564 resultados
15901 23x16.3 cm., 11, [1], 255, [1], 71, [1], 40, [8] pp., bel frontespizio inciso che include il ritratto del Tasso in medaglione e una veduta di Genova, il tutto entro bordura architettonica, i venti canti illustrati da 20 magnifiche incisioni a piena pagina disegnate dal pittore genovese Bernardo Castello e incise da Agostino Carracci (9) e da Giacomo Franco (11), legatura seicentesca in pergamena con titolo manoscritto al dorso, sguardie settecentesche, leggermente smarginato, lievi fioriture e bruniture uniformi, leggero alone ad alcune pagine, tracce di tarlo al margine inferiore di diverse carta senza pregiudizio, un rinforzo al margine interno al verso del frontespizio, restauro senza pregiudizio al margine esterno di pag. 245, nel complesso buon esemplare Prima edizione illustrata dal Castello, con la tavola del Canto Quarto non duplicata con quella del Canto Quinto. Gamba, 426: "Stimatissima edizione, principalmente per l'ornamento delle figure? E' da osservare che nel canto IV non sia duplicata la figura che sta nel canto V?".
2007In-4° pp. 302 con 81 tav. n.t. in parte a colori, bross. edit. ill. Come nuovo.
ref. 11400, Paris, Editions des Musees Nationaux, 1994**, Broche, couverture d' editeur illustre n/b, 21x30cm, 159pp, illustre n/b. ISBN 9782711829361.
1983ref. LFA-126722015Un ouvrage de 135 pages, format 215 x 305 mml, illustré, relié simili-cuir, publié en 1983, B.N.P., bon état
1961ref. 14102Numéro 77, Mai 1961. Méry Laurent, Comment travaille Pierre Soulages, Brébiette, Dessins de Carrache pour la Galerie Farnèse. Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1961 1 volume in-folio
1663ref. 4850Rome: Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi 1663. FIRST EDITION. Hardcover. Fine. Bound in modern quarter red morocco over marbled boards. A very good copy of the complete set of etchings. Some mostly mild soiling and staining a little heavier on two of the final plates and one small defect in plate 4 repaired. A complete set of etchings after the parietal frescoes in Palazzo Fava Bologna painted by the Carracci ca. 1593 depicting the story of Aeneas. The set comprises a title page 12 etched plates numbered from I to XII with the scenes of the cycle; and 4 additional sheets with 2 etchings per sheet reproducing the trompe l'oeil grisaille "statues" that divide the scenes. The title leaf includes the dedication to Lepoldo de Médici 1617-1675 with the Medici arms. The frescoes illustrating scenes from Books II and III of the "Aeneid" were etched by Giuseppe Maria Mitelli after drawings made by Flaminio Torri whose untimely death had prevented him from executing the plates himself. At the foot of the plates Mitelli attributes the individual scenes to one or another of the Carracci Annibale Agostino or Ludovico but these individual attributions do not always correspond to the conclusions of the most recent criticism. According to the Carracci biographer Carlo Cesare Malvasia "Felsina pittrice 1678 the frescoes were executed under the direction of Ludovico with at least two scenes Polyphemus and the Harpies being drawn by Ludovico and painted by Annibale. The Carracci - Annibale 1560-1609 his brother Agostino 1557-1602 and their cousin Ludovico 1555-1619- are among the most famous Bolognese painters of the last two decades of the sixteenth and the first part of the seventeenth centuries. Their artistic production took on a new importance in the history of Italian and European art of that time exerting a huge influence on subsequent generations. They gave life to an art based on a renewed awareness of nature and on the careful study of reality contributing to the development of the Baroque style which was opposed to the artificiality of late Mannerism. Towards the end of the sixteenth century the Carracci founded what has been called the first private school of painting of the modern age: the Accademia degli Incamminati. Annibale certainly the most talented of the three would be called to Rome to work for the powerful Farnese family while Ludovico and Agostino remained rooted in Bologna. But it is in Palazzo Fava that their "avvenetura" begins. Here the Carracci executed their first commission and the first important fresco cycle of their career. In 1584 thanks also to the intercession of Antonio Carracci father of Annibale and Agostino and tailor of the Fava family Count Filippo Fava entrusted the decoration of the entire "piano nobile" of the building to young artists who immediately gave proved their talent by creating an absolute jewel of Bolognese and Italian art. Thanks to the Fava family a family of patrons who played a fundamental role in the history and artistic development of Bologna Palazzo Fava became a place of study for the young artists of the time who were able to take advantage of mobile scaffolding to closely observe the adventures represented in the friezes of the cycle: those of Jason and Medea and in those of Aeneas the latter of which is reproduced here. https://genusbononiaeblog.it/i-carracci-palazzo-fava/ The engraver Giuseppe Maria Mitelli was renowned for the familiar playful carnivalesque and visionary themes of his etchings exemplified by allegorical figures genre scenes and images of everyday life in the streets of his native Bologna. He produced a large and varied body of work from genre scenes and fantastic imagery to reproductions of the works of the great Italian painters such as this suite. Mitelli was among the founders of Bologna's Accademia Clementina and was one of its first directors. For a full biography see "Agostino e Giuseppe Maria Mitelli" in Arte antica e moderna 3 1958 pp. 295-301. Da Gio. Giacomo de Rossi alla Pace al insegna di Parigi hardcover
1962ref. 40365Paris 1962. OU RECUEIL DE POSTURES ÉROTIQUES D'après les Gravures à l'eau-forte par cet Artiste célèbre Avec le Texte explicatif des Sujets Textband und Tafelband Maroquineinband.Vorsatz und hinteres Deckblatt mit Gold marmoriert. Kopfgoldschnitt. Schuber. Cercle du Livre Précieux 4°. Ldr. Literatur unknown
1920ref. 1408304Paris: Nouvelle Cythere c. 1920. Softcover. Quarto 10 80 pages. In Very Good minus condition. Bound in white covers. Chipping and tearing along edges of covers. Foxing and soiling to covers. Light soiling scattered throughout interior. Plate Nos. III and IV pages 9-12 and pages 73-76 loose but present. Shelved in Case 11. Facsimile of the edition published in 1798. 1408304. Shelved Dupont Bookstore. Nouvelle Cythere unknown
2002Mm 250x310 Scritti di Cervellati, Varignana, Chiarini, Finaldi, Feigenbaum, Mazza, Morigi Govi, Viroli, Mossakowski, Emiliani, Pérez Sanchez, Perini, ecc.; fotografie di Monti, Breveglieri, Baldassari. Volume cartonato rigido di 397 pagine, numerose immagini a colori e in bianco e nero, sovraccoperta editoriale figurata a colori. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1980In-8 (cm. 26.60), cartonato editoriale, sovracoperta editoriale illustrata, pp. 269, (3). Con un testo in lingua francese. Minime, ininfluenti abrasioni superficiali ai tagli ed al dorso della sovracoperta; peraltro, volume in ottimo stato (nice copy).
1798ref. FGN13-B-12Paris: A La Nouvelle Cythere 1798. Leather. Very Good Indeed. 12.5" by 9.5". None. A French description of the series of erotic engraved plates. Containing the descriptions only and bound in full calf. A French description of the series of erotic engraved plates depicting pairs of lovers in different positions of intercourse. Missing the twenty engraved plates by Carrachi and containing the text only. The plates depict couples and scenes from mythology including Jupiter and Juno Anthony and Cleopatra and Ovid sand Corinne. I Modi The Ways also known as The Sixteen Pleasures or under the Latin title De omnibus Veneris Schematibus is a famous erotic book of the Italian Renaissance in which a series of sexual positions were explicitly depicted in engravings. While the original edition was apparently completely destroyed by the Catholic Church fragments of a later edition survived. The second edition was accompanied by sonnets written by Pietro Aretino which described the sexual acts depicted. The original illustrations were probably copied by Agostino Caracci whose version survives. In a calf binding with gilt dentelles. Externally smart though with some rubbing and marks. Internally firmly bound. Pages are bright and clean with just the odd patch of foxing. Very Good Indeed A La Nouvelle Cythere hardcover
1925ref. LIQ-5140P. A La Nouvelle Cythere s.d. (1925). Grand in-4° demi chagrin bleu, dos à nerfs ornés de feurons et filets dorés.
185324 cm, bross. orig; pp. (12). Degica di Michelangelo Gualandi (acquirente), al piatto. testo ital. e francese
ref. 3492481Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1570. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 124296Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 124297Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 124295Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 124298Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2118975Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1864. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2119119Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2118935Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1863. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2118936Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1863. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2119120Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1865. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2118937Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1863. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
ref. 2118977Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1864. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
