Rupert Martin, JohnMareMagnum
Sabine COTTEMareMagnum
L'univers de Rubens
1973Paris, Scrépel 1973. In-8 oblong, couverture illustrée à rabats de 91 pages illustrées. Collection Cabinet de Dessin . Très bon état
2 164 résultats
Rupert Martin, John: Rubens Before 1620. Princeton University Press, 1972. 186 pages; black & white illustrations. Hardback. 21 x 26cms. Text in English
1972réf. 109167Rupert Martin, John: Rubens Before 1620. Princeton University Press, 1972. 186 pages; black & white illustrations. Hardback. 21 x 26cms.
1972réf. 109167Rupert Martin, John: Rubens Before 1620. Princeton University Press, 1972. 186 pages; black & white illustrations. Hardback. 21 x 26cms.
réf. 13980865Bruxelles: Sabena, 1977 in-4 (27 x 21 cm), (24)-viii-96-(32) pages, illustrations. Broché, couv. illustrée à rabats. Très bon état. Numéro de la revue SABENA dédié à l'année Rubens.
1973Paris, Scrépel 1973. In-8 oblong, couverture illustrée à rabats de 91 pages illustrées. Collection Cabinet de Dessin . Très bon état
réf. 1506505112.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9788537007938MADRAS EDITORA. new. Este um livro a respeito dos fundamentos doutrinrios da Umbanda uma religio fundada no Brasil em 16 de novembro de 1908 por Zlio Fernandino de Moraes a partir de uma manifestao espiritual do Caboclo das Sete Encruzilhadas durante uma sesso esp�rita. O autor procura explicar fundamentos ritual�sticos e doutrinrios dessa religio centenria com destaque para a cosmognese umbandista e seus Orixs discorrendo sobre suas firmezas irradiaes oferendas e seus assentamentos bem como pretende abordar as Sete Linhas de Umbanda. O autor visa discorrer ainda sobre o Orix Exu e sua forma de atuao e a respeito da formao sacerdotal umbandista. No final o leitor poder encontrar um glossrio que deve facilitar o entendimento dos termos utilizados. MADRAS EDITORA unknown
réf. Q-0071436804McGraw Hill / Medical. hardcover. New. New. In shrink wrap. Looks like an interesting title! McGraw Hill / Medical hardcover
2019réf. x-1642590665Haymarket Books 2019. Paperback. New. 227 pages. 9.00x6.00x0.50 inches. Haymarket Books paperback
Antwerpen, De Sikkel 1942, 205pp. met ills., 1e druk, gebroch., 22cm., enkele roestvlekjes, goede staat, B18877
réf. B18877, Antwerpen, De Sikkel 1942, 205pp. met ills., 1e druk, gebroch., 22cm., enkele roestvlekjes, goede staat, B18877
réf. 24181Antwerpen, Triloga, 2007 Ingenaaid, , originele uitgeversomslag in kleur met flappen opgesierd met kaart Antwerpen uit Rubens" tijd, 14.6x23 cm., 308 pp. en rijk geillustreerde kleurenbijlage 32 pp. met extra duiding over Rubens en zijn tijd. ISBN 9789076806037.
184090pp.+ frontispice, 19cm., br. orig. (peu taché, dos renforcé), qqs. rousseurs, sinon en bon état, rare, Y91199
184090pp.+ frontispice, 19cm., reliure cart. (dos en toile, plats marbrés), qqs. rousseurs, sinon en bon état, rare, Y99486
1840réf. Y91199Anvers, L.J. De Cort 1840 90pp.+ frontispice, 19cm., br. orig. (peu taché, dos renforcé), qqs. rousseurs, sinon en bon état, rare, Y91199
1840réf. Y99486Anvers, L.J. De Cort 1840 90pp.+ frontispice, 19cm., reliure cart. (dos en toile, plats marbrés), qqs. rousseurs, sinon en bon état, rare, Y99486
1966180pp., onuitgegeven thesis tot het bekomen van de graad van licentiaat in de Kunstgeschiedenis en oudheidkunde (Rijksuniversiteit Gent, 1966), in typoscript, 27cm., gebroch., met luttele aantekeningen en verbeteringen in tekst door een recensent van deze thesis, goede staat, zeldzaam en gezocht, S106351
réf. 68531Bruxelles, F. Hayez, Imprimeur, 1878. 23 x 29, 66 pp., , broché, état moyen (couverture abîmée, dos refait).
2004réf. 185042Stgt: Hatje Cantz 2004. 532 S., 413 Abb., davon 297 farbig und mit Frontispiz. 4° Br. *neuwertig*.
2004réf. 89333ABOstfildern, Hatje Cantz 2004. 25,5 x 29,5 cm. 531 S. mit zahlr. (teils ganzseit., überwieg. farb.) Abbildungen, farb. illustr. OKlappenkart. (Rücken verblasst, Papierränder minim. nachgedunkelt). Sonst sehr gutes Exemplar des opulenten Katalogs. EA. farb. illustr. OKlappenkart. (Rücken verblasst, Papierränder minim. nachgedunkelt). Sonst sehr gutes Exemplar des opulenten Katalogs. EA.
1977réf. 20667ABBremen, Kunsthalle Bremen, 1977. 74 S. mit Abbildungen. Illustrierte englische Broschur. Umschlag nur ein wenig angestaubt, ansonsten frisch.
réf. 235986Wien: Böhlau 2023. 425 S., Abb. Kart. *neuwertig* Giotto (1334) is the first European artist about whom it is possible to write following the schema of ?life and work?. The situation of the sources, however, is complicated: On Giotto?s life, there are ? on the one hand ? biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto?s lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure?s double life relating it to the form of existence of the pre-modern artist.
réf. 279815Wien: Böhlau 2023. 593 S.; mit 20 Farbabb. auf Taf. u. 380 s/w-Abb. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
réf. 280738Wien: Böhlau 2023. 431 S.; mit 22 Farbabb. auf Taf. u. 149 s/w-Abb.. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
réf. 14014, New York, Harry N. Abrams, / Paris, Editions Cercle d?? Art, 1993,, toile couleur sable, imprint dore , jacquette illustree, frontispice autoportrait, 250 x 325mm., 168pp., 92 illustrations en n/b, ISBN 9782702203019.
