2 166 résultats
1622In 4°, (16cc), 202 pp, (6cc), prima edizione, legatura in pergamena, frontespizio calcografico disegnato da Pieter Paul Rubens e inciso da Theodor Galle, marca editoriale (compasso tenuto da una mano: Labore et Constantia) in fine. Il Mascardi fu assiduo della corte degli Este a Modena, andò a Roma per laurearsi in legge e, grazie alle raccomandazioni del conte Camillo Molza, che Mascardi ringraziò dedicandogli il Discorso sopra un componimento poetico intorno alla cometa,[3] nel 1618 fu assunto in qualità di segretario dal cardinale Alessandro d'Este (1568-1624). A Roma cominciò a comporre un poemetto fantastico, il Tiburno, per celebrare la fondazione della città di Tivoli, la casata e la sfarzosa villa che gli Este possedevano nella cittadina laziale. Il lavoro venne interrotto per la morte di papa Paolo V, nel 1621.Per celebrare l'apertura del conclave, il Mascardi compose l'Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Ad esso seguì, dopo l'elezione del cardinale Alessandro Ludovisi - papa con il nome di Gregorio XV - l'anonima Scrittura intorno alla elezione a sommo pontefice del cardinal Ludovisio, forse scritta da Alessandro d'Este o composta dal Mascardi su sua diretta commissione e ispirazione, nella quale erano esposte critiche nei confronti di diversi cardinali, suscitando così la reazione della famiglia Ludovisi, in particolare del cardinale Ludovico, contro il cardinale d'Este. A fare le spese del conflitto tra le due potenti famiglie fu così il Mascardi, che nel giugno del 1621 si ritrovò licenziato e allontanato da Roma. Si rifugiò allora a Genova dove fu favorito dalla conoscenza di personaggi importanti delle famiglie gentilizie quali Marcantonio Doria e Giacomo Lomellini, e da poeti di successo come Ansaldo Cebà e Gabriello Chiabrera. Poté così recitare pubblicamente, il 26 settembre 1621, l'orazione Per la coronazione del serenissimo Giorgio Centurione,[8] e in dicembre divenne membro dell'«Accademia degli Addormentati». Qui pronunciò altri discorsi, tra i quali uno per la monacazione di Margherita Doria, figlia di Marcantonio e di Isabella della Tolfa, e l'orazione Intorno al furor poetico, dedicata al patrizio Tommaso Grimani, tutti raccolti nelle Orazioni, pubblicate nel 1622 dall'editore genovese Giuseppe Pavoni. Una sua commedia, Le metamorfosi d'amore, composta per il carnevale del 1623, è invece rimasta manoscritta. Nella speranza di poter rientrare a Roma e di essere ripreso al servizio degli Este, il Mascardi aveva dedicato al cardinale Alessandro i Silvarum libri IV, pubblicati nel 1622 ad Anversa da Balthasar Moretus, ma senza ottenere risposta. In 4 °, (16cc), 202 pp, (6cc), first edition, vellum binding, title designed by Pieter Paul Rubens and engraved by Theodor Galle, publishing mark (compass held by one hand: Labore et Constantia) in fine. Mascardi was a regular at the Este court in Modena, went to Rome to graduate in law and, thanks to the recommendations of Count Camillo Molza, whom Mascardi thanked for dedicating his Discourse on a poetic composition around the comet, in 1618 he was hired in as secretary to Cardinal Alessandro d'Este (1568-1624). In Rome he began to compose a fantastic poem, the Tiburno, to celebrate the foundation of the city of Tivoli, the house and the sumptuous villa that the Este owned in the Lazio town. The work was interrupted by the death of Pope Paul V in 1621. To celebrate the opening of the conclave, Mascardi composed the Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Following it, after the election of Cardinal Alessandro Ludovisi - pope with the name of Gregory XV - followed the anonymous Scripture around the election as supreme pontiff of Cardinal Ludovisio, perhaps written by Alessandro d'Este or composed by Mascardi on his direct commission and inspiration, in which criticisms of several cardinals were exposed, thus provoking the reaction of the Ludovisi family, in particular of Cardinal Ludovico, against Cardinal d'Este. To pay for the conflict between the two powerful families was so Mascardi, who in June 1621 found himself fired and removed from Rome. He then took refuge in Genoa where he was favored by the knowledge of important personalities of the noble families such as Marcantonio Doria and Giacomo Lomellini, and by successful poets such as Ansaldo Cebà and Gabriello Chiabrera. He was thus able to publicly recite the prayer On September 26, 1621, for the coronation of the most serene Giorgio Centurione, and in December he became a member of the "Accademia degli Addormentati". Here he gave other speeches, including one for the monk of Margherita Doria, daughter of Marcantonio and Isabella della Tolfa, and the prayer Around the poetic fury, dedicated to the patrician Tommaso Grimani, all collected in the Orations, published in 1622 by the Genoese publisher Giuseppe Pavoni. One of his comedies, The Metamorphoses of Love, composed for the carnival of 1623, has instead remained handwritten. In the hope of being able to return to Rome and be resumed in the service of the Este, Mascardi had dedicated IV books to Cardinal Alessandro the Silvarum, published in Antwerp by Balthasar Moretus in 1622, but without getting an answer.
réf. 22240in-4° ; maroquin rouge cardinal décoré à “la cathédrale” sur les plats et au dos, décors constitué de deux colonnes de rosaces et vitraux pressé à la plaque gravée, décors complémentaires reliant les deux colonnes, aux petits fers, grands fleurons d’angle reliés par des filets d’épaisseurs différentes et filet gras d’encadrement, roulette sur les angles des coupes et roulette intérieure, charnière en cuir rouge, tranches dorées, traces de fermoirs et de cabochons absents, dos lisse de même (reliure Restauration) ; [2], faux titre manuscrit en couleur rouge, jaune et noir en caractères gothiques aquarellés, 295 pp. dont titre illustré d’une sorte de porte de cathédrale avec des statues de saints et angelots dans des niches, le tout au lavis ; pp. 75 à 103 : manuscrit du Samedi Saint avec partition, cul-de-lampe au lavis et à la dernière page croix et huit angelots également au lavis ; Supplementum, Evangelia Sacra avec un dessin à l’encre de Chine représentant un angelot et trois animaux fabuleux, manuscrit pp. 218 à 295 ; [3] bl., index manuscrit [5] ; 7 gravures à pleine page par de Cortone, Verdier, Dulin, Rubens (2), et deux non signées gravées par Balthazar Gentot datant du XVIIIe siècle, le restant est un texte imprimé découpé et collé sur les feuillets.
1969réf. 23685London: Eyre & Spottiswoode 1969. A first edition first printing of 'The Elected Member' published by Eyre & Spottiswoode in 1969. A very good book with only slight fading to the edges and bumping to the base of the spine. Clean internally with some spotting to the top of the text block. Neat bookplate to the front pastedown. In a very good unclipped wrapper with slight chipping to the spine tips edges and corners. Norman the clever one from a close knit Jewish family in London at the age of 41 finds himself as a drug addict and confined along with his paranoia and hallucinations. Rubens became the first female author to win the Booker prize with this novel in 1970. Eyre & Spottiswoode unknown
réf. 51-5327Paris : Le Roi 1846. Large folio. 35 c 53cm. 14 27 plates each with 2pp. of text; 8pp. Quarter goatskin and marbled boards by the artisan binder Sasha Mosalov. Light to medium foxing. Annotations on title page from previous owners one dated 1890.OCLC Numbers:422138077; 1074730903. Paris : Le Roi, 1846 hardcover
1969réf. 21831London: Eyre & Spottiswoode 1969. A first edition first printing of 'The Elected Member' published by Eyre & Spottiswoode in 1969. A very good book with only slight fading to the edges and bumping to the base of the spine. Clean internally with some spotting to the top of the text block. Small name to the front endpaper. In a very good unclipped wrapper with slight chipping to the spine tips edges and corners. Small vertical crease to the front flap. Norman the clever one from a close knit Jewish family in London at the age of 41 finds himself as a drug addict and confined along with his paranoia and hallucinations. Rubens became the first female author to win the Booker prize with this novel in 1970. Eyre & Spottiswoode unknown
1889réf. GF358131889 Paris - Librairie de l'Art - 1889 - 1 volume in-folio de XIX - 276 pages - Reliure demi-maroquin brun à coins - dos cinq nerfs - coins, nerfs et coiffes frottés - Complet des 21 eaux-fortes en très beaux tirages -
1981réf. 000153London: Nonpareil 1981. Limited/Numbered . Fine Full Leather. Near Fine. Revised edition.London Nonpareil 1981.277128pp. 4to.Original full leather.ONE OF ONLY 53 COPIES bound in full green goatskin with the 1982 supplement bound in together with an additional supplement booklet also present all fit in an original green leather box. The entire regular edition of this book was of only 260 copies .Richly illustrated. Numbered and signed by the author. Very fine. A rare and much sought after standard work in the ultimate bibliophile edition. A superb work in superb condition. Surface Shipping worldwide included Nonpareil hardcover
réf. 3aa5A Paris chez Edelinck Rue S´Lacques au Seraphin ca. 1650. 45 cm x 35 cm. am Rand gering fleckig/an der oberen Kante ist der Abdruck etwas schwächer. Sonst sehr schön. Ein-Druck-Platte. Siehe Bild unknown
1638réf. 34571Antwerp 1638. Rubens Peter Paul 1577-1640. Hippocrates Hiraclidae F. Cous. Ex marmoro antique. Engraving by Paulus Pontius Paulus du Pont1603-58 after Rubens. N.p. Antwerp 1638. 304 x 220 mm. Tiny pin-holes in upper left and lower right corners 2 small circular stamps on verso one reading "Stempel Tilgungs." Fine. . An excellent impression of this well-known engraving done by Paulus Pontius after Rubens's drawing of an antique bust of Hippocrates. "Rubens's involvement in printmaking began in earnest when he was about thirty. . . .His participation in printmaking set new standards especially for book illustrations and the reproductive print" Logan & Plomp "Peter Paul Rubens as Draftsman" metmuseum internet reference. The "Hippocrates" is the only separately issued print we know of by Rubens that is of medical interest. Paulus Pontius was a master engraver and the primary artist responsible for making engravings after Rubens's work; he lived in Rubens's home until a year after the latter's death. . unknown
1638réf. 34571Antwerp 1638. Rubens Peter Paul 1577-1640. Hippocrates Hiraclidae F. Cous. Ex marmoro antique. Engraving by Paulus Pontius Paulus du Pont1603-58 after Rubens. N.p. Antwerp 1638. 304 x 220 mm. Tiny pin-holes in upper left and lower right corners 2 small circular stamps on verso one reading "Stempel Tilgungs." Fine. . An excellent impression of this well-known engraving done by Paulus Pontius after Rubens's drawing of an antique bust of Hippocrates. "Rubens's involvement in printmaking began in earnest when he was about thirty. . . .His participation in printmaking set new standards especially for book illustrations and the reproductive print" Logan & Plomp "Peter Paul Rubens as Draftsman" metmuseum internet reference. The "Hippocrates" is the only separately issued print we know of by Rubens that is of medical interest. Paulus Pontius was a master engraver and the primary artist responsible for making engravings after Rubens's work; he lived in Rubens's home until a year after the latter's death. . unknown books
réf. 55382Waanders Publishers. New. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 274 pages; 102 colour photographs; 103 b&w photographs -- with a bonus offer-- . 904008288X . Waanders Publishers unknown
2007réf. 76617Silvana. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pp. With 64 ills. 39 col. . 29 x 25 cm. -- with a bonus offer--; English and Russian Edition . 2007. 8836608590 . Silvana hardcover
2012réf. 97945Scala Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 101 illus. 96 in color. -- with a bonus offer--; <body> <style type="text/css"> .cs162A16FE .csEC536C75width:459.8pt;padding:0.75pt 0.75pt 0pt 0.75pt;border-top:none;border-right:none;border-bottom:none;border-left:none .cs2654AE3Atext-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt .cs2CAA79F6color:#000000;background-color:transparent;font-family:Arial; font-size:10pt; font-weight:normal; font-style:normal; .cs566403DEcolor:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:normal; </style> Europe's kings and princes prized Peter Paul Rubens' vibrant colourful and often voluptuous works which included altarpieces and other religious pictures; portraits; hunt and mythological scenes. The John and Mable Ringling Museum of Art in Sarasota Florida possesses one of America's premier and diverse collections of paintings by Rubens including five extraordinary full-scale painted models for the Triumph of the Eucharist tapestry series; Pausias and Glycera created in collaboration with the flower painter Osias Beert; a painted sketch for a tapestry wittily depicting Achilles Dipped in the Styx; the tragic and brilliantly coloured Departure of Lot and his Family from Sodom; and an exuberant bravura portrait of the Cardinal-Infante Ferdinand ruler of the Southern Netherlands. This lavishly illustrated publication will introduce the artist and these outstanding works shed new light on their meanings functions and facture and share original perspectives on their provenance. Virginia Brilliant is Associate Curator of European Art at the John And Mable Ringling Museum of Art. </body> . 2012. 1857597125 . Scala Publishers paperback
réf. 55566Henri Screpel / Barron's. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - appears unread - ND Circa 1970 Text in English. 92 page monograph well illustrated. -- with a bonus offer-- . N.D. Henri Screpel / Barron's paperback
1997réf. 69131Museum; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch and English. 244 pp. With 108 ills. 36 col. . 30 x 21 cm. -- with a bonus offer-- . 1997. Museum; Et Al paperback
1978réf. 64839The Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 68 pp. With 79 ills. On 30 pls. 28 x 22 cm. -- with a bonus offer-- . 1978. 0931394023 . The Museum paperback
1983réf. 66292Frolich & Kaufmann Gmbh Distribution . As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 80 pp. With 57 ills. 5 col. . 30 x 25 cm. -- with a bonus offer-- . 1983. Frolich & Kaufmann Gmbh (Distribution) hardcover
2011réf. 98354Tate Publishing. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 48 pp. ; 20 color illustrations. -- with a bonus offer--; Flemish artist Sir Peter Paul Rubens 1577-1640 was one of the most internationally admired painters in seventeenth-century Europe whose patrons included the rulers of France Spain Mantua and the Netherlands. In 1621 he was approached by the British court to produce paintings for the ceiling of James I's newly rebuilt Banqueting House at Whitehall Palace a prestigious space where foreign ambassadors were formally received and court masques performed. Compact accessible and beautifully illustrated this book is the perfect introduction to Rubens' links with Britain through the example of a single astonishing painting the initial sketch for the ceiling. Wholly sketched in Rubens' hand it is rich in allegorical detail unfamiliar to twenty-first-century viewers but explained succinctly in the text. Demonstrating Rubens' remarkable fluidity and freedom of invention this work also exemplifies his role as diplomatic envoy to Britain and his position as the quintessential artist of his age. . 2011. 1854379739 . Tate Publishing paperback
2009réf. 79612Paul Holberton Publishing. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 128 pp. With 80 col. Ills. 28 x 24 cm. -- with a bonus offer--; The recent rediscovery of Rubens's Massacre of the Innocents offers an important opportunity to reassess the painter's early career. Of Rubens's works immediately following his return to Antwerp in 1608 it is the most assured achieving a remarkable complexity both compositionally and emotionally. David Jaffe senior curator at the National Gallery London considers the work in its context discussing the numerous sources and influences - both visual and literary - from which Rubens drew. He also compares it to contemporary works by the artist such as the London National Gallery's Samson and Delilah and discusses it in relation to the latter's first owner Nicolaas Rockox the humanist and burgomaster of Antwerp and one of Rubens's most enthusiastic patrons. . 2009. 1903470811 . Paul Holberton Publishing paperback
2005réf. 71926Yale University Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 208 pp. With 220 ills. 205 col. . 30 x 25 cm. -- with a bonus offer-- . 2005. 1857093712 . Yale University Press (Distribution) hardcover
2011réf. 97173Harvey Miller Publishers. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 206 pp. ; 92 illus. 22 in color. -- with a bonus offer--; The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be of what he did when he was in England and what he painted for King Charles I is the story of this book. Charles and his father the first Stuart monarchs of Great Britain led and promoted a great wave of interest in the arts in particular the visual arts which culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones's Banqueting Hall the ceremonial centre of the Court in Whitehall a monument that is still intact today. Rubens's cycle is an unappreciated masterpiece of Baroque state art and is the focus of the book. How Rubens came to obtain the commission is a tale of international politics and diplomacy in which the artist himself played a significant role; to realize the commission was one of the great challenges of his career. . 2011. 1905375042 . Harvey Miller Publishers hardcover
1877réf. 55629Paris France: Librairie Renouard. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 379 pages. -- with a bonus offer-- . 1877. Librairie Renouard hardcover
1991réf. 67948Museum; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Dutch and English. 230 pp. With 80 ills. 8 col. . 30 x 21 cm. Description: "Presenting works by Rubens's contemporaries in Antwerp including several of his apprentices this scholarly catalogue documents 32 drawings by Jordaens Van Dyck and some 20 other artists along with thirteen prints produced mainly after paintings by Rubens. Three essays examine the varied techniques of the exhibited drawings in the context of their functions discuss Rubens's major influence on Flemish art and describe his search for engravers capable of effectively translating his paintings into prints. " -- with a bonus offer-- . 1991. Museum; Et Al paperback
réf. 55323Waanders Publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 48 pages; 50 colour photographs -- with a bonus offer-- . 9040087571 . Waanders Publishers paperback
1938réf. 55232Brussels Belgium: Editions De La Connaissance. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. Description: 2 p. L. 7-12 p. 2 l. 55 pl. incl. Ports. on 28 l. 25 cm. Notes: At head of title: Palais des beaux-arts Bruxelles. Descriptive text at foot of each plate. "Ouvrages et expositions cite´s en abre´viation dans les notices du catalogue": p. 14 -- with a bonus offer-- . 1938. Editions De La Connaissance paperback