PICASSO, Pablo; Claude ROYBiblio.com
5 529 résultats
1954réf. 21248901954. Paris: Editions Cercle D'Art. 1954. Folio. Publisher's oatmeal cloth with orange belly-band printed in black and white no dust-jacket as issued spine and upper board lettered in burgundy; pp. '153' i.e. 151 1 2 colophon blank with the two large folding plates in pocket to rear board; slightly shaken; else a very good copy.First trade edition one of 6000 copies of this monumental work on Picasso's enormous two-panel La Guerre et la paix War and Peace - even larger than Guernica - for the deconsecrated Romanesque chapel of the the Chateau de Vallauris published five years before the chapel was officially opened to the public and instrumental in publicising the work.There were also one hundred copies of the edition de tete with an original lithograph by Picasso. To accommodate the vaulted ceilings of the deserted chapel - which Picasso aimed to turn into a 'temple of peace' - he structured the panels on thirty-two pieces of hardboard. He made over two hundred and eighty preparatory drawings several of which are reproduced here. Between 1952 and 1959 the installation 'remained largely unknown. Claude Roy's book on La Guerre et la paix . brought these large panels to wider attention before the chapel's public opening' Forest trans. Jean Cocteau who saw the work being created in Picasso's studio at Fournas - along with amongst others Francoise Gilot and Claude Roy author of the present work - wrote that 'the first impression of La Guerre et la paix is that of a nave a church; it seems that everyone who enters the studio takes off their hat. I take off my hat' ibid. Picasso left the drips of paint as they were arguing that 'one doesn't advise an unhappy person to wipe away their tears'.Goeppert 67. See Forest 'Picasso la guerre et la paix' in Michel and Vandenbussche eds L'idee de paix en France et ses representations au xxe siecle 2018 pp. 349-54. hardcover
2014réf. 008713Fundación Museo Picasso Málaga/Legado Paul Christine y Bernard Ruiz-Picasso 2014. 1st Edition . Hardcover. Near Fine/No Jacket issued. Fundación Museo Picasso Málaga/Legado Paul, Christine y Bernard Ruiz-Picasso hardcover
2000réf. ANAIS-3791323504Prestel Pub 2000-08-16. hardcover. Good. 11.9X9.7X1.2. Buy with confidence. Excellent Customer Service & Return policy. Prestel Pub hardcover
2016réf. 1-1910433845Black Dog Pub Ltd 2016. Paperback. New. reprint edition. 157 pages. 12.00x9.50x0.50 inches. Black Dog Pub Ltd paperback
réf. 43025Paris Réunion des musées nationaux 2001. 4° 364 S. zahlr. oft farb. Abb. Brosch. Tadellos. EA. Katalog zur Ausstellung Paris Montreal Barcelona. Text frz. 010 Paris, Réunion des musées nationaux, 2001 unknown
réf. 107169Stuttgart Hatje Cantz 2000. 4° 303 S. zahlr. Abb. Broschur Min. gebrauchspurig tadell. - Dieser Band enthält Picassos gesamtes lithografisches Werk von 860 Nummern. Die Werke stammen fast ausschließlich aus der Sammlung Huizinga die den Kernbestand des ersten Picasso-Museums in Deutschland des Graphikmuseums Pablo Picasso Münster bildet. 010 Stuttgart, Hatje Cantz, 2000 unknown
2015réf. 1-0870709747Museum of Modern Art 2015. Hardcover. New. 352 pages. 12.36x9.84x1.26 inches. Museum of Modern Art hardcover
2018réf. 1-1849765898Tate Publishing 2018. Hardcover. New. 320 pages. 10.00x7.00x1.25 inches. Tate Publishing hardcover
réf. 105470Milano Studio editoriale d'arte Perna 1962. 49 x 38 cm 60 Bl. eine ganzseitige Lithographie 32 Taf. mit blattgrossen Abb. GanzLwd goldgeprägt in Schmuckschuber Tadell. = Collana grafica 2- Note critiche di Franco Russoli. Nr. 437 von 1900 Exemplaren. Text. Ital.Opulente Ausgabe! 010 Milano, Studio editoriale d'arte Perna, 1962 unknown
2020réf. 1-1912520176Royal Academy of Arts 2020. Hardcover. New. 328 pages. 12.00x10.00x1.25 inches. Royal Academy of Arts hardcover
1928réf. 149110Paris: Transition 1928. The summer 1928 issue of Transition number 13 containing James Joyce's ongoing piece “Continuation of a Work in Progress." Octavo original pictorial wrappers with the cover portrait by Picasso illustrated with black and white photographs throughout including Berenice Abbott's famed portrait of James Joyce. “Continuation of a Work in Progress" is an excerpt of Joyce's experimental novel that would later be published as Finnegans Wake 1939. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. In very good condition with loss to the spine. Cover by Pablo Picasso. Transition was a Paris-based modernist literary journal founded in 1927 by Eugene Jolas that became one of the most influential platforms for experimental writing in the interwar period. Dedicated to challenging traditional literary forms the magazine published work by leading figures such as James Joyce Gertrude Stein Samuel Beckett and Hart Crane often showcasing texts that pushed the boundaries of language and narrative. Its pages were especially important for serializing excerpts of Joyce’s Work in Progress later Finnegans Wake thereby introducing avant-garde readers to his evolving style. Transition unknown
1934réf. 2502007The Limited Editions Club 1934. signed limited. hardcover. fine. SIGNED Limited edition 1/1500. This being #316. Signed by Picasso. Book fine stiff cover near fine with two small teats to bottom of spine. In very good slipcase partial tears to bottom part. The Limited Editions Club unknown
réf. 4c3368Verschiedene Verlage 1956-1996. Insgesamt ca. 5280 S. mit zahlreichen Abbildungen verschiedene Einbände teils mit Schutzumschlag teils quart teils leichte Gebrauchsspuren. - Enthalten: Picasso. Eine Bildbiographie Lothar-Günther Buchheim / Der unbekannte Picasso. Die Schätze von la Californie; David Douglas Duncan / Der junge Picasso; Sidney Finkelstein / Pablo Picasso 1881 - 1973. Das Genie de Jahrhunderts; Ingo F. Walther in 2 verschiedenen Ausgaben / Picaso. Metamorphosen; Lean Leymarie / Adieu Picasso; David Douglas Duncan / Picasso und der Kubismus; Alberto Martini / Von Marees bis Picasso. Meisterwerke aus dem Von der Heydt-Museum Wuppertal. Katalog zur Ausstellung; Harald Szeemann / Picasso. Pastelle Zeichnungen Aquarelle; Werner Spies / Picasso und seine Zeit. Die Sammlung Bergruen. Katalog zur Ausstellung in den Staatlichen Museen Berlin Preussischer Kulturbesitz; Peter-Klaus Schuster u.a. / Pablo Picasso. Keramik 1947 bis 1961 Mosaiken 1956 bis 1958 Linolschnitte seit 1961 Lithographien 1956 bis 1961 Plakate 1948 bis 1962. Katalog zur Ausstellung im Museum für Kunst und Gewerbe Hamburg Kunstgewerbe-Verein Hamburg / Picasso. Das plastische Werk. Werkverzeichnis der Skulpturen in Zusammenarbeit mit Christine Piot; Werner Spies / Pablo Picasso 1881 - 1973. Band I: Werke 1890 - 1936 und Band II: Werke 1937 - 1973; Carsten-Peter Warncke herausgegeben von Ingo F. Walther / Picasso. 347 Gravures. Ce catalogue No 23 - Serie A; Draeger Freres / Leben mit Picasso; Francoise Gilot und Carlton Lake / Picasso. Sein Werk von Frank Egar. Sein Leben von Robert Maillard / Picasso 1900 - 1955. Katalog zur Ausstellung im Rheinischen Museum Köln-Deutz und im Kunstverein in Hamburg Kunsthalle-Altbau / Pablo Picasso. Das graphische Werk; Bernd Rau / Pablo Picasso; eingeleitet von Andre Leclerc. Aus der Reihe: Vollmer-Kunstbücher / Neun Jahre mit Picasso. Erinnerungen aus den Jahren 1905 bis 1913; Fernande Olivier / Pablo Picasso. Der Maler und sein Modell; mit einem Vorwort von Manuel Gasser / gute Exemplare - unknown
réf. 33911Paris XXe Siècle 1971. First edition hardcover in red cloth and gold gilt lettering 12 3/4 x 10" 32 x 25 cm with dust jacket 138pp. A special number of the XXe siècle Art series published under the direction of G. di San Lazzaro and printed in Italy. This tribute contains twenty-eight colour reproductions including 7 facsimile colour linocuts and one hundred and fifty in black and white. Most noteworthy is an original colour lithograph print shown exclusively in this special number of XX Siecle. This book contains a complete overview of Picasso's oeuvre accompanied by numerous essays in French from colleagues and friends such as Kahnweiler Apollinaire Eluard and Verdet amongst many others. This copy is still crisp and in near fine condition the dust jacket alone showing some very light wear. This wonderful homage in image and print from an artist who was a major influence on twentieth century aesthetics includes a complete panorama of his works with the coveted bonus of an original Picasso colour lithograph from 1958. Paris, XXe Siècle, 1971 unknown
réf. 33917Monte Carlo André Sauret 1961. First edition hardcover in grey cloth with black illustration 10" x 12 3/4" 25 x 32 cm landscape orientation in a red slipcase 153pp. Edited by André Sauret with French text contributed by Picasso's long time friend Jaime Sabartés. This unique book focuses on the bullfighting theme which is deeply ingrained in Spanish culture and was a subject that fascinated Picasso throughout his life. Featuring four original lithographs one of which is in twenty-four colours printed by Mourlot Frères this monograph makes a splendid acquisition for Picasso lovers. The balance of this book is populated mostly by pen and ink washes depicting the world of toreadors exquisitely rendered by the Draeger Frères presses and printed in France. This exemplar of A LOS TOROS AVEC PICASSO is in truly Fine condition and includes all four lithographs bright and crisp. The slipcase alone shows some very minor scuffing. Monte Carlo, André Sauret, 1961 unknown
réf. 104140Köln Könemann 1996-99. Gr.8° Fronti. 558 527 528 S. 4971 Abb. OLwd. in Schuber Min. gebrauchspurig tadell. 010 Köln, Könemann, 1996-99 unknown
réf. 103749Stuttgart Klett-Cotta 1987. 4° 349 S. zahlr. teilw. farb. Abb. OLwd. m. OU. OU mit hinterlegtem Riss sonst tadell. Mit Widmung von Edward Quinn a. Titelblatt. 010 Stuttgart, Klett-Cotta, 1987 unknown
1954réf. 21208181954. Paris: Editions de la Revue. 1954. Folio. Original illustrated boards designed by Picasso depicting the profile of his lover Genevieve Laporte with title lettering in purple; 16 full-page original colour lithographs and 164 black and white reproduction heliogravures; encased in glassine wrapper; near fine.First edition. Double number edition of the Verve art revue showcasing only the works of Pablo Picasso.Verve the modernist Parisian art magazine at the forefront of the radical creative aesthetic of its time was first published in 1937 with famous cover artwork by Henri Matisse. Subsequently it was responsible for showcasing the most distinguished characters of the Parisian art scene of the 20th century including textual contributions by prominent transgressive authors such as James Joyce. This edition features accompanying words by Rebecca West and prolific Surrealist writer and anthropologist Michel Leiris.Its founder Teriade pseudonym of the Greek Stratis Eleftheriades made the statement ""Verve was born in December 1937. In times of agony such things happen when there are big crises when we are really desperate and we do have nothing to lose or rather we are afraid that everything will be lost while waiting for disaster . Then at this precise moment everyone is able to act even to act with passion"".The year of this publication 1954 marked the death of Picasso's artistic rival but great friend Henri Matisse and his passing considerably affected Picasso who in some way relied on their competition as a catalyst. With this new absence of living rivalry Picasso was inspired to interact with the artists of the past more than ever continuously holding conversation with historical masters through his own new bold interpretations. hardcover
réf. 102410New York Museum of Modern Art 1980. 4° 463 S. 758 Abb 208 Abb. in Farbe OLwd. m. OU. Tadell. Text: engl. 010 New York, Museum of Modern Art, 1980 unknown
2021réf. 1-8417769722LA Fabrica 2021. Paperback. New. bilingual edition. 325 pages. Spanish language. 12.25x9.25x1.25 inches. LA Fabrica paperback
1981réf. 51995New York: George Braziller 1981. Very good plus. First edition of this scholarly look at Picasso's work on paper presenting each drawing side-by-side with analysis. 11'' x 9''. Original off white cloth with black sketch portrait design to front board black and blue letttering on spine. Illustrated throughout in black and white and color. 270 2 pages. Few spots of soil some toning. Interior fresh. George Braziller unknown
2006réf. 1-0821258109Bulfinch Pr 2006. Hardcover. New. 100 pages. 9.25x7.00x0.50 inches. Bulfinch Pr hardcover
réf. GOR013890518Hardback. Very Good. hardcover
1910réf. 33635Montrouge Paris: 1910 1910. Original Litho. Original Litho. PICASSO. MAX JACOB. Double Signed Litho. Montrouge Paris Seine. 1910. 14" 7/8 X 10" 3/4 on plain paper stock with the lithograph printed in two tones: Greenish grey for Picasso's drawing and handwriting and black for Max Jacob. Number 17 of only 30 copies. A rare early illustration of Picasso's close friend Max Jacob done in celebration of Jacob's conversion to Christianity. Jacob who had Jewish origins claimed to have had a vision of Christ in 1909 causing his conversion. The illustration of Jacob the first of Picasso's drawings of Max Jacob seated comfortably in a fine armchair dressed in his three piece suit. The printed text: Top A mon ami Max Jacob / Picasso .10 / 22 R. Victor Hugo / Montrouge Seine - Middle L'archange foudroyé n'eut que le temps / de desserrer sa cravate . On aurait sit qu'il / priait encore./ C. Max Jacob. Signed in pencil with his new Christian name: "C. Max Jacob" and by "Picasso" at the bottom. A very good or better example of this rare piece - Max Jacob is regarded as an important link between the symbolists and the surrealists as can be seen in his prose poems Le cornet à dés The Dice Box 1917. Throughout the year of 1901 Picasso traveled to Barcelona & Paris for art exhibitions. During an exhibition in Paris Picasso met Max Jacob. Max Jacob was a poet painter & art critic with connections in the Parisian cultural scene. The two artists developed a friendship after Jacob left an admiring note for Picasso at the art gallery displaying Picasso's work Richardson Vol. I 203. Jacob introduced Picasso to the French language and to French theatre; Jacob was also an actor. Jacob took Picasso to see operas which possibly included I Pagliacci & La Bohème Richardson Vol. I 338. "At night there were frequent visits to the cabarets of Montmartre such as the Chat Noir and when tickets could be found to the Moulin Rouge" Penrose Picasso 76. Picasso & his friends also enjoyed the artistic atmosphere of Le Lapin Agile. Artists & writers would congregate at the small café to listen to recitals exchange ideas & celebrate special occasions such as the opening of an exhibition Penrose Picasso 117. The walls of the café were lined with work by artists that were used as payment for debts. Theatrical entertainment was a prominent part of Picasso's social life in Paris. By 1904 Picasso had established a foothold in Paris and would remain in the cultural center of Europe for the rest of his life. Picasso & Max Jacob cultivated their talents in a dwelling known as the Bateau Lavoir. According to Penrose this place was ". . . composed it seemed of nothing but lofts & cellars all in such a sad state of repair. . . " Picasso 96. Artists of all endeavors were attracted to this bohemian style of living. Picasso's neighbors included painters sculptors writers & actors Penrose Picasso 102. One of Picasso's most influential friends entered his life in 1905: Guillaume Apollinaire. "From the first encounter Pablo Picasso and Guillaume Apollinaire established a creative dialogue that fostered and inspired some of their finest art & poetry". Apollinaire was a poet & playwright identified as a Surrealist who kept close connections with literary & artistic figures in Paris including Max Jacob & André Salmon. He was a great source for Picasso to meet writers & theatre artists. Many of Picasso's friends encouraged him to frequent the theatre with artists & poets from Paris Picasso Penrose 177. Even though Picasso was not in Paris he managed to find groups of artistic individuals to stay abreast of cultural gossip & happenings. Picasso's connections with writers led him to create several illustrations for books of poetry for friends. For example during summer 1910 in Cadaques Catalonia painting with Derain Picasso was commissioned to illustrate a poetic novel written by Max Jacob titled Saint Matorel issued by Daniel-Henry Kahnweiler in 1911. Penrose Picasso 179. This was only the first of a collections of poetry they collaborated on. 1910 unknown
1990réf. 095188Frankfurt Berlin: Propyläen 1990. 150 S.; mit 32 Farbill. von Pablo Picasso; aus dem Spanischen von Rainer Specht; fliegender Vorsatz mit eigenhändiger Unterschrift von Camilo Jose Cela; im Original-Leinenschuber. Erste Auflage. Leinen. Sehr gut. 193 cm. Propyläen Hardcover
