LECLERCQ, Léna - MIRÓ, JoanLivre Rare Book
1800 risultati
1968rif. 3100Paris, GLM (Guy Lévis Mano) 1968. Un vol. grand in-8 (24,5 x 17,8 cm), broché, 24 pages sous couverture rempliée imprimée. Édition originale du recueil de poèmes de Léna Leclercq. Un des 103 sur grand vélin d'Arches, les seuls accompagnés d'une superbe EAU-FORTE ET AQUATINTE EN COULEUR SIGNÉE AU CRAYON PAR JOAN MIRÓ, placée en frontispice.
1950rif. 140766Paris: Tériade Editeur 1950. First Edition. Paperback. Fine/Fine. Paris Tériade Editeur 1950. Folio 103 pages except for the letterpress limitation page all are colour lithographs. Loose as issued in the original plain card covers with the two-colour folding lithographed dustwrapper and plain glassine dustwrapper; leading and bottom edges uncut; some faint offsetting internally; a couple of trifling smudges; essentially a fine copy with the dustwrapper very slightly foxed and with the glassine dustwrapper almost imperceptibly worn at the extremities and now housed in a later custom-made card case. Number 417 of 1200 copies signed by Henri Matisse a further 30 hors commerce copies were also produced. This delightful artist's book comprising 26 double-sided sheets of colour lithographs was entirely designed by Matisse including the calligraphy decorations and illustrations. The lithographs were printed under Matisse's direction by Mourlot Frères on a heavy wove paper specially produced by the Arches paperworks. Matisse was enamoured of the rondeaux ballades and chansons of Charles Duke of Orleans 1394-1465. Tériade Editeur paperback
1937rif. 510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback
1935rif. 8741Number 58 of 1500 copies signed in pencil by Henri Matisse a further 250 copies of the edition were additionally signed by Joyce. This is the first illustrated edition of Ulysses though Matisse chose to supply illustrations of the Calypso episodes of Homer's Odyssey corresponding to the six episodes of the novel as his artist's response to Joyce's text which it is often said he never finished reading. He thus confounded both the publisher George Macy and most of the public on its first publication. The Limited Edition Club edition owes its existence to the lifting of the American ban on the novel in December 1933. Large 4to 295 × 225 mm pp. 363 1 6 soft ground etchings on thick paper with a total of 20 reproductions of Matisse's preliminary drawings on yellow and blue paper of different sizes 26 illustrations in all. Original brown buckram gilt with gold orb design to the upper cover original slipcase. The slipcase slightly chipped towards the head. A fine copy with the cloth binding exceptionally sharp and free of rubbing. Limited Editions Club.
1943rif. B-2022-0939Paris: Martin Fabiani 1943. Preface Matisse-en-France by Louis Aragon. Limited numbered edition in 950 copies of which this is copy N 404. Loose as issued in the original publisher's lace-up hard chemise. Illustrated by Matisse with an original linocut on a black background in frontispiece three lithographs and 158 reproductions of drawings in full page and hors-texte. Ref: C. Duthuit Les Livres Illustres No. 9.; Monod 7847.Chemise is missing spine and is detached some of the reproductions are lightly tanned but linocut is in very good condition. Martin Fabiani Editeur
1943rif. B-2022-0939Paris: Martin Fabiani 1943. Preface Matisse-en-France by Louis Aragon. Limited numbered edition in 950 copies of which this is copy N 404. Loose as issued in the original publisher's lace-up hard chemise. Illustrated by Matisse with an original linocut on a black background in frontispiece three lithographs and 158 reproductions of drawings in full page and hors-texte. Ref: C. Duthuit Les Livres Illustres No. 9.; Monod 7847.Chemise is missing spine and is detached some of the reproductions are lightly tanned but linocut is in very good condition. Martin Fabiani Editeur books
rif. VBFP 2Book. Fine. Soft cover. Signed by Authors. FIRST. Limited. This fabulous book one of the most spontaneous and joyous of all Matisse's printed works is illustrated with over 100 finely lithographed color pages including 54 original works done with colored pencils and crayons. The frontispiece portrait of the medieval author is signed and numbered in the plate. Printed entirely on heavy Velin d'Arches by Mourlot. Folio. Loose pages as issued in a lithographed glassine-covered folder. Paris: Teriade Editeur 1950. First edition. A clean near fine copy with the original slipcase number 34 of 1200 copies printed and signed in pencil by Matisse on the justification page." VERY FINE. Paperback
1950rif. 003127Paris: Teriade Editeur 1950. Book. Fine. Soft cover. Signed by Illustrators. 1st Edition. Loose sheets in lithographed wrappers and glassine dust jacket. In the original cardboard slipcase. Published in a limited edition of 1200 copies signed in pencil by Matisse on the limitation page. Printed by Mourlot on Velin d'Arches under the supervision of Matisse. This is one of 30 Roman numbered Hors Commerce copies XXIX. Unique presentation copy signed to Gaston Tutin who was a master printer at Mourlot. He is known to have assisted Matisse in printing his lithographs at the Moulot studios. Signed and dated in pencil by Henri Matisse on the limitation page: "a Gaston Tutin H. Matisse nov-1950". Very fine copy with the poem of Charles d'Orleans printed in the handwriting of Matisse all with lithographed decorations. Illustrated with over 50 full page lithographs including a frontispiece of the poet a lithographed title page 4 portraits 48 pull page flower motifs and a lithograph depicting rabbits around a tree. All lithographs are in very fine condition with bright colors and strong impressions. 100 pp. 415 x 275 cm. . Teriade Editeur paperback
1988rif. 86632Duthuit; Et Al. As New. 1988. Hardcover. 2904852018 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Corresponds to ASIN: B0016H3VDE and ISBN: 2904852018. 509 pages 26 images in color and many more in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Duthuit; Et Al hardcover
1909rif. 33776N.p.: Matisse 1909. 1st Edition. 1st Edition. Signed by Author. Matisse Henri. 1869-1954. 1 page A.L.S. n.p. 11 03 09. 8vo. Elegantly wood Framed & Glazed with carefully coordinated quad matting. A curious relatively early letter about housekeeping at his villa and studio - a private matter - boldly signed. A very handsome presentation. Can be purchased without frame if requested. English translation: "My dear friend I have received your enclosed letter from Hannigou and I'm forwarding it to you that it might be a use. I have written asking the Notary to replace one of the beds of the villa behind with an iron one . . . and to get rid of the sofa in the workshop which like the bed has bedbugs. See to it that he responds. I would have liked to have gone to see you to tell you all this but I haven't had time today and I believe the situation is pressing. In Friendship and all the best H. Matisse 1/03/1909" Matisse was a French artist known for his use of colour & his fluid brilliant & original draughtsmanship. As a printmaker & sculptor but principally as a painter Matisse is one of the best-known artists of the 20th century. Although he was initially labeled as a Fauve wild beast by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting.1 His mastery of the expressive language of colour and drawing displayed in a body of work spanning over a half-century won him recognition as a leading figure in modern art. Matisse unknown
1926rif. 338Vollard 1926. Etching. 1926-1929. 19.8 x 29.8 cm. 45 x 57.6 cm sheet. Edition not noted; an unknown number of proofs on Arches wove paper. Signed "Matisse" in plate only. Dutuit 86 Cramer cat. 7 no. 79 illus; Keller no. 86 Johnson 80. In excellent condition.
1926rif. 338Vollard 1926. Etching. 1926-1929. 19.8 x 29.8 cm. 45 x 57.6 cm sheet. Edition not noted; an unknown number of proofs on Arches wove paper. Signed "Matisse" in plate only. Dutuit 86 Cramer cat. 7 no. 79 illus; Keller no. 86 Johnson 80. In excellent condition. books
rif. 23292Paris, Tériade, 1950. In-folio, 100 pp., en feuilles, couverture originale illustrée, étui cartonné de l'éditeur (étui cassé, légère insolation, pâles décharges).
1950rif. 232261Paris: Teriade Editeur 1950. Limited. paperback. near fine. Matisse Henri. This fabulous book one of the most spontaneous and joyous of all Matisse's printed works is illustrated with over 100 finely lithographed color pages including 54 original works done with colored pencils and crayons. The frontispiece portrait of the medieval author is signed and numbered in the plate. Printed entirely on heavy Velin d'Arches by Mourlot. Folio. Loose pages as issued in a lithographed glassine-covered folder. Paris: Teriade Editeur 1950. First edition. A clean near fine copy lacking the original slipcase. Despite the rather large limitation copies of this book are increasingly scarce. Number 194 of 1200 copies printed and signed in pencil by Matisse on the justification page."The poems of the fifteenth-century author were written out in the artist's hand and framed by his own borders in the manner of an illuminated manuscript." -- The Artist & The Book p. 202. "In no other of Matisse's books does one feel the same sense of the artist's pleasure in his work as he plays here in his subtle games with children's crayons." -- Alfred Barr in Matisse: His Art & His Public p. 272-273 560. Teriade Editeur unknown
1950rif. 232261Paris: Teriade Editeur 1950. Limited. paperback. near fine. Matisse Henri. This fabulous book one of the most spontaneous and joyous of all Matisse's printed works is illustrated with over 100 finely lithographed color pages including 54 original works done with colored pencils and crayons. The frontispiece portrait of the medieval author is signed and numbered in the plate. Printed entirely on heavy Velin d'Arches by Mourlot. Folio. Loose pages as issued in a lithographed glassine-covered folder. Paris: Teriade Editeur 1950. First edition. A clean near fine copy lacking the original slipcase. Despite the rather large limitation copies of this book are increasingly scarce. Number 194 of 1200 copies printed and signed in pencil by Matisse on the justification page."The poems of the fifteenth-century author were written out in the artist's hand and framed by his own borders in the manner of an illuminated manuscript." -- The Artist & The Book p. 202. "In no other of Matisse's books does one feel the same sense of the artist's pleasure in his work as he plays here in his subtle games with children's crayons." -- Alfred Barr in Matisse: His Art & His Public p. 272-273 560. Teriade Editeur unknown books
1947rif. 146792Paris: Éditions du Bélier 1947. With an original lithograph signed by Matisse First edition first printing. No. 33 of 35 copies on Velin teinte Malacca paper with the frontispiece signed in pencil by Matisse. Franz Thomassin who wrote under the pseudonym Franz Villier was a neighbour of Matisse in Vence. Text in French. Octavo. Original lithograph frontispiece on China paper by Matisse. Sheet size: 19.4 x 14.3 cm. Original white wrappers titles to front cover and spine in black. Housed in a black cloth flat-back box by the Chelsea Bindery. Excellent condition. Dutuit 18 hardcover
1939rif. 038920France: Verve 1939. First Edition . Illustrated Cloth. Fine/No Dust Jacket. 14" Tall. Linoleum Cuts By Henri Matisse. Two Linoleum Cuts Extracted From Verve With "The Dance" On Reverse Both With Matisse's Initials In The Images Also Both Are Signed And Titled In Pencil By Matisse "Linoleum Cut - Skater - H. Matisse". The Prints Are Usually Titled "Skaters In Motion" But Here Matisse Titles Them "Skaters" Which Makes Sense As One Can't Be A Skater Unless One Is In Motion. Very Rare Signed Possibly Unique. From The Collection Of A California Artist Who Was Involved In The 1960'S With Important Shows In California Of French Artists And Had Widespread Contacts And Working Relationships In The Art Community. Verve hardcover
1959rif. 2220Pfullingen, Günther Neske Verlag, 1959. Un volume in-4 (279 x 211 mm), reliure éditeur toilée gris clair, dos à la bradel, plat supérieur illustrée d’un dessin de Arp reproduit. ÉDITION ORIGINALE. Texte en allemand. - EXEMPLAIRE DE TÊTE AVEC SEPT GRAVURES DE HANS ARP SIGNÉES AU CRAYON. - TIRAGE : un des 33 exemplaires de tête, celui-ci numéroté X, signé par Hans Arp, les seuls à comporter toutes les gravures signées. Rarissime et magnifique, les gravures de toute beauté. Références : Arntz 396-402b - Tiessen I, 46. - ENGLISH DESCRIPTION : Pfullingen, Günther Neske Verlag, 1959. A volume in-4 (279 x 211 mm). Publisher's cloth binding, light gray canvas, back to the bradel, upper cover illustrated with a drawing by Arp reproduced. ORIGINAL FIRST EDITION, with the text in German. HEAD COPY WITH 7 ORIGINAL ENGRAVINGS BY HANS ARP SIGNED IN PENCIL. - EDITION: one of 33 deluxe copies, this one numbered X, signed by Hans Arp, the only ones to include all the signed seven engravings. - ILLUSTRATION: 7 original etchings signed by Hans Arp. Extremely scarce , the engravings of great beauty. Literature: Arntz 396-402b - Tiessen I, 46. GERMAN DESCRIPTION: MONDSAND. Gedichte. Mit 7 signierten Original-Radierungen von Arp. Pfullingen, Neske, 1959. 4°. [32] Bll. (das erste u. letzte weiss). Original-Seideneinband mit Rückentitel u. Deckelillustration. In privatem Schuber. - Erste Ausgabe. - Eines von 33 römisch nummerierten Exemplaren (X) der Vorzugsausgabe, im Druckvermerk zusätzlich von Arp signiert. - Druck der Radierungen bei Fequet & Baudier in Paris. Schönes Exemplar (Arntz 396-402b - Tiessen I, 46).
1963rif. 15492ABParis, Teriade, 1963. 25,5 : 20 cm 5 w. Blatt, 78 Seiten, 3 Blatt, 7 w. Blatt und 31 ganzseitige Original-Lithographien von Henri Matisse. Dunkelblauer Maroquinband, Vorderdeckel mit eingelegter, farbiger Ornamentik, Rücktitel in Gold, dreiseitiger Goldschnitt, in Original-Schuber (signiert FRYNS?)
1952rif. 165340New York: Simon and Schuster 1952. First Edition. First Edition. Board and jacket design by Henri Matisse. Original "captions" booklet laid in as issued. One of the most influential collections of twentieth century street photography a testament to Henri Cartier-Bresson's unique and discerning eye and his ability to capture the emotive nature of his subjects. Near Fine in a spectacular Near Fine dust jacket. In a custom green clamshell box with a black leather label on the spine also Fine. The best copy of this title we have ever seen. Oversize volume shipping billed at cost. Simon and Schuster unknown
1952rif. 165340New York: Simon and Schuster 1952. First Edition. First Edition. Board and jacket design by Henri Matisse. Original "captions" booklet laid in as issued. One of the most influential collections of twentieth century street photography a testament to Henri Cartier-Bresson's unique and discerning eye and his ability to capture the emotive nature of his subjects. Near Fine in a spectacular Near Fine dust jacket. In a custom green clamshell box with a black leather label on the spine also Fine. The best copy of this title we have ever seen. Oversize volume shipping billed at cost. Simon and Schuster unknown books
1983rif. 86631Duthuit. As New. 1983. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - -- Corresponds to ASIN: B003MTAONY. TWO 2 VOLUME SET. Volume 1: 311 pages; Volume 2: 379 pages; many illustrations. Catalog Raisonné Raisonnee Catalog Complete Works Duthuit hardcover
rif. 114615Paris Fontaine 1947. . Limited edition one 65 copies on Johannot laid paper this numbered xxxiii with a linocut frontispiece signed in pencil 4to 26 x 19 cm; signed by René Char in blue in ink on the justification partially uncut; original printed wrappers with some striped age toning One of the 65 deluxe copies on Johannot wove with the signed linocut by Matisse. René Char approached Matisse in the spring of 1946 to create a frontispiece for this collection of poetry. The publisher initially misunderstood the nature of the illustration but Matisse insisted that it would be an original engraving not a reproduction: 'my intention is to show René Char more than a simple tribute'. The woman depicted by Matisse is that of Lucienne Bernard widow of the poet Roger Bernard to whom the author pays homage in the eleventh poem of the collection entitled 'Affres détonation silence'. Paris, Fontaine, 1947. unknown
1960rif. 1535Paris, Jean Hugues, 1960. Un volume petit in-4 (195 x 142 mm) broché. 31 pages + fnch., couverture blanche imprimée rempliée. Édition originale de ce recueil de quatorze poèmes en prose précédés d'un prologue par René Cazelles. L'ouvrage est orné d'UNE LITHOGRAPHIE ORIGINALE EN COULEURS DE JOAN MIRO. Tirage : 25 ex. avec la lithographie en trois états + 50 ex. avec la lithographie à l'état définitif + tirage typographique courant de 300 ex. tous sur Arches. Notre exemplaire est l' 1 des 25 de tête (n° 14) comprenant, sur un cahier dépliant formant triptyque, LA LITHOGRAPHIE EN 3 ÉTATS SIGNÉE AUX CRAYONS DE COULEUR ET JUSTIFIÉE 3/25 sur le deuxième volet : 1er état couleurs, 2ème état avec des modifications dans l'encadrement et ajout d'étoiles, 3ème état avec modification des couleurs et ajout d'un gaufrage. La typographie est dûe à l'imprimerie Union et le tirage de la lithographie à Mourlot. René Cazelles, ami de René Char, fut publié par Guy Lévy-Mano, Pierre-André Benoit, Aimé Maeght, Jean Hugues…
1946rif. 3933Éditions du Chêne, Paris 1946. In-4 (340 x 260 mm) en feuilles. 95 pp. + ffnch., en feuilles, sous couverture rempliée illustrée sur les deux plats, chemise titrée toilée et étui de l'éditeur. Édition originale des poésies de Pierre Reverdy "illustrée" de 14 LITHOGRAPHIES ORIGINALES A PLEINE-PAGE PAR HENRI MATISSE, tirées en sanguine, 17 LINOGRAVURES en noir et blanc (3 sur la couverture et 14 culs-de-lampe) et 14 lettrines composées par l'artiste. Tirage à 250 exemplaires : celui-ci, 1 des 200 numérotés sur vélin à la forme de Lana, SIGNÉ AU CRAYON PAR LE PEINTRE ET LE POÈTE. Les lithographies ont été tirées par Mourlot Frères, les linogravures et le texte par Fequet et Baudier, Paris. - ENGLISH DESCRIPTION: The complete book/portfolio with 14 original full-page original lithographs in sanguine, 14 original linocuts in black with 3 on the wrappers. The book is signed with pencil by Pierre Reverdy and Henri Matisse on the justification page. The 14 hors-text lithographs are in perfect condition, no offseting, no foxing, no dirt or stains. A perfect copy in loose sheets as issued. Suite de très beaux portraits féminins illustrée par la poésie de Pierre Reverdy et non l'inverse comme le précise Matisse dans le titre.
