1942Best.-Nr. S55030Bruxelles, La Renaissance du livre 1942 133pp.+ frontispice (portrait), br.orig., 18cm., dans la collection "Notre passé", bon état, S55030
1948Best.-Nr. 78063Zurich: IM Verlag Der Arche 1948. First Edition; First Printing. Hardcover. Very Good in boards. Faded ink stamp to FEP with price written on FEP.; 8vo - over 7¾" - 9¾" tall. IM Verlag Der Arche hardcover
1977448pp.with numerous bl/w ills., 26cm., editor's green cloth, dustwrapper, in illustrated slipcase, VG, S85243
1977Best.-Nr. S85243München, Südwest Verlag 1977 448pp.with numerous bl/w ills., 26cm., editor's green cloth, dustwrapper, in illustrated slipcase, VG, S85243
Best.-Nr. 15743, Munchen, Sudwest Verlag, 1977, Gebunden, Leinenband mit farbgepragtem Ruckentitel, Schutzumschlag und Cassette, 190 x 255mm., 448S., viele S/W Abbildungen.
1960Best.-Nr. 7742Phaidon Köln, 1960. 229 S., OLn., 4°. Zustand: gut.
Best.-Nr. 329186Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century ca. 1635. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 329187Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century ca. 1635. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 329188Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century ca. 1635. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 329189Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century ca. 1635. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 45604Santa Cruz de Tenerife Colegio Oficial de Arquitectos de Canarias 2002. 4° 143 S. zahlr. tlw. farb. Abb. u. Pläne Kart. Tadellos. EA. Texte span./engl. 010 Santa Cruz de Tenerife, Colegio Oficial de Arquitectos de Canarias, 2002 unknown
2009Best.-Nr. 835232Hatje Cantz Verlag. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 272 pages; 150 illus. -- with a bonus offer-- . 2009. 377572513X . Hatje Cantz Verlag hardcover
2011Best.-Nr. 97173Harvey Miller Publishers. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 206 pp. ; 92 illus. 22 in color. -- with a bonus offer--; The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be of what he did when he was in England and what he painted for King Charles I is the story of this book. Charles and his father the first Stuart monarchs of Great Britain led and promoted a great wave of interest in the arts in particular the visual arts which culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones's Banqueting Hall the ceremonial centre of the Court in Whitehall a monument that is still intact today. Rubens's cycle is an unappreciated masterpiece of Baroque state art and is the focus of the book. How Rubens came to obtain the commission is a tale of international politics and diplomacy in which the artist himself played a significant role; to realize the commission was one of the great challenges of his career. . 2011. 1905375042 . Harvey Miller Publishers hardcover
2004Best.-Nr. 197522Wien: Brandstatter 2004. Paperback. Good Wraps and textblock are lightly edgeworn/scuffed/smudged; interior is clean; binding is solid. Colorfully illustrated wraps with black spine and white and pink lettering; 381 pp.; richly illustrated. Text in German. Brandstatter paperback
194759pp.of text + 120 plates out-of-text, editor's hardcover in black cloth with gilt lettering at spine, text in english, 31cm., in editor's cart. slipcase (with some use at ends), book and text in very good condition, S87259
1947Best.-Nr. S87259Antwerp, Standaard boekhandel 1947 59pp.of text + 120 plates out-of-text, editor's hardcover in black cloth with gilt lettering at spine, text in english, 31cm., in editor's cart. slipcase (with some use at ends), book and text in very good condition, S87259
Best.-Nr. 26868Antwerpen, Centrum voor de Vlaamse Kunst van de 16e en de 17e eeuw/BAI, 2005 Bound, red hardback dust cover, original editor's jacket in colour, 17.8x25.4 cm., 224 pp., illustrations in colour and in b/w, bilingual version English/dutch. ISBN 9076704988.
1977pp.1-38, geïll., in-4, themanummer van tijdschrift "Vlaanderen" nr.156 (pp.1-64, Jg.26)
1977Best.-Nr. S57062Tielt, 1977 pp.1-38, geïll., in-4, themanummer van tijdschrift "Vlaanderen" nr.156 (pp.1-64, Jg.26)
1947Best.-Nr. 17472ABBln. Mann 1947. gr.8°. 134 S. 16 Bildtafeln. OPappband, gut erhalten.
Best.-Nr. 6498, Berlin, Verlag Gebr. Mann, 1947, Original kartoniert, Rucken ausgebessert, 17,5x24,5cm, 135pp, illustriert s/w.
Best.-Nr. 31382, Brepols Publishers, 2011 hardcover, 205 p., 68 b/w ill. 22 colour ill., 210 x 280 mm, English. ISBN 9781905375042.
Hyman, Aaron M.: Rubens in Repeat. The Logic of the Copy in Colonial Latin America. Los Angeles: 2021. 320 pages, 150 colour, 12 black & white illustrations. Hardback. 26 x 18cms. Examining the reception in Latin America of works by Peter Paul Rubens, showing how colonial artists responded through prints, paintings and sculptures that emulate and adapt his style. With a focus on artists active in Cuzco, Mexico City and the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries, such as Juan Rodriguez Juarez, Cristobal de Villalpando, Francisco Serrano, Lazaro Pardo de Lagos, Marcos de Rivera, Diego Quispe Tito, Melchor Perez Holguin and Baltasar de Echave Rioja. Examining the reception in Latin America of works by Peter Paul Rubens, showing how colonial artists responded through prints, paintings and sculptures that emulate and adapt his style. With a focus on artists active in Cuzco, Mexico City and the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries, such as Juan Rodriguez Juarez, Cristobal de Villalpando, Francisco Serrano, Lazaro Pardo de Lagos, Marcos de Rivera, Diego Quispe Tito, Melchor Perez Holguin and Baltasar de Echave Rioja. Text in English
2004Best.-Nr. 197522Wien: Brandstatter 2004. Paperback. Good Wraps and textblock are lightly edgeworn/scuffed/smudged; interior is clean; binding is solid. Colorfully illustrated wraps with black spine and white and pink lettering; 381 pp.; richly illustrated. Text in German. Brandstatter paperback books
Best.-Nr. 40223Schoten, BAI, 2004 Softcover, 72pp., 30x24cm., ills. in z/w., *Als nieuw. ISBN 9789076704814.
