Rojas, Fernando de und Pablo PicassoAntiquariat.de
5 608 résultats
1989réf. 37967Insel-Verlag, Frankfurt, 1989. 437 Seiten, 66 Abbildungen; Gr.-8°, 24,5 x 16,5 cm, Leinen mit transparentem Zellophan-Umschlag
1988réf. 57733André sauret 1988 In-8 relié 24 cm sur 20. 67 pages. Très bon état d’occasion.
1988réf. 326917Paris: Didier Imbert Fine Art 1988. hardcover. fine. Picasso Pablo. 67 pages with text in French & English. Illustrated throughout in color and black & white. Short square 8vo grey cloth d.w. board slipcase. Paris: Didier Imbert Fine Art 1988. A fine copy. Catalogue for an exhibition held at Didier Imber Fine Art in Paris from May 20 - July 13 1988. Didier Imbert Fine Art unknown books
1988réf. 241063Paris: Didier Imbert Fine Art 1988. hardcover. near fine/near fine. Picasso Pablo. 67 pages with text in French & English. Illustrated throughout in color and black & white. Short square 8vo grey cloth very slightly sunned d.w. Paris: Didier Imbert Fine Art 1988. Very slightly sunned edges still a near fine copy in near fine dust wrapper. Catalog for an exhibition held at Didier Imber Fine Art in Paris from May 20 - July 13 1988. Didier Imbert Fine Art unknown books
1989réf. 99519Milano Electa 1989 1 vol. broché in-8 carré, couverture illustrée en couleurs, 133 pp., nombreuses reproductions en noir et en couleurs. Très bon état.
1989réf. 99519Milano Electa 1989 1 vol. broché in-8 carré, couverture illustrée en couleurs, 133 pp., nombreuses reproductions en noir et en couleurs. Très bon état.
1953réf. D08KS1090Compagnie des Arts Photomecaniques Paris 1953. 1st Edition. SOFTCOVER. Quarto size 4to in colour printed stiff glossy card covers 104pp numerous plates some in colour. An excellent survey of contemporary modern ceramics. Text in French __CONDITION : A well preserved FINE unread copy spine and cover edges a little tanned. . __We always ship in PROTECTIVE CARD PARCELS Compagnie des Arts Photomecaniques, Paris paperback
1971réf. 1154825Skira 1971. Softcover. Very good. Text is in French. Great condition. Covers are tanned but readability is not impacted. Lamination on covers is peeling. Text block and inside edges are tanned but legibility is not affected. Pages are clean and unmarked. Skira unknown
1971réf. 467272Geneve : Albert Skira 1971. First Edition. Softcover. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists’ preparatory studies. French art. Art history. European painting. Visual arts. Gene?ve : Albert Skira paperback
1971réf. 111778Genève : Skira 1971. reliure d'éditeur. Picasso Pablo.La chute d’Icare de Pablo Picasso. Collection Les Sentiers de la Créations. Genève Skira1971 230x165mm 118 pages photos couleurs et n/b reliure d'éditeur. Reliure en cuir sous emboîtage cuir légèrement éraflé au dos autrement bon état.Exemplaire de luxe numéroté 356/1125. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Skira unknown
réf. 23567au Palais de l'UNESCO . 1971 . Edit. Skira ,'Les sentiers de la création" , In 8° br. Couverture rempliée .118 pp.Illustrations en noir et en couleurs .
1971réf. 15609Albert Skira In-8 Couverture souple Genève 1971
1971réf. 44950Albert Skira Cuir Genève 1971 Ed. numérotée
1971réf. 30470Albert Skira Cuir Genève 1971 Ed. numérotée
réf. ORD-17294Genève. Skira. Les sentiers de la création. 1971. In-8 (165 x 215mm) broché, couverture à rabats iluustrée couleurs, 118 pages, très nombreuses illustrations en noir et en couleurs, certaines à pleine page. Traces légères de scotch sur les gardes sinon très bon état.
réf. 48302Genève : Albert Skira, (collection "Les Sentiers de la Création"), 1971. Un volume 22x16,5cm plein chagrin bordeaux, dos lisse, plats encadrés d'un double filet doré, sous emboitage cartonné bordé de cuir, tranche supérieure dorée. 120 pages sur papier couché illustrées de planches en noir et en couleurs d'études et peintures de Pablo Picasso. Texte de Gaëtan Picon. Edition originale, tirage limité à 1175 exemplaires numérotés, celui-ci un des 1000 reliés (numéro 146). Bon état.
1969réf. 755741969 Genève, Skira (Collection "Les Sentiers de la Création"), 1971, in 8° broché, 118 pages ; nombreuses illustrations en noir et en couleurs ; couverture illustrée.
1971réf. 119412Skira Sentiers de la Création 1971 Albert Skira, Coll. les Sentiers de la Création, 1971, 118 p., cartonnage éditeur sous étui, environ 22x17cm, édition originale numérotée 647/1125. Des frottements discrets sur le dos et sur l'ouverture de l'étui. Bon état pour le reste et intérieur bien propre.
réf. 93618aafGenève, Albert Skira, 1971, gr. in-8vo, 118 p., ill., cartonnage original ill.
1971réf. 90674Albert Skira, coll. « Les sentiers de la création », n° 16 1971 In-8 broché 21,5 cm sur 16,5. Couverture desquamée.. Bon état d’occasion.
réf. 111778Genève, Skira 1971, 230x165mm, 118pages, reliure d'éditeur. Reliure en cuir sous emboîtage, cuir légèrement éraflé au dos, autrement bon état.Exemplaire de luxe numéroté 356/1125.
1943réf. 208661Robert-J. Godet éditeur 1943. Number 23 of 25 such copies. Paperback. Bound book is VG with expected age-toning to the solid covers. Accompanying suite is as good as can be hoped for with the thin paper printed wraps broken at the spine and the 18 prints most with acidic sheets between that are printed on low-quality acidic paper solid clean with a noted printing smudge on one about 1/10 an inch in size and undamaged but wanting some conservation or de-acidification. Again in case you have not noted otherwise THE BLACK AND WHITE SIGNED ETCHING is lacking but the limitation page is signed by both Hugnet and Picasso and there is a unique collage by Hugnet to noted collectors on the half-title. Thick wrapped cardstock glued covers with printed lettering in black and green. Unpaginated 38 pp with the 6 zincographs bound in and then containing in a separate folder a suite of 3 copies each in a different color of the 6 bound zincograph plates from the book. LACKS THE BLACK AND WHITE ETCHING but contains a custom-designed and signed presentation collage by Georges Hugnet to Nannette and Herbert Rothschild on the half-title with painted design and applied materials dated April 9 1956. First edition printed in 525 numbered copies: 25 on Arches vellum signed by the author and illustrator. This is one of the first 25 copies on Arches vellum signed by the author and the painter with the set of three engraving colors red ochre and blue-green in the separate suite and 1 original etching by Pablo Picasso SIGNED ETCHING IS NOT PRESENT IN THIS COPY. The justification indicates: "the illustrations were etched by Pablo Picasso in order to be printed in the text through common typographic means. The etching meant only for the first prints is one of six illustrations printed in intaglio on Roger Lacouriere's printing press." An additional 500 regular copies with no suite and no etching on Lafuma plus VI author's copies on arches and III nominatives on bristol. The request to insert by Paul Eluard is entitled "Pour Georges Hugnet" 1 p. and is present as called for. Also contains some other laid-in items including a dated 1956 photograph of Hugnet along with a lithographed invitation to an exhibition of graphics by Hugnet at Galerie Furstenberg dated 1954 contains a colored illustration on the right inside panel and a printed belly-band of unknown relation to the artist or publication. Robert-J. Godet éditeur paperback books
1943réf. 208661Robert-J. Godet éditeur 1943. Number 23 of 25 such copies. Paperback. Bound book is VG with expected age-toning to the solid covers. Accompanying suite is as good as can be hoped for with the thin paper printed wraps broken at the spine and the 18 prints most with acidic sheets between that are printed on low-quality acidic paper solid clean with a noted printing smudge on one about 1/10 an inch in size and undamaged but wanting some conservation or de-acidification. Again in case you have not noted otherwise THE BLACK AND WHITE SIGNED ETCHING is lacking but the limitation page is signed by both Hugnet and Picasso and there is a unique collage by Hugnet to noted collectors on the half-title. Thick wrapped cardstock glued covers with printed lettering in black and green. Unpaginated 38 pp with the 6 zincographs bound in and then containing in a separate folder a suite of 3 copies each in a different color of the 6 bound zincograph plates from the book. LACKS THE BLACK AND WHITE ETCHING but contains a custom-designed and signed presentation collage by Georges Hugnet to Nannette and Herbert Rothschild on the half-title with painted design and applied materials dated April 9 1956. First edition printed in 525 numbered copies: 25 on Arches vellum signed by the author and illustrator. This is one of the first 25 copies on Arches vellum signed by the author and the painter with the set of three engraving colors red ochre and blue-green in the separate suite and 1 original etching by Pablo Picasso SIGNED ETCHING IS NOT PRESENT IN THIS COPY. The justification indicates: "the illustrations were etched by Pablo Picasso in order to be printed in the text through common typographic means. The etching meant only for the first prints is one of six illustrations printed in intaglio on Roger Lacouriere's printing press." An additional 500 regular copies with no suite and no etching on Lafuma plus VI author's copies on arches and III nominatives on bristol. The request to insert by Paul Eluard is entitled "Pour Georges Hugnet" 1 p. and is present as called for. Also contains some other laid-in items including a dated 1956 photograph of Hugnet along with a lithographed invitation to an exhibition of graphics by Hugnet at Galerie Furstenberg dated 1954 contains a colored illustration on the right inside panel and a printed belly-band of unknown relation to the artist or publication. Robert-J. Godet éditeur paperback
1943réf. 91824Robert J. Godet 1943. Fine. Robert J. Godet 1943 23 x 28 cm broché First edition illustrated with 6 original lithographs by Pablo Picasso one of 500 numbered copies on Lafuma paper. A pleasing copy complete with its ""prière d'insérer"" written by Paul Eluard. Robert J. Godet unknown
réf. 78617Paris Robert - J. Godet 1943. 4° 32 Bl. 6 Rasterdrucke nach Radierungen von P. Picasso Mit dem eingeklebten Verlegerhinweis von Guy le Pra Broschur m. Transp.-OU. OU mit kleinen Fehlstellen min. angeschmutzt. Innen Papier alterungsbedingt min. gebräunt sonst sauberes Exemplar. EA. Goeppert-Cramer 38. – Bloch livres 37No 201 des 500 exemplaires numérotés sur Lafuma.- Beiliegend eine surrealistische Werbeeinladung «Prière d’insérer» in 14 Punkten von Paul Eluard «pour Georges Hugnet».- Georges Hugnet 1906-1927 verbrachte den größten Teil seiner Kindheit in Buenos Aires. 1913 kehrte er nach Paris zurück. 1920 war das entscheidende Jahr seiner Karriere. Durch Marcel Jouhandeau der im selben Gebäude am Boulevard de Grenelle in Paris wohnte wurden seine ersten Gedichte Max Jacob vorgelegt. Jacob wurde sein Mentor und durch ihn bekam er auch die Kontakte und Zugang zu der Pariser Kunstszene. Während dieser Zeit freundete sich Hugnet mit einer Reihe einflussreicher Künstler des frühen 20. Jahrhunderts an wie Joan Miró Marcel Duchamp Pablo Picasso Tristan Tzara Man Ray und Jean Cocteau.Hugnet kam 1926 in Kontakt mit den Surrealisten nahm an vielen ihrer Aktivitäten teil dichtete schuf Collagen schrieb Bücher und gestaltete Bucheinbände für surrealistische Publikationen auch in Zusammenarbeit mit seinem Freund Joan Miró. 1929 erfolgte die Präsentation seines Filmes La Perle im Studio Ursulines in Paris. In den 1930er Jahren war Hugnet Mitglied der surrealistischen Bewegung. André Breton hatte sich nach der Lektüre von Hugnets Artikel Spirit of Dada in Painting für ihn interessiert; Tristan Tzara machte sie miteinander bekannt. 1936 war Hugnet an der Organisation der International Surrealist Exhibition in den New Burlington Galleries in London beteiligt.1939 wurde er aus der Bewegung ausgeschlossen da er seine Freundschaft mit dem in Ungnade gefallenen Dichter Paul Éluard nicht aufgeben wollte.Mit Unterstützung seines Vaters – ein französischer Möbelhersteller – gründete Hugnet einen Verlag «Les Editions de la Montagne» um seine Werke und die seiner Freunde darunter Tristan Tzara Pierre de Massot und Gertrude Stein zu veröffentlichen.Hugnet schrieb und übersetzte zahlreiche Drehbücher und schuf Buchillustrationen. 010 Paris, Robert - J. Godet, 1943 unknown
