26.082 Ergebnisse
1777Best.-Nr. 7514London: Published by John Boydell Cheapside 1777. Mezzotint. State iii/iii with the engraved inscription in thick and thin cursive letters. In good condition apart from some overall light surface soiling and foxing. Occasional rubbed creases throughout image. Laid down onto cream wove backing paper. Image size: 13 1/16 x 10 15/16 inches. This charming portrait of the fashionable Catherine Schindlerin expertly illustrates Smith's superior technique and artistic ingenuity. Catherine Schinderlin was a German singer and actress who began her career in London in 1775 the year Reynolds did this portrait for the Duke and Duchess of Dorset. It shows the actress in the role of the "Coquette" from an as yet unidentified play or opera. A highly influential figure in the late eighteenth-century British art world John Raphael Smith was the most robust and prolific printmaker of his time. During his prodigious career Smith produced nearly 400 prints 130 of which were of his own design. The remainder reproduced paintings by such noted British artists as Joshua Reynolds George Romney and Joseph Wright of Derby. Smith was an incredibly astute businessman and soon became an impresario of the print-publishing trade. At the 1783 exhibition of the Society of Artists Smith exhibited his print of the Prince of Wales. This clever bit of marketing precipitated his appointment as the Prince of Wales' mezzotint engraver immediately making him even more desirable to an art market hungry for quality prints. D'Oench D'Oench Copper into Gold Prints by John Raphael Smith 88; Frankau An Eighteenth Century Artist and Engraver John Raphael Smith 306 iii/iii; Chaloner Smith British Mezzotinto Portraits 147 iii/iii; Russell English Mezzotint Portraits and their States 147; O'Donoghue Catalogue of Engraved British Portraits.in the British Museum 1; Lennox-Boyd & Stogdon state iii/iii. Published by John Boydell, Cheapside unknown books
1772Best.-Nr. 16447Rome 1772. Copper engraving with stunning early colour. Printed on laid paper with added wove margins. In excellent condition with the exception of some light foxing in the margins. Image size: 22 7/8 x 15 3/4 inches. This beautiful perspective view of Raphael's Loggia with contemporary colouring of the highest quality from the golden age of the hand-coloured print served as the frontispiece to the celebrated text "Loggie di Rafaele nel Vaticano". This arresting print is a general perspective view of Raphael's design for the Loggia at the Vatican with a large profile portrait of Raphael in a medallion over the entrance to the corridor. The plate served as the frontispiece to the first part of the "Logge di Rafaele nel Vaticano" which depicted the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Volpato 1; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104; G. Marini editor Giovanni Volpato 1735-1803 1988 no. 198. unknown books
1936Best.-Nr. 1384409The Washington Publishing Company 1936. Hardcover. Octavo 344 pages. In Good condition. Spine is brown with gold print. Boards in brown cloth with gold stamped portrait and design on front panel. Light wear to spine caps and corners toning to spine peripheral toning. Text block has has gilt top edge tanning to endpapers. Illustrated: b&w frontispiece portrait and plates photographs. Christmas greeting card from President Trujillo laid in. NOTE: Shelved in Netdesk Column L. 1384409. FP New Rockville Stock. The Washington Publishing Company hardcover books
1977Best.-Nr. 79529NY:: Viking. Very Good in Very Good dust jacket. 1977. Hardcover. 0670616516 . First printing. Very good in a very good moderate rubbing on rear panel dust jacket. . Viking, hardcover books
1972Best.-Nr. 58180Boston:: Beacon Press. Very Good. 1972. Paperback. 0807002496 . Preface by Neil Sheehan. Second paperback printing of this revised edition. Remainder mark on top edge else very good in oversize illustrated wraps. . Beacon Press, paperback books
1998Best.-Nr. 49101Princeton:: Princeton University Press. Near Fine in Fine dust jacket. 1998. Hardcover. 0691015805 . Second printing. About fine in a fine dust jacket. . Princeton University Press, hardcover books
1977Best.-Nr. 40835London:: George Allen & Unwin. Near Fine in Near Fine dust jacket. 1977. Hardcover. 0049200496 . Translated from the Spanish by John Street. First British edition. Uniform age toning to text block else near fine in a near fine dust jacket. . George Allen & Unwin, hardcover books
2000Best.-Nr. 34418Baltimore: Johns Hopkins University Press. Fine in Fine dust jacket. 2000. Hardcover. 0801862809 . First printing. Review copy with slip laid in. Fine in a fine dust jacket. . Johns Hopkins University Press hardcover books
1994Best.-Nr. 18285Amherst: University of Massachusetts Press. Near Fine in Fine dust jacket. 1994. Hardcover. 087023935X . First edition. Green star on rear paste-down else fine in a fine dust jacket. . University of Massachusetts Press hardcover books
1976Best.-Nr. 11823Berkeley: University of California Press. Near Fine in Near Fine dust jacket. 1976. Hardcover. First edition. Foxing along the top edge else fine in a near fine age toning to flap edges dust jacket. . University of California Press hardcover books
1973Best.-Nr. 7040Indianapolis: Bobbs-Merrill. Near Fine in Very Good dust jacket. 1973. Hardcover. 0672521679 . First American printing. Near fine in a very good trace foxing on the verso and flap edges light soiling on rear panel dust jacket. . Bobbs-Merrill hardcover books
1926Best.-Nr. 1381526New York: Grosset & Dunlap 1926. Hardcover. Octavo viii 286 pages. In Good condition with a Fair dust jacket. Spine is tan with black print. Dust jacket in mylar. Has edgewear with tears at spine ends and flap corners small portions torn away toning to spine peripheral toning. Boards in blue cloth with black print. Wear to spine caps and corners blemishes on front and rear. "Illustrated with scenes from the photoplay a Metro-Goldwyn-Mayer Picture with John Gilbert"- title page b&w frontispiece and plates. NOTE: Shelved in Netdesk Column I. 1381526. FP New Rockville Stock. Grosset & Dunlap hardcover books
2008Best.-Nr. 1378617Basingstoke: Palgrave Macmillan 2008. Hardcover. Octavo vii 338 pages. In Very Good condition. Spine is brown with white print. Boards in illustrated paper with white print. NOTE: Shelved in Netdesk Column I ND-I. 1378617. FP New Rockville Stock. Palgrave Macmillan hardcover books
1949Best.-Nr. 136198Mexico: Secretarìa de Relaciones Exteriores 1949. later pebbled cloth with original wrappers bound in. Mexico. 8vo. later pebbled cloth with original wrappers bound in. 387 pages. Very good. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. Secretarìa de Relaciones Exteriores unknown books
1970Best.-Nr. 373479Madrid: EPESA 1970. Softcover. Near Fine. Mass market paperback. Text in Spanish. Small tear in Index page else near fine. Grandes Escritores Contemporaneos. EPESA unknown books
2012Best.-Nr. 102273London:: Folio Society. Fine. 2012. Hardcover. Introduction and commentary by Michael Wood. First edition thus. Fine in a fine slipcase. . Folio Society, hardcover books
1970Best.-Nr. 101962Madison:: University of Wisconsin Press. Near Fine in Near Fine dust jacket. 1970. Hardcover. 0299055701 . Stated first printing. Near fine in a near fine price clipped dust jacket. . University of Wisconsin Press, hardcover books
1772Best.-Nr. 17002Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repairs to left margin not affecting image area. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 4; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
1772Best.-Nr. 17009Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repair to upper left corner just affecting image area small repairs to right blank margin. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 5; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books
1925Best.-Nr. 13439London: Stanley Paul & Co 1925. Very Good. London: Stanley Paul & Co. ca. 1925. Fifth Printing. Octavo. 286 pp. 32 pp. publisher's catalog. Gray cloth stamped in brown. No dust jacket. 4 page publisher's promotional pamphlet laid in with additional insert for Damned which mentions an accompanying film adaptation. Boards worn and scuffed; spine a bit cocked. Binding is sound. Pages toned but unmarked. Knight & Darley A.11.a. Stanley Paul & Co unknown books
1978Best.-Nr. 10074Buenos Aires :Ediciones Dead Weight 1978. Paperback. Very Good. Limitation of 3000. Slim softcover in illustrated wraps. Pages bright and tidy. Glossy plates of paintings flawless and bright. Lightest edge wear if any. Arriving First Class. Buenos Aires :,Ediciones Dead Weight paperback books
1900Best.-Nr. 003750Germany: Fine Art Works 1900. First Edition. Very good. Greeting card n. d. ca 1900; 5 1/4 x 3; card stock wraps with embossed celluloid overlay in green gilt and off-white attached to front wrap with small rivets; die-cut velvet flowers; tied with a decorative string; pp. 4 with printed text in silver; small indentations to pp. 1 from backs of rivets; centerfold with darkened outline from a pressed flower ; in about very good condition. A beautiful greeting card it was designed by the famous publishers Raphael Tuck & Sons - "Publishers by Appointment to Their Majesties the King and Queen." Fine Art Works paperback books
1992Best.-Nr. 1352814London: Folio Society 1992. Limited Edition #49/100. Hardcover. Octavo 174 pages. In Very Good minus condition with Very Good minus slip case. Quarter purple Nigerian goatskin binding with boards in red purple and gold marbled paper. Spine faded with gilt lettering. Slip case covered in black paper showing mild shelf wear and soiling along with some fading to spine. Upper edge gilt; contains full color illustrations. Signed flat by Frederic and Sarah Raphael on limitations page and hand-numbered 49 at limitations page. Pages clean. Shelved in Case 9 3/4. 1352814. Shelved Dupont Bookstore. Folio Society hardcover books
1957Best.-Nr. 57428Caracas: Imprenta Nacional 1957. cloth. 8vo. cloth. 310 pages with several inserted black and white plates of illustrations. A history of journalism in Trujillo Venezuela presented as a homage to the city in the fourth century from its foundation. Looks at the various periodicals printed in the city with several black-and-white reproductions from the publications and the faces behind their success. Includes several indexes and lists including information such as directors editors dates etc. for the various publications. Text in Spanish. Exlibrary copy. One small bookinder's tag on back pastedown. Writing in ink on several pages including markings over some illustrations. Imprenta Nacional unknown books
1930Best.-Nr. 021601Colon: Haskins News Service. 1930. First Edition. Paperback. Wraps browning text pages very good.; 8vo 8" - 9" tall; 56 pp . Haskins News Service paperback books