GEISER (Bernhard) - [PICASSO (Pablo)].Livre Rare Book
5 605 résultats
1955réf. 22003Lausanne, Editions Clairefontaine, (1955). Un vol. au format in-4 (286 x 223 mm) de 168 et iii pp. Plein cartonnage d'édition.
1955réf. 14042Numéro 5, Mai 1955. Bresdin, Entretien au magnétophone avec André Masson, Picasso et Altdorfer … Photos en couleurs. Infime défaut à une photo. Broché sous couverture illustrée Très bon Paris L'Œil 1955 1 volume in-folio
1956réf. 14056Numéro 22, Octobre 1956. L'Affaire Bonnard, Picasso 75 ans, De Stijl, Église d'Aghthamar en Turquie … Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1956 1 volume in-folio
1957réf. 14063Numéro 30, Juin 1957. Picasso à La Californie, Collection, Lehman, Azulejos … Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1957 1 volume in-folio
1961réf. 14107Numéro 82, Octobre 1961. Picasso découpe le fer, Conversation avec Alechinsky, Collection Fabre à Montpellier Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1961 1 volume in-folio
1955réf. AUB-2411Lausanne, Clairefontaine 1955. Bel exemplaire relié, reliure pleine toile et jaquettes ornées, 22 pages + 168 planches + annexes.
1955réf. AUB-8952Lausanne, la Guilde du Livre 1955. Bel exemplaire relié, cartonnage dans jaquette ornée, 22 pages + 168 planches + annexes.
réf. lc_37671Genève , Cailler, 1954. (1 janvier 1954)
réf. 68357aafLausanne, Clairfontaine, 1955, in-4to, 22 p. + 84 planches + 10 p., cartonnage illustré original. Jaquette orig. ill. Bel exemplaire
réf. 77988aafLausanne, Clairfontaine, 1955, in-4to, XV + 142 p. avec des ill. sur planches, cartonnage illustré original.
1985réf. 99433Antibes Musée Picasso d'Antibes 1985 2 vol. broché 2 vol. in-4, brochés, couv. illustrées, étui illustré, 136 et 24 pp., nombreuses reproductions en noir et en couleurs. T. 1 : Catalogue raisonné du musée. T. 2 : Hommage à Picasso pour le centenaire de sa naissance. 2e édition de 1985. Très bon état.
1985réf. 99433Antibes Musée Picasso d'Antibes 1985 2 vol. broché 2 vol. in-4, brochés, couv. illustrées, étui illustré, 136 et 24 pp., nombreuses reproductions en noir et en couleurs. T. 1 : Catalogue raisonné du musée. T. 2 : Hommage à Picasso pour le centenaire de sa naissance. 2e édition de 1985. Très bon état.
1981réf. 99435Antibes Musée Picasso / Château Grimaldi 1981 1 vol. broché in-4, broché, couv. illustrée, 136 pp., nombreuses reproductions en noir et en couleurs. Premier tirage de 1981. Très bon état.
1981réf. 99435Antibes Musée Picasso / Château Grimaldi 1981 1 vol. broché in-4, broché, couv. illustrée, 136 pp., nombreuses reproductions en noir et en couleurs. Premier tirage de 1981. Très bon état.
1982réf. 180166Musée Picasso Antibes, Musée Picasso, 1982. In-4 carré broché couverture illustrée de 96 pages ornées de nombreuses reproductions. Bon état
réf. 629196Editions Clairefontaine Lausanne 1955 In-4 ( 280 X 220 mm ) de 22-168 pages, cartonnage sous jaquette illustrée en couleurs. 168 planches en noir. Traduction de Gustave ROUD. Très bel exemplaire.
1999In-16 (cm. 19), brossura illustrata, pp. 174, (2), con illustrazioni in bianco e nero nel testo ed a colori fuori testo. Prima edizione nella Collana Gli Elefanti. In ottimo stato (nice copy). Emilio Tadini ci accompagna alla scoperta di cinque capolavori della pittura: L'orchestra dell'Opéra di Degas, La stanza del pittore a Arles di Van Gogh, Le bagnanti di Cézanne, Les Demoiselles d'Avignon di Picasso e L'autoritratto con sette dita di Chagall. Sono cinque opere assai diverse tra loro, che contengono e implicano molte altre pitture possibili, offrendosi allo sguardo come fonti inesauribili di scoperte e rivelazioni: dipinte nel momento in cui si afferma il "moderno", assommano in sé molte caratteristiche dell'arte del passato e prefigurano quella del futuro.
1995In-8 (cm. 21.10), brossura illustrata, sovracoperta editoriale illustrata, pp. 174, (2), con alcune illustrazioni in bianco e nero nel testo ed a colori fuori testo. Dedica autografa di Emilio Tadini al frontespizio. Prima edizione. In ottimo stato (nice copy). Emilio Tadini ci accompagna alla scoperta di cinque capolavori della pittura: L'orchestra dell'Opéra di Degas, La stanza del pittore a Arles di Van Gogh, Le bagnanti di Cézanne, les Demoiselles d'Avignon di Picasso e L'autoritratto con sette dita di Chagall. Sono cinque opere assai diverse tra loro, che contengono e implicano molte altre pitture possibili, offrendosi allo sguardo come fonti inesauribili di scoperte e rivelazioni: dipinte nel momento in cui si afferma il "moderno", assommano in sé molte caratteristiche dell'arte del passato e prefigurano quella del futuro.
1922réf. 1186471922. First Edition. BAKST Lon. L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant. Preface d'Andr Levinson. Paris: de Brunoff 1922. Large folio original limp cream paper covers uncut custom chemise. $4500.Signed limited first French edition number 308 of only 500 copies signed by both Bakst and publisher Maurice de Brunoff with 56 mounted color plates 54 full-page costumes and sets for the Ballet Russes with letterpress tissue-guards and a portrait of Bakst by Picasso.A gifted painter Bakst is best remembered for the sets and costumes he designed for Diaghilev's Ballet Russes in the early decades of the 20th century. His exotic and sumptuous designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. It was the Ballet Russes that first brought Tchaikovsky's Sleeping Beauty renamed Sleeping Princess to the west in 1921 featuring scenery and costumes by Bakst. ""Bakst's greatest claim to theatrical glory lies in his feeling for synthesis in his impeccable instinct for harmony"" Levinson. Without rare original slipcase. Plates and text fine only minor wear to spine of fragile original paper covers. A beautiful copy. unknown
1922réf. 37572Paris: Maurice de Brunoff 1922. Limited First edition. Paperback. g to g. 1/500. Folio. 8 21 3pp text 54 leaves plates. Uncut. Original glassine on decorative and printed dust-jacket over blind wrappers. Book housed in its original decorative green paper covered slipcase with gold lettering and decoration on spine and along joints. Raised bands. Limitation page signed by both Léon Bakst and Editor Maurice de Brunhoff. Color illustration pasted on title page. Stunning lithographic frontispiece portrait of Bakst after a drawing by Picasso. Decorative head- tailpiece and initial. In 1921 the opportunity arose for Sergei Diaghilev the renown Russian ballet impresario and founder of the Ballets Russes to present Tchaikovski's "La Belle au Bois Dormant" at the Alhambra Theatre in London using the notes that the Ballet Master Nicholas Sergeyev had kept from pre-Revolutionary Russia. It was to be a production of great magnificence designed by Léon Bakst and the first time the typically Russian full-length ballet in five scenes would be performed in England. Petipa's choreography preserved through the use of Stepanov notation was restaged by Nicolas Sergueev stage manager for the Maryinski Theatre. Bronislava Nijinska younger sister to Nijinski and also a dancer and choreographer adjusted several enchaînements and supervised the whole show. Olga Spessivtseva was Aurora Pierre Vladimirov the Prince and Lydia Lopokova alternated with Bronislava Nijinska in the role of the Lilac Fairy. Stanislav Idzikowski proved to be a brilliant Blue Bird. Carlotta Brianza who had created the title role of Sleeping Beauty in 1890 in Saint Petersburg played Carabosse this time. The superb scenery and costumes were designed by Léon Bakst. This stunning signed limited first edition contains the complete 54 mounted color plates depicting the exotic sumptuous and richly colored costumes and sets designed by Bakst for this memorable London performance. His ingenious designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. Each of the mounted color plates measures 15 1/4 x 11" image appr. 10 1/2 x 6 3/4" and is protected with a captioned tissue guard. One of 500 copies of which this is No.358. Gold lettering and decoration partly faded on slipcase. Water staining on boards. Glassine age-toned and chipped at tail of spine. Creasing along dust-jacket's spine. Wrappers intact. Book block separating. 11 plates loose. Moderate and sporadic creasing on tissue-guards. Text in French. Slipcase and glassine in overall fair to good dust-jacket in good wrappers and interior in good plates in very good condition. Maurice de Brunoff paperback
1985réf. C90962Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pages; 80 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'Œuvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1985. Museum paperback
1985réf. 90962Museum. New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 136 pages; 80 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Museum paperback
1922réf. 1186471922. First Edition. BAKST Lon. L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant. Preface d'Andr Levinson. Paris: de Brunoff 1922. Large folio original limp cream paper covers uncut custom chemise. $4500.Signed limited first French edition number 308 of only 500 copies signed by both Bakst and publisher Maurice de Brunoff with 56 mounted color plates 54 full-page costumes and sets for the Ballet Russes with letterpress tissue-guards and a portrait of Bakst by Picasso.A gifted painter Bakst is best remembered for the sets and costumes he designed for Diaghilev's Ballet Russes in the early decades of the 20th century. His exotic and sumptuous designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. It was the Ballet Russes that first brought Tchaikovsky's Sleeping Beauty renamed Sleeping Princess to the west in 1921 featuring scenery and costumes by Bakst. ""Bakst's greatest claim to theatrical glory lies in his feeling for synthesis in his impeccable instinct for harmony"" Levinson. Without rare original slipcase. Plates and text fine only minor wear to spine of fragile original paper covers. A beautiful copy. unknown books
1922réf. 37572Paris: Maurice de Brunoff 1922. Limited First edition. Paperback. g to g. 1/500. Folio. 8 21 3pp text 54 leaves plates. Uncut. Original glassine on decorative and printed dust-jacket over blind wrappers. Book housed in its original decorative green paper covered slipcase with gold lettering and decoration on spine and along joints. Raised bands. Limitation page signed by both Léon Bakst and Editor Maurice de Brunhoff. Color illustration pasted on title page. Stunning lithographic frontispiece portrait of Bakst after a drawing by Picasso. Decorative head- tailpiece and initial. In 1921 the opportunity arose for Sergei Diaghilev the renown Russian ballet impresario and founder of the Ballets Russes to present Tchaikovski's "La Belle au Bois Dormant" at the Alhambra Theatre in London using the notes that the Ballet Master Nicholas Sergeyev had kept from pre-Revolutionary Russia. It was to be a production of great magnificence designed by Léon Bakst and the first time the typically Russian full-length ballet in five scenes would be performed in England. Petipa's choreography preserved through the use of Stepanov notation was restaged by Nicolas Sergueev stage manager for the Maryinski Theatre. Bronislava Nijinska younger sister to Nijinski and also a dancer and choreographer adjusted several enchaînements and supervised the whole show. Olga Spessivtseva was Aurora Pierre Vladimirov the Prince and Lydia Lopokova alternated with Bronislava Nijinska in the role of the Lilac Fairy. Stanislav Idzikowski proved to be a brilliant Blue Bird. Carlotta Brianza who had created the title role of Sleeping Beauty in 1890 in Saint Petersburg played Carabosse this time. The superb scenery and costumes were designed by Léon Bakst. This stunning signed limited first edition contains the complete 54 mounted color plates depicting the exotic sumptuous and richly colored costumes and sets designed by Bakst for this memorable London performance. His ingenious designs in conjunction with Diaghilev's radical and provocative choreography helped revitalize ballet and lay the framework for modern interpretive dance. Each of the mounted color plates measures 15 1/4 x 11" image appr. 10 1/2 x 6 3/4" and is protected with a captioned tissue guard. One of 500 copies of which this is No.358. Gold lettering and decoration partly faded on slipcase. Water staining on boards. Glassine age-toned and chipped at tail of spine. Creasing along dust-jacket's spine. Wrappers intact. Book block separating. 11 plates loose. Moderate and sporadic creasing on tissue-guards. Text in French. Slipcase and glassine in overall fair to good dust-jacket in good wrappers and interior in good plates in very good condition. Maurice de Brunoff paperback books
1981réf. 17821o. O. o. V., 1981. 160 S. Gr. 8° Groß-Oktav Brosch. 2 Bände
