26.082 Ergebnisse
2005Best.-Nr. 082056Brown, David Alan and Jane van Nimmen: Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait. London and New Haven: Yale University Press, 2005. 262pp with 28 colour and 142 monochrome illustrations. Cloth. 26.3x20cms.
2005Best.-Nr. 082056Brown, David Alan and Jane van Nimmen: Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait. London and New Haven: Yale University Press, 2005. 262pp with 28 colour and 142 monochrome illustrations. Cloth. 26.3x20cms.
2009Best.-Nr. 091551Raffaello e Urbino: la formazione giovanile ei rapporti con la città natale. Exhibition: Urbino, Galleria Nazionale delle Marche, 2009. 343 pages. Colour and black and white illustrations throughout. Wrappers. 24x28cms. Text in Italian.
2009Best.-Nr. 091551Raffaello e Urbino: la formazione giovanile ei rapporti con la città natale. Exhibition: Urbino, Galleria Nazionale delle Marche, 2009. 343 pages. Colour and black and white illustrations throughout. Wrappers. 24x28cms. Text in Italian.
1786Best.-Nr. 7634A l'hôtel de Thou | à Paris 1786 | 25.50 x 20 cm | deux volumes reliés
2016Best.-Nr. 115117Wouk, Edward H.; Leslie A. Geddes, Lisa Pon et al.: Marcantonio Raimondi, Raphael and the Image Multiplied. Exhibition: Manchester, Whitworth Art Gallery, 2016. 240 pages; illustrated. Paperback. 28 x 24.7cms.
2016Best.-Nr. 115117Wouk, Edward H.; Leslie A. Geddes, Lisa Pon et al.: Marcantonio Raimondi, Raphael and the Image Multiplied. Exhibition: Manchester, Whitworth Art Gallery, 2016. 240 pages; illustrated. Paperback. 28 x 24.7cms.
1997Best.-Nr. 118780Sanchez-Lafuente Gemar, Rafael: El arte de la platerÃa en Málaga, 1550 | 1800. Universidad de Malaga, 1997. 589 pages, illustrated in black & white. Paperback. 24x17.5cms. Text in Spanish.
1997Best.-Nr. 118780Sanchez-Lafuente Gemar, Rafael: El arte de la platerÃa en Málaga, 1550 | 1800. Universidad de Malaga, 1997. 589 pages, illustrated in black & white. Paperback. 24x17.5cms. Text in Spanish.
1777Best.-Nr. 120471Lettera di Don Antonio Raffaele Mengz : primo pittor di camera di S.M.C. a Don Antonio Ponz / tradotta dall'originale Spagnuolo manualemente scritto. Turin: Nella stamperia Reale, 1777. 56 pages. bound in period paper wrappers. 23x17.5cms. Text in Italian.
1777Best.-Nr. 120471Lettera di Don Antonio Raffaele Mengz : primo pittor di camera di S.M.C. a Don Antonio Ponz / tradotta dall'originale Spagnuolo manualemente scritto. Turin: Nella stamperia Reale, 1777. 56 pages. bound in period paper wrappers. 23x17.5cms. Text in Italian.
2017Best.-Nr. 120704Rubinstein, Raphael: Jacob El Hanani: Linescape. Exhibition: New York, Acquavella, 2017. 100 pages. Paperback. 27 x 27cms.
2017Best.-Nr. 120704Rubinstein, Raphael: Jacob El Hanani: Linescape. Exhibition: New York, Acquavella, 2017. 100 pages. Paperback. 27 x 27cms.
1984Best.-Nr. 121320Mason, Rainer Michael, and Mauro Natale: Raphael et la Seconde Main. Raphael dans la gravure du XVIe siecle. Simulacres et proliferation. Geneve et Raphael. Exhibition: Geneva, Cabinet des Estampes, 1984. 290 pages. Paperback. 25 x 24cms. Text in French.
1984Best.-Nr. 121320Mason, Rainer Michael, and Mauro Natale: Raphael et la Seconde Main. Raphael dans la gravure du XVIe siecle. Simulacres et proliferation. Geneve et Raphael. Exhibition: Geneva, Cabinet des Estampes, 1984. 290 pages. Paperback. 25 x 24cms. Text in French.
2005Best.-Nr. 122825Rosenberg, Pierre: Da Raffaello alla Rivoluzione. Le relazioni artistiche tra la Francia e lItalia. Milan: Skira, 2005. 308 pages. 96 colour and black and white illustrations. Hardback. 22x15.5cms. Text in Italian.
2005Best.-Nr. 122825Rosenberg, Pierre: Da Raffaello alla Rivoluzione. Le relazioni artistiche tra la Francia e lItalia. Milan: Skira, 2005. 308 pages. 96 colour and black and white illustrations. Hardback. 22x15.5cms. Text in Italian.
2023Best.-Nr. 123359Minozzi, Marina ed.: Raffaello nella Galleria Borghese. Nuove indagini e un progetto di conservazione programmata. Milan: 2023. 216 pages, colour and black and white illustrations throughout. Paperback. 28x24cms. A record of the conservation of Raphael's works in the Galleria Borghese, focused primarily on his 'Deposition'. Eighteen essays discuss the restoration project and what the technical analysis reveals about Raphael's artistic process, his use of underdrawing, the chemical composition of his materials, and the structure of his panels. Text in Italian.
2023Best.-Nr. 123359Minozzi, Marina ed.: Raffaello nella Galleria Borghese. Nuove indagini e un progetto di conservazione programmata. Milan: 2023. 216 pages, colour and black and white illustrations throughout. Paperback. 28x24cms. A record of the conservation of Raphael's works in the Galleria Borghese, focused primarily on his 'Deposition'. Eighteen essays discuss the restoration project and what the technical analysis reveals about Raphael's artistic process, his use of underdrawing, the chemical composition of his materials, and the structure of his panels. Text in Italian.
2023Best.-Nr. 123523Barbieri, Costanza, and Alessandro Zuccari: Raffaello e l'antico nella villa di Agostino Chigi. Exhibition: Rome, Villa Farnesina, 2023. 700 pages, illustrated in colour. Paperback. 27 x 21cms. A consideration of the influence of Agostino Chigi's collection of antique statues, sarcophagi, cameos, reliefs, books and ancient coins on Raphael's classical turning point in the second decade of the sixteenth century. Sixteen essays discuss Chigi's collection and his relationship with Raphael as well as analyse individual works including 'The Triumph of Galatea'. Followed by a catalogue of 98 works by Raphael juxtaposed with contemporary and antique paintings, engravings, intaglios and sculpture. Text in Italian.
2023Best.-Nr. 123523Barbieri, Costanza, and Alessandro Zuccari: Raffaello e l'antico nella villa di Agostino Chigi. Exhibition: Rome, Villa Farnesina, 2023. 700 pages, illustrated in colour. Paperback. 27 x 21cms. A consideration of the influence of Agostino Chigi's collection of antique statues, sarcophagi, cameos, reliefs, books and ancient coins on Raphael's classical turning point in the second decade of the sixteenth century. Sixteen essays discuss Chigi's collection and his relationship with Raphael as well as analyse individual works including 'The Triumph of Galatea'. Followed by a catalogue of 98 works by Raphael juxtaposed with contemporary and antique paintings, engravings, intaglios and sculpture. Text in Italian.
2025Best.-Nr. 124775Larraz, Camille., Villa, Rafael.: Giovanni Capassini. 2025. 224 pages, illustrated in black and white with 9 colour plates. Paperback. 28 x 23cms. Monograph on the Florentine artist, including a catalogue raisonne of 37 accepted works and 26 by Etienne de Martellange, his pupil. With an appendix containing 33 transcripts from contemporary sources (1527 to 1579). Focuses on Capassini's time in France working for FranÃois de Tournon, archbishop of Lyon, particularly on the panel for the trompe-l'oeil dome in his Château de Roussillon, the Triptyque de la RÃsurrection, and his portrait of Catherine de Medici. Highlights his mythological painting such as La Mort d'Adonis, and his images of the Holy Family and Madonna and Child, influenced by Raphael's Bridgewater Madonna and the Madonna del Prato. Also analyses Capassini's portraits of various patrons from Tournon-sur-RhÎne, alongside those commissioned from Etienne de Martellange. Text in French.
2025Best.-Nr. 124775Larraz, Camille., Villa, Rafael.: Giovanni Capassini. 2025. 224 pages, illustrated in black and white with 9 colour plates. Paperback. 28 x 23cms. Monograph on the Florentine artist, including a catalogue raisonne of 37 accepted works and 26 by Etienne de Martellange, his pupil. With an appendix containing 33 transcripts from contemporary sources (1527 to 1579). Focuses on Capassini's time in France working for FranÃois de Tournon, archbishop of Lyon, particularly on the panel for the trompe-l'oeil dome in his Château de Roussillon, the Triptyque de la RÃsurrection, and his portrait of Catherine de Medici. Highlights his mythological painting such as La Mort d'Adonis, and his images of the Holy Family and Madonna and Child, influenced by Raphael's Bridgewater Madonna and the Madonna del Prato. Also analyses Capassini's portraits of various patrons from Tournon-sur-RhÎne, alongside those commissioned from Etienne de Martellange. Text in French.
1975Best.-Nr. 34502Ediciones Poligrafa | Barcelona 1975 | 26.50 x 32 cm | reliure de l'éditeur
1899Best.-Nr. 37773L'Estampe Moderne Imprimerie Champenois pour CH. Masson & H. Piazza | Paris 1899 | 30 x 40 cm | une feuille
