26.308 resultados
1933ref. 481AStuttgart, Verlag der Christengemeinschaft, 1933. 4°2 Teile: 102 S. [1 Bl. fehlt ohne Text- u. Bildverlust], 12 Taf.; 103, [1] S., 22 Taf.Gut erhalten.
1958ref. 214ABerlin/Darmstadt, Deutsche Buch-Gemeinschaft, (1958). 4°40 S. mit Illustr., 120 teils farb. Taf.Einbandentwurf von Dietrich Evers. - Sehr sauberes Exemplar.
1974ref. 215133New York: The Solomon R. Guggenheim Museum 1974. First edition. Softcover. 136 pages. Exhibition catalog. Features a preface by Thomas M. Messer along with an interview of Soto by Claude-Louis Renard that is in English French and Spanish. Includes 80 illustrations with 10 in color chronology list of previous exhibitions reviews and a bibliography. A near fine copy in wrappers with some slight sunning to the spine. The Solomon R. Guggenheim Museum unknown books
2011ref. 216204New York: Haunch of Venison 2011. First edition. Softcover. Exhibition catalog for a show that ran May 6 through July 1 2011. Features text by Spring Dautel. Includes some black and white and numerous color illustrations an illustrated checklist and a list of previous exhibitions. A fine copy in wrappers. An attractive catalog on Venezuelan artist Soto that was published in an edition of only 700 copies. Haunch of Venison unknown books
2018ref. 217314Basel Switzerland: Fondation Beyeler 2018. First edition. Softcover. 171 pages. Exhibition catalog for a show that ran September 2 2018 through January 1 2019 at the Fondation Beyeler and then February 19 through May 26 2019 in Madrid. Text in English. Features contributions by Raphael Bouvier Michiko Kono Crhistine Burger Yves Guignard Juan Angel Lopez-Manzanares Beate Sontgen Olivier Berggruen Wim Wenders and Yves Guignard. Includes numerous illustrations a checklist and bibliography. A fine copy in wrappers and in a fine dust jacket. An attractive catalog. Fondation Beyeler unknown books
1988ref. 217576New York: Nancy Hoffman Gallery 1988. First edition. Softcover. 28 pages. Exhibition catalog for a show that ran March 5 through April 6 1988. Features texts by Enrique Fernandez and Carter Ratcliff. Includes 14 color illustrations a concise chronology list of previous exhibitions and a selected bibliography. A fine copy in stapled wrappers and in a near fine dust jacket with some very minor wear. A pleasing copy. Nancy Hoffman Gallery unknown books
2005ref. 217653San Francisco CA: Chronicle Books 2005. First edition and first printing. Hardcover. 167 pages. The first monograph on American-Finnish photographer Arno Rafael Minkkinen. Features essays by Alan Lightman A.D. Coleman and Arthur C. Danto. Includes 140 tritone illustrations a chronology selected bibliography list of previous exhibitions and a list of collections. A fine copy in a very near fine dust jacket. Chronicle Books unknown books
1998ref. 217859Milan: Motta Fotografia 1998. First edition and first printing. Hardcover. 47 pages. Text in Italian. Features a preface by Minkkinen. A collection of black and white photographic self-portraits by Finnish-American photographer. A clean very near fine copy in a very near fine dust jacket. Motta Fotografia unknown books
2014ref. 213921New York and Bologna Italy: Galerie Perrotin and Damiani 2014. First edition and first printing. Hardcover. Published in conjunction an exhibition that ran September 24 through October 24 2013 at Salle Crosnier du Palais de l'Athenee in Geneva. Text in English and French. Includes numerous color and black and white illustrations. A clean very near fine copy in illustrated boards. No dust jacket as issued. Galerie Perrotin and Damiani unknown books
1987ref. 51722New York: Rizzoli 1987. Near fine. Early reprint of this thorough monograph on the architectural works of Italian architect and designer Aldo Rossi profusely illustrated. 11'' x 8.75''. In original color photographic wrappers. Illustrated throughout in color and black and white. 320 pages. National Gallery of Art price sticker on rear wrapper. From the library of noted photographer and artist William Christenberry with his ink owner name to front wrapper verso. Wrappers with minor shelfwear some faint rubbing tiny spot of peeling to bottom corner of rear panel. A bit of faint foxing to top edge. Neat. Rizzoli unknown books
2012ref. 211827Paris: Casta Diva 2012. First edition. Softcover. Exhibition catalog for a show that ran December 11 2012 through January 27 2013. Text in French. Features a contribution by Raphael Picon. A retrospective collection that includes some color and numerous black and white images and biographical information. A fine copy in French style wrappers. Casta Diva unknown books
1993ref. 213597New York: Aperture 1993. First edition and first printing. Hardcover. 119 pages. Features an essay by Raphael Shevelev and with a poem by Ursula Le Guin. Includes 90 of Bullock's images along with excerpts from his private papers. A clean and tight near fine copy in paper covered boards with a cloth spine and in a near fine dust jacket. Aperture unknown books
2022ref. 213765New York: Hollis Taggart 2022. First edition. Softcover. Exhibition catalog for a show that ran November 17 through December 29 2022. Printed in an edition of only 500 copies. Features a foreword by Paul Efstathiou and text by Rafael Schacter. Includes color illustrations. A fine copy in wrappers. As new and still in the publisher's shrinkwrap. Hollis Taggart unknown books
1991ref. 208458Barcelona Spain: Art Foundation 1991. First edition and first printing. Hardcover. Monograph on Spanish artist Josep Bofill. Text in Catalan English French and Spanish by Porcel Baltasar and Rafael Santos Torroella. Includes numerous color illustrations a chronology checklist and biographical information. A very good copy in black cloth boards with some scattered foxing to the page edges and some slackness to the binding and in a near fine dust jacket. Art Foundation unknown books
2008ref. 205414Revere PA: Lodima Press 2008. First edition. Oblong softcover. Number Fourteen in the Lodima Portfolio Book Series. A collection of 18 black and white images from this Dutch photographer. A fine copy in wrapppers. As with everything from this press a very nicely printed book. Lodima Press unknown books
1922ref. 54897Paris: Romagnol 1922. Limited first edition. Softcover. near fine. 1/300. Two volumes octavo. Vol. 1: 129 1 blank pp. frontispiece 16 three-quarter page colored vignettes scene divisions 8 hors texte full page colored plates; 20 woodcut ornaments in red and gray; Vol. 2: 56 plates loose in illustrated wrappers as issued comprising: two states each of the the cover illustration frontispiece and the 8 full page plates uncolored; colored with added reproductions of ink drawings -- the illustrator's studies -- appearing in the margin; 16 three-quarter page colored scene divisions and 20 woodcut ornaments all printed before letter. Illustrated tan paper wrappers with white and red lettering on the front covers protected in the original glassine as issued. Engraved images in the first volume and the first section of the second are protected in their original tissue guards. Housed in a custom decorative lustrous multicolored paper-covered slipcase with a protective insert for the spines lettered and embossed in red. Edition limited 301 copies this being a special unnumbered deluxe copy on japan paper of which 100 numbered copies are noted at the limitation page; unlike the ordinary numbered copies the limitation page here notes: "Exemplaire imprimé pour M. Georges Calmann-Levy." A notable limited illustrated edition of Sophocles' classic Greek tragedy issued with an additional full suite of plates. Vol.1 contains the text of Oedipus Rex "Oedipe Roi" in French and a significant portion of Raphaël Freida's original engravings and drawings integrated directly with the text. This integration is vital as Freida's artwork is not merely decorative; it serves to amplify the emotional intensity and psychological depth of the tragedy. The quality of the printing and the paper in this volume are of high importance. Volume 2 "États des Planches" States of the Plates is dedicated to showcasing the "states of the plates" providing a detailed look at the various stages of the engraving process allowing the viewer to observe the evolution of Freida's artwork from initial sketches to finished gorgeous engravings. This volume is of particular interest to those interested in the technical aspects of printmaking. It should be noted that surprisingly Freida's powerful illustrated edition has never been subsequently reissued. Volume one has some closed tearing on the original glassine and wrappers at the head and tail of the spine. A closed tear to the head of the spine itself. Volume with only a few minor instances of tearing to the glassine. Interiors with all images pristine and vibrant. Wrappers and glassines in very good- to very good interiors in near fine condition overall. Georges Calmann-Levy was at one time the head of the Calmann-Lévy publishing house in France the son of it's founder Kalmus "Calmann" Lévy 1819-1891. Romagnol unknown books
1946ref. 206484New York: American Artists Group 1946. First edition. Small hardcover. American Artists Group Monograph Number 19. Features text by Soyer and numerous illustrations. An about very good copy in illustrated boards that have some wear and a small abrasion to the front cover. No dust jacket as issued. Internally a clean copy. American Artists Group unknown books
1969ref. 206488New York: Random House 1969. First edition and first printing. Hardcover. 116 pages. An interesting artist memoir of this Russian born American artist with numerous illustrations many in color. A clean near fine copy in two tone cloth boards in an about very good price clipped dust jacket with a long tear to the top of the rear panel some other small chips and tears creases to the flaps and some tape repairs. Random House unknown books
1971ref. 206890Paris: Editions Cercle D'Art 1971. First edition and first printing. Hardcover. 239 pages. Features text by Rafael Alberti translated into French by Georges Franck. Includes numerous illustrations color and black and white illustrations. A clean and tight near fine copy in cloth boards and in a near fine dust jacket with some very minute wear. A very nicely printed book. Editions Cercle D'Art unknown books
ref. 312476London: Stanley Paul & Co. et al. vd. 19 vols. various sizes. Bound in full polished brown calf gilt spines red leather title-pieces t.e.g. for Hatchards Piccadilly. Fine. 19 vols. various sizes. Stanley Paul & Co. et al. unknown books
1978ref. 201965Bobbs Ferry NY: Morgan & Morgan 1978. First edition. Softcover. Features an introduction by Ziva Kwitney. Includes 59 black and white images. A very good copy in wrappers with some minor wear and slight mustiness. Morgan & Morgan unknown books
1969ref. 202106Rutherford and Teaneck NJ: Fairleigh Dickinson University 1969. First edition. Small softcover. 12 pages. Features brief texts by J. Osborn Fuller Richard M. Drake Saul Rosen and Jacob Kainen. Includes 8 black and white illustrations and a black and white photograph of the artist. A fine copy in stapled wrappers. Scarce with no copies listed in OCLC. Fairleigh Dickinson University unknown books
1836ref. 52758Mexico City: Palacio del Gobierno Nacional 1836. Fine. Official printed government notice of Mexico's continuing efforts to maintain control over Texas immediately after the loss at San Jacinto - here working with privateers to harass Texans at sea. When Mexico finally won its independence from Spain in 1821 its territory included modern-day Texas settled by a mix of Tejano Mexican and Texian Anglo-American populations in addition to indigenous tribes and enslaved African Americans. Tensions between the Tejano and Texian factions increased and finally erupted into full-scale violence in 1835 beginning what is now called the Texas Revolution. Its most famous battle at the Alamo occurred a few months before this broadside was issued. The decisive battle of the war San Jacinto occurred on 21 April a Mexican defeat that led to the formation of the Republic of Texas. While the Mexican general Santa Anna negotiated a surrender the Mexican government deposed him for it and refused to recognize an independent Texas. After San Jacinto Mexico avoided pitched battles but continued to take action to undermine and antagonize the new Texas nation. This broadside was one such effort issued just over a week after the defeat at San Jacinto. It announces the formal employment in the navy of private ships to aid in attacking Texans at sea and forming a blockade "para terminar la guerra con los colonos de Tejas é impedir el contrabando en los puertos y costas de la República". Privateers were necessary because the Mexican government did not yet have a robust navy a weakness that the United States would later exploit in the Mexican-American War of 1846-1848. Ephemeral broadsides like this survive in few numbers; many of this era during José Justo Corro's interim presidency show only two or three institutional holdings via OCLC. This particular imprint shows three institutional holdings in the US Baylor Texas A&M and Brigham Young. A rare piece of Texana. 12'' x 8.25''. Single letterpress broadside printed recto only. A bit of faint wrinkling. Crisp and bright. Palacio del Gobierno Nacional unknown books
2017ref. 199169New York: Acquavella Galleries 2017. First edition. Softcover. 100 pages. Exhibition catalog for a show that ran October 2 through November 17 2017. Features texts by Eleanor Acquavella and Raphael Rubinstein. Includes numerous illustrations list of previous exhibitions and a list of selected museum collections. A fine copy in French style wrappers. Acquavella Galleries unknown books
1891ref. 353993De Smet Mission Idaho: De Smet Mission Print 1891. 2 10; 11-17 1 blankpp. 8vo. Wrappers. 2 10; 11-17 1 blankpp. 8vo. "Though the Prayers was published separately this work often appears bound with other imprints from the same press particularly with Cataldo's Catechism . It is probable that the greatest portion of the work was done by Prando recognized by Jesuits as their great authority on the Crow language" Schoenberg. Because he wore spectacles Father Prando was known as Iron Eyes among the Crow. Schoenberg 74; Eberstadt 131-347 De Smet Mission Print unknown books