Devisscher, HansMareMagnum
2 170 résultats
Devisscher, Hans: The Life of Christ before the Passion. The Youth of Christ. Part V. Turnhout: 2014. Series: Corpus Rubenianum Ludwig Burchard. Part V. 400 pages, with 95 colour and 109 black and white illustrations. Hardback. 26.5 x 18cms. The newest volume in the 'Corpus Rubenianum Ludwig Burchard', this book examines the paintings Rubens dedicated to the theme of the youth of Christ, including his many marvellous depictions of the Adoration of both the Shepherds and the Magi. Preparatory stages of the paintings, drawings and engravings are fully discussed. The newest volume in the 'Corpus Rubenianum Ludwig Burchard', this book examines the paintings Rubens dedicated to the theme of the youth of Christ, including his many marvellous depictions of the Adoration of both the Shepherds and the Magi. Preparatory stages of the paintings, drawings and engravings are fully discussed.
Simson, Otto von: Peter Paul Rubens (1577-1640). Humanist, Maler und Diplomat. Munich: Philipp von Zabern, 1996. Series: Berliner Schriften zur Kunst 8. 556pp with 24 colour plates and 202 monochrome illustrations. Cloth. 24x17.5cms. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German. Drawing on the author's lifelong study of the artist, this analytical work offers an insight into the ancient mythology, allegories and religious history in Rubens' painting, considering the moral and aesthetic dimensions of his work. 20 essays cover topics such as Mars and Venus, classical themes, church commissions and his work in Italy, Spain and Antwerp. Bibliography and index. Text in German
Rubens and his Workshop. The flight of Lot and his family from Sodom. Exhibition: Tokyo, National Museum of Western Art, 1994. 140 pages, fully illustrated in colour and black & white. Paperback. 28 x 23cms. A record of the research performed on the occasion of the study exhibition 'The flight of Lot and his family from Sodom', including comparisons with related works and technical analysis of the ground, pigments and painting techniques. A record of the research performed on the occasion of the study exhibition 'The flight of Lot and his family from Sodom', including comparisons with related works and technical analysis of the ground, pigments and painting techniques.
Vergara, Alejandro et al.: Rubens. La Adoración de los Magos. Exhibition: Madrid, Museo Nacional del Prado, 2004. 239pp illustrated throughout in colour. Wrappers. 28x24cms. Ruben´s Adoration of the Magi is one of the artist's most important works and one of the master pieces in the collection of the Museo del Prado. This catalogue brings together a series of essays on the history of this painting and it features various works associated with the Adoration by other artists. English edition available in April at £50.00. Text in Spanish. Ruben´s Adoration of the Magi is one of the artist's most important works and one of the master pieces in the collection of the Museo del Prado. This catalogue brings together a series of essays on the history of this painting and it features various works associated with the Adoration by other artists. English edition available in April at £50.00. Text in Spanish
Fredlund, Björn: Arkitektur i Rubens maleri : form och funktion. Göteborgs universitet, 193pp, 46 monochrome illustrations. Wrappers. Presented as the author's dissertation Gothenbourg University 1974. Text in Swedish with English summary. Presented as the author's dissertation Gothenbourg University 1974. Text in Swedish with English summary
Belkin, Kristin: Copies and Adaptations from Renaissance and Later Artists. German and Netherlandish Artists. 2 vols. Turnhout: 2009. Series: Corpus Rubenianum Ludwig Burchard. Part XXVI. Vol. 1 (in 2 vols). 475pp with 21 colour and 378 monochrome illustrations. Cloth, 26.5x18cms. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. Text in English
Wood, J: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Titian and North Italian Art. 2 vols. 2010. Series: Corpus Rubenianum Ludwig Burchard.
Wood, Jeremy: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Artists Working in Central Italy and France. 2 vols. 2011. Series: Corpus Rubenianum Ludwig Burchard. 704pp.,. 26.5 x 18.5cms.
Woollett, Anne (ed.): Rubens and Brueghel: A Working Friendship. Exhibition: Los Angeles, Getty Museum, 2006. 274 pp., with 75 colour and 115 monochrome illustrations. Wrappers, 29 x 24cms. First publication to examine in depth the partnership between Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625) in the creation of genuinely collaborative yet high quality paintings, the result of a close friendship. Includes discussions on both men's collaborations with other artists such as Frans Snyders and Hendrick van Balen. First publication to examine in depth the partnership between Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625) in the creation of genuinely collaborative yet high quality paintings, the result of a close friendship. Includes discussions on both men's collaborations with other artists such as Frans Snyders and Hendrick van Balen. Text in English
Hout, Nico van: Sensation et sensualité. Rubens et son héritage. 2014. 354 pages. Hardback. 28.9 x 24.6cms. Text in French. Text in French
Rupert Martin, John: Rubens Before 1620. Princeton University Press, 1972. 186 pages; black & white illustrations. Hardback. 21 x 26cms. Text in English
Mulders, C. Van: Works in Collaboration: Jan Brueghel I & II. London / Turnhout: 2016. Series: Corpus Rubenianum Ludwig Burchard. XXVII (1). 360 pages, 81 colour and 107 black and white illustrations. Hardback. 26.5 x 18cms.
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
Porzio, Giuseppe, et al: Rubens, Van Dyck, Ribera. La collezione di un principe. Exhibition: Naples, Palazzo Zevallos Stigliano, 2018. 224 pages, 80 illustrations. Paperback. 24x28cms. Account of the influence of Flemish merchants on the Italian market for Flemish art, discussing the popularisation of Rubens and Van Dyck. Focused on the collecting activity of the Vandeneyden dynasty of merchants and bankers in seventeenth century Naples. Text in Italian. Account of the influence of Flemish merchants on the Italian market for Flemish art, discussing the popularisation of Rubens and Van Dyck. Focused on the collecting activity of the Vandeneyden dynasty of merchants and bankers in seventeenth century Naples. Text in Italian
Brown, Christopher:: Rubens's Landscapes Making and Meaning. Exhibition: London, National Gallery, 1996. 128pp with 60 colour plates and 60 monochrome illustrations. Paperback. 28x21cms. Study of this little-explored aspects of Rubens's work, focusing on the 'Château de Steen', now in the collections of the National Gallery, London. With bibliography, list of works in the exhibition, index. Study of this little-explored aspects of Rubens's work, focusing on the 'Château de Steen', now in the collections of the National Gallery, London. With bibliography, list of works in the exhibition, index. Text in English
Logan, Anne-Marie and Michiel C. Plomp: Peter Paul Rubens. The Drawings. Exhibition: New York, Metropolitan Museum, 2005. 332pp with 145 colour plates and 151 monochrome illustrations. Hardback. 27x21cms. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Text in English
Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens’s copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English
Hyman, Aaron M.: Rubens in Repeat. The Logic of the Copy in Colonial Latin America. Los Angeles: 2021. 320 pages, 150 colour, 12 black & white illustrations. Hardback. 26 x 18cms. Examining the reception in Latin America of works by Peter Paul Rubens, showing how colonial artists responded through prints, paintings and sculptures that emulate and adapt his style. With a focus on artists active in Cuzco, Mexico City and the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries, such as Juan Rodriguez Juarez, Cristobal de Villalpando, Francisco Serrano, Lazaro Pardo de Lagos, Marcos de Rivera, Diego Quispe Tito, Melchor Perez Holguin and Baltasar de Echave Rioja. Examining the reception in Latin America of works by Peter Paul Rubens, showing how colonial artists responded through prints, paintings and sculptures that emulate and adapt his style. With a focus on artists active in Cuzco, Mexico City and the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries, such as Juan Rodriguez Juarez, Cristobal de Villalpando, Francisco Serrano, Lazaro Pardo de Lagos, Marcos de Rivera, Diego Quispe Tito, Melchor Perez Holguin and Baltasar de Echave Rioja. Text in English
Jaffe, Michael: Rubens e l'Italia. Fratelli Palombi, 1984. 132 pages of text and 346 plates in black & white. Hardback. 29 x 23cms. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian
Büttner, Nils, and Sandra-Kristin Diefenthaler: Peter Paul Rubens: Becoming Famous. Exhibition: Stuttgart, Staatsgalerie, 2021. 344 pages, fully illustrated in colour. Hardback. 31 x 25cms. Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German. Departing from the portrait of Geronima Spinola with her granddaughter, the exhibition explores the way Rubens expanded his network of patrons during his Italian period. With a catalogue of 119 works, including 13 pieces that have been newly examined, discussing the results of the technical analysis in the context of Rubens' practice. Text in German
Perez Sanchez, Alfonso E.: Catalogo de los Dibujos. Madrid: Real Academia de Bellas Artes de San Fernando, 1967. 208 pages of text 24 pages of black and white illustrations. Paperback. 19.5 x 13cms. Text in Spanish. Text in Spanish
1945182p. Illustrated with numerous full page color photographs. Endpapers worn. Folio. Original full cloth binding, spotted. Spine rubbed at head and tail. Hardbound. Second edition. "This volume contains eighty-five reproductions in color of paintings from the collections of the National Gallery Of Art.(as well as) seperate notes on the dates and provenance of each picture." ART BOX 8
in-8°, 177 pages, broche, couverture illustree. Bon etat. [BE-1]
grand in-4° 197 pages, illustre de tres nombreuses photos et reproductions en noir et (surtout) en couleurs, cartonnage de l'editeur, jaquette illustree. Tres bel exemplaire, très frais. [VU-3] Superbe iconographie sur l'histoire, la composition, les antecedents et la restauration de cette importante peinture.
grand in-8°, 245 pp., nombreuses illustrations et figures, broche, couverture illustree. Tres bel exemplaire. [NV-7] Nombreux articles consacrés aux oeuvres de P.-P. RUBENS (Textes en français et néerlandais).