With rear wrapper advertisement for financial support for "the Spanish people against Fascism. Farleigh Press unknown books
1986réf. 1244486London: Thames and Hudson 1986. Tall quartos 314pp; 480pp. Softcover in VG- condition. The following applies to both volumes: Bumping and shelf-wear. Light sunning and creasing to spines; minor rubbing and surface scratches to rear panels. No markings or creases to the text. Binding is sturdy. Crease to rear wrap of volume 2. NOTE: Due to size/weight of items additional shipping fees may apply. LR CONSIGNMENT. Shelve: Museums & Galleries. Spines are gray and olive green with orange and white text. 1244486. Shelved Dupont Bookstore. Thames and Hudson unknown books
1961réf. 1383New York George Braziller 1961. Picasso Sabartes Jaime. Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original Lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent condition like new with the dust jacket also in perfect condition . The four original Lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. Bloch 1014-1017; Freitag no. 7495; Goeppert & Cramer 113 George Braziller George Braziller hardcover books
1961réf. 1385Paris Draeger Fréres. 1961. Picasso Sabartes Jaime. Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original Lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent conditon like new with the dust jacket also in perfect condition Picasso Toreros. George Braziller. New York. 1961. Oblong 4to. With four original lithographs. Printed in France by Draeger Fréres. The four original lithographs 3 in black and 1 in 24 colors were printed by Mourlot Freres. With 103 full page reproductions of bull fight scenes. 1st edition. The red cloth over boards binding in excellent condition like new with the dust jacket also in perfect condition This a very important and sought after book by the most famous artist of the 20th century. Draeger Fréres. George Braziller. books
réf. B145671-2Antibes 1987. 46pp. Prof. illus. 4to. Wraps. Antibes, 1987. paperback books
réf. B267413-1Paris Réunion des Musées Nationaux 1999. 151pp. Prof. illus. Sm. 4to. Wraps. Paris (Réunion des Musées Nationaux), 1999. paperback books
réf. B200372-1Antibes 2013. 115 5pp. Prof. illus. numerous color. 4to. Cloth. D.j. Parallel texts in French and English. Antibes, 2013. hardcover books
réf. B193540-1Paris 1999. 126pp. Illus. partly color. Sm. 4to. Boards 1/4 cloth. Paris, 1999. hardcover books
1942réf. B-2023-0101Non Vouloir. Illustrated 4 etchings by Picasso and a dedication in pen by Hugnet. Editions Jeanne Bucher Paris 1942. George Hugnet Pablo Picasso Illustrator. One of 400 on Velin Bouffant paper from a total edition of 420 copies. Thread stitched paperback with four engravings with burin by Picasso in full page and a collection of poems by George Hugnet dedicated to Paul Eluard the two poets joined the resistance in the Summer of 1942. With Hugnet dedication in pen: À M.P.F. en souvenir d'un temps "vert" par un temps qui n'est pas encore mûr son ami… Editions Jeanne Bucher paperback books
