543 risultati
198630 cm, brossura illustrata con risvolti; p. xxxii, 567, numerose illustrazioni in nero e a colori nel testo anche a piena pagina, copiosa bibliografia
2002Mm 250x310 Scritti di Cervellati, Varignana, Chiarini, Finaldi, Feigenbaum, Mazza, Morigi Govi, Viroli, Mossakowski, Emiliani, Pérez Sanchez, Perini, ecc.; fotografie di Monti, Breveglieri, Baldassari. Volume cartonato rigido di 397 pagine, numerose immagini a colori e in bianco e nero, sovraccoperta editoriale figurata a colori. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Emiliani, Andrea ed.: Ludovico Carracci. Exhibition: Bologna, Museo Civico Archeologico, 1993. cix, 365pp with 82 colour plates, 5 colour and 68 monochrome illustrations. Paperback. 28x25cms. Fully-illustrated catalogue of the paintings - selected mostly from museum and private collections in Italy - each one accompanied by description, detailed commentary and bibliography. Catalogue supported by biographical profile, essays on the life and works, and introductory essay setting Carracci within the context of Bologna during the second half of the 16th century. With bibliography, iconographical index of the works exhibited. Text in Italian. Fully-illustrated catalogue of the paintings - selected mostly from museum and private collections in Italy - each one accompanied by description, detailed commentary and bibliography. Catalogue supported by biographical profile, essays on the life and works, and introductory essay setting Carracci within the context of Bologna during the second half of the 16th century. With bibliography, iconographical index of the works exhibited. Text in Italian
1986Mm 245x303 Volume rilegato in tela con sovraccoperta, 187 pagine con illustrazioni in nero e a colori lungo l'intero testo. Introduzione di Renato Roli. Edizione per la Cassa di Risparmio di San Miniato. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
Bologna, Lit. Algiolini e Coni, 1835, in-folio, legatura in mezza pelle moderna. Frontespizio coi ritratti dei Carracci e 27 magnifiche tavole litografiche. Solo due esemplari segnalati in ICCU.
rif. 121396La famosa raccolta di Annibale Carracci costituita da una serie di disegni realizzati dall'Artista per passatempo e con l'intento di formare una sorta di guida accademica per i suoi allievi perchè li avessero a disposizione come modelli rimase utile agli scolari anche dopo la sua morte ancora per anni e anni; solo nel 1646 vennero raccolti da suoi familiari e consegnati al francese Simon Guillain affinché li incidesse. Proprio da quei modelli anche Mitelli sviluppo' in seguito la sua opera. Di quei disegni "Simon Guillain incise diversi soggetti 80 per la pubblicazione "Diverse figure al numero di ottanta disegnata di penna nell'hore di ricreatione da Annibale Carraci intagliate in rame e cavate dagli originali da Simone Gvilino" stampata a Roma da L. Grigniani nel 1646. La pubblicazione nota anche col titolo "Le arti di Bologna" ritrae figure popolaresche con spirito scanzonato. Nella prima edizione questi illustravano un trattato sull'imitazione del naturale nell'arte ma lo stesso Guillain ne fece una seconda edizione priva del testo dandole l'attuale titolo di "Arti di Bologna". Questi disegni ebbero in questo modo un'enorme diffusione e moltissimi artisti presero spunto dal modo di ritrarre del Carracci. I soggetti invece vennero ripresi solo più tardi in quanto nel corso del Seicento erano criticati come minori e di nessuna importanza.". Disponiamo delle seguenti tavole: CARRETTIERE CON ACQUA DI FIUME - MURATORE - VENDE PETTINI DA LINO E SETACCI - VENDE SOLFAROLI. CADAUNA unknown
rif. 71-3176Rome: Gregorio Roisecco 1740. Etching. 260 x 163 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 71-3178Rome: Gregorio Roisecco 1740. Etching. 225 x 155 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 71-3177Rome: Gregorio Roisecco 1740. Etching. 238 x 160 mm. sheet. Good tears along sheet edges some soiling.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
rif. 71-3175Rome: Gregorio Roisecco 1740. Etching. 280 x 198 mm. sheet. Good scattered foxing.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Rome: Gregorio Roisecco, 1740]. unknown
185324 cm, bross. orig; pp. (12). Degica di Michelangelo Gualandi (acquirente), al piatto. testo ital. e francese
1961rif. 14102Numéro 77, Mai 1961. Méry Laurent, Comment travaille Pierre Soulages, Brébiette, Dessins de Carrache pour la Galerie Farnèse. Photos en couleurs. Broché sous couverture illustrée Très bon Paris L'Œil 1961 1 volume in-folio
1870rif. j3185London: Fuller S B. G : in Good condition without dust jacket. Cover rubbed with loss to base of spine. Occasional foxing. Edge-soiling and curl to a few of the plates. 1870. First Edition thus. Green hardback half-leather cover with marbled boards. 280mm x 220mm 11" x 9". 105pp. 104 Fashion plates of which 98 are hand-coloured and 5 are fold-out. Heavy item - shipping supplement may apply for overseas. . Fuller, S B hardcover
1665rif. 15439c1665-1690. Extremely rare. 17 x 13.5 cm. Fine impression beautiful original engraving with large margins and fine detailed lines. Contemporary ink notes on verso no affect at all. Loose without matting. Body of Christ lying on the ground his head resting on the Vrigin supported by another Mary; with St. John holding ChristÕs left hand and displaying its wound to St. Mary Magdalene. Stunning and very rare. Suitable for framing. Lairesse 1641-1711 born in Liege second son of painter Renier. Known for a facial deformity some will state syphilis RembrandtÕs portrait of Gerard at age 25 is a famous one. He was influenced by Rembrandt and later French neo-classical. In 1690 he lost his sight and concentrated on art theory. A draughtsman theatrical designer writer and theoretician he is best known as the celebrated Dutch painter in the years to follow RembrandtÕs death.Lairesse shows more detail and finer lines than Carracci in this beautiful scene which is in reverse of CarracciÕs original. We attribute this work to Lairesse by the original auction purchase of this print over 20 years ago. Though we find no other copies of this print in any institutions reference citations or for sale at time of description. It appears to be extremely rare. unknown
rif. 11400, Paris, Editions des Musees Nationaux, 1994**, Broche, couverture d' editeur illustre n/b, 21x30cm, 159pp, illustre n/b. ISBN 9782711829361.
rif. 124296Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 124297Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 124295Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 124298Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 136147Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 136148Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 136146Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 136149Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 152938Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 1611/12. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 152936Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century 1611/12. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
