1981réf. 333907New York: Pace Gallery 1981. paperback. near fine. Picasso. Color illustrations. 47 pages. Slim 4to stiff glossy pictorial wrappers. New York: Pace Gallery 1981. Near fine Elaborate exhibition catalog. Pace Gallery unknown books
1992réf. 13857Madrid Spain: Arte Ediciones 1992. First Edition. Hardcover. Near Fine in Near Fine DJ. First Edition. Hardcover. Catalogues raisonnes of Picasso poster art. Volume One and Two contain 630 posters in chronolgical order. Posters are reproduced filling the recto leaf with a short description and technical data on the facing page. Vol. 3 provides a detailed study of each poster with a thumbnail image. Vol. 4 is entirely reference material quotations together with indexes and a bibliogrpahy. An outstanding reference set. Minimal shelf/edge wear else tight bright and unmarred; DJs show minor shelf/edge wear else bright and clean. Green cloth with gilt lettering and decorative elements. 4to. 2425pp. Illus. color plates. Indexes. Bibliography. Arte Ediciones hardcover books
1989réf. 332331Paris: Gallimard 1989. hardcover. near fine/very good. Pablo Picasso. Illustrations mostly in b/w. 454 pages. Thick 4to black blind-stamped cloth white graphic d.w. in a black cardstock slipcase spine very sunned on both cloth and d.w. Paris: Reunion des musees nationaux et Editions Gallimard 1989. A near fine copy in a very good dust wrapper internally clean. ` Gallimard unknown books
1958réf. 11055Paris: Éditions Cercle D'Art 1958. Limited Edition. Hardcover. Very Good. Limited Edition. Hardcover. Originally written in Spanish by Jamie Sabartes a friend of Picasso. Translated into French for this publication by Alfred Rosset. Includes two black and white and fifty six colour plates of Picassos 1957 works "Las Meninas" 58 pieces that reinterpreted the 1956 work of the same name by Velazquez. Flaking and chipping to boards cracked upper bumped corners evenly toned else tight bright and unmarred. Color paper over boards. Large 4to. 135pp. Illus. color plates folding plates. Éditions Cercle D'Art hardcover books
1965réf. 9011570New York: Abrams 1965. 1st. Hardcover. Book fine Dust jacket fine. The acetate dust jacket has minor chips. Abrams hardcover books
2010réf. 407154New York: Metropolitan Museum of Art 2010. Corner of front wrapper just touched but a fine copy. 12 x 9 inches. 364 pages. Profusely illustrated. Printed wrappers. "This landmark publication presents for the first time a comprehensive catalogue of the works by Pablo Picasso 1881-1973 in the Metropolitan Museum. Comprising thirty-four paintings fifty-eight drawings a dozen sculptures and ceramics and more than four hundred prints the collection reflects the full breadth of the artist's multisided genius as it asserted itself over the course of his long and influential career" the publisher. Metropolitan Museum of Art unknown books
1999réf. 03076Frankfurt, Insel, 1999. Insel-Bücherei Nr. 1102, 7. Auflage, querformatig (12 x 18,5 cm), 2-sprachig (franz./deutsch), 74 S., mit zahlreichen Illustrationen von Pablo Picasso, illustr. Papp-Einband gebunden mit Titelschild
1948réf. 329970Paris: Rene Drouin 1948. paperback. very good-. Pablo Picasso. Illustrated in black and white. 132 pages. Tall 4to paper pictorial wrappers toned and chipped with loss of wrapper at head and tail paint residue on front cover edges. Paris: Rene Drouin 1948. A very good- copy internally clean and tight. Rene Drouin unknown books
2010réf. 129742Barcelona: Museu Picasso 2010. Softcover. VG some minor creases on front cover. Black cloth spine color pictorial wraps. Unpaginated approx. 200 pp. Numerous bw images. Facsimiles of magazines newspapers and other publications as well as internet pages. Includes transmission letter from Pepe Serra Director of the Picasso Museum sent to contributors to the exhibition with his expression of gratitude. A beautifully bound compendium of reviews of this exhibition a dossier of selected press articles about the exhibition. Museu Picasso paperback books
1974réf. 0176621974 Felicie Hardcover Fine
1998réf. 51996New York: C&M Arts 1998. Fine. First edition of this exhibition catalogue comparing the work of two giants of the modern art scene. 10.5'' x 8.25''. Original grey cloth black lettering to front board and spine. Illustrated throughout in color and black and white. Unpaginated. Trace ink spot to top edge of front board. Faint toning to leaf margins. Sound. C&M Arts unknown books
1968réf. 48848New York: Harry N. Abrams Inc 1968. Very good plus in very good jacket. First US edition of these 405 drawings selected from the thousands produced by Picasso in the two-year period represented. 11.25'' x 9.5''. Original pictorial cloth binding design by Picasso. In original printed acetate dust jacket. Translated from the French by Suzanne Brunner. 405 plates. 254 pages. Light edgewear more pronounced at extremities. Chipping to jacket spine ends. Minor page toning. Harry N. Abrams, Inc unknown books
1965réf. 2784France: np 1965. First edition. Very Good. Cecil Beaton. INSCRIBED BY PICASSO IN RED AND BLUE CRAYON TO THE PHOTOGRAPHER CECIL BEATON: "pour Cecil Beaton. Ami Picasso 9.6.65.". Cecil Beaton British 1904 -1980 photographed virtually every prominent person in public life over the course of his career which spanned more than half a century. Everyone from the Queen to the Rolling Stones sat before his lens. As an arbiter of glamor the opportunity to sit for Beaton represented the pinnacle of success for many but in some cases it was Beaton who pursued the sitter and he had followed Pablo Picasso Spanish 1881 - 1973 long before they first met. As one of the foremost artists of the twentieth century Picasso was sought after by many who wanted to rub elbows with success. He became one of those whom Beaton photographed several times over a period of many years first at the rue de la Boetie in Paris in 1933 then at the rue Augustins in 1944 and finally at Mougin in the south of France in 1965. Vickers. In addition to taking photographs Beaton wrote about Picasso in his private diary sketched his portrait and after the 1965 sitting wrote a profile of Picasso for Vogue Magazine. Photographs from Picasso's home in the hills above Mougin reveal a close bond between the two men. Here they appear relaxed comfortable with one another and with a gleam in their eyes. By then Picasso was 84 years old and still painting late into the nights. Writing in Vogue Beaton describes Picasso's energy as he gave Beaton a tour of the sprawling studio crowded with paintings some still wet with paint and others from decades before. Beaton wrote of Picasso's welcome: "Pablo said 'It has been twenty years since I last saw you!' A golden Picasso threw open his arms. 'After so long we must embrace.'" The two then made much fun about the passage of years and how they had aged. Beaton. A clear sign of affection Picasso inscribed select prints and dedicated them to Beaton. Picasso writes in red and blue crayon on this print: pour Cecil Beaton. Ami Picasso 9.6.65. The print stands as testament to the kinship between the two artists. Provenance: With stamp "From the Beaton Studio / Sotheby Parke Bernet" on verso sold Sothebys Parke Bernet 1978. Also with stamped notation "1/1" possibly indicating that this is a unique print. We have not been able to locate any others. Silver gelatin print. Signed inscribed and dated by Pablo Picasso "pour Cecil Beaton / Ami / Picasso 9.6.65" in red and blue ink recto. Image: 111â„4 x 73â„4 in. 28.5 x 19.6 cm.; sheet: 111â„2 x 91â„4 in. 29.2 x 23.4 cm. Majestically framed to an overall size of 24 x 19.5 in. Small abrasion evident to the right of Beaton's left ear; otherwise fine. References: Vickers Hugo ed. Cecil Beaton: Portraits & Profiles. London: Frances Lincoln 2017. P 152. Beaton Cecil. "Golden Picasso" Vogue Magazine volume 146 November 15 1965. np unknown books
1969réf. 902981969. PICASSO Pablo. El Entierro del Conde de Orgaz. Three volumes. 12 XI 1 69 7 pp. Illustrated with one signed engraving and 12 etchings by Picasso and a preface by Rafael Alberti. Folio 370 x 470 mm bound loose as issued in the original wrappers and vellum-covered slipcase. The whole preserved in a cloth folding box. Barcelona: Gustavo Gili and Ediciones de la Cometa 1969. A Spanish production in every sense in this Picasso book Picasso illustrated his own poetry based upon his life and youth in Andalucia. The title bears reference to the painting by El Greco an artist very much admired by Picasso. Picasso began this poem in 1957 during a period of renewed interest in his Spanish heritage. Included in the work is a facsimile of Picasso's original manuscript of the poem written in coloured pencils. To illustrate his autobiographical poetry the artist selected one of his engravings from 1939 and etchings finished between 1966 and 1967. Printed and published by the publishing house Gustavo Gili of Barcelona with a prologue-poem by Rafael Alberti El Entierro del Conde de Orgaz includes a total of thirteen Picasso etchings of circus scenes and allegorical images infused with eroticism all echoing the artist's Spanish homeland and influences therefrom. One of an edition of 263 copies on Romani wove. It is notable that the present publication was the subject of a single exhibition at the Fundacion Picasso "Pablo Ruiz Picasso: El Entierro del Conde de Orgaz" May 2004. Goeppert 146. Bloch 1465-1477. Johnson Artists' Books in the Modern Era 1870-2000 No. 92. hardcover books
2010réf. 179346Hong Kong: Edouard Malingue Gallery 2010. Hardcover. VG light wear to boards. Pages are very clean. Cream cloth boards with red lettering black and red lettering on spine 90 pp profusely illustrated in bw and color. Text in English and Chinese. Catalog of an exhibition held at Edouard Malingue Gallery Hong Kong Sept. 28-Dec. 4 2010. Includes bibliographical references. Edouard Malingue Gallery hardcover books
réf. 133926aafNew York, Jan Krugier Gallery, 2002, in-8vo, 96 p., illustrated pensil sketches & pen drawings by Picasso (First edition. Reproduction of an original drawing-cahier by Picasso). Softcover. 96 pages. Includes 90 illustrations and a checklist. A clean very near fine copy in wrapper
1957réf. 29898ABParis. Jonquières. 1957. 37,5x28,5 cm. 5 f., 40 planches numérotées, 3 f. Broché, couverture rempliée. Etui.
réf. 93618aafGenève, Albert Skira, 1971, gr. in-8vo, 118 p., ill., cartonnage original ill.
1959réf. 53834ABMilano. Il Saggiatore. 1959. 40,2x29 cm. 1 f., frontispice, 21 p., 1 p., 1 planches, 3 f. Reliure pleine toile illustrée, emboîtage.
1945réf. 37295BBParis, Gallimard. 1945. 12°. 62 p., Broché.
1997sehr guter Zustand - Jede Äußerung und jedes Werk Picassos scheint längst dokumentiert, mit Ausnahme dieser Sammlung: Zum ersten Mal werden die Zeichnungen aus dem Nachlaß seiner engsten Vertrauten und Mitarbeiter, des Ehepaares Bresnu, ausgestellt und hier größtenteils im Originalformat reproduziert. -- Es handelt sich um Zeichenhefte (Carnets) aus den Jahren 1965 bis zu seinem Tod 1973, während der Jacqueline und Maurice Bresnu den Künstler als Haushälterin und Chauffeur begleiten. Diese Werke liefern ein bestechendes Zeugnis für die Vitalität und den überschwenglichen Erotismus der letzten Lebensjahre Picassos. Virtuosität und Sicherheit der Strichführung bleiben dem großen Erneuerer der Kunst bis ins hohe Alter erhalten. Die Fülle der weiblichen Formen wirkt wie ein Fetisch, den er mit typischer Ironie dem drohenden Tod entgegenhält. ISBN 9783928692168
1971réf. 6236AGParis, Mourlot, 1971. Farb. Offsetdruck. 60 x 47 cm. Ca. 76,5 x 50,5, cm. Ecken tls. min. geknickt. Guter Zustand.
1954réf. 59310BBParis, éditions Cercle d'Art, 1954. 37,5x27,5 cm. 153 p., 1 p., 1 f. Avec de nombreuses illustratinons, 6 lithographies en couleur et 2 planches volantes pliées Reliure pleine toile.
1980réf. 53945ABBern Benteli Verlag. 1980. 27x26,3 cm. 293 S., 1 Bl. Mit vielen meist farbigen Abbildungen. Originalkunstlederband mit Schutzumschlag in Schuber.
1987réf. 15610ABGeneva Patrick Cramer, Publisher 1987. Quer-4°. 130 S., 1 Bl. Mit vielen teils farbigen Abbildungen. Originalleinwand mit Schutzumschlag.
