2 160 résultats
1630réf. 12877Amberes: Paulus Pontius 1630. 368x272mm. 14½x10¾". Amberes Paulus Pontiusm 1630. Grabado. 368 x 272mm. Tercer estado de 3 con el arco ornamental y las letras. Autoretrato dibujado por Rubens en 1623 y grabado por Paulus Pontius en 1630 para la célebre Iconografía de Antón van Dyck proyecto destinado a perpetuar a los artistas mecenas y demás personalidades destacadas de la época. Paulus Pontius unknown
réf. EXE0050cParis, De Lormel, Saillant, Veuve Durand, Dessaint, 1767. Trois parties en 3 vol. in-12, brochés.
1981réf. 30lrNonpareil 1981-01-01. Limited. Hardcover. Near Fine/No Jacket. Signed. Two books complete slipcased. The ISBN and publication details refer to the main title: 277 pages complete. The second book: "A Jewish Iconography Supplementary Volume" ISBN: 09079740005 pub: Nonpareil 1982 softcover 128 pages. Slipcase is sturdy sound. It has wear and scuffing and light marking. Wood reinforcements within the casing. It is fit. The main volume: SIGNED by Alfred Rubens on the half-title page. Numbered 91 of a limited edition of 650 copies. Crushed-strawberry cloth covered boards with stamped gilt publisher's colophon and borders. The boards have shelving wear about the edges. They are otherwise elegant and healthy. Marbled end papers. The contents are smart clean clear conscientious proud. The second volume has scuffing wear creasing and light handling marks. They are still pleasingly attractive. The inside front cover has handling marks. The page trims have very light foxing streaks. There is evidence of usage. Nonetheless the pages are bright clean clear generous vivacious. A satisfying set. fk. Our orders are shipped using tracked courier delivery services. Nonpareil hardcover
1990réf. 50352ULLSTEIN LEOPOLD 02/1990. 1. softcover. Maloftege! ULLSTEIN, LEOPOLD paperback
réf. #[63600]The death of Seneca. A pupil on the right describes the last words of the Philosopher; two soldiers on the right background. The old man is standing in the center with his left hand raised and the right arm towards the ground. Some blood is dropping out of his forearm. A bearded man on the left is drying Seneca's skin. The philosopher is standing on a basin. Lettered in lower margin with production details and title: "Petr. Paul Rubbens pinxit" and "A. Voet iunior sc Corn. Galle excudit". Text in squared brackets added in brown ink after reworking of plate. The figure of Seneca is after a Roman statue of an old fisherman 'Vieux pêcheur dit Sénèque mourant' in the Musée du Louvre Paris inv.no.MR 314. l Engraving on paper trimmed to plate mark; total: 404 x 275 mm; state II/2; Hollstein 11 Voet. unknown
1767réf. 23182Paris , De Lormel, Saillant, Veuve Durand, Dessaint 1767 3 volumes in 12 veau époque , dos lisses ornés pièces de titres et tomaisons tranches rouge.4 coins( quelques traces d'encre sur 2 feuillets du tome 1. ex Libris de Michel de Léon .
réf. 1710PG036Rare books about Brazil published from 1504 to 1900 and works by Brazilian authors of the Colonial period. Revised and enlarged edition. A-L. M-Z. Ucla Latin American Center Publications. University of California Los Angeles. Livraria Kosmos Editôra. Rio de Janeiro. 1983. 2 Volumes de 26x18 cm. Com xxviii ii 502; x 503 a 1074 págs. Encadernações do editor. Ilustrado com numerosas reproduções facsimiladas no texto de folhas de rosto e outros pormenores dos livros que são descritos na obra. Texto impresso a duas colunas. Contém prefácio de Ludwig Lauerhass Jr. prefácio do autor bibliografia com descrições e comentários um pormenorizado índice de títulos e assuntos. A mais completa bibliografia de livros sobre o Brasil. Trabalho de décadas que é uma ferramenta imprescindível para todos os investigadores e estudiosos. M-14-A-1 unknown
1882Complete series of all published issues (5 parts edited from 1882 till 1910), bound in 1 large volume: 316 + 303 + 311 + 299 + 355pp., illustrated with some plates out-of-text of which some folding, 25cm., nice half-leather binding, gilt title on spine, original softcovers preserved and bound in), very few foxing, with contributions in Dutch and in French, very good condition, rare complete set of this important periodical dedicated to the study of/about P.P.Rubens and his oeuvre, S90497
1882réf. S90497Antwerpen-Anvers/ Brussel-Bruxelles, 1882-1910 Complete series of all published issues (5 parts edited from 1882 till 1910), bound in 1 large volume: 316 + 303 + 311 + 299 + 355pp., illustrated with some plates out-of-text of which some folding, 25cm., nice half-leather binding, gilt title on spine, original softcovers preserved and bound in), very few foxing, with contributions in Dutch and in French, very good condition, rare complete set of this important periodical dedicated to the study of/about P.P.Rubens and his oeuvre, S90497
1769réf. 003093A Paris, chez le Jay, Libraire, rue St Jacques au'dessus de celle des Mathurins au grand Corneille, sans date (1769)
réf. 103979London The Jewish Museum 1954. . First edition signed & inscribed by the author on half-title. 4to 30 x 22 cm contemporary half vellum binding gilt. Many b/w illustration plates pages in fine crisp condition. xviii 160 pp. Alfred Rubens 1903-1998 was Chairman of the Jewish Museum 1958-1983 and an avid collector. In the 1920s he started to collect prints and drawings of Jewish interest and eventually built up a collection of world importance. When in 1932 the Jewish Museum was founded in London by Rubens's friend Wilfred S. Samuel he invited Rubens to join the museum's committee as its expert on prints and drawings. Rubens outlived all other members of that original committee. The museum started with a major purchase of antique ceremonial objects at Christie's and built up a fine collection illustrating both the ceremonies of Judaism and the social history of the Jewish community in Britain. Exhibits included silver textiles and furniture from London's former 18th-century synagogues. During his lifetime Rubens published several works which were based on his extensive collection. He first published the Anglo-Jewish Portraits 1935 followed by a similar work of wider scope A Jewish Iconography 1954 offered here; a revised edition was published in 1981. This work contains engravings of scenes of Jewish life and continental engraved portraits. Following this Rubens published his History of Jewish Costume 1967. London, The Jewish Museum, 1954. hardcover
1969réf. 639817Eyre & Spottiswoode London 1969. 1st Edition. Hardcover. Good/Good. 8vo. - First Edition First Impression - Red cloth boards a little rubbed to edges w/ corners bumped - Book has some lean - Edges of text block a little marked and toned - Some light wear to endpapers - Unclipped dustwrapper worn w/ edges heavilly chipped - Some loss to top spine ends and corners - Book ow/ solid - A lovely copy of the book to win the second ever Booker prize - 224 pages Good Eyre & Spottiswoode, London hardcover
1700réf. 4835Amsterdam: Martinus van den Enden 1700. A very nice copy of this engraving by Schelte Adamsz Bolswert the sculptor and engraver after the original by Rubens. Published by van Enden. Held under passe partout. To the verso is the taxation stamp for the department of the Interior for Calvados. Havard art museum states only that this is a Seventeenth Century engraving and cites catalogues Hollstein 172; LeBlanc 13; Andresen 5. We suspect that this is later engraving as it lacks the engraver and artist details. Also the image is reversed so that the Madonna and child are admiring a fountain to the right rather than the left. A very nice clean copy with a good impression. Held in an archival film bag under a large passe partout. Engraving is 22cm x 18cm. The Passe Partout is 50cm x 40cm. There is a little marking to the front of the art board to the reverse / back sheet there is quite a bit of marking But this would be hidden on display. A scarce item we can find no copies outside of institutions and none at all of this "reversed image". . Très bel exemplaire de cette gravure de Schelte Adamsz Bolswert le sculpteur et graveur d'après l'original de Rubens. Publié par van Enden. Tenu sous passe partout. Au verso se trouve le timbre fiscal du département de l'Intérieur pour le Calvados. Le musée d'art Havard indique seulement qu'il s'agit d'une gravure du XVIIe siècle et cite les catalogues Hollstein 172 ; LeBlanc 13 ; Andresen 5. Nous soupçonnons qu'il s'agit d'une gravure plus tardive car il n'y a pas de détails sur le graveur et l'artiste. De plus l'image est inversée de sorte que la Madone et l'enfant admirent une fontaine à droite plutôt qu'à gauche. Un très bel exemplaire propre avec une bonne impression. Conservé dans une pochette de film d'archivage sous un grand passe partout. La gravure mesure 22 cm x 18 cm. Le Passe Partout mesure 50cm x 40cm. Il y a une petite marque au recto du carton d'art au verso de la feuille il y a pas mal de marques mais cela serait caché lors de l'exposition. Il s'agit d'une pièce rare nous n'avons trouvé aucune copie en dehors des institutions et aucune de cette "image inversée". Martinus van den Enden unknown
1700réf. 4835Amsterdam Martinus van den Enden 1700 Très bel exemplaire de cette gravure de Schelte Adamsz Bolswert (le sculpteur et graveur) d'après l'original de Rubens. Publié par van Enden. Tenu sous passe partout. Au verso se trouve le timbre fiscal du département de l'Intérieur pour le Calvados. Le musée d'art Havard indique seulement qu'il s'agit d'une gravure du XVIIe siècle et cite les catalogues Hollstein 172 ; LeBlanc 13 ; Andresen 5. Nous soupçonnons qu'il s'agit d'une gravure plus tardive, car il n'y a pas de détails sur le graveur et l'artiste. De plus, l'image est inversée, de sorte que la Madone et l'enfant admirent une fontaine à droite plutôt qu'à gauche. Un très bel exemplaire propre, avec une bonne impression. Conservé dans une pochette de film d'archivage sous un grand passe partout. La gravure mesure 22 cm x 18 cm. Le Passe Partout mesure 50cm x 40cm. Il y a une petite marque au recto du carton d'art, au verso de la feuille, il y a pas mal de marques (mais cela serait caché lors de l'exposition). Il s'agit d'une pièce rare, nous n'avons trouvé aucune copie en dehors des institutions, et aucune de cette "image inversée".
Lotto comprensivo di 188 stampe in nero originali, presumibilmente di diversa provenienza, tutte raffiguranti soggetti classici (prevalentemente religiosi e mitologici) ricavati da grandi autori quali Raffaello, Michelangelo, Rubens, Reni, Leonardo Da Vinci, ... Stampate in Francia, non datate ma, presumibilmente, risalenti ai primi decenni dell'800. Dimensioni: 12 x 18 cm all'incirca. Stato di conservazione: Qualche inevitabile ossidazione della carta, alcune stampe presentano piccole mancanze o tagleitti sui margini, alcune presentano i margini un po' rifilati, due o tre stampe (in totale) presentano una scritta apenna sul margine bianco ma, nell'insieme, un lotto ben conservato Si vedano le fotografie che fanno parte integrante della descrizione. Soggetti vari: una quindicina di stampe sono dedicate a San Bruno "Couronnement de Charlemagne" (Raphael) "La peste" (C. Procaccini) "Galilèe en prison" "La jurisprudence" (Raphael) "Proserpine aux enfers" Pandore Apollo "Danse des muses" Centaure "Gladiateur mourant" "Incendie de Borgo Vecchio" (Raphael) "Salomé fille d'Herodiade (Leonard de Vinci) "Paysage - scene d'effroi" "Paysage - Animaux près d'une ruine", "Vue des bords de la mer" St. Michel Bacco Promethée "Les bergers d'Arcadie" "Massacre des innocens" "Victoire d'Ostie" diverse stampe ritraggono la Santa Famiglia "La nativité" Ercole "Diane et ses nymphes" "Le bapteme" St. Marc Milon de Crotonne "Salomon et la reine Saba" Amazone "Naissance de l'amour" "Abram recevant les trois anges", St. Madaleine St. Jérome St. Barthélemy "Venus Victorieuse" "Marche de silène" "St. Antoine tourmente par le demon" "Fuite en Egypte" "Charles Ier" "Les lutteurs" "Le char de l'aurore" (Guido Reni) ....
réf. est279t5Dimension extérieur : 55,8 x 40 cm. Cuvette : 50 x 35,5 cm. Magnifique gravure au burin d'époque, peinte d’après Rubens, dessinée par Jean-Marc Nattier et gravée par Antoine Trouvain. En excellent état général. A Paris chez le Seigneur Nattier, peintre de l'académie royale rue Frementeau. Gravure accompagnée d'un texte : Le Grand Duc Ferdinand épouse la Princesse en vertu de la procuration du Roy Henri IV que Bellegarde Grand Ecuier de France lui avoit apportée. Dossat et Silleri avoient negotié ce mariage et le Cardinal Aldobrandin Légat du Pape en fait la ceremonie dans l’Eglise Sta Maria del fiore. L’himenée porte la queue à la Reine qui est accompagnée de la Grande Duchesse et des principales Dames de sa Cour. Et de l’autre côté est la Noblesse Françoise qui avoit suivi le Marquis de Silleri Ambassadeur.
1994réf. 81663Harvey Miller Publishers 1994. Hard Cover. near fine/near fine. 27 x 17.5 cm. Part 23 of a 27 part series this part complete in 3 volumes. Volume One: Text. 332pp 88 text illustrations; Volume Two: Catalogue Raisonne and Volume Three:: Plates: 462 illustrations and indexes to all volumes. All volumes in very nice copies in equally nice dust jackets. In mylar protective wrappers. Harvey Miller Publishers unknown
1906réf. 15785London: Gowans & Gray. Very Good- with no dust jacket. 1906. First Edition; Fifth Printing. Hardcover. Light soil page wrinkling cover tie missing otherwise light wear. Solid hardcover. ; Striking artistic Florentine vellum binding by Giulio Giannini - Firenze re-covers this 1906 printing of photographic pictorial book of Rubens art. ; Gowans's Art Books; Vol. 1; Photographs; 64 pages . Gowans & Gray hardcover
2000réf. CBS-9781853177569Sp Informa 2000. New. Sp Informa unknown
2000réf. CBS-9781853177569Sp Informa 2000. New. Sp Informa unknown
réf. 439188Nonpareil Publishing Company. Hardcover. Good. Signed copy. The book is virtually in very good condition. CollectibleOur book has been photographed to see including the certification page showing the limited edition.Hardback. Revised Edition. Limited edition being 23 of 650. Please note that this is a heavy valuable item and will be dispatched by courier; Red cloth slipcase gilt lettering bright; Red boards bright and sharp top gilt edge bright ink marbled end papers pages crisp author's signature on half title page B&W images in text. Nonpareil Publishing Company hardcover
1981réf. 49644Vonpareil. Very Good. 1981. Revised Ed. 236/650. Hardback. 0902068091 . Please note that this is a heavy item and may require additional postage for international shipping; Red cloth slipcase with slight sunning at top edge cloth peeling on bottom edge minor bumping to corners slightly degraded glue visible inside otherwise intact gilt lettering bright; Red leatherbound bound boards bright and sharp light sunning on spine minute staining to boards; Edges clean top gilt edge bright ink marbled end papers pages crisp author's signature on half title page with tissue guard laid in B&W images in text all pp 7 full pg. illustrations; Binding tight. Overall a nice sturdy copy with minimal wear.; B&W Photographs; 8.5 x 11.9"; 277 pages; Signed by Author . Vonpareil hardcover
1969réf. 332819Eyre & Spottiswoode 1969. FIRST EDITION. Hardcover. Very Good/Very Good. First Edition Later Printing 1970. Not price-clipped. Published by Eyre & Spottiswoode 1969. Octavo. Hardcover. Book is very good with previous owner name on flyleaf. Dust jacket is very good with shelf/edgewear and nicks. A scarce copy of this vintage and landmark novel from Rubens. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor New York. Eyre & Spottiswoode hardcover
1977réf. B115814Bruxelles, Recueil généalogique et héraldique 1977-1985 Complet en 4 volumes, 212 + 544 + 400 + 536pp., illustré de blasons dans le texte + quelques planches et tableaux généalogiques hors-texte, 24cm., brochures originales, publié dans la série "Le Parchemin, recueil généalogique et héraldique" volumes 25-27-29-35, texte et intérieur sont frais, texte en français, les pages de tomes 2-3-4 sont toujours non coupées, bon état, poids: 4.3 kg., B115814
2024réf. BN714174Mohr Siebeck 2024. 2024. Citifying Jesus: The Making of an Urban Religion in the Roman Empire Wissenschaftliche Untersuchungen zum Neuen Testament Band 520 Citifying Jesus: The Making of an Urban Religion in the Roman Empire Wissenschaftliche Untersuchungen zum Neuen Testament Band 520 Urciuoli Emiliano Rubens Mohr Siebeck unknown
