CarracheBiblio.com
442 resultados
ref. 2087051Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1871. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2087064Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1871. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2087038Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1867. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2088345Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2119172Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1866. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2119481Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1867. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 124298Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 136149Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 152939Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 1611/12. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 159975Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1602. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 333305Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1607. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 332945Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century ca. 1582. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 5128Circa 1690. Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed worn and heavily aged with small wormhole at foot. Ornate tomb with sphinxes ivy masks palette laurel wreath etc. Central head and shoulders image of Carracci above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila after Carlo Maratta in Aquila's 'Galeriae Farnesianae Icones' 1674. [Circa 1690?] unknown
2010ref. C4482Munich: No Publisher Noted 2010. Very Good. 4to. A one off book attractively bound in printed woven back cloth and lettered on cover Presented to Ronald Searle on his 90th birthday with a note by Searle about this. In a typed signed note bound in at the front Andreas Bartsch curator / print expert explains in halting English that he has collected and bound up these 'colour copies' of drawings by the Carracci's and their students esp for Ronald Searle. 50 leaves printed recto only 46 images. Loosely inserted is a signed card from Andreas Bartsch and a good long letter from Searle to Andreas Bartsch apparently never sent about Carracci and the many happenings around his 90th birthday. It appears the book is a unicum - i.e. one copy only. Fine. No Publisher Noted, hardcover
1646ref. 49067In Roma: Grignani 1646. Foglio di cm. 34 x 24. Ben conservato. Tavola n. 60 proveniente da: Diverse figure Al numero di ottanta Disegnate di penna Nell'hore di ricreatione da Annibale Carracci… Opera che divenne poi più celebre con il titolo di: "Le Arti di Bologna". Grignani unknown
1646ref. 49068In Roma: Grignani 1646. Foglio di cm. 34 x 24. Ben conservato. Tavola n. 18 proveniente da: Diverse figure Al numero di ottanta Disegnate di penna Nell'hore di ricreatione da Annibale Carracci… Opera che divenne poi più celebre con il titolo di: "Le Arti di Bologna". Grignani unknown
ref. 17-5855London UK: Sotheby & Co. 1972. 4to. 210 pp. Hardcover. Auction Catalogue. Black and White Plates. From the Collection of Peter Selz Berkeley CA. Signed and dated “Peter Selz 1972.’ Very Good. London, UK: Sotheby & Co., 1972. hardcover
ref. 71-0968Paris: Galerie de Palais Royal Galerie del ducque de Orleans 1786-1808. Engraving. 37 x 24 cm. sheet. A proof before the text below the title. Sheet mounted at corners to support sheet. Very Good. Sheet trimmed. Light foxing throughout. Paris: [Galerie de Palais Royal [Galerie del ducque de Orleans], 1786-1808]. unknown
ref. #[59786]Mountain landscape with figures. High mountains on the right. Below a village. Closer to the foreground two figures seen from behind. On the left trees and rocks. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '23.F' signed on the right bottom:'JB Corneille Sculp Cum privuil Regis.' l Etching on fine laid paper with small margins; platemark: 285 x 405 mm total: 290 x 422 mm; in good conditions unknown
ref. #[59782]River landscape with figures on the left. In the center a bridge on the river mountains towards the right a city on the left. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '34.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' l Etching on fine laid paper with margins; platemark: 283 x 401 mm total: 290 x 419 mm; in very good conditions unknown
ref. 59783River landscape with figures. A road descending towards the center of the composition. The river flows from right to left to open sea where some sailing boats are. Mountains in the background. High trees on the left and on the right. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'An. Carache delin:' numbered '27.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 279 x 402 mm total: 286 x 410 mm; in good conditions unknown
ref. 59787Landscape high trees on the left a village on the left background trees and some figures in the middle a pond in the center foreground. A man on a horse seen from behind riding towards the right background. From the 'Recueil de 283 estampes gravées à l'eau forte d'après les dessins originaux. que Mons. Evrard Jabach de Cologne. possédait' or Cabinet Jabach. Everhard Jabach 1618-1695 was an eminent French collector of drawings. This ensemble of plates is drawn after Italian masters as the Carraccis Pietro da Cortona Titian Campagnola turned into print by Macé Corneille Jean-Baptiste and Michel-Ange and Pesne. Signed on the bottom; at left 'Lud. Carache delin:' numbered '16.E' signed on the right bottom:'Massé. Sculp. Cum privuil Regis.' Etching on fine laid paper with margins; platemark: 284 x 406 mm total: 297 x 422 mm; in good conditions. Attached to a steel engraving by Jean-Baptiste-Marie Bury 1808-ca.1881 after Jean Arnould Leveil 1806-1866 with Roman ruines. unknown
ref. 0-06597Roma 1740 incisione originale di 305 x 20 alla battuta su foglio di 325 x 21 n° 80 inc. da S. Guillain e A. Algardi. unknown
ref. 121396La famosa raccolta di Annibale Carracci costituita da una serie di disegni realizzati dall'Artista per passatempo e con l'intento di formare una sorta di guida accademica per i suoi allievi perchè li avessero a disposizione come modelli rimase utile agli scolari anche dopo la sua morte ancora per anni e anni; solo nel 1646 vennero raccolti da suoi familiari e consegnati al francese Simon Guillain affinché li incidesse. Proprio da quei modelli anche Mitelli sviluppo' in seguito la sua opera. Di quei disegni "Simon Guillain incise diversi soggetti 80 per la pubblicazione "Diverse figure al numero di ottanta disegnata di penna nell'hore di ricreatione da Annibale Carraci intagliate in rame e cavate dagli originali da Simone Gvilino" stampata a Roma da L. Grigniani nel 1646. La pubblicazione nota anche col titolo "Le arti di Bologna" ritrae figure popolaresche con spirito scanzonato. Nella prima edizione questi illustravano un trattato sull'imitazione del naturale nell'arte ma lo stesso Guillain ne fece una seconda edizione priva del testo dandole l'attuale titolo di "Arti di Bologna". Questi disegni ebbero in questo modo un'enorme diffusione e moltissimi artisti presero spunto dal modo di ritrarre del Carracci. I soggetti invece vennero ripresi solo più tardi in quanto nel corso del Seicento erano criticati come minori e di nessuna importanza.". Disponiamo delle seguenti tavole: CARRETTIERE CON ACQUA DI FIUME - MURATORE - VENDE PETTINI DA LINO E SETACCI - VENDE SOLFAROLI. CADAUNA unknown
ref. 0-06605Roma 1740 incisione originale di cm. 20 x 30 n° 31 inc. da S. Guillain e A. Algardi. unknown
