Bohn, Babette; Ludovico CarracciBiblio.com
564 resultados
2005ref. 93668Harvey Miller Publishers; Et Al. New. 2005. Hardcover. 1872501184 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 1872501184. 450 pages. Description: "The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology style and connoisseurship this book utilizes up-to-date art historical methods including considerations of the historical context of Bologna its impact on Ludovico's art and a new portrayal of the role of women and women artists in the city. He was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought how his ideas changed and which features of a composition were most important or challenging to his creative imagination. The Carracci have always been considered some of the most important draftsmen in Italian art for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right made for sale to a new audience of private collectors in Bologna." Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Harvey Miller Publishers; Et Al hardcover
1979ref. C91557National Gallery of Art. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1979. National Gallery of Art paperback
1979ref. 91557National Gallery of Art. New. 1979. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 533 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . National Gallery of Art paperback
2009Mm 255x285 "Palazzo Magnani è probabilmente il monumento dell'architettura bolognese più celebrato dagli studi specialistici. Tale fama si deve tuttavia non tanto al palazzo in sé, quanto al fatto di contenere 'ab antiquo', a partire all'incirca dal 1590, il più famoso ciclo della storia della decorazione pittorica felsinea. Questo studio intende riportare l'attenzione sul palazzo nell'interezza della sua ideazione e della sua creazione artistica" - Volume rilegato in tela, copertina illustrata, 192 pagine con 150 fra illustrazioni in nero e tavole a colori. Libro in perfette condizioni di nuovo-new, spedizione in 24 ore dalla conferma dell'ordine.
1973This is a very good hardcover copy in a very good dust jacket with one chip off the lower front corner. Very clean inside and out. Pages uniformly toned a little. Text in Italian. Illustrated throughout in black & white with 1060 reproductions of prints. Note to the plates. 12" high X 8" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1998Mm 230x280 Catalogo della mostra di Sassuolo, Palazzo Ducale, 12 settembre - 29 novembre 1998. Brossura editoriale con bandelle, 230 pagine con numerose illustrazioni in nero e a colori nel testo. Libro in condizioni di nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Benati, Daniele and Eugenio Riccomini: Annibale Carracci. Exhibition: Bologna, Museo Civico Archeologico, 2006. 500pp with 180 colour illustrations. Paperback. 28x24cms. Monographic exhibition catalogue on Annibale Carracci, bringing together some 160 works from across Europe, America and Russia looking at the range of his oeuvre from portraits, genre pieces, religious and mythological paintings and altarpieces. Text in Italian. Monographic exhibition catalogue on Annibale Carracci, bringing together some 160 works from across Europe, America and Russia looking at the range of his oeuvre from portraits, genre pieces, religious and mythological paintings and altarpieces. Text in Italian
ref. 46577156-6National Gallery of Art. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. National Gallery of Art unknown
2006In-8 (cm. 23.10), brossura illustrata, con alette, pp. 94, (2), con numerose illustrazioni in bianco e nero e a colori nel testo. Minime tracce di polvere alla brossura; peraltro, volumetto in buono stato di conservazione (good copy).
2007ill., br.
Cm. 28,5,bella legatura neoclassica inglese in mezza pelle verde con fregi in oro al dorso, piatti marm. con punte in pelle, Frontespizio inciso, ritratto e 38 tavole numerate. Tutte le incisioni all'acquaforte. Seconda edizione delle incisioni di Marcantonio Bellavia, fraudolentemente proposte come incisioni di Annibale Carracci, precedute da un front. calcogr. con la firma falsa del Bloemaert e da una tavola con un preteso autoritratto del Carracci (in realta secondo stato di una lastra anonima secentesca con la raffigurazione del profeta Daniele dipinto da Raffaello nella Cappella Chigi in Santa Maria della Pace a Roma). Cfr. Bartsch, XX, p. 22 - 23, Bartsh ill., v. 44, DBI, 7, p. 619, Catalogo on line "Incisioni e stampe" della Bibl. Panizzi. Stampato tra il 1748 e il 1783, anni di attività del Monaldini. Ex - Libris Barone di Northwick. Bellissimo esemplare.
1966Mm 190x240 Brossura originale con copertina figurata, timbro commerciale al frontespizio, 43 tavole in nero con relative schede. Opera in buone condizioni complessive, spedizione in 24 ore dalla conferma dell'ordine.
2015Mm 240x280 Catalogo della mostra di Milano, Pinacoteca di Brera, 9 maggio - 19 luglio 2015. Volume nella sua brossura originale, 208 pagine profusamente illustrate a colori. Libro in condizioni di nuovo - brand new in original shrink-wrap. Spedizione in 24 ore dalla conferma dell'ordine.
200622x24 cm, cartoncino editoriale con ampi risguari; p. 235, (16) con 110 tavole a colori con descrizione a fronte. Testo francese.
ref. 33808Turnhout, Brepols, 2005 Hardback, 642 p., 609 b/w ill. + + ills., 210 x 280 mm. ISBN 9781872501185.
1798ref. FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
1962ref. 40365Paris 1962. OU RECUEIL DE POSTURES ÉROTIQUES D'après les Gravures à l'eau-forte par cet Artiste célèbre Avec le Texte explicatif des Sujets Textband und Tafelband Maroquineinband.Vorsatz und hinteres Deckblatt mit Gold marmoriert. Kopfgoldschnitt. Schuber. Cercle du Livre Précieux 4°. Ldr. Literatur unknown
1970In-8 (cm. 21.20), brossura, sovracoperta editoriale illustrata, pp. 316, (4), con numerose illustrazioni in bianco e nero nel testo ed alcune a colori fuori testo. Catalogo critico della Mostra: Bologna, Palazzo dell’Archiginnasio, 12 Settembre - 22 Novembre 1970. Prima edizione. COPIA DA STUDIO. Tracce d’uso e di polvere alla sovracoperta. Fioriture ai tagli. Singoli segni a matita a non moltissime carte. Mancanza all’ultima carta. Peraltro, testo in buono stato (text in good condition).
ref. 16-5253Rome: Rubeis later 17th Century. Two engravings mounted on a support sheetEach 16 x 23c Rome: Rubeis, later 17th Century unknown
ref. 60539Anonymous copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised.Lettered on the bottom: 'Annibal. Caracius. inuentor.' Documented copy number 4 Windsor. Etching on paper; trimmed to platemark; total: 135 x 162 mm; top corners restored on the verso The Illustrated Bartsch 1980 p. 395 9-4. unknown
ref. #[60540]Copy after Annibale Carracci's popular engraving of the Madonna della Scodella: the Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; St. Anne standing in the back watching over the scene with her left hand raised. Lettered on the bottom right: 'A.b.C.I.' Documented copy number 12 Berlin. In this copy figures have no halo and the background has no hatchings l Etching on paper; trimmed within platemark; total: 142 x 163 mm; yellowed paper small stain on the shoulder of the Madonna; The Illustrated Bartsch 1980 p. 395 9-12 unknown
Acquaforte misure: mm 287 x 452 Questa stampa, in controparte rispetto a quella incisa da Francesco Brizio (Bologna circa 1574 – Bologna 1623) ma anticamente ritenuta di Guido Reni (Bartsch), traduce un dipinto di Annibale Carracci conservato oggi presso la Gemäldegalerie Alte Meister di Dresda. Nel cortile di un palazzo, contraddistinto da archi e colonne corinzie sullo sfondo che aprono lo sguardo sul profilo di una città arroccata, assistiamo al momento in cui San Rocco, a destra vestito da pellegrino, decide di liberarsi di tutti i suoi averi offrendoli ai più bisognosi. Il tratto è lungo, le linee rade e incrociate creano un debole chiaroscuro dai toni grigio-argentei che sembra placare il fermento, il pathos. Il primo piano, infatti, è colmo di personaggi come il gruppo di mendicanti sulla sinistra che ha già ricevuto le monete o la donna in primo piano, con lo sguardo al Santo, che conta il dono ricevuto. Tutte le persone sullo sfondo invece si agitano, si sbracciano nel tentativo di avvicinarsi a San Rocco. Solo la donna al centro con un abito riccamente panneggiato e un bambino in braccio sembra non interessarsi all'evento. In basso a destra: Anniba Car. invent; a sinistra 1610. si conoscono molte copie dell'incisione di Brizio a testimonianza dell'enorme successo che il soggetto a avuto all'epoca. L'anonimo autore della nostra copia è catalogano dal TIB come C5. Esemplare nel I/III stato, con la data 1610 e il nome di Carracci ma prima dell'indirizzo degli editore Francois Langlois Ciartres (Chartres 1588-Parigi 1647) e dell'indirizzo di Pierre Mariette figlio (1634-1716) il quale nel 1655 rileva l'attività di Langlois sposandone la vedova. Impressione ottima, leggermente mossa nella zona di sinistra. Ottimo stato di conservazione. Rifilata alla battuta del rame. Uno strappo restaurato e una minima integrazione agli angoli superiore e inferiore destro. Filigrana: scritte non identificabili ma databile al XVII secolo Bibliografia: Bartsch XVIII.305.53; D. Benati, The drawings of Annibale Carracci, n 26; TIB 40 part 1 4003.049. C5 S1
xilografia su foglio sciolto di dimensioni cm 39,5x26, che raffigura il santo in preghiera entro cornice con cartiglio. Porta le indicazioni “Ani. Caracci in. Mic. Bellelli fecit”. Il verso del foglio è manoscritto.
ref. 5128Circa 1690. Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed worn and heavily aged with small wormhole at foot. Ornate tomb with sphinxes ivy masks palette laurel wreath etc. Central head and shoulders image of Carracci above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila after Carlo Maratta in Aquila's 'Galeriae Farnesianae Icones' 1674. [Circa 1690?] unknown
ref. 60537The Madonna seated with the infant Christ on her lap holds a bowl for the infant Baptist to drink from; S. Anne watches from behind with a hand raised.The preparatory drawing is at the Louvre ex coll. Mariette Inv. 7142.First engraving realized by Annibale Carracci after 1600 showing the signs of a renewed approach to engraving. Remarkable is in fact the strong chiaroscuro emphasized by the hatched background against which are disposed the sculpted figures. Although the figures are engaged in simple and natural activities the composition is carefully studied and masterfully engraved with regular hatchings and signs.This composition became immediately highly popular as its numerous copies testify seventeen are documented.From the second state the name of the publisher was added Nicolaes van Aelst publisher active in Brussels and Rome. In the latter city he had a workshop in via della Pace from 1582 to 1613. Three states of this print are documented however the exemplar at the Museum in Bologna Inv. 4730 is suggested to be a fourth state. Signed above right: 'Annib. Carracius in./ et fecit. 1606./ Nico van Aelst for.' Etching and engraving on laid paper with a vague circular watermark small margins; platemark: 123 x 161 mm total: 125 x 163 mm; state III/3 or III/4; warn out plate on the corners; on the verso cifres in characoal top right and left corner restored lower left margin also; selected literature: Bartsch 1818 XVIII vol. p.186 n. 9; Le Blanc 1854 p. 606 n. 6; Nagler 1858 p. 458 n. 1053; The Illustrated Bartsch 1980 p. 395 9-I 186 and 1996 39 2 Comm. p. 256n. 3906.020. unknown
