5 418 résultats
réf. 003589Soft cover. Vol. XXXII Nos. 322-23-24 1967. Softcover. Edited by Miron Grindea. Includes "Trozo de Piel" A Scrap of Skin ten poems by Picasso with translations facing original text. Book is fine except for very light wear on wraps. unknown books
réf. 49719Barcelona Ediciones Nauta 1975 grand in 4 (32x25) 1 volume reliure toilée de l'éditeur sous jaquette illustrée, 300 pages, avec de nombreuses photographies en noir et blanc et en couleurs, dont hors-texte. Traducción de E. Riambau. Texte en langue espagnole. 1ª Edición. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ) Colis 3 kilogrammes
1974réf. 81078Wien-München-Zürich-NY, Verlag Fritz Molden, 1974. Original Leinenband mit Schutzumschlag, Gr.4°, 299 Seiten.
1928réf. 206511928 New York: E. Weyhe, 1928 255 pp. Original orange covers w/ white spine. Title on binding. paper-covered boards. xiii+254 pp, 68 illustrations (1 in color). ;dustjacket.
réf. 120103Paris Le degré quarante et un 1940. . Limited edition number 42 of 50 copies from a total edition of 64 oblong 4to; signed in red by Iliazd and pencil by Picasso on the Russian justification page with 6 illustrations total: 2 aquatints and 4 engravings with burin on Montval wove à la cuve paper some minor foxing more so to some leaves text in Russian; attached with string unbound in wrappers reinforced with grey cardboard and a sheet of Montval paper some pages uncut title in black kufic lettering on the front; brown paper-covered slipcase a very good copy. One of 50 copies - signed by Iliazd and Picasso. The first of nine books Iliazd and Picasso collaborated on. All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917. Afat is a collection of seventy-six classical sonnets in Russian written by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer. The sonnets are preceded by two Arabic titles in aquatint by Picasso both titles are written in kufic letters. The title Afat is a Persian term signifying unhappiness in love. The second title 'Madjusiya' means 'sorceress' and the illustrations Picasso produced were inspired by these two words. The first ten examples were reserved for close friends. Coco Chanel's copy number five included an extra sonnet dedicated to her. Paris, Le degré quarante et un, 1940. unknown
1940réf. 48600Paris.: Le Degré Quarante et Un. 1940. Loose as issued in original publisher's printed parchment wrappers over card boards with title in black to upper cover original tan patterned paper board chemise and matching slipcase with label with 'ILIAZD / PICASSO' in blue ink to edge. Oblong 4to. 215 x 320 mm. Half-title original aquatint with 'arabesque' title leaf with justification in Russian verso leaf with justification in French leaf with title in French verso leaf with title in Russian leaf with original aquatint with second 'arabesque' and Iliazd's verse in Russian in double columns illustrated with 4 engravings with burin by Picasso final leaf with achevé d'imprimer in Russian. The first of Iliazd's beautiful and typographically inventive illustrated books and the first he produced with Picasso.From the edition limited to 64 copies on 'Montval à la cuve' signed by Picasso and Iliazd in pencil. 'Afat was the first of nine books Iliazd and Picasso collaborated on. All of them were published under the imprint of 'Degré Quarante et Un' a name Iliazd chose in memory of a school of futurist poetry called the 'University of the 41º' which he had founded in Tiflis in 1917 . Afat is a collection of 76 sonnets in Russian by Iliazd the majority of which were written between January and June 1938. In his poems Iliazd writes of love of feminine beauty of the poet's difficult métier and the hidden meaning of words. Three sonnets are about the poet's relationship to 'Pablo' Picasso.' Patrick Cramer.'Afat . contained features that would become signature elements of his work. The book was structured as a whole . The sequencing and number of pages were ordered by a mathematical scheme. The image was not linked to directly to the text thematically or physically and the interaction produced a dialogue rather than subordinating one to the other as illustration and / or caption. The sequence of blank sheets title half title and justification of the edition were laid out symmetrically so that the closing of the book echoed the opening . The typographic style was restrained and the pages produce subtle equilibrium instead of dynamic activity - no confusion no clamor no crowding no elaborate display faces. The sole decoration on the cover was the stamped title Afat a term that invokes unhappiness / and / or beauty that causes it rendered in kufic . With this work Iliazd's architectural approach to book structure with strong emphasis on symmetry and balance made its appearance.' Johanna Drucker.Cramer 33; see Johanna Drucker's 'Iliazd - A Meta-Biography of a Modernist' 2020 pp. 146 - 147. Le Degré Quarante et Un. hardcover
1983réf. 5889Editions Le Dernier Terrain Vague 1983. In-12 broché de 45 pages au format 22 x 13,5 cm. Couverture à rabats, avec titre imprimé. Dos carré muet. Plats et intérieur frais. Maquette et nombreuses illustrations en noir de Loulou Picasso, du groupe " Bazooka ". Edition originale en superbe état général. Rare. ( On joint le carton d'invitation pour l'exposition de Loulou Picasso à la Galerie du Jour - Agnès B de 1989 ).
réf. 51238Le dernier terrain vague, 1983, 45 pp., broché, illustratrions en noir et blanc, dos décoloré, bon état.
1966réf. 15776Paris musée d'art Moderne 1966 1 Une affiche de dimensions 45 x 59 cm; impression offset par Les Presses Artistiques, Paris.
réf. 24104Dimensions : 668 x 473 mm. Affiche d'une exposition qui s'est tenue en la Galerie Louise Leiris du 22 octobre au 28 novembre 1981 imprime par les soins de Draeger et agrmente d'une large composition d'aprÂs Picasso. Infimes marques de plissures. Du reste trÂs belle condition. b42961 unknown
1966Une affiche de dimensions 45 x 59 cm; impression offset par Les Presses Artistiques, Paris. Parfait état. Voir photo.
réf. 1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
réf. 1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
1982réf. 276651982 Paris, Futuropolis, 1982, 272x270mm, 134p. et une page volante, pleine toile bleue clair, illustration collée en couverture, pages de garde illustrées.- Tirage total de 1000 exemplaires numérotés et signés par l'auteur. Composé de dessins, textes et collages, impression monochrome sur des papier de différentes couleurs il se compose de 10 parties portant chacun un titre : Un après-midi au club des ouvriers, La couveuse électrique, L'évolution s'arrête demain, Des animaux dans l'espace, Des vitamines pour l'été, Vers un avenir meilleur, Les enfants perturbés, La noyée, Émotion circulaire, Accrochée au mur.
1982réf. 1019581982 Paris, Futuropolis, 1982, 272x270mm, 134p. et une page volante, pleine toile bleue clair, illustration collée en couverture, pages de garde illustrées.Tirage total de 1000 exemplaires numérotés et signés par l’auteur.Composé de dessins, textes et collages, impression monochrome sur des papier de différentes couleurs il se compose de 10 parties portant chacun un titre : Un après-midi au club des ouvriers, La couveuse électrique, L’évolution s’arrête demain, Des animaux dans l’espace, Des vitamines pour l’été, Vers un avenir meilleur, Les enfants perturbés, La noyée, Émotion circulaire, Accrochée au mur.(101958)
réf. 98904Paris, Futuropolis, 1982, 1 volume in-4 de 270x265x15 mm environ, 134p. et une page volante, pleine toile bleue clair, illustration collée en couverture, pages de garde illustrées de chaussures d'enfants. Tirage total de 1000 exemplaires numérotés et signés par lauteur ( N° 79). Composé de dessins, textes et collages, impression monochrome sur des papier de différentes couleurs il se compose de 10 parties portant chacun un titre. Toile un peu salie, un nom et une date au crayon de couleur bleu sur la première garde, sinon bon état.
1982réf. 15963Paris: Futuropolis 1982. Limited Edition. Hardcover. g. 1/1000 copies numbered and signed by Loulou Picasso at free front endpaper in pencil dated 1982. 4to. Unpaginated. Illustrated cover with black and white lettering. Illustrated endpapers. Monograph of the acclaimed artist Loulou Picasso. Illustrated throughout with full-page b/w paintings of the artist printed on different kinds of paper and color backgrounds. Reprint of the cover painting is loosely laid in. While the cover painting is trimmed this also shows some . Some discoloration and fading to boards and spine with head and tail of spine slightly bumped. Text in French. In good condition. Futuropolis hardcover
1982réf. 29961Paris: Futuropolis 1982. Bound in gray cloth with cover image affixed to front panel; near fine. First Edition. Small quarto. One of 1000 copies of this masterful work from Bazooka's Loulou Picasso i.e. Jean-Louis Dupré SIGNED in pencil and dated 1982. A combine of his unmistakable collages with poetic texts organized into a series of 10 sections e.g. Agreable No. 1: Un après-midi au club des ouvriers / No. 2: La couveuse électrique. Includes the loose leaf that reproduces the original collage-work for the cover. Paris: Futuropolis unknown
1944réf. 148531944 revue in-octavo (magazine in-octavo), dos muet marron (brown spine without text), couverture imprimée (cover printed), toutes tranches lisses (all smooth edges), 1 illustration : portrait de Max Jacob par Pablo Picasso (1 illustration : Max Jacob's portait by Pablo Picasso), 110 pages, 1944 à Rabat Aguedal 14 avenue de Marrakech,
1982réf. 766695PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1964réf. RO30329270Corvina. 1964. In-4. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 29 pages de texte+37 planches illustrées de photos en noir et blanc et en couleurs. Sous emboîtage passable. Jaquette en bon état.. Avec Jaquette. Sous Emboitage. . Classification Dewey : 730-Arts plastiques. Sculpture
1968réf. 1410Bibliothèque de la Pléiade, Gallimard, Paris 1968. 1 volume de 342 pages, in-12, relié cuir souple, jaquette blanche illustrée d'un seul tenant, rhodoïd et étui de carton gris d'origine. Avec 467 illustrations. Album n°7 de la Bibliothèque de la pléiade. Septième album de la Pléiade publié hors-commerce. État de conservation parfait.
1964réf. 35524Budapest: Corvina 1964. Hardcover. Very good. Very good hardback in a lightly worn jacket and heavily tanned slipcase. Ink gift inscription on front free endpaper. Corvina hardcover books
réf. 48634Lausanne : Editions Mermod (Collection du Bouquet), 1950. Un volume broché (17,3x12,3 cm), 183 pages. Illustré de 15 reproduction de Pablo Picasso. Tirage à 1200 exemplaires numérotés. Bon état.
1913réf. 128083Paris: Mercure de France 1913. First edition of Apollinaire's first collection of poems signed by him and Pablo Picasso. Octavo bound in three quarter morocco with gilt titles and raised bands to the spine patterned endpapers frontispiece portrait of the poet by Pablo Picasso. Association copy inscribed by both Apollinaire and Pablo Picasso on front free endpaper "A A P.N. Roinard son admirateur Guillaume Apollinaire" and "et pour Robert Valançay Picasso Paris Janvier 1940 et I." Apollinaire has also made five corrections to the text in ink on pages 71 77 92 110 and 189. The recipient of Apollinaire's inscription Paul-Napoléon Roinard was a French libertarian painter and poet whom Apollinaire befriended in 1903 and considered "one of the most powerful precursors of the new poetry." Apollinaire dedicated his poem Le Brasier included in the present volume on p. 129 to Roinard. The recipient of Picasso's inscription Robert Valançay was a poet translator and literary critic who worked with and admired many of the artists and poets of the surrealist group. He published two major volumes of poetry but was most appreciated and sought after for his translations. He was considered the official translator of Max Ernst and Hans Arp. In near fine condition. Original wrappers bound in. A remarkable association copy linking four major figures of the literary and artistic avant-gardes of the 20th century. French poet playwright short story writer novelist and art critic Guillaume Apollinaire is considered one of the foremost poets of the early 20th century as well as one of the most impassioned defenders of Cubism and a forefather of Surrealism. At the turn of the 20th century he became one of the most popular members of the artistic community of Paris both in Montmartre and Montparnasse. His friends and collaborators in that period included Pablo Picasso Henri Rousseau Gertrude Stein Max Jacob André Salmon André Breton André Derain Faik Konitza Blaise Cendrars Giuseppe Ungaretti Pierre Reverdy Alexandra Exter Jean Cocteau Erik Satie Ossip Zadkine Marc Chagall Marcel Duchamp and Jean Metzinger. He is credited with coining the term "Cubism" in 1911 to describe the emerging art movement the term Orphism in 1912 and the term "Surrealism" in 1917 to describe the works of Erik Satie. Mercure de France hardcover
