2 175 résultats
réf. #[63600]The death of Seneca. A pupil on the right describes the last words of the Philosopher; two soldiers on the right background. The old man is standing in the center with his left hand raised and the right arm towards the ground. Some blood is dropping out of his forearm. A bearded man on the left is drying Seneca's skin. The philosopher is standing on a basin. Lettered in lower margin with production details and title: "Petr. Paul Rubbens pinxit" and "A. Voet iunior sc Corn. Galle excudit". Text in squared brackets added in brown ink after reworking of plate. The figure of Seneca is after a Roman statue of an old fisherman 'Vieux pêcheur dit Sénèque mourant' in the Musée du Louvre Paris inv.no.MR 314. l Engraving on paper trimmed to plate mark; total: 404 x 275 mm; state II/2; Hollstein 11 Voet. unknown
réf. GRP82272241Phaidon Press Limited. Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Phaidon Press Limited unknown
1906réf. 100153323Firmin-Didot et Cie Imprimeurs-Éditeurs 1906. Texte syriaque/français très bon état de conservation intérieur propre bonne tenue. in8. 1906. Broché. Firmin-Didot et Cie Imprimeurs-Éditeurs unknown
2013réf. SBBIH-LMQQAUQUWGPODamiani 2013. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Damiani paperback
réf. 6189540like new. unknown
réf. 120757-090Original 19th century lithograph after Peter Paul Rubens printed by the Koninklijke Nederlandsche Steendrukkerij and drawn by J.J. Mesker depicting a monk. In good condition. Lithography on paper 240 x 195 mm. Light foxing in the margins further in good condition.NL Steendruk lithografie op papier van het portret van een monnik naar het schilderij van Peter Paul Rubens. Gelithografeerd door J.J. Mesker. Portret van een monnik of bedelmonnik origineel ca 1615-1620. Deze lithografie is ca 1880 gemaakt. De Koninklijke Nederlandsche steendrukkerij te Den Haag was actief rond 1850-1880. unknown
réf. 48313172-nnew. unknown
réf. PR121217Portrait of Justus Lipsius 1547-1606 bust directed to the right within an elaborate frame; on the right the serpent winding round the cornucopia symbolises Prudence while the scroll on the other side symbolises Doctrine and is lettered with the titles of Lipsius's major works; above is Mercury's winged hat. Frontispiece to Lipsius's edition of Seneca's works ""L. Annæi Senecæ Opera"" Antwerp: 1615 1st edition. This impression was included in the third edition from 1632.After a drawing by Rubens at the British Museum inv. 18910511.31. The preparatory drawing depicts the Flemish scholar Justus Lipsius and was for inclusion in the volume of Senecas works that was published in 1615 by the Plantin Press in Antwerp. Rubens depiction of Lipisus was produced by working from a painting by Abraham Janssens which explains for the rather static character. The portrait was drawn first and then Rubens drew in the foliate frame which is rich with emblematic meaning and incorporates a wreath cornucopia a winged hat of Mercury the sun and two lamps. Subsequent touches were added to the face of Lipsius in pen and ink. The design was subsequently engraved by Cornelis Galle I.Entry from J. Rowlands 'Rubens: Drawings and Sketches' exhibition catalogue London British Museum 1977:The sitter Justus Lipsius was a famous Flemish scholar and leading exponent of a modern stoic philosophy. He attempted to embrace and reconcile the ever increasing divisions in thought and religion in his day. In his search for a solution his restless moves from one sect to another of Christianity are not without considerable significance. Through his brother Philip who was a pupil of Lipsius Rubens adopted much of the Stoic outlook which in any case harmonised well with his temperament. He was for moderation in all things nothing to excess.This design is for the engraving in reverse by Cornelis Galle included in Lipsius's edition of Seneca's works published by the Plantin press in 1615 see 18910414.1001. Lipsius's edition of the works of the Roman rhetorician dramatist and philosopher was long to remain the standard one. The influence of Seneca's philosophical thought in the post-classical world reached its peak in Lipsius's own writings. As with all his other portraits of Lipsius Rubens based it on that now lost of the philosopher by Abraham Janssens.Lettered on the plinth with Lipsius's motto: MORIBVS ANTIQVIS. Lettered in Latin below in a cartouche with an allusion to Timanthes in two lines: LIPSIADÆ velum est Timantis imago. videri / Sol quoque sub picea non nisi nube potest. / Henr. d'Oultremannus. Lettered with production detail in lower right corner: Corn. Galle sculp.NL Antieke prent. Portret van de auteur en Belgische geleerde Justus Lipsius in een ovale omlijsting met vruchten slangen en fakkels. Aan weerszijden staan twee olielampjes op een sokkel met het opschrift: Moribus antiquis. Onder de voorstelling een cartouche met een Latijns vers van Oultreman. Justus Lipsius eigenlijk Jodocus Lips was een Zuid-Nederlandse humanist filoloog en historiograaf. Lipsius studeerde aan de katholieke Universiteit Leuven en doceerde in het lutherse Jena en in het calvinistische Leiden. Auteursportret voor: L. Annaeus Seneca ed. J. Lipsius. Opera quae extant omnia. Antwerpen ex officina Plantiniana meerdere edities; voor het eerst uitgegeven in 1615 voor het laatst gebruikt in de editie 1652.Het hoofdgebouw van de faculteit Geesteswetenschappen tot dec. 2008 faculteit Letteren van de Universiteit Leiden is vernoemd naar Lipsius net als de studievereniging van de master Encyclopedie en Filosofie van het Recht te Leiden en het gebouw waarin de Raad van de Europese Unie is ondergebracht. Dit "" Justus Lipsiusgebouw"" ligt in het hart van de Europese wijk rond het Brusselse Schumanplein. Engraving on paper text in letterpress on verso pasted down on another sheet of laid paper cut on plate; total: 295 x 193 mm; some rubbing and discolouration traces of folding on the top right corner in the middle and on the bottom corners; otherwise in good condition. Hollstein 177; Schneevoogt 183.255; Muller 3248; van Someren M.3248; Corpus Rubenianum XXI 30. unknown
réf. PR121221-5Portrait of Philip the Good 1396-1467 bust in an oval wearing crowned helmet and armour and chain with the Order of the Golden Fleece head turned to right decorated frame arms below. He lived in the Middle Ages.From the set: Graven en gravinnen van Holland Zeeland en West-Friesland. Counts and Countesses of Holland Zeeland and West-Frisia; 30/38.Lettered below portrait in six lines: PHILIPPUS IMUS INTREPIDI BURGUNDIÆ DUCIS . FLANDORUM A.o MCCCCLXVII. With two columns of text each four lines either side of arms. Numbered upper centre XXX.Lettered below left in spandrel: Ian van Eyck pinx. NL Antieke prent ets en gravure door Visscher II. Filips de Goede hertog van Bourgondië met een harnas een helm en een kroon. Hij leefde in de Middeleeuwen. Om zijn hals een keten met het ordeteken van de orde van het gulden vlies. Helm langs de randen versierd met graveerwerk en bloemen en bovenop voorzien van rol of platte tulband met kroon in harnas rondom hals keten met Orde van het Gulden Vlies. Gekroond gevierendeeld wapenschild met klimmende leeuwen lelies. In de zwikken bladvormen. Proefdruk van de dertigste prent uit de serie 'Graven en gravinnen van Holland Zeeland en West-Friesland' bestaande uit 38 prenten. Filips de Goede ook genaamd Filips III van Bourgondië was hertog van Bourgondië van 1419 tot aan zijn dood. Als landsheer van het graafschap Vlaanderen het hertogdom Brabant het graafschap Namen en het hertogdom Limburg heeft hij een belangrijke rol gespeeld in de geschiedenis van de Nederlanden. Engraving and etching on laid paper with broad margin; total: 465 x 348 mm; state II/3; except some light staining in outstanding condition. Hollstein 107. unknown
réf. PR121164Antique etching and engraving of the Greek philosopher Socrates. Made by anonymous artist after Peter Paul Rubens 1577-1640 signed in the left bottom corner.With the Dutch text: Dit is 't beeld des wijsten mens aan 't mensdom ooit gegeeven niet om de Tempelspraek maer om zijn teer en leeven . by I.v.Z.NL Portret van de Griekse filosoof Socrates.Socrates - Sokrates - Socratische methode - dialogen van Plato en Xenephon leerlingen - Apologie Plato - after the marmer statue - Sokrates Etching and engraving 290 x 230 mm platemark: 170 x 110 mm. Wide margins with some light foxing little foxing in the print. 1 small hole in the text at the ""e"" in the word ""goddelijk"". unknown
réf. PR121065Representation of one of the ceiling Paintings from the Jesuits' Church in Antwerp designed by Pieter Paul Rubens and destroyed in a fire in 1718. The iconographies were documented among others by Jacob de Wit then turned into print by Jan Punt around the 1750s. The paintings depict scenes from the Old and the New Testaments. The style adopted by Rubens is reminiscent of the Venetian tradition of the Seicento where the scenes are seen from below. Also rather than painting directly on the surface of the ceiling fresco or other the artist realized the paintings on canvas as his lagoon predecessors did with the 'teleri'.The present impression is nr. 5 the present plate is not numbered possibly a first state from the set showing the Triumph of Joseph in Egypt: Joseph in a chariot pulled by four horses the animal at far left held by a groom by its bridle two trumpeting putti in the lower right a classical temple beyond. Within an octagonal frame.Signed and dated at bottom: P.P. Rubens pinxit in Templo Societ. Jezu Antwerpiae / J de Wit delineavit J. Pun sculpsit 1747.Antwerp - Rubens - Jesuit Church - Jesuit Order - Old TestamentNL In koninklijk gewaad zetelt Jozef in een wagen van Farao. Jozef in de zegewagen door Farao aangesteld over heel Egypte. Serietitel: Les plat-fonds ou les tableaux des galeries / De plafonds of gallerystukken. Etching and engraving on paper trimmed on plate mark; total: 338 x 398 mm; state I/2; central fold some folds and staining along the margins some rubbing; in fair condition. Corpus Rubenianum / The ceiling paintings for the Jesuit Church in Antwerp nr. 13. unknown
réf. 66169Bust portrait of Louis XIII inspired to the portrait of the king by Rubens in Pasadena at The Norton Simon Foundation inv. F.1965.1.060.P painted in ca. 1620-1622. Head slightly turned to the left ruff collar and delicately engraved armor. In oval frame inscribed at bottom: ""LVDOVICVS XIII GALLIA ET NAVARRAE REX CHRISTIANISSIMVS"". Not signed but an inscription at verso in pencil provides the attribution: ""Domenico del Falcino"". There are very few works known by this skilled engraver from Siena about eighty pieces. He worked at book illustrations frontispieces and thesis prints not only as a designer but also as a publisher. Wide is the subject range although religious scenes are the most common by his hand. He worked with Luca Ciamberlano and Cesare Bassano among others. Date of publishing ca 1630. Engraving on paper trimmed to/within plate mark; total: 362 x 268 mm; some reparations especially visible from the verso; on verso handwritten notes in pencil and one inscription in pen and brown ink. In some parts the paper is thinner. Repaired tear at bottom right. Some dirt and bowning paper but extremely interesting plate. unknown
réf. 64988Samson slays the lion Judg.14: 5-9; landscape with Samson breaking the jaws of a lion in front of a rock. Signed at bottom: ""Pet. Paul Rubenius pinxit"" and ""Franciscus vanden Wyngaerde fecit et excudit"". Ca. 1635-1675 Etching on paper with some margins; mounted on double cardboard; plate mark: 119 x 117 mm total: 143 x 130 mm; state I/2 Hollstein 1; beautiful impression. unknown
réf. 64419St John the Evangelist in a cauldron of boiling oil and the decollation of St John the Baptist Johannes de Doper; early state; after Peter Paul Rubens. After the painting by Rubens in Real Academia de Bellas Artes de San Fernando Madrid Rooses 462. This is a copy by Rubens after the side panels of his triptych 'The Adoration of the Magi' in the Sint-Janskerk in Mechelen Rooses 239-240. Signed and titled at bottom: 'P.P. Rubens Pinxit in Ecclesia Ste. Ioannes Mechelinia - P. Spruyt schulpsit / Pro Christo - Patiuntur'. Interestingly this latter part with text is specially embossed probably due to a too prolonged period that the plate was left in the acid bath. Etching on paper with some margin; plate mark: 256 x 217 mm total: 273 x 233 mm; state II/2; Schneevoogt 1873 104.95. Dry needle Droge Naald technic. unknown
réf. 60957The Annunciation; the Virgin kneeling in front of a pulpit with a book at left interrupted by the Archangel Gabriel talking to her at right flowers scattered on the floor in foreground angels dropping flowers on the Virgin from clouds above the Holy Spirit in a ray of light above; after Theodor Galle who engraved after Peter Paul Rubens; illustration to a Plantin-Moretus editions of "Missale Romanum" of 1672 and 1719 Engraving on paper with some margin; plate mark: 267 x 173 mm total: 302 x 194 mm; two brown stains on the top right and left corners from former mounting unknown
réf. 60995Outside a stable with the Virgin lifting the Christ Child from his manger and showing him to the three kings who carry gifts at right St Joseph beyond; after Peter Paul Rubens; illustration to the 1618 reprint of 1616 edition of ""Missale Romanum"" Antwerp: 1618. c.1614. Formerly attributed to Cornelis Galle I 1576-1650. Engraving on paper with some margin; plate mark: 309 x 203 mm total: 333 x 219 mm; on the verso text in letterpress black and red ink. Nicely detailed engraving; some soil repaired tear on margin above and small tears on the margin on the left not affecting the plate; mounted on passepartout. Not in Hollstein. unknown
1932réf. 4056New York: Brewer Warren & Putnam Inc 1932. 1st. Cloth. Collectible; Very Good/Very Good. 1932 1st edition IN ITS UNCOMMON PICTORIAL DUSTJACKET. VG in a bright price-intact VG dustjacket with light chipping along the spine ends affecting the lettering. Octavo 447 pgs. Brewer, Warren & Putnam, Inc unknown
réf. 478061Sphere Books. Paperback. Good. Winner of the Booker Prize. Sphere Books paperback
2012réf. DADAX1845402499Imprint Academic 2012-04-01. paperback. New. 5.36x0.41x8.25. Buy with confidence. Excellent Customer Service & Return policy. Imprint Academic paperback
1997réf. 16894London: Little Brown and Co. 1997 At the Hollyhocks old people's home the inhabitants are 'waiting for the scythe'. But while they are waiting . 249pp. Signed by the author to the title page. Little, Brown and Co. hardcover
réf. 8581302084.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1982réf. 500380London: Abacus / Sphere Books Limited 1982. Softcover. Near Fine. First edition thus. Octavo. 187 1 pp. Printed wrappers. Wrappers with modest general wear and a small crease on the cover pages lightly toned very good or better. Signed by Rubens on the title page. Made into a film of the same name in 1988 starring Shirley MacLaine and directed by John Schlesinger. Abacus / (Sphere Books Limited unknown
1990réf. mon0000084315BACHMAN TURNER 1990-01-01. Hardcover. Very Good. in x in x in. SIgned and inscribed by author. First edition. Jacket is present with a little shelfwear and just a touch of soiling. Price on jacket flap is not clipped. Jacket under a removable mylar cover. Text clean and unmarked. BACHMAN TURNER hardcover
