Schwarz, Viktor M. / Theis, PiaAntiquariat.de
2.160 resultados
ref. 280738Wien: Böhlau 2023. 431 S.; mit 22 Farbabb. auf Taf. u. 149 s/w-Abb.. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
ref. 279815Wien: Böhlau 2023. 593 S.; mit 20 Farbabb. auf Taf. u. 380 s/w-Abb. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
1986ref. 85503Hildesheim/Zürich/New York, Olms 1986. 1986. 360 S. mit 46 s/w und 4 farbigen Tafeln, beiliegend ein Corrigenda Zettel. Orig.-Karton.
1905ref. 4660-1Stgt., Deutsche Verlags-Anstalt 1905. 4°. XLII, 520 S. Original-Leinenband mit Goldpräg.
2005ref. 39421München ; Berlin ; London ; New York : Prestel, 2005. 94 S. : zahlr. Ill. ; 28 cm broschiert
1984ref. 53339Mittenwald : Mäander - Stuttgart : Urachhaus, 1984. 399 S. : 89 Ill. ; 24 cm Leinen
1995ref. 53045New York, London : Yale University Press, 1995. 178 S. ; zahlr. Ill. ; Sprache: Englisch Pp.
1977ref. 51873Braunschweig : Waisenhaus-Buchdruckerei und Verlag - Berlin : Wasmuth [in Komm.], 1977. 489, [20] S. : 22 Ill. ; 25 cm Leinen
1981ref. 51874[München] : Fink, 1981. 185, [64] S. : zahlr. Ill. ; 24 cm broschiert
2001ref. 45459Göttingen : Vandenhoeck und Ruprecht, 2001. 238 S. : Ill. ; 23 cm broschiert
1987ref. 50543Leipzig : Seemann, 1987. 1. Aufl. 148 S. : Ill. (z.T. farb.), graph. Darst. ; 20 cm broschiert
2003ref. 45265Köln : Hanstein, 2003. 133 S. : zahlr. Ill. ; 25 cm, 500 gr. Pp.
1948ref. 88851Les Éditions Holbein, Bâle, 1948. 29 cm ; Halbleinen
1966ref. 86594Paris: Galerie Somogy Paris - Gütersloh: Bertelsmann Lesering, 1966. 21,5 cm ; Leinen
1940ref. 88836Les Éditions Holbein, Bâle, 1940. 30,5 cm ; Halbleinen
1975ref. 78515Herrsching (Ammersee): Pawlak Verlag, 1975. 31 cm ; Pp.
1997ref. P29654Bayerische Staatsgemäldesammlungen:München.1997. 66 Seiten.28x21 cm. Original-Karton
1977ref. 81977Antwerpen, Fonds Merctor, 1977. Orig.-Leinenband mit Schutzumschlag im Schuber, Gr.-4°, 404 Seiten.
1984ref. 76233Stuttgart, Verlag Urachhaus Johannes M.Mayer GmbH&Co.KG, 1984. Original-Leinenband mit Schutzumschlag, Gr.-8°, 399 Seiten.
1972ref. 53720Antwerpen, Fonds Merctor, 1972. Orig.-Leinenband mit Schutzumschlag im Schuber, Gr.-4°, 286 Seiten.
1987ref. 42258Milano, Electa Spa., 1987. origi.Broschur, 4°, 437 Seiten.
1996ref. 1116293Weimar : VDG, 1996. 411 S. Mit zahlr. Abb. Originalbroschur.
1987ref. 1061628Atrium, 1987. 310 S.
1944ref. 89874ABBrüssel, Verlag de Lage Landen, 1944. 4°. 386 S., 1 Blatt und 370 Abb. auf Tafeln. Original-Halbleinenband. (=Arbeiten und Forschungen des Deutschen Instituts in Brüssel; 1).
1823ref. 2095531Dessau: Christian Georg Ackermann 1820-1823. VIII, 214, (4), 278 Seiten. 8° (18 x 10,5 cm) Halblederband der Zeit mit goldgeprägtem Titel auf dem Rückenschild, minzgrünem Schnitt und Marmorpapierbezügen. [Hardcover / fest gebunden].
