2021réf. T217085Tajan Paris 2021. 1st Edition. SOFTCOVER. Large 4to. in photo illustrated stiff glossy card covers 77pp on glossy art paper 57 lots all illustrated in colour more than half works including ceramics by Picasso __CONDITION : NEW copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tajan, Paris paperback
réf. 254271paperback. very good. Five Catalogs all illustrated primarily in black & white. The Catalogs are: Picasso: Oeuvres Cubistes de la Collection Marina Picasso; Picasso 15 Juillet -27 Aout 1950 Grande Salle Des Exposition de " La Reserve"; Picasso 63 Drawings 1953-54 and 10 Bronzes 1945-1953 The Marlborough Gallery; Picasso Gemalde 1950-60 Galerie Rosengart; A Selection of 55 Drawings by Pablo Picasso 1953-54 First Showing in America December 5 1955- January 23 1956 Saidenberg Gallery unknown
1937réf. 48609Paris.: G. L. M. Guy Lévis Mano. 1937. Loose as issued poster and invitation original publisher's orange glazed paper wrappers stitched as issued with illustration by Picasso printed titles and advertisments in black to covers. Folio. 502 x 325 mm. 12mo. 184 x 138 mm. 16mo. 138 x 104 mm. Poster of cream paper glazed red / orange recto and with Picasso's illustration from 'Grand Air' and printed text in black the title above and conference details beneath the invitation a bifolium of thick cream wove paper Picasso's illustration at left with printed details of the conference at right in black the catalogue on cream wove paper leaf with definition of 'Surréalisme' from the 1924 manifesto and list of conferences recto verso with advertisement for works by Eluard leaves with quotations by Eluard regarding poetry quotations from various Surrealist-approved poets 'Signe ce que tu approuves' inserted leaves of grey paper with advertisements for publications by GLM central spread with 'Programme' and final leaf with advertisments. The very rare poster by Picasso together with the catalogue and the invitation - also with the same image by Picasso - for Paul Eluard's 1937 conference 'Avenir de la Poésie'.Paul Eluard's conference 'Avenir de la Poésie' Future of Poetry was held on October 2nd 1937 at the Comédie des Champs-Elysées 15 Avenue Montaigne the 'Salon Dada' in 1921 had been held at number 13 at 16.15 p.m. as part of the Exposition Internationale 1937. It seems surprising at least with hindsight to imagine that a Surrealist conference might occur under such an umbrella but the Surrealists were nothing if not serious and Eluard's devotion to poetry cannot be questioned or underestimated.'Avenir de la Poésie' saw Eluard as well as a number of actors close to the Surrealists Michèle Alfa Marcel Herrand who had participated at the dada evening 'Le Coeur à Barbe' in 1921 Jean Marchat Jean-Louis Barrault and Sylvain Itkine whose group 'Le Diable Ecarlate' featured extensively in the Exposition reading poems. The list of poets is comprehensive and included Petrus Borel Charles Baudelaire Gérard de Nerval Germain Nouveau the Comte de Lautréamont Isidore Ducasse Rimbaud Charles Cros Jarry Apollinaire Reverdy Breton Henri Michaux Tzara Péret René Char Eluard himself and Picasso.The poster invitation and catalogue all feature to the front cover a reproduction of the engraved collaboration between Picasso and Eluard 'Grand Air'. The very rare print 'Grand Air' was issued - a few proofs aside - only with the ten copies of the édition de tête of Eluard's verse collection 'Les Yeux Fertiles'. Eluard and Picasso had each contributed to 'Grand Air' Eluard a poem of eighteen lines and Picasso the pictorial frame: at right a nude female minotaur a mask opposite at left out of which the minotaur seems to have snatched the left eye above a rocky landscape with a reclining smoking figure with cat beneath; that the cat appears to be suckling three small black fish underlines the essential Surrealism of the whole.'Le pain est plus utile que la poésie. Mais l'amour au sens complet humain du mot l'amour-passion n'est pas plus utile que la poésie.' Paul Eluard. For the material presented here Eluard's central verse has been replaced with the title of the conference 'Avenir de la Poésie' with his retained signature beneath while the entirety of Picasso's framing is present and the image is attributed to him for the catalogue and invitation at lower left. Details of the conference are printed above and beneath for the catalogue and poster and facing the illustration on the invitation.The poster is not described by Christophe Czwiklitzer in his 1968 'Catalogue Raisonné des Affiches de Pablo Picasso'. The first 'original' poster listed an original lithograph is from 1948 while the first 'exécutées par différents procédés de reproduction' is from 1939.While the catalogue 'Avenir de la Poésie' is rare and the invitation rarer still we trace no other examples of the poster in any collection public or private. G. L. M. (Guy Lévis Mano). unknown
1944réf. 224891Milano: All'insegna del pesce d'oro Garotto Serie illustrata 1944. Brossura sovracoperta wrappers dust jacket. Molto buono Very Good. Poesie popolari spagnole scelte da Giacomo Prampolini / Las coplas reunidas en este tomoto han sido escogidas por Giacomo Prampolini. Con XX tavole in bianco e nero e una a colori. 32mo. pp. 32. Molto buono Very Good. Legatura lievemente allentata Loose binding. Edizione di 400 XX es. numerati. Scheiwiller Novati 2013 NOVATI Laura. Giovanni e Vanni Scheiwiller editori. Edizioni Unicopli 2013. All'insegna del pesce d'oro (Garotto), Serie illustrata unknown
réf. LDM0073671We ship worldwide. 100% guarentee. BRAND NEW unknown
réf. 2070770702.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 02-0274Paris ca. 1960. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Signed in the plate. Black and white. 9 x 12. Paris, ca. 1960. Distributed graphics by Dow & Frosini. unknown
2008réf. 201009Paris: Flammarion; Reunion des Musees Nationaux 2008. Cloth 367 pages illustrations some colour; 28 cm. English Edition. Catalogue of an exhibition held at the Musee National Picasso Paris September 19 2007 to January 7 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. "In the world of art Cubism was nothing less than revolutionary representing a paradigm shift in the way artists perceived the world and incontestably one of the most influential movements in art history. To celebrate the one-hundredth anniversary of Picassos seminal work Les Demoiselles dAvigon leading Picasso scholars and art historians assess its legacy and the extraordinary influence of Picassos Cubism on the development of twentieth-century art." - Publisher. CONTENTS: "You have to see the work" by Anne Baldassari; The stages of Picasso's discovery of Cubism: late 1905-early 1909 by Pierre Daix; Periods: Cubism in its day by Jean-Claude Lebensztejn; The odore Aubanel's Les filles d'Avignon and Picasso's "sum of destructions" by Irving Lavin; Resisting Cezanne: Picasso's Three women by Leo Steinberg; The Prague Self-portrait and Picasso's intelligence by Leo Steinberg; Horta de Ebro 1909: genetics of Cubism by Anne Baldassari; Le laboratoire central: Cubist drawings in the Musee Picasso by Pepe Karmel; Touring the Stockholm collage by Leo Steinberg; Chronology of Cubism by Anne Baldassari and Paule Mazouet ; with Anais Bonnel Jeanne-Yvette Sudour and Nadege Raymond-Clergue; Bibliography by Jeanne-Yvette Sudour. 1st. Hardcover. NEW. 4to. Collectible. Flammarion; Reunion des Musees Nationaux Hardcover
2007réf. 73042Flammarion. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9782080300485. Text in English. 368 pp. With 305 ills. 271 col. . 28 x 26 cm. -- with a bonus offer-- . 2007. 2080300482 . Flammarion hardcover
réf. 50-0017Paris 1961. Distributed graphics by Dow & Frosini. Serigraph after Picasso. Four colors. 67 x 51 cm. 20 x 26 inches. Signed and dated 25.7.61 in the image. Paris, 1961. Distributed graphics by Dow & Frosini. unknown
réf. 123704Mourlot Editions 1957 . Lithograph in colours 1957 annotated in pencil by Eric Mourlot: 'epreuve de l'atelier Mourlot / Lith de P. Picasso' an unsigned as issued printer's proof printed and published by Mourlot Editions 48.3 x 33.7 cm. 19 x 13¼ in. Founded in 1852 by the Mourlot family Atelier Mourlot revolutionised and brought about the resurgence of modern lithography. Collaborating with renowned artists such as Pablo Picasso Joan Miró and Fernand Léger the studio elevated art posters and prints to coveted masterpieces in their own right. Inviting prominent artists to work directly on the lithographic stone used in the process of lithography Mourlot positioned the lithograph as a painter's medium. Refining the lithographic technique through precise experiments the studio facilitated the creation of long-lasting vibrant and original artworks accessible to the wider public. This piece is annotated in pencil by Eric Mourlot. Mourlot Editions 1957 unknown
1998réf. Q-345819102XInsel Frankfurt 1998-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Insel, Frankfurt hardcover
réf. 3962Stuttgart G. Hatje 1984. 4° 424 S. zahlr. teilw. farb. Abb. OLwd. m. OU. Grossflkächige Widmung auf Vors. min. gebrauchsspurig. Werkverzeichnis! 010 Stuttgart, G. Hatje, 1984 unknown
1950réf. 48463Paris.: Bordas Editeur. 1950. Original publisher's printed paper wrappers with flaps artist's and author's names in black to front cover and publisher's and details to rear additional vellum jacket with flaps and printed titles to front cover. Small folio. 328 x 258 mm. Half-title printed title with original lithograph illumination copyright verso and the 4 sections of Tzara's text in verse and prose illustrated with 8 full-page original lithographs in black by Picasso 3 leaves with 'Table' and final leaf with justification and achevé d'imprimer verso; also included loose is the additional suite of all of the lithographs on Japon. The édition de tête of Tzara's collection with a suite of Picasso's finger-drawn lithographs on Japon and with the additional vellum jacket.From the edition limited to 350 copies with this one of 30 on Hollande Van Gelder Zonen signed by the author and artist and with the additional suite of the plates on Japon Impérial paper; the 300 copies issued on Arches and the 20 hors commerce copies on Alfa Mousse were initialled by Tzara only.For Tzara's four-section collection the sections are 'Le Temps Détruit' 'Le Déserteur' 'Le Boeuf sur la Langue' and 'Le Poids du Monde' Picasso drew the illustrations directly and spontaneously on the lithographic stone with his finger. Although Tzara had been specific in what illustration he desired the lithographs he produced for the book were ultimately Picasso's own. The illustration for the title does not feature printed text in the suite.'This great poem which is in both verse and prose and which is formed of four parts was written by Tzara between 1946 and 1949. To some degree the poem represents the sum of the poet's experiences . Although Picasso agreed to illustrate the poem he kept putting off the work. He finally got around to it when Mourlot paid him a visit at Vallauris on April 16 1950. This same day he made the cover for the second volume of Picasso Lithographe as well as the 9 lithographs for De Mémoire d'Homme using a somewhat unusual procedure; he dipped his painting finger into the lithographic ink and then drew flora and fauna designs which are at once familiar and strange; he then marked their contours with lithographic chalk.' Patrick Cramer.Cramer 59; Berggruen 35. Bordas Editeur. hardcover
réf. 00-0450Paris: Musée Picasso 1988. 2 vols. Wraps. 712 pp. Paris: Musée Picasso, 1988. paperback
2001réf. BN610101Diogenes 2001. 2001. Softcover. Der Zeichner: Dreihundert Zeichnungen und Graphiken 1893-1972 Der Zeichner: Dreihundert Zeichnungen und Graphiken 1893-1972 Picasso Pablo / Jouvet Jean Hg. Diogenes paperback
2014réf. __3257021240Diogenes 2014. Hardcover. New. German language. 7.60x5.47x2.24 inches. Diogenes hardcover
1981réf. 65845Kunsthalle. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 136 pp. With 95 ills. 17 col. . 28 x 20 cm. -- with a bonus offer-- . 1981. Kunsthalle paperback
réf. 51-1222Paris: Maeght Éditeur 1964. Folio 28 x 38 cm. with original lithographs by Picasso double page 38 x 56 cm Miró and others; photographs by May Ray and Brassai; other illustrations including color reproductions of works by Braque original printed wrappersFor Picasso: Cramer 124; Bloch 1847; Mourlot 401;For Miró: CramerFrom the collection of the late Picasso collector Stanley Seeger. Paris: Maeght Éditeur, 1964. unknown
1950réf. 111320New York Melbourne Sydney Cape Town: Rider and Company 1950 60 pages. the cover has some stain apparently from sunning. Otherwise the book is quite clean. Rider and Company hardcover
1950réf. C78315London: Rider And Company 1950. First Edition. Hardback. Dust Jacket. Hardcover Hardcover. Fair. First Edition. Hardback. Dust Jacket. 8vo. pp 60. Original publisher's red cloth with gilt lettering at front and spine. Illustrated with black and white line drawings by Picasso. Very good indeed in somewhat used and chipped very good minus dust jacket with some loss at head of spine. Rider And Company, hardcover
1970réf. mon0000155810London Calder Boyars 1970T. hardcover. Very Good. in x in x in. First edition thus. No DJ. Previous owner wrote something small on flyleaf then ertased it. else clean and tight copy. London, Calder Boyars [ hardcover
1970réf. SBBI-SBL-012929Calder Publications Ltd 1970. Paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Calder Publications Ltd paperback
1948réf. 212943New York: Philosophical Library 1948. First edition and first printing. Hardcover. 63 pages. A play by Picasso translated from the French by Bernard Frechtman. A near fine copy in cloth boards and in a clean very good plus dust jacket but with some needless tape strengthening to the verso. Still a very pleasing copy of a book that is prone to wear. Philosophical Library unknown
1950réf. 212942London: Rider and Company 1950. First British edition and first printing. Hardcover. 60 pages. A play by Picasso translated from the French by Bernard Frechtman. Includes 4 black and white illustrations by Picasso. A near fine copy in cloth boards and in a very good plus dust jacket with some tiny chips and other very minor wear. Still a lovely copy. Rider and Company unknown
