Sadeler, RaphaelAntiquariat.de
28 résultats
1615réf. 910074CG1615. Kupferstich, 18,5 x 14,5 cm (hoch), Blattgröße 28 x 21 cm.
1693réf. 15680Rome: Domenico de' Rossi 1693. Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper each 15 7/8 x 26 inches approximately titles and imprints printed in gold black ink-ruled borders each plate cut to the edge of the image mounted on large sheets of contemporary thick laid paper each 29 3/8 x 40 3/8 inches approximately. Unbound A very fine suite of richly hand-coloured plates offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome. This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis the engravings are the work of Nicolas Dorigny 1658-1746 who lived and worked in Rome between about 1690 and 1719. The painter classicist and art historian Giovanni Pietro Bellori 1613-1696 provided the text at the foot of the plates appropriate excerpts from Apuleuis's Golden Ass. "Raphael Invenit: Stampe da Rafaello" 1985 Dorigny 37-46; cf. Brunet IV 1111; cf. Berlin Kat 4066. Domenico de' Rossi unknown books
1631réf. 44065Guatemala: Programa Permanente de Cultura Fundación Paiz Guatemala 16 de nov. al 3 de dic. 1995. 21x27cm. Francisco Morales Santos et al. 20p. b/w and color plates pict. wrps. Guatemalan artist 1890-1929 of the first quarter of the 20th century is considered the actual founder of the Escuela de Bellas Arts in Guatemala and was its first director. He was a primary force in the change from 19th century art to modernism in Guatemala. Programa Permanente de Cultura, Fundación Paiz Guatemala unknown books
1670réf. 18794Rome: Giovanni Giacomo de Rossi 1670. First edition. Hardcover. Very good. Oblong folio of engravings. The first work has 43 numbered plates beginning with a dedication: "Eminentissimo ac reuerendissimo Principi Camillo Maximo S.R.E. Cardinali amplissimo." The 43 plates were engraved by Pietro Santo Bartoli and are complete. Bound with: "D. Nicolao Simonello picturae omiumque bonarum artium cultori eximio." 15 engraved plates complete. Bound with: "Serenissimo Principi Medices Leonis X admirandae virtutis imagines ab Hetruriae legatione ad Pontificatum a Raphaeli Urbinata ad vivum et ad miraculum expressas in Aulaeis Vaticanis." 15 engraved plates complete. The dedicatee of the first work Carlo Cardinal Massimo was created a cardinal in 1670; he died in 1677. This helps date the present work. The engravings are printed on one side only of each leaf. The leaves are bound along the left side in a contemporary or near contemporary binding of quarter leather gilt spine rules decorated paper boards. Edges corners and hinges are scuffed and worn small spine repair else this is very good with the engravings in fine condition. The engravings of each work are complete and rare thus. Giovanni Giacomo de Rossi hardcover books
1677réf. 406389Bamberg: Johann Martin Schönwetter 1677. Covers slightly bowed spine label chipped lacks final 2 leaves at end of the index Hhhh3 with lower corner torn away and loss of text some browning and occasional foxing. Neatly annotated in several places in ink by a contemporary reader. 4to 19.5 x 16.5 cm. 36 784 40 pages. Text in double-columns. Contemporary blind-ruled calf floral decorated endpapers. OCLC 633004507. Johann Martin Schönwetter unknown books
1680réf. 31781680 Gravure de : Diverses figures hiéroglyphiques peintes par Raphael d'Urbin dans une des salles du Vatican à Rome - c'est la planche 9, Commerce : une cariatide portant un sac sur son dos et levant sa main droite ; d'après la figure dessinée par Raphaël pour la strophe d'Eliodoro ; sur fond blanc. Eau-forte et gravure. British Museum Ref : 1854,1111.137 légers plis et une touche d'assombrissement, mais un très bon exemple de cette gravure. 430 x 215 mm
1662réf. 30315BBO.O. und Neuburg a.d. Donau, o.V. und Strasser, 1662 und 1665. 8°. 6 n.n. Bl., 155 (recte 157) S. Mit gestochenem Kupfertitel; 8 n.n. Bl. 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach.
1615réf. 279631615 1615. '25. S. CORBINIANUS EPISCOPUS FRISINGENSIS.'Copperplate engraving on hand laid (verge) paper. Watermark: not visible on sheet . Sheet size: 19,5 x 27,5 cm. (7,7 x 10,8 inch). Image size: 15 x 21,5 cm. (5,9 x 8,5 inch).From 'Bavaria Sancta .', by Matthäus Rader, published in Munich. Condition: good, given age.
1662réf. 30315DBO.O. und Neuburg a. d. Donau, o.V. und Strasser, 1662 und 1665. 8°. (6) Bl., 155 (recte 157) S. Mit gestochenem Kupfertitel; (8) Bl., 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach.
1688réf. 16537Paris, Auboüin, Emery et Clousier (Imprimerie Antoine Lambin), 1688 ; in-12, veau jaspé, dos à nerfs décoré et doré, pièce de titre grenat, roulette sur les coupes, tranches rouges mouchetées (reliure d’époque) ; (20), 304 pp.
1631réf. 6220Munich: Melchior Segen 1631. Contemporary vellum with two brass clasps blue edges. 12mo. With an engraved title page and 12 full-page engraved emblems by Raphael Sadeler. Revised and enlarged edition of one of the most attractive emblem books by the Jesuit author Jeremias Drexel 1581-1638. Born in Augsburg and active for most of his career in Munich Drexel was among the most celebrated Catholic devotional writers of the 17th century. After entering the Society of Jesus he gained renown as a preacher and was appointed court preacher to Maximilian I Elector of Bavaria 1573-1651. His numerous ascetical and devotional works achieved remarkable popularity throughout Europe appearing in many editions and translations.First published in 1622 the Zodiacus Christianus appeared in numerous editions; the present copy is the fifth. In the work Drexel transforms the 12 signs of the zodiac into Christian moral and spiritual emblems. Rejecting their astrological significance he interprets each sign allegorically as representing stages in the Christian life and symbols of divine providence and predestination. The work combines learned theological reflection with practical moral instruction illustrating the Jesuit use of emblematic imagery as a powerful instrument for meditation and religious education during the Counter-Reformation.The text is illustrated with a finely engraved series of emblematic plates by Raphael Sadeler 1561-1632 one of the most accomplished members of the celebrated Sadeler family of engravers. Rich in symbolic detail the engravings harmoniously combine biblical imagery classical motifs and emblematic devices making the work one of the finest examples of 17th-century Jesuit book illustration.The margins are slightly trimmed. Otherwise in very good condition.l Dünnhaupt p. 1377 5.13; USTC 2518976 2 copies; VD 17 23:267994Z; WorldCat 314128646 258194835; cf. Caillet 3250 Cologne ed. of 1634; Hollstein XXI Raphael Sadeler II 109-124 Munich ed. 1628; Landwehr German emblem books 229 Munich ed. 1618. Melchior Segen, hardcover
1622réf. 3515Augsburg: 1622-1631 1622. 17th-century sheepskin parchment sewn on 3 double cords with a hollow back each board with a border of double-blind fillets with 17th-century combed and curled marbled wrappers of both parts bound in preserved in a new cloth portfolio lined with Japanese paper in a matching half goatskin morocco slipcase. Small 4to. With 2 engraved title pages each with the title in a large scrollwork cartouche and the arms of the dedicatee Philipp Heinhofer or Hainhofer 50 numbered oval emblems in rectangles 8.5 x 12 cm in the first volume. The second volume has besides the engraved title page 23 wholly engraved leaves each with an emblem 9.5 x 10.5 cm with the German motto above a Latin distich below and below that a 4-line German verse. The emblem pages in both volumes are printed on the rectos only except for the colophon on the back of the last emblem in volume 1. Further with a large woodcut scrollwork tailpiece and woodcut roman and gothic decorated initials. In volume 1 the German texts are set in fraktur types and the Latin texts in roman types. The engraved German verses in volume 2 are in fraktur lettering. 2 volumes bound as 1. Beautiful German emblem book volume 1 with verses in German and Latin volume 2 in German with Latin distichs with large love emblems engraved by Raphael Custos 1590-1664 after the Amorum emblemata by Otto Vaenius 1556-1629 one of the most popular emblem books which went through various adaptations all over Europe. Custos dedicated the book on both title-pages to Philipp Heinhofer or Hainhofer 1578-1647 a leading Augsburg merchant adding a Latin and German dedication and a Latin and German preface in volume 1. In volume 1 Custos used Vaenius's Latin mottos and verses adding a German variant in 4 to 6 lines. The love-emblems appear in a large oval inside a rectangle. At the end of the first part the colophon states that the book was printed for publication by Custos by Luca Schultes in 1623.The second part published some 8 years later is entirely engraved with the love emblems occupying more than half of the plate and a German motto a Latin distich and verses in German. The plain endpapers have their chain lines unusually close together about 1.6 cm but one can see only the top of the watermark difficult to identify but topped by a small cross above a quatrefoil.With a tear running into the text of 1 engraved leaf some other marginal tears and somewhat thumbed but otherwise in good condition. The sewing is loose with 1 bifolium nearly detached the parchment has wormholes and tears and lacks its ties. An Augsburg love emblem book with 73 engraved emblems.l Landwehr German emblem books 217-218; Praz p. 525; USTC 2528015 7 copies only first part; VD17 23:247454Q first part. 1622-1631, hardcover
1607réf. 15553Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excellent impression minor wear to edges corners cut away trimmed to just outside borders signed at lower left corner and numbered at lower right corner Ô31Õ. Suitable for framing. Joseph speaks before the throne of the Pharaoh who listens to him with great attention. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. Badalocchio fl 1607 Italian painter and engraver born in Parma was pupil of Agostino Carraci and Annibale Carracci he is best known for this work. BM: L 4.28. Bartsch XVIII.355.12. [Giovanni Orlandi,] unknown
1607réf. 15549Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excellent impression some minor soiling trimmed just outside borders corners cut away smudge at lower right in print signed and numbered at lower right Ô46Õ. Corners adhered to later paper. Suitable for framing. David in chariot returning to Jerusalem after Syria in the midst of a triumphal procession including trophy bearers and prisoners -cited Fine Arts Museums of San Francisco. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. BM: L 4.44. Bartsch XVIII. 348.24 [Giovanni Orlandi,] unknown
1607réf. 15551Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excellent impression minor edge wear trimmed to just outside borders top right corner with minor tear away. Signed in lower left corner and numbered in lower right corner Ô14Õ. Suitable for framing. The ark floats as water floods the land and people try to save each other from drowning -cited Fine Arts Museums of San Francisco. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. Badalocchio fl 1607 Italian painter and engraver born in Parma was pupil of Agostino Carraci and Annibale Carracci he is best known for this work. BM: L 4.11. Bartsch XVIII. 355.4. [Giovanni Orlandi,] unknown
1607réf. 15550Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excllent impression some soiling minor edge wear smudge/stain to upper right corner trimmed just outside borders signed in lower left corner numbered Ô16Õ in lower right corner. Suitable for framing. Noah at a flaming altar as his sons bring animals to sacrifice -cited Fine Arts Museums of San Francisco 1638 copy. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. BM: L 4.13. Bartsch XVIII. 346.8. [Giovanni Orlandi,] unknown
1607réf. 15545Italy:: Giovanni Orlandi 1607. First edition. Rare. 7.25 x 5.25 inches. Single leaf. Excellent impression some minor soiling minor edge wear cut just outside borders some wrinkle to corners where adhered to old paper backing signed by artist in print at bottom left corner numbered Ô48Õ at lower right corner. King Solomon presiding over the dispute between two mothers about which was the real parent of a baby boy - cited by Fine Arts Museums of San Francisco. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. BM: L 4.46. Bartsch XVIII. 348.25. [Giovanni Orlandi,] unknown
1607réf. 15552Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excellent impression minor edge wear top right corner with minor tear away lower center with tiny rust/pin hole. Signed at lower left corner numbered at lower right corner Ô49Õ. King Solomon planning and men sawing and constructing a temple -cited Fine Arts Museums of San Francisco. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. Badalocchio fl 1607 Italian painter and engraver born in Parma was pupil of Agostino Carraci and Annibale Carracci he is best known for this work. BM: L 4.47. Bartsch XVIII.356.21. [Giovanni Orlandi,] unknown
1607réf. 15386Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Overall matted: 14 x 18 inches. A beautiful etching large format matted in white matting is not sealed and can be removed. A fine impression cut at borders with just a hint of soiling at outer top right margin. Pencil notes to matting in a fine hand. A stunning and rare piece most suitable for framing. Adam reclining on rock points at his side where Eve has sprung who now stands at his side. God presents her with a hand on her shoulder. Etching number Ò12Ó BM states numbered out of sequence from a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. Bartsch XVIII: 346. BM: L 4.9. FAMSF: 1958.142.2.17. [Giovanni Orlandi,] unknown
1690réf. P1832Rome: Dominici de Rossi 1690. Very Good. Image Size : 500x665 mm 19.625x26.125 Inches Platemark Size : 515x680 mm 20.25x26.75 Inches Paper Size : 555x735 mm 21.875x28.875 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Religious Christianity; Architectural General; Dominici de Rossi unknown
1662réf. 30315DB1662. O.O. und Neuburg a. d. Donau o.V. und Strasser 1662 und 1665. 8°. 6 Bl. 155 recte 157 S. Mit gestochenem Kupfertitel; 8 Bl. 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach. Hirsch-H. V 104. I: VD17 23:268633R. II: VD17 12:191152W. Haller I 614. Seltene Monographien über Karlsbad bzw. Bad Pfäfers beschrieben durch den Stadtarzt von Neuburg an der Donau. Laut VD17 ist beim Titel über Karlsbad kein Drucktitel nachweisbar hingegen fehlt offenbar eine Kupfertafel beim Band «Waldbad zu Pfeffers». Titelblätter sehr stark gebräunt und fleckig. Das Papier knapp beschnitten stellenweise mit leichtem Textverlust. Im Innenfalz mit durchgehendem Wasserrand. Papierbezug am Rücken angeplatzt. unknown
1613réf. ABC_49546Augsburg 1613. 4to. Christoph Mang Contemporary gold-tooled vellum with a floral ornament within an oval frame in the centre of both boards set within a double fillet frame with floral corner pieces remnants of closing ties gilt edges. With an engraved title and 122 numbered engraved full-page illustrations of knights. 24 "123" = 124 ll. 124-136 1 blank pp. Rare first and only edition of a heraldic work on the patrician families of Augsburg with over a hundred beautiful full-page engravings. The work printed in both Latin and German includes descriptions in verse of various of these families such as Welser Peutinger Fleckheimer Hebenstreit and Zeller and traces their lineage back 400 years or more. The most prominent family members are depicted as knights on horseback in full armour together with their coat of arms which are described in more detail on the final pages. The work is quite scarce with only 9 copies recorded in institutions and 3 in sales records.The work was written and illustrated by the German engraver and publisher Raphael Custos or Custodis ca. 1590-1664. Together with his older half-brothers Lucas and Wolfgang Kilian he was a member of the Kilian family of engravers in Augsburg. He was trained by his father Dominicus Custos 1560-1612 and worked for his company for many years. Raphael's first major work was Regum neapolitanorum vitae et effigies 1606 for which he produced the engravings. Among his most famous works are Cabala Spiegel der Kunst und Natur in Alchymia 1615 Architectura civiles 1628 and Emblemata amoris 1622 a reprint of Otto van Veen's emblem book. He also engraved maps. His map of the Iller river basin published in 1619 is considered the oldest map of the Allgäu region.With a paper label "E5" mounted on the front pastedown. The vellum is somewhat soiled. Some of the leaves are somewhat foxed. Otherwise in good condition.l Lipperheide 4395; USTC 1925631 9 copies; VD17 23:246962D 8 copies; cf. Thieme & Becker 8 p. 220; not in Colas; Hiler & Hiler. DRAWINGS PRINTS & WATERCOLOURS EUROPE HISTORY Genealogy Heraldry & Flags Germany History / 17th Century Prints & Print Series hardcover
1670réf. 18794Rome: Giovanni Giacomo de Rossi 1670. First edition. Hardcover. Very good. Oblong folio of engravings. The first work has 43 numbered plates beginning with a dedication: "Eminentissimo ac reuerendissimo Principi Camillo Maximo S.R.E. Cardinali amplissimo." The 43 plates were engraved by Pietro Santo Bartoli and are complete. Bound with: "D. Nicolao Simonello picturae omiumque bonarum artium cultori eximio." 15 engraved plates complete. Bound with: "Serenissimo Principi Medices Leonis X admirandae virtutis imagines ab Hetruriae legatione ad Pontificatum a Raphaeli Urbinata ad vivum et ad miraculum expressas in Aulaeis Vaticanis." 15 engraved plates complete. The dedicatee of the first work Carlo Cardinal Massimo was created a cardinal in 1670; he died in 1677. This helps date the present work. The engravings are printed on one side only of each leaf. The leaves are bound along the left side in a contemporary or near contemporary binding of quarter leather gilt spine rules decorated paper boards. Edges corners and hinges are scuffed and worn small spine repair else this is very good with the engravings in fine condition. The engravings of each work are complete and rare thus. Giovanni Giacomo de Rossi hardcover
1674réf. 23439Rome: Jo. Jacobus de Rubeis Giovanni Giacomo de Rossi 1674. First edition. Hardcover. Near fine. Oblong folio. 13 by 18 inches. Engraved title/dedication to and with portrait of Queen Christina followed by an engraved depiction of Raphael who died in 1520. These are followed by 52 etchings which reproduce Raphael's paintings and which were executed by Cesare Fantetti or Pietro Aquila. Page edges are toned with age but the etchings are in fine condition. The title'dedication has a small right margin restoration else it is in near fine condition. Bound to style in quarter morocco gilt spine title printed paper boards. Overall a verygood to near fine examplar. Text in Latin. . Jo. Jacobus de Rubeis (Giovanni Giacomo de Rossi) hardcover
1693réf. 15680Rome: Domenico de' Rossi 1693. Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper each 15 7/8 x 26 inches approximately titles and imprints printed in gold black ink-ruled borders each plate cut to the edge of the image mounted on large sheets of contemporary thick laid paper each 29 3/8 x 40 3/8 inches approximately. Unbound A suite of ten engraved plates with very fine original hand colouring offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome. This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis the engravings are the work of Nicolas Dorigny 1658-1746 who lived and worked in Rome between about 1690 and 1719. The painter classicist and art historian Giovanni Pietro Bellori 1613-1696 provided the text at the foot of the plates appropriate excerpts from Apuleuis's Golden Ass. "Raphael Invenit: Stampe da Rafaello" 1985 Dorigny 37-46; cf. Brunet IV 1111; cf. Berlin Katalog 4066. Domenico de' Rossi unknown
