21,452 results
1982ref. 1419066New York: The Limited Editions Club 1982. Limited edition 1932/2000. Hardcover. Quarto xii 348 pages. In Very Good condition in a Very Good minus slipcase. Slipcase in brown cloth slight edge wear. Spine is brown with gold print. Boards quarter bound with brown leather to spine and tan cloth to boards; toning to spine. Illustrated: b&w drawings color frontispiece b&w and color plates 1 unbound color leaf laid in. Signed in ink by Rafael Ferrer Gregory Rabassa and Alastair Reid on the limited edition page. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Net Desk work area . 1419066. FP New Rockville Stock. The Limited Editions Club hardcover books
1987ref. 51722New York: Rizzoli 1987. Near fine. Early reprint of this thorough monograph on the architectural works of Italian architect and designer Aldo Rossi profusely illustrated. 11'' x 8.75''. In original color photographic wrappers. Illustrated throughout in color and black and white. 320 pages. National Gallery of Art price sticker on rear wrapper. From the library of noted photographer and artist William Christenberry with his ink owner name to front wrapper verso. Wrappers with minor shelfwear some faint rubbing tiny spot of peeling to bottom corner of rear panel. A bit of faint foxing to top edge. Neat. Rizzoli unknown books
1747ref. 844301747. A Scarce Essay on Insolvency Written When Great Britain was Emerging as a Modern Commercial Power: OCLC Locates 1 Copy in a North American Law Library Courteville Raphael 1675-1772. Arguments Respecting Insolvency. Dedicated to the Rt. Hon. Arthur Onslow Esq; Speaker of the House of Commons. London: Printed for M. Cooper At the Globe in Pater-Noster-Row 1760. vii 1 32 pp. Octavo 7-1/4" x 4"; 18.4 x 10.2 cm. Disbound stab-stitched pamphlet. Moderate toning light soiling to exterior upper outside corner of last leaf lacking with no loss to text "6" in small early hand to head of title page. A very good copy overall. $350. Only edition of this rare insightful commentary on the intersections of credit ethics and British law at the dawn of the Industrial Revolution. Writing at a pivotal moment when Great Britain's domestic and global commerce increasingly relied on complex credit networks Courteville offers an early sophisticated critique of the social and economic costs of imprisonment for debt alongside a rigorous analysis of contemporary bankruptcy statutes. Rather than viewing insolvency through a purely punitive or moralistic lens Courteville treats it as an unavoidable structural reality of a modern commercial state. He proposes a series of pragmatic legal reforms aimed at balancing the rights of creditors with the economic rehabilitation of honest debtors. To support his arguments he performs a comparative legal analysis-most notably drawing parallels to the mercantile laws of Holland-and scrutinizes recent insolvency acts passed by Parliament to illustrate where current British legislation fell short. Raphael Courteville is a fascinatingly multifaceted figure of the Georgian era. While chiefly remembered today as a notable organist at St. James's Westminster and a hymn composer he was also an aggressive and prolific political writer. For years he served as a dedicated state pamphleteer under the payroll of Prime Minister Sir Robert Walpole frequently writing for The Daily Gazetteer under the pseudonym "Freeman"-a role that earned him the colorful nickname "Court-Evil" from his Tory detractors. This tract displays his characteristic polemical sharpness applied to legal and economic reform. OCLC locates 1 copy in a North American law library Library of Congress. English Short-Titl. unknown books
1948ref. 86346Mexico: Editorial Stylo 1948. First Edition. Octavo. 24cm. Publisher's cream card wraps with yapp edges titled and decorated in black and red to spine and front wrap. 288pp. Some light softening and wear to the yapp edges and extremities with some scuffing and soiling in places spine ends a touch frayed strong and tight; internally clean with fore-edge untrimmed and the majority of pages unopened illustrated throughout. A very good copy with some cosmetic wear and thumbing. Not published in English until the 1970's despite a number of Spanish language editions Girard's examination of the Quiché Mayan cosmic origin story and its associated mythologies was for a long period the standard reference work for the subject. Originally from Switzerland Girard spent considerable time in Guatemala and other areas of Central America embraked upon a multi-disciplinary study of the archaeological and ethological origins of Mayan people and culture embracing their folklore mythology and linguistics to work towards an inclusive overview. Editorial Stylo unknown books
1997ref. 85111Madrid: Universidad Europea de Madrid-CEES 1997. Facsimile Edition. Text in Spanish and German. Quarto 34cm; red cloth-covered boards with tilting stamped in black on spine; xx6815413pp; illus. Light shelf-soil to covers with faint sunning to crown and light rubbing to titling; Very Good. First published by Paulus Fürsten art dealer in Nuremberg 1661 this includes the facsimile text followed by facsimile illustrative plates. 85111. Universidad Europea de Madrid-CEES unknown books
ref. 312476London: Stanley Paul & Co. et al. vd. 19 vols. various sizes. Bound in full polished brown calf gilt spines red leather title-pieces t.e.g. for Hatchards Piccadilly. Fine. 19 vols. various sizes. Stanley Paul & Co. et al. unknown books
1908ref. 67902Washington D.C.: Carnegie Institution 1908. First edition 2 volumes 4to pp. xxxv 1 240 vi; x 2 243-494 x; 97 plates including maps some folding some in color 548 illustrations in text; original blue cloth gilt-stamped spines; very good sound and clean. Volume I contains: Ancient Anau and the oasis-world / Raphael Pumpelly; Archaeological excavations in Anau and old Merv / Hubert Schmidt; Note on the occurrence of glazed ware at Afrosiab and of large jars at Ghiaur Kala / H.H. Kidder; Description of the Kurgans of the Merv Oasis / Ellsworth Huntington; Chemical analyses of metallic implements / F.A. Gooch; volume II contains: Physiography of Central-Asian deserts and oases / R.W. Pumpelly; Animal remains from the excavations at Anau / J.U. Duerst; Description of some skulls from the North Kurgan Anau / G. Sergi; Some human remains found in the North Kurgan / Th. Mollison; Wheat and barley from the North Kurgan Anau / H.C. Schellenberg; and Stone implements and skeletons excavated in Anau / Langdon Warner. Yakushi P327. Carnegie Institution unknown books
1836ref. 52758Mexico City: Palacio del Gobierno Nacional 1836. Fine. Official printed government notice of Mexico's continuing efforts to maintain control over Texas immediately after the loss at San Jacinto - here working with privateers to harass Texans at sea. When Mexico finally won its independence from Spain in 1821 its territory included modern-day Texas settled by a mix of Tejano Mexican and Texian Anglo-American populations in addition to indigenous tribes and enslaved African Americans. Tensions between the Tejano and Texian factions increased and finally erupted into full-scale violence in 1835 beginning what is now called the Texas Revolution. Its most famous battle at the Alamo occurred a few months before this broadside was issued. The decisive battle of the war San Jacinto occurred on 21 April a Mexican defeat that led to the formation of the Republic of Texas. While the Mexican general Santa Anna negotiated a surrender the Mexican government deposed him for it and refused to recognize an independent Texas. After San Jacinto Mexico avoided pitched battles but continued to take action to undermine and antagonize the new Texas nation. This broadside was one such effort issued just over a week after the defeat at San Jacinto. It announces the formal employment in the navy of private ships to aid in attacking Texans at sea and forming a blockade "para terminar la guerra con los colonos de Tejas é impedir el contrabando en los puertos y costas de la República". Privateers were necessary because the Mexican government did not yet have a robust navy a weakness that the United States would later exploit in the Mexican-American War of 1846-1848. Ephemeral broadsides like this survive in few numbers; many of this era during José Justo Corro's interim presidency show only two or three institutional holdings via OCLC. This particular imprint shows three institutional holdings in the US Baylor Texas A&M and Brigham Young. A rare piece of Texana. 12'' x 8.25''. Single letterpress broadside printed recto only. A bit of faint wrinkling. Crisp and bright. Palacio del Gobierno Nacional unknown books
1955ref. 158107New York: Rinehart 1955. First Edition. First Edition. Association Copy INSCRIBED by translator Alice Raphael to playwright George Middleton and his wife activist and actress Fola La Follette on the half-title page: "For Fola and George / in abiding affection / Ever Alice / Sept. 21. 1955." Middleton's nephew David's ownership stamp on the front pastedown. New Jersey-born playwright director and producer George Middleton served as president of the Dramatists Guild of America from 1927 to 1929. He is perhaps best remembered today for his instrumental role in creating the Minimum Basic Agreement a collective bargaining agreement that covers benefits rights and protections for Writers Guild of America members. Middleton was also known for his collaborations with Guy Bolton including the successful 1917 stage comedy "Polly With a Past" basis for the 1920 film adaptation. The daughter of Senator Robert M. "Fighting Bob" La Follette and women's suffrage leader Belle Case Flora Dodge "Fola" La Follette was a stage actress teacher and writer as well as an activist for the women's suffrage and labor movements. She married Middleton in 1911. Very Good in wrappers with moderate wear overall a few small splashes on the bottom portion of the front wrapper and a lightly faded spine. Rinehart unknown books
1932ref. 158109New York: Jonathan Cape / Robert Ballou 1932. First Edition. First Edition. Association Copy INSCRIBED by the author in the year of publication on the front endpaper to playwright George Middleton: "For George / with thanks and appreciation of an afternoon with Goethe / Affectionately / Alice / Oct 25 7th 1932." New Jersey-born playwright director and producer George Middleton served as president of the Dramatists Guild of America from 1927 to 1929. He is perhaps best remembered today for his instrumental role in creating the Minimum Basic Agreement a collective bargaining agreement that covers benefits rights and protections for Writers Guild of America members. Middleton was also known for his collaborations with Guy Bolton including the successful 1917 stage comedy "Polly With a Past" basis for the 1920 film adaptation. Very Good plus with no dust jacket as issued with light rubbing at the corners and a toned and lightly worn spine. Jonathan Cape / Robert Ballou unknown books
1891ref. 353993De Smet Mission Idaho: De Smet Mission Print 1891. 2 10; 11-17 1 blankpp. 8vo. Wrappers. 2 10; 11-17 1 blankpp. 8vo. "Though the Prayers was published separately this work often appears bound with other imprints from the same press particularly with Cataldo's Catechism . It is probable that the greatest portion of the work was done by Prando recognized by Jesuits as their great authority on the Crow language" Schoenberg. Because he wore spectacles Father Prando was known as Iron Eyes among the Crow. Schoenberg 74; Eberstadt 131-347 De Smet Mission Print unknown books
1976ref. 150431N.p.: N.p. 1976. Vintage borderless matte-finish reference photograph from the set of the 1976 film showing director Marco Ferreri gesturing to his right with actor Renato Salvatori in the background. A chauvinistic engineer has recently been abandoned by his wife leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker but trouble looms when the exposure of the relationship threatens his custody rights. A film which generated controversy at the time of its release for its graphic depiction of sexuality and male nudity and for its shocking final scene. Set and shot on location in Paris. 9.25 x 7 inches. About Fine. N.p. unknown books
1965ref. 156324Los Angeles: American International Pictures AIP 1965. Vintage studio still photograph from the 1965 Spanish-Italian film showing actors Norma Bengell and Evi Marandi. Manuscript ink and pencil annotations on the verso. Two spaceships are forced to land on an uncharted planet where they encounter a number of spectral presences hell-bent on killing the visitors. Shot on location in Mexico City. 8 x 10 inches. Near Fine. American International Pictures [AIP] unknown books
2002ref. 47106London: Phaidon 2002. First edition. Fine in fine jacket. The first comprehensive monograph on Soriano's architectural work illustrated with the photographs of Soriano's friend and associate Julius Schulman. 8.25'' x 8.25''. Original pale green boards. In original black and white dust jacket. 224 pages. Trace shelfwear. Else bright and sharp. (Phaidon) unknown books
1976ref. 158156N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing actors Gérard Depardieu and Ornella Muti. Annotation in manuscript pencil on the verso noting the name of photographer Tazio Secchiarolli. A chauvinistic engineer has recently been abandoned by his wife leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker but trouble looms when the exposure of the relationship threatens his custody rights. A film that generated controversy at the time of its release for its graphic depiction of sexuality and male nudity and for its shocking final scene. Set and shot on location in Paris. 10 x 8 inches. Very Good plus with light edgewear. N.p. unknown books
1976ref. 153227N.p.: N.p. 1976. Vintage borderless double weight reference photograph from the 1976 film showing actress Ornella Muti. A chauvinistic engineer has recently been abandoned by his wife leaving him with their nine month-old son. He embarks on an affair with his son's daycare worker but trouble looms when the exposure of the relationship threatens his custody rights. A film that generated controversy at the time of its release for its graphic depiction of sexuality and male nudity and for its shocking final scene. Set and shot on location in Paris. 10 x 8 inches. About Fine. N.p. unknown books
1957ref. 150334N.p.: N.p. 1957. Vintage oversize borderless double weight reference photograph from the 1957 film showing actors Anthony Perkins and Norma Moore. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso along with the stamp of Photoplay and several manuscript pencil and ink annotations regarding layout. A dramatization of the experiences of major league baseball star Jimmy Piersall loosely based on his own 1955 memoirs following his 1948 contract with the Boston Red Sox to his eventual nervous breakdown and hospitalization for bipolar disorder. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill and occasionally worked as a freelance publicity photographer shooting iconic images of Elvis Presley Jack Lemmon Katharine and Audrey Hepburn and Shirley MacLaine among many others. Set in Boston Massachusetts and Waterbury Connecticut. 8.3 x 13.5 inches. Very Good plus with a few small manuscript pencil annotations regarding cropping on the bottom edge. N.p. unknown books
1964ref. 150630Los Angeles: Zenith 1964. Eight vintage studio still photographs from the US release of the 1962 Italian film. All with a stamp noting production No. 65-527 on the verso and seven with the same stamp on the bottom right corner of the recto. After many years living in northern Italy a factory worker takes his wife and children on a vacation to his rural Sicilian hometown where he is unknowingly conscripted into performing a hit for the local mob boss. One of the first Italian films to address the Mafia a pitch-black satire of class difference and Italian twentieth century culture. Set and shot on location in Sicily New Jersey and New York. 8 x 10 inches. Near Fine. Criterion Collection 424. Zenith unknown books
1870ref. 316701New York: Leypoldt & Holt 1870. Third edition revised. 4 maps 3 folding and one in color 12 plates including 4 facsimile plates of Japanese woodcuts and color printing numerous text illustrations. xvi 454 pp. 1 vols. 8vo. Bounds in three quarters recent mottled brown calf and marbled boards maroon title label. Fine. Third edition revised. 4 maps 3 folding and one in color 12 plates including 4 facsimile plates of Japanese woodcuts and color printing numerous text illustrations. xvi 454 pp. 1 vols. 8vo. Leypoldt & Holt unknown books
1957ref. 141236Hollywood: Paramount Pictures 1957. Vintage pressbook for the 1957 film. FIlm noir remake of the 1941 classic "This Gun for Hire." A professional hitman is hired to commit two murders before being double crossed by his employer. 12 x 15 inches. Near Fine with light toning overall. Selby US. Silver and Ward Classic Noir. Paramount Pictures unknown books
2010ref. 27652Paris: Éditions Xavier Barral 2010. First Edition. Folio 32cm.; original dark green cloth upper cover and spine embossed in yellow; 87pp.; photographs throughout. Fine. Inscribed and signed on title page: "Personally Raphaël. Paris 2010." Catalog of an exhibit at the Musée de l'Elysée Lausanne Switzerland featuring photographs taken of various antipersonnel mines each accompanied with a short description and history. Éditions Xavier Barral unknown books
1958ref. 132822London: Rank Film Distributors 1958. Vintage full-color British front-of-house card from the 1958 UK film. German scholar Wolf Hauser Hardy Kruger arrives at Cambridge for a year of studies and falls for pretty Ann Sylvia Syms. A story set and shot on location in Cambridgeshire England. 8 x 10 inches. Very Good plus with pinholes and light creasing at the extremities. Rank Film Distributors unknown books
1803ref. 607371803. Granada 1803. Granada 1803. Remarks by the Recently Appointed President of the Supreme Court of Grenada Vasco del Campo Don Rafael. Discurso Pronunciado en la Real Chancilleria de Granada el Dia 2 de Enero de 1802 por El Exmo. Sr. Don Rafael Vasco Caballero del Orden de Santiago y de las Reales Maestranzas de Ronda y Granada; Regidor Perpetuo del Aquel Ilustre Ayuntamiento; Teniente General de los Reales Exercitos; Gobernador y Capitan General del Exercito Costa y Reino de Granada y Presidios Menores de Africa; Presidente de Esta Real Chancilleria De la Junta de Reales Obras de la Plaza de Malaga De la Mayor de Caminos de Este Reyno Los de Cordoba y Jaen; Superintendente de los del Obispado de Malaga Y de las de Sanidad Establecidas en el y su Costa; Inspector de las Companias de Invalidos Las de Infanteria Fixa y Torreros del Distrito Etc. Etc. Granada: En la Imprenta de Moreno 1803. iv xix pp. Quarto 8" x 5-1/2". Contemporary mottled sheep gilt frames to boards. Light rubbing to extremities with minor wear to spine ends and corners a few minor scuffs to boards tiny manuscript label to rear cover marbled endpapers crack between front free endpaper and following endleaf which is detached text notably fresh. An attractive copy. $250. First edition. This book reproduces the text of a speech given by military leader Don Rafael Vasco del Campo shortly upon his elevation by the King of Spain to the Presidency of Granada's Supreme Court of Justice. Don Vasco who distinguished himself in the service of the Spanish Crown in Mexico proclaims his humility before the office of his charge never before entrusted to a military man and invokes education as an antidote to envy hate revenge and thoughts of theft lies and deception. He also challenges the need for capital punishment and other legal injustices. During his short-lived presidency over Granada's highest court the region enjoyed peace and a flowering of the arts which ended with Napoleon's invasion of Spain and the subsequent popular uprisings against the Spanish Crown. No copies located on OCLC. Palau Manual del Librero Hispano-Americano 353024. unknown books
1869ref. 236593Paris: l'auteur rue Royer-Collard 1869. First edition. 200 sepia-toned plates bound out of sequence. 1 vols. Folio. Three quarter green morocco spine richly gilt hinges repaired bookplates discreet embossed library stamp to title page some edges rough plates clean. First edition. 200 sepia-toned plates bound out of sequence. 1 vols. Folio. Lipperheide 337; Colas 1528; Hiler p. 473 l'auteur, rue Royer-Collard unknown books
ref. 211707Signed Raphael Soyer lower left inscribed Kelekian center right. 1 vols. 14 x 9.25 inches. Fine. In frame. Signed Raphael Soyer lower left inscribed Kelekian center right. 1 vols. 14 x 9.25 inches. Kelekian 1868-1951 one of the most important art/antiquites dealers of the modern era. Known to his peers as the "dean of antiquities" Kelekian's connoisseurship of the ancient art of the Near East opened the eyes of many Americans to a heritage hitherto unknown and unappreciated. Kelekian was born in Kayser in modern-day Turkey began his career in Constantinople opened a gallery in Paris in 1891 and moved to New York shortly after the 1893 Chicago World's Fair. Very quickly Kelekian's gallery developed clients among America's wealthiest families e.g. the Havermeyers John D. Rockefeller Jr. the Astors the Walters of Baltimore et. al. Kelekian ws primarlily responsible for building the Coptic Early Christian and Classical collections of Henry Walters later founder of the Walters Art Museum in Baltimore and the Gothic collection of financier and Metropolitan Museum of Art president George Blumenthal. Kelekian was equally well known as an early champion of modern art and began collecting and promoting such artists as Henri Matisse André Derain and Pablo Picasso at a very early date. Boisterous expansive a friends to many artists he died in his eighties at his hime in New York with world-wide reputation. for a sketch of his life and career see the excellent sketch by Hrag Vartanian for the Armenian General benevolent Fund http://www.agbu.org/agbunews/display.aspA_ID=69. unknown books