5 418 résultats
1944réf. 83097Paris, 1944, in-8, 168pp, broché, Superbe exemplaire! abondamment illustré des oeuvres de Picasso 168pp
1995réf. 99491New York Academy Editions 1995 1 vol. broché in-4, broché, 208 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Très bon état.
1995réf. 99491New York Academy Editions 1995 1 vol. broché in-4, broché, 208 pp., nombreuses reproductions en noir et en couleurs. Textes et légendes en anglais. Très bon état.
1944réf. 29886ABGenève, Paris éditions des Trois Collines 1944. 24,3x19,5 cm. 168 p., 7 f. Avec de nombreuses illustrations en noir. Broché.
réf. 83097Couverture rigide. Bon/1944. in-8. Paris 1944 in-8 168pp broché Superbe exemplaire! abondamment illustré des oeuvres de Picasso unknown
1944formato 24,5X19. Brossura editoriale con sovraccoperta piegata pagine 180. Poesie di Eluard con numerosissime immagini, foto di Picasso, disegni originali e riproduzioni di opere in B/N + una applicata a mano. Bella copia. PRIMA EDIZIONE
1944réf. 515251944. PICASSO Pablo. A PABLO PICASSO. Geneve-Paris: Editions des Trois Collines 1944. First edition. The first volume of the 'Collection les grands peintres par leurs amis.' 168pp. With illustrations from photographs text illustrations many black and white plates and one color plate. Small 4to. red paper wrappers. A very good copy clean and fresh; the wrappers are sunned and darkened to spine and extremities showing wear and chipping to spine with some loss to head and a 1/2 closed tear. unknown books
1944pp. 182 intonse con num. e belle ill. in b/n e una a col. Edizione originale di questo primo vol. della collezione"Les grands peintres par leurs amis". Raro e ricercato volume con testi del poeta, Paul Eluard, dedicati a Picasso e alla sua opera e con riproduzioni di foto, dipinti, incisioni e disegni dell'artista. Testo in francese. Cfr. Monod 4191.
194316°, pp.67 (3), con 14 tavv.n.t. T. tela recente, conserva la br. edit. Invio calligr. alla 1 c.b. Ediz. in 299 esempl. num. (n.168).
2010réf. 1-0870707809Museum of Modern Art 2010. Hardcover. New. 192 pages. 10.63x9.25x0.87 inches. Museum of Modern Art hardcover
2010réf. DADAX0870707809Museum of Modern Art 2010-04-30. Illustrated. hardcover. New. 9.10x1.00x10.60. Buy with confidence. Excellent Customer Service & Return policy. Museum of Modern Art hardcover
2010réf. 835325Museum; D. A. P. /Distributed Art Publishers Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 174 color illustrations. -- with a bonus offer--; Printmaking was fundamental to Pablo Picasso's artistic vision. Over his long career he made well over 2000 printed images focusing on the intaglio techniques of etching engraving drypoint and aquatint as well as on lithography and linoleum cut. This publication published to accompany an exhibition at The Museum of Modern Art explores Picasso's creative process in printmaking starting in the early years of the twentieth century with his Blue and Rose periods and extending up to the last years of his life. Divided into 12 thematic sections the book presents highlights from the Museum's extraordinary collection of Picasso's prints. These include such celebrated masterworks as "The Minotauromachy" and "The Weeping Woman" from the 1930s as well as evolving states that reveal how Picasso's imagery developed. One example of such metamorphosis is seen in a series of lithographs from the 1940s in which a progression is established from the realistic depiction of a bull to one that is completely abstract and captured in just a few lines. Other prints reveal changing interpretations of the women in Picasso's life who served both as artistic subjects and as catalytic forces for his creativity. Filled with full-page illustrations accompanied by extended captions A Picasso Portfolio features an essay by Deborah Wye Chief Curator of Prints and Illustrated Books at MoMA and introductions to each thematic section. The book concludes with a chronology and bibliography focusing on Picasso's printmaking. . 2010. 0870707809 . Museum; D. A. P. /Distributed Art Publishers (Distribution) hardcover
1982réf. 15554DBPrinceton., Princeton University Press., 1982. 21 x 15 cm. 288 S. Illustrierter OPappband., 15554D Einbandkanten mit kleinen Bereibungen, Rückendeckel mit kleiner Knickfalte. Gutes Exemplar.
1961réf. 69346Couverture rigide. Reliure de l'éditeur. 243 pages. Dos bruni, papier légèrement bruni. Port gratuit à partir de 10 volumes de cette collection. Nous consulter .
1955réf. 186292New York N.Y.: Saidenberg Gallery 1955. Pamphlet. VG- light shelfwear top edge dog-eared. 16 unnumbered page pamphlet bound in greenish wraps with white lettering; bw illustrations. An exhibition catalog held at Saidenberg Gallery on December 5 1955- January 23 1956. Saidenberg Gallery unknown books
1956réf. Picasso19PICASSO Pablo 1881-1973 Autograph letter signed " Picasso " to Max Pellequer " La Californie " Cannes 21 August 1956 1 p. in-4° in colored oil pastels Watermark 'BFK RIVES.' Faint traces of pastel transfer revealing a hasty fold made by Picasso in order to enclose the sheet creasing minute loss to the lower right corner. Picasso or the Art of Correspondence A spectacular letter from the master to his friend Max executed in ten shades of oil pastel " Mon cher Max Encore des feuilles des contributions que je vous envoie. Je travaille Amitié à vous deux et bien à vous Picasso " Settled at "La Californie" in the hills above Cannes Picasso relied on the good offices of his secretary Jaume Sabartés to handle the bulk of his correspondence. Max Pellequer a close friend of the painter was nonetheless among the rare privileged few to receive letters written entirely by Picasso's own hand. Oil pastels in hand the painter deploys his nervous sweeping handwriting alternating between no fewer than ten colors—so many graphic nuances echoing and harmonizing with elegance across the surface of the sheet. A banker and discerning art collector Max Pellequer began assembling a considerable collection of modernist works in the 1920s. In 1920 he married Francine Level niece of the dealer and businessman André Level. It was through André Level that he first met Picasso in 1914 forging an enduring friendship. Pellequer became one of the artist's closest friends as well as his banker and financial advisor. Over more than thirty years he acquired from the master a remarkable collection of paintings and sculptures. Provenance: Max Pellequer's estate ; private collection
1954réf. PICASSOP001144Harcourt Brace New York. 1954. First U.S. edition this being a version in English of the double number 29/30 of the French art magazine Verve. Preface by T�riade. Essay ''Picasso and the Human Comedy'' by Michel Leiris translated by Stuart Gilbert. An Appreciation by Rebecca West. Sixteen of the drawings are reproduced as tissue-guarded colour lithographs. Quarto. Each of the non-lithographs is presented as a full-page illustration. Boards with a design by Picasso made especially for this book.Near fine in very good chipped nicked and slightly torn dustwrapper. It's nice to find a copy of this book which hasn't been plundered for the plates. Harcourt Brace, New York. hardcover
1954réf. 288957New York: Harcourt 1954. First. hardcover. very good. Picasso. Preface by Teriade "Picasso and the Human Comedy" by Michel Leiris and an appreciation by Rebecca West. Of the 180 illustrations 16 are single-sided color lithographs printed by Mourlot Freres and the remainder are double-sided heliogravures printed by Draeger Freres. Short folio red pictorial boards some light shelfwear and minor wear at outer joints New York: Harcourt Brace and Company 1954. First American edition. A very good copy of this notoriously fragile book. All lithographs present and clean save for the usual toning in margins from the tissue overlays. A double issue of Verve devoted solely to Picasso. Harcourt unknown books
1954réf. 21707New York: Harcourt Brace and Company 1954. First American edition. Hardcover. Orig. red and blue pictorial boards designed by Picasso housed in fine gilt lettered red silk covered clamshell box. Picasso Pablo. Unpaginated. Folio 36 x 26.5. With an appreciation by Rebecca West. Sixteen full-page color lithographs printed by Mourlot the Verve double number 29/30. VERVE p.269. "In this richly diverse masquerade which combines something of the English Christmas pantomime and something of the Commedia dell' Arte with touches of a `dance macabre' the very magnificence of the draftsmanship seems to strike and added note of irony. Never has such stupendous virtuosity been so lightheartedly employed for making fun of art." Lacks spine clean tear to front cover endpaper margin stain to title front cover head not affecting text interior contents clean. Harcourt, Brace and Company hardcover books
2001réf. 52045New Haven, London: Yale University Press, 2001. 438 Seiten ; zahlr. Ill. ; Sprache: Englisch Pp.
2001réf. 4686DBNew Haven/ London., Yale University Pres., 2001. 29 x 23 cm. 438 S. OPappband mit illustriertem OUmschlag., 4686D Erste Auflage. Umschlagkanten mit minimalen Bereibungen. Sonst sehr gutes Exemplar.
réf. 17-0753New York NY: Jan Kruger Gallery 1993. 8vo. 8 pp double-sided fold-out with 2 inserted loose prints. Very Good. Color and black & white plates throughout. From the Collection of the Art Historian Peter Selz 1919-2019. New York, NY: Jan Kruger Gallery, 1993 unknown
2012Volume in 8° Legatura editoriale con copertina telata grigia. Pagine 190 Numerose ill. a colori e in b.n. Legatura salda,pagine sane.COMPLETO
1920réf. 015389Paris Directeur: Florent Fels. 1920 In-8 Broché Edition originale
réf. 45344Paris : Jean-Michel Place, 1999 - Un fort volume (19,5x24,7cm) toilé imprimé sous jaquette illustrée en couleurs, de 1004 pages illustrées dans et hors texte. Présentations de Walter G. Langlois et Georges Gabory. En annexes : index des noms cités, des ouvrages cités et des revues et journaux. Réimpression en fac-similé des douze numéros parus de cette revue dirigée par Florent Fels et Marcel Sauvage. Exemplaire en bon état.
