1.945 resultados
1938ref. 55653Editions De La Connaissance. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 58 works catalogued; 2 p. L. 7-12 p. 2 l. 55 pl. incl. Ports. on 28 l. 25 cm. -- with a bonus offer-- . 1938. Editions De La Connaissance paperback
2005ref. 71758University of Washington Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 244 pp. With 119 ills. 109 col. 3 foldout. 28 x 25 cm. -- with a bonus offer-- . 2005. 1903470390 . University of Washington Press (Distribution) paperback
1887ref. S102945Anvers, Veuve De Backer (II-III: Jos Maes, IV-V-VI: J.E. Buschmann) 1887-1909 Série complète en 6 tomes: xviii,444 + iii,480 + 488 + 461 + 466 + xvi,382 pp., avec 36 planches hors-texte dont 7 fac-similes de lettres, dans la série "Codex Diplomaticus Rubenianus : documents relatifs à la vie et aux oeuvres de Rubens" tomes 1 à 6, 32cm., brochures originales (quelques-unes avec traces d'usage), pages toujours non coupées (sauf t.6), texte et intérieur frais et en très bon état, [Première édition aussi complète des lettres de Rubens, publiées dans leur langue d'origine (italien, latin, espagnol, anglais) avec leur traduction en français et des commentaires ainsi que des lettres qui lui furent adressées ou le concernent. La correspondance couvre les années 1600 à 1649 et porte sur ses différentes activités, y compris sur le plan diplomatique, ainsi que sur ses relations avec les cours européennes], bon état, poids: 13kg., S102945
1887Série complète en 6 tomes: xviii,444 + iii,480 + 488 + 461 + 466 + xvi,382 pp., avec 36 planches hors-texte dont 7 fac-similes de lettres, dans la série "Codex Diplomaticus Rubenianus : documents relatifs à la vie et aux oeuvres de Rubens" tomes 1 à 6, 32cm., brochures originales (quelques-unes avec traces d'usage), pages toujours non coupées (sauf t.6), texte et intérieur frais et en très bon état, [Première édition aussi complète des lettres de Rubens, publiées dans leur langue d'origine (italien, latin, espagnol, anglais) avec leur traduction en français et des commentaires ainsi que des lettres qui lui furent adressées ou le concernent. La correspondance couvre les années 1600 à 1649 et porte sur ses différentes activités, y compris sur le plan diplomatique, ainsi que sur ses relations avec les cours européennes], bon état, poids: 13kg., S102945
1781ref. 16541A Paris, chez Basan et Poignant, 1781. In-folio de [6]-22 pages et 116 feuillets, plein maroquin à grain long bleu nuit, dos à nerfs ornés de filets dorés, triple filets dorés sur les plats, simplet sur les coupes, chasses ornées d'une grecque dorées. Etui moderne.
1968ref. 161194N.p.: N.p. 1968. Small archive of five vintage photographs belonging to noted avant-garde filmmaker and writer Kenneth Anger relating to his research into homosexuality drugs and murder for his notorious books "Hollywood Babylon" 1959 and "Hollywood Babylon II" 1984. Two photographs with Anger's ownership stamp and label on the verso four with press stamps on the verso and three with printed mimeo snipes affixed to the versos. "Hollywood Babylon" and its sequel detailed the various improprieties both real and imagined of the elite of Hollywood's Golden Age. Archive includes: A photograph of Irish American director and actor William Desmond Taylor released for newspaper usage after his murder on February 1 1922. A photograph of actress Virginia Rappe circa 1922 released for newspaper usage after her death at the height of the Fatty Arbuckle scandal. A photograph of actress Alma Rubens released for newspaper usage after she was arrested for narcotics possession in 1931. Rubens had been arrested on similar charges in 1929 and as noted on the snipe had "taken the narcotic cure" that year. Rubens would die weeks later from lethal pneumonia and bronchitis on January 21 1931 shortly after her release from jail. A Paramount studio photograph of actors Cary Grant and Randolph Scott at a swimming pool circa 1935. The two men lived together sporadically for twelve years throughout the 1930s and early 1940s and were suspected by both Anger and contemporary sources to have been lovers. A photograph of the body of Mexican American actor and closeted homosexual Ramón Novarro being removed from his house after its discovery in 1968. Novarro was tortured and murdered by two male escorts who falsely believed a large sum of money was hidden in the actor's house. Photographs range in size from 6 x 8 inches to 8 x 10 inches. Generally Very Good plus with moderate edgewear and age toning overall with photograph of Grant and Scott Good only with a bruise on the center top edge of the recto. N.p. unknown
1968ref. 161194N.p.: N.p. 1968. Small archive of five vintage photographs belonging to noted avant-garde filmmaker and writer Kenneth Anger relating to his research into homosexuality drugs and murder for his notorious books "Hollywood Babylon" 1959 and "Hollywood Babylon II" 1984. Two photographs with Anger's ownership stamp and label on the verso four with press stamps on the verso and three with printed mimeo snipes affixed to the versos. "Hollywood Babylon" and its sequel detailed the various improprieties both real and imagined of the elite of Hollywood's Golden Age. Archive includes: A photograph of Irish American director and actor William Desmond Taylor released for newspaper usage after his murder on February 1 1922. A photograph of actress Virginia Rappe circa 1922 released for newspaper usage after her death at the height of the Fatty Arbuckle scandal. A photograph of actress Alma Rubens released for newspaper usage after she was arrested for narcotics possession in 1931. Rubens had been arrested on similar charges in 1929 and as noted on the snipe had "taken the narcotic cure" that year. Rubens would die weeks later from lethal pneumonia and bronchitis on January 21 1931 shortly after her release from jail. A Paramount studio photograph of actors Cary Grant and Randolph Scott at a swimming pool circa 1935. The two men lived together sporadically for twelve years throughout the 1930s and early 1940s and were suspected by both Anger and contemporary sources to have been lovers. A photograph of the body of Mexican American actor and closeted homosexual Ramón Novarro being removed from his house after its discovery in 1968. Novarro was tortured and murdered by two male escorts who falsely believed a large sum of money was hidden in the actor's house. Photographs range in size from 6 x 8 inches to 8 x 10 inches. Generally Very Good plus with moderate edgewear and age toning overall with photograph of Grant and Scott Good only with a bruise on the center top edge of the recto. N.p. unknown books
ref. 02-0198ca. 1780s. Woodcut after Peter Paul Rubens. Four color blocks: tan light brown dark brown darker brown. 379 x 232 mm. Kennedy 175. Nagler 13. Le Blanc 13. ca. 1780s. unknown
ref. 55233Tournay: Charles Martin 1617. Octavo 16 × 11 cm. Contemporary vellum binding with contemporary neatly written title on the spine and green later textile ties; 746 recte 744 pagination jumps from 458 to 460 5 pp. 1 errata leaf with copperplate title with Noli me tangere blood-nourishing pelican and resurrected phoenix as well as two palm trees and cherubs engraved frontispiece reclining Magdalene as a penitent with floating music-playing angels and two copperplates kneeling Mary Magdalene as penitent elevation of Mary Magdalene with angels. Front endpaper with contemporary ownership annotation of a "Soeur" from a convent in Tournay. Gathering "xx" incorrectly bound between gatherings "rr" and "ss" with contemporary ink annotation; complete and very good. First and only edition of the Baroque long poem which historically marks the beginning of a succession of Magdalene-themed poetic texts and reflects the changing iconography of Mary Magdalene in the late sixteenth and early seventeenth century. The Capuchin monk's work was not originally intended for publication but was written privately for a devout lady named Marie de Longueval. Other sources give her full name as Marie Madeleine which explains her fondness for the holy penitent. According to Hildebrand d'Hooglede she was not as assumed elsewhere the daughter of Maximilien de Longueval the governor of Mons and Arras but a daughter-in-law Marie Madeleine de Biglia who in 1600 married the famous general Charles Bonaventure de Longueval who fought for the Habsburgs in the Thirty Years' War. Marie Madeleine was connected to the Capuchins and knew Remi before her marriage. He had given her several poems and songs that he had written himself. At her request he wrote her a long poem about her patron saint which he completed in about four years. The work comprised 20 "livrets". See: Hildebrand d'Hooglede: Deux poètes peu connus: les capucins Remi de Beauvais 1568-1622 . in: Collectanea Franciscana 24 1954 pp. 159-165. The apostle of the apostles according to legend a "penitent courtesan" who was the first to see the risen Lord noli me tangere and proclaimed him not only received great popularity among the Capuchins ibid. but also increasingly took on a life of her own outside church structures from the sixteenth century onwards. While efforts had been made since the Council of Trent to curb sacred art the image type of the naked or semi-naked beautiful penitent whose physical charms were emphasized rather than concealed by cloths and hair became established in courtly and bourgeois private devotion Lex. Christl. Ikonografie VII column 520. In his long poem the author embellishes the biblical passages in which Mary Magdalene appears and those later attributed to her as well as the narrations from the "Legenda Aurea" and other medieval poems and prose works in Baroque detail. Later readers especially Protestants reproached him for this. The German philologist Paul Dittmer for example criticizes the monk's numerous scholarly digressions whose archaeological remarks and ancient allusions supposedly distract from the subject. Rejecting the Baroque abundance of symbols allegories and emblems Dittmar wrote: "We can literally see the poet before us rummaging through a veritable mountain of scholarly books in search of some quotation or other which he then inserts in a place that may or may not be appropriate." p. 9 What Dittmer finds worthy of criticism actually refers to Mannerism and the early Baroque as a whole: "Christ is in Romy's view king pulpit speaker and miracle worker in one person who quite clearly combines all the characteristics of the sixteenth century." La Magdeleine: eine Magdalenenlegende aus dem Anfange des 17. Jahrhunderts in: Siebzehnter Jahresbericht über die Städtische Realschule zu Magdeburg Magdeburg 1907 p. 1-10. Remarkable is also the bibliophile arrangement of the book. Hildebrand d'Hooglede assumes that the engraved title page on which the text is framed by a "Noli me tangere" scene in which Jesus appears to the grieving Magdalene wearing a shovel and a gardener's hat was engraved by Jean Collaert based on an unknown original by Peter Paul Rubens Hildebrand d'Hooglede see above. The etching of the elevation of Mary Magdalene with angels is the only surviving landscape by Martin Baes who was one of the most sought-after engravers and above all book illustrators in Flanders. Alphons Hamer More on printmaking in seventeenth-century Douai: The engraver Martin Baes . in: Delineavit et Sculpsit no. 54 2024 pp. 39-64. Baes seems to have based his illustration of the penitent being lifted up by angels for the Liturgy of the Hours on two Dutch images in which the floating group above the La Sainte Baume cave in southern France is also a rather small detail. On the one hand his illustration is very reminiscent of the painting by Joachim Patinir which is now in the Kunsthaus Zürich and on the other hand of an etching based on a model by Pieter Breughel the Elder published in a series of landscape illustrations in 1555. Of similar iconographic interest is the frontispiece which shows an old recluse who has been doing penance in the hermitage for thirty years lying on a bast mat at the end of her life while angels visit her singing and making music with lute harp and tenor cornett. The plate signature "C Galle sculp" suggests that Cornelis Galle was the engraver. He worked in Antwerp for Rubens and the Officina Plantiniana and made graphic reproductions of paintings by important Flemish and Italian painters such as Quellinus Anton van Dyck Titian and Guido Reni cf. AKL XLVIII 2006 8. Rare with all the etchings and errata leaf. Brunet IV 1211f. As of November 2025 KVK OCLC list five holdings in North America. unknown
1947ref. 93236Kegan Paul Trench and Trubner. As New. 1947. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 104 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Kegan Paul Trench and Trubner paperback
1951ref. 93235The Beechhurst Press. As New. 1951. HARDCOVER. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - HARDCOVER. 97 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee The Beechhurst Press hardcover
1971ref. 86742Phaidon Press. As New. 1971. Hardcover. 0714814032 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 386 pages; 200 black and white plates. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works Phaidon Press hardcover
1980ref. 93237Princeton Univ Pr. New. 1980. HARDCOVER. 0691039291 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. 738 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Princeton Univ Pr hardcover
1995ref. 93356El Museo. New. 1995. HARDCOVER. 8487657893 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. THREE 3 VOLUME SET. Text in Spanish. 1758 pages. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee El Museo hardcover
1636ref. ST19410Antwerp: Johannes Meursius 1636. FIRST EDITION. 532 x 380 mm. 21 x 15". 4 p.l. 68 4 pp. Original stiff vellum covers with the arms of the city of Ghent in gilt at center flat spine with seven gilt fleurs-de-lys. Engraved vignette on title by Cornelis Galle after Peter Paul Rubens and 40 of 42 FINE ENGRAVED PLATES two of these folding by Galle Pieter de Jode J. Neefs and others. Lacking plates 23 "Charles and Africa" and 32 "Venus beseeching Mars". Front pastedown with bookplate of J. D. van Langenhove. Landwehr "Splendid Ceremonies" 96; Lipperheide 2663; Vinet 626; Brunet I 728. ◆Binding rather soiled and splayed a few small chips in the vellum title page a bit stained around the edges and with lower margin strengthened on verso tears in five plates four of these neatly mended the other less so margins with minor stains smudges and thumbing; not without some condition issues but still a pleasing book internally the work done on very strong paper the attractive plates richly impressed and with deep impressions of the type. Praised by Brunet for its "beautiful plates" this fête book commemorates the "Joyous Entry" into Ghent of the Cardinal-Infante Ferdinand 1609-41 recently named governor of the Spanish Netherlands an area incorporating most of modern Belgium and Luxembourg plus parts of northern France the southern Netherlands and western Germany. The son of the King of Spain and his queen who was the sister of the Holy Roman Emperor Ferdinand was made a cardinal at the age of 10!. Despite the ecclesiastical office he was never ordained to the priesthood; he was more of a soldier at heart. As the Thirty Years War was then in progress Ferdinand undertook the journey to his new posting accompanied by an army and his troops engaged in several battles most notably a victory over the Swedes at Nördlingen. This triumph was celebrated in the pageantry of his entry into Ghent and in the plates here. There is a large folding plate of the Battle of Nördlingen as well as plates showing Ferdinand leading his men and consulting with his ally in the battle the King of Hungary. The decorations for the Joyous Entry were overseen by Peter Paul Rubens court painter to Ferdinand's predecessor as ruler of the Spanish Netherlands the Archduchess Isabella. Rubens 1577-1640 also produced the portraits here of Ferdinand and his father Philip IV of Spain. The triumphal arches and other festive trimmings for Ferdinand's arrival procession are depicted in these plates along with various allegorical scenes of classical subjects from gods to real-life conquerors. The revelries accompanying Ferdinand's arrival including fireworks and theatrical presentations are also pictured. Johannes Meursius unknown books
ref. 003601Antverpiæ: Ex Officina Plantiniana Balthasaris Moreti 1634. Hardcover. Very Good. Quarto. lxxx 480pp. xviiiff. First edition. One of 300 copies printed. A second edition was with a new title was printed in 1682. Contemporary calf rebacked. With an engraved title-page by C. Galle after Rubens the portrait of the dedicatee 268 emblems by Andries Pauwels and 27 textual illustrations. Landwehr Emblem and Fable Books in the Low Countries 1542-1813 633; Praz p. 455; Vinet 867; Cicognara 1932; Judson-Van de Velde I 289; Rubens & the Book 37; Funck p.379; Olschki Choix 15161; USTC 1004022. Engraved title-page repaired. Margin of next leaf repaired not affecting anything. In general a very good copy. 0 Antverpiæ: Ex Officina Plantiniana Balthasaris Moreti, 1634, hardcover
1710ref. 1411564Paris: Chez de Sr. Duchange 1710. Early Printing. Hardcover. Elephant folio unpaginated 24 engraved plates including 3 double plates plus the title page and "avertissement" 29 leaves in total. Lacking the engraved frontispiece titled "Pierre Paul Rubens". In Good condition. Bound in full brown leather with gilt ornamentation to edges. Paneled spine with a black label and gilt ornamentation. Spine has a loss of leather to the head and tail edges significant chipping throughout impacting the legibility of the label and cracking to joints. Boards have bumping to corners primarily to the rear bottom fore corner the leather is tearing and beginning to separate from the board along the front bottom fore corner moderate chipping to edges rubbing wear and discoloration to surfaces and cracking to leather throughout. Textblock has an archival repair to the bottom corner of the first double spread plate leaf 16 a small ink drawing to leaf 23 minor splitting to the gutter throughout occasional closed tears and wear to edges not impacting illustrations light foxing to some pages and age toning throughout. Some plates have tissue guards present. Contains a loose engraved plate reproduction of the painting "The Denial of Saint Peter" originally by Gerard Seghers laid in along the rear free end pages c. 17th century. Text in French. Shelved in Room A Oversized. "La Gallerie Du Palais Du Luxembourg Peinte Par Rubens" is a famous 18th-century illustrated book documenting Peter Paul Rubens' 24-painting cycle of Marie de' Medici's life. This volume presents engraved reproductions of Peter Paul Rubens's works by 11 different artists. The eleven engravers are: I.B. Massé; G. Edelinck; Lud. de Chatillon; G. Duchange; A. Loir; J. Audran; A. Trouvain; B. Audran; B. Picart; C. Simonneau and C. Vermeulen. 1411564. Special Collections - Upstairs. Chez de Sr. Duchange hardcover
1710ref. 1411564Paris: Chez de Sr. Duchange 1710. Early Printing. Hardcover. Elephant folio unpaginated 24 engraved plates including 3 double plates plus the title page and "avertissement" 29 leaves in total. Lacking the engraved frontispiece titled "Pierre Paul Rubens". In Good condition. Bound in full brown leather with gilt ornamentation to edges. Paneled spine with a black label and gilt ornamentation. Spine has a loss of leather to the head and tail edges significant chipping throughout impacting the legibility of the label and cracking to joints. Boards have bumping to corners primarily to the rear bottom fore corner the leather is tearing and beginning to separate from the board along the front bottom fore corner moderate chipping to edges rubbing wear and discoloration to surfaces and cracking to leather throughout. Textblock has an archival repair to the bottom corner of the first double spread plate leaf 16 a small ink drawing to leaf 23 minor splitting to the gutter throughout occasional closed tears and wear to edges not impacting illustrations light foxing to some pages and age toning throughout. Some plates have tissue guards present. Contains a loose engraved plate reproduction of the painting "The Denial of Saint Peter" originally by Gerard Seghers laid in along the rear free end pages c. 17th century. Text in French. Shelved in Room A Oversized. "La Gallerie Du Palais Du Luxembourg Peinte Par Rubens" is a famous 18th-century illustrated book documenting Peter Paul Rubens' 24-painting cycle of Marie de' Medici's life. This volume presents engraved reproductions of Peter Paul Rubens's works by 11 different artists. The eleven engravers are: I.B. Massé; G. Edelinck; Lud. de Chatillon; G. Duchange; A. Loir; J. Audran; A. Trouvain; B. Audran; B. Picart; C. Simonneau and C. Vermeulen. 1411564. Special Collections - Upstairs. Chez de Sr. Duchange hardcover books
ref. 8334Paris, Duchange, 1710. In-plano (626 x 462 mm), 27 planches gravées dont 3 sur double-page. Maroquin rouge, importante dentelle florale dorée encadrant les plats, fleur de lys et ornements floraux en écoinçon, armes au centre, dos à nerfs orné, pièce de titre en maroquin brun, roulette dorée sur les coupes et les chasses (reliure de l'époque).
Paris: Editions de la Revue Verve, 1940. In-folio - Reliure editeur à la bradel en Velin - Volume 2 : N° 5/6 - Consacrée à la figure humaine - Couverture illustrée en couleurs par Aristide MAILLOL - Textes de J. PAULHAN, J. SUPERVIIELLE, J. GRENIER, A. JARRY, M. JOUHANDEAU, J. GIRAUDOUX, ALAIN, G. ROUAULT, A. SUARES, etc.. - Peintures en quadrichromie par MARINUS, RUBENS, CORNEILLE de Lyon, COROT, etc, - Enluminures (Héliogravure couleurs & or) St-Grégoire-le-Grand, Les Echecs Amoureux, Les Dames de Renom de Boccac, les Fouquet de Chantill, livre d'Heures d'Etienne, chevalier, XV è siècle - Lithographies de Constantin GUYS, G. BRAQUE, G. ROUAULT, A. DERAIN, F. LEGER, P. BONNARD, H. MATISSE, P. KLEE - Dessins, Peintures, Scultures de GOYA, MIRO, A. GIACOMETTI, etc.. - Photographies en Héliogravure par DISDERI, H. LIST, EGER-TERMET, BRASAI, etc..- 181 pages. N° 7 - Les très riches Heures du duc de Berry 12 enluminures, reproduction très fidèle de l’intégrale du calendrier. N° 8 - couverture illustrée de MATISSE - Texte de REVERDY, J. GIRAUDOUX, A. MONNIER, A. MALRAUX, etc - Peintures de MATISSE, MIRO, etc - Calendriers de Charles d'ANGOULEME, André DERAIN TRES BEL EXEMPLAIRE
