2 151 résultats
1987réf. 48501ROWOHLT ERNST 06/1987. 1. softcover. PANTHER ROWOHLT, ERNST paperback
2019réf. T202277Almeida E Dale Galeria De Arte Sao Paulo 2019. 1st Edition. SOFTCOVER. 4to in embossed stiff card covers 104pp mainly finely printed reproductions of Manzon's monochrome photos of the indigenous Brazilians __CONDITION : NEW unread and unmarked copy. . __To see more of our Photo books type DbbPHOTO in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Almeida E Dale Galeria De Arte, Sao Paulo paperback
1968réf. ABE-160155360893219 CM X 26 CM-ALBERTO GIACOMETTI PEINTRE ET SCULPTEUR, PAR MICHEL RAGON, 8 PAGES-INTRODUCTION A L'ARCHITECTURE GOTHIQUE (1120-1250), 20 PAGES PAR EMILE MALE-RUBENS PEINTRE SACRE PEINTRE PROFANE, 18 PAGES PAR PIERRE CABANNE-L'ETONNANT GENIE DE HAN VAN MEEGEREN, 8 PAGES PAR FRANK ARNAU-UNE COLLECTION PEU BANALE: LES MOUCHOIRS D'INSTRUCTION MILITAIRE, 3 PAGES PAR PIERRE MAZARS-DIEUX ET DEMI DIEUX DE LA BELLE EPOQUE, 12 PAGES PAR JEAN PAUL CRESPELLE
1948réf. 88851Les Éditions Holbein, Bâle, 1948. 29 cm ; Halbleinen
1990234pp.rijkelijk geïllustreerd in zw/w, 27cm., gecart. band, mooie staat, Tentoonstellingscatalogus (Antwerpen Rubenshuis 7.7 - 2.9 1990 & Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 16.9 - 11.11. 1990), S85061
1990réf. 0190541990 Rubenshuis Decorative Cloth
1990réf. 0197301990 Rubenshuis Decorative Cloth
1990réf. S85061Freren, Luca Verlag 1990 234pp.rijkelijk geïllustreerd in zw/w, 27cm., gecart. band, mooie staat, Tentoonstellingscatalogus (Antwerpen Rubenshuis 7.7 - 2.9 1990 & Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 16.9 - 11.11. 1990), S85061
1905réf. 100151102Typographeo Reipublicae 1905 in8. 1905. Relié. 2 volume(s).
1910réf. 111811910. S.ber. Akad. Wiss. Berl. 1910. Berlin 1910 8° pp.1122-1137 5 Fig. orig. Broschur. unknown
2000réf. 148429Salvador BA Brasil: Aries Editora 2000. Paperback. VG Slight dents in dj; otherwise clean. White wraps BW illus. dust jacket 122 pp. many BW illus. Text is in Portuguese and English. Showcases the work of Brazilian photographer Christian Cravo b. 1974. With a preface by Walter Salles and text by Rubens Fernandes Jr. and Gilmar de Carvalho. Uncommon. Aries Editora paperback books
2000réf. 299090Salvador: Aries Editora 2000. First. paperback. near fine. Christian Cravo. Preface by Walter Salles. 47 black-and-white photographs. 121 pages. Slim 4to stiff pictorial wrappers very minor wear at corners and spine ends. Salvador: Aries Editora 2000. First edition. A near fine copy. Inscribed by Christian Cravo dated 2010. Aries Editora unknown books
2000réf. 14105Salvador Brazil: Aries Editora 2000. Paperback. SIGNED. First edition. Fine paperback with a stiff card dust jacket that is Very Good minus with rubbing at the edges and tiny tears at the crown. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. The title translates as "The Unredeemed." The work is a documentary look at religious penitents in the rural areas of Brazil; in the vein of early Josef Koudelka and Gilles Peress. Very good work. Cravo is a young Brazilian documentary photographer and photojournalist. This is his first book. Photographs by Christian Cravo; preface by Walter Salles; essays by Rubens Fernandes Junior and Gilmar de Carvalho. SIGNED BY CRAVO on the half title; no inscription. 121 pages; full-spread and full-page b&w photographic plates through out; 9.5 x 12 inches. Text in English and Portuguese. LAID IN is the illustrated gallery exhibition announcement card and press release for a show of the artist's work in the same year as publication. Aries Editora paperback
2000réf. 299090Salvador: Aries Editora 2000. First. paperback. near fine. Christian Cravo. Preface by Walter Salles. 47 black-and-white photographs. 121 pages. Slim 4to stiff pictorial wrappers very minor wear at corners and spine ends. Salvador: Aries Editora 2000. First edition. A near fine copy. Inscribed by Christian Cravo dated 2010. Aries Editora unknown
1905réf. 100151102Typographeo Reipublicae 1905. Bon Etat couverture défraîchie intérieur propre texte en syriaque traduction en latin présence de quelques notes sur la version latine. in8. 1905. Relié. 2 volumes. Typographeo Reipublicae unknown
1940112pp. + 32 plates out-of-text, 28cm., limited edition of 300 numbered copies on paper "medevia antique wove": this is nr.137/300, original softcover (ink annotations on pastedown of end cover), text in Dutch, few foxing, good condition, rare, S98239
1940réf. S98239Antwerpen, De Sikkel 1940 112pp. + 32 plates out-of-text, 28cm., limited edition of 300 numbered copies on paper "medevia antique wove": this is nr.137/300, original softcover (ink annotations on pastedown of end cover), text in Dutch, few foxing, good condition, rare, S98239
réf. B9783639146066Paperback / softback. New. paperback
réf. 6189540-nnew. unknown
réf. 6189540like new. unknown
réf. 3639146069.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2016réf. 1-3841703895Novas Edições Acadêmicas 2016. Paperback. New. 156 pages. Portuguese language. 8.66x5.91x0.36 inches. Novas Edições Acadêmicas paperback
réf. 6590068119.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1803réf. 9985London: Published by H. Macklin Poets Gallery Fleet Street 1803. Colour-printed mezzotint. In fair condition with the exception of being trimmed within the plate mark. Title has been inset. Nail burns in left margin. Tear in upper margin extending into image. Image size: 18 x 23 1/2 inches. A lovely colour printed impression of Smith's idyllic print of rural life after a painting by George Morland. George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. He was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His pleasant rural scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. His brother-in-law William Ward engraved a great number of them. Here a young girl clings to her mother's apron as her father takes up his rifle to go hunting. Her fearful reaction is contrasted with that of the dogs who are excited and the maid who indifferently prepares the fire in the fireplace. Dawe G. Morland p. 146. Published by H. Macklin, Poets Gallery, Fleet Street unknown books
1803réf. 9985London: Published by H. Macklin Poets Gallery Fleet Street 1803. Colour-printed mezzotint. In fair condition with the exception of being trimmed within the plate mark. Title has been inset. Nail burns in left margin. Tear in upper margin extending into image. Image size: 18 x 23 1/2 inches. A lovely colour printed impression of Smith's idyllic print of rural life after a painting by George Morland. George Morland was one of the most successful genre painters of his time creating during his industrious career some of England's most cherished paintings. At an early age Morland displayed his artistic genius he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. He was a prodigious painter producing more than 4000 paintings during the entirety of his career and sometimes painting two or three works in a day. His pleasant rural scenes were a favorite source of inspiration for contemporary engravers and as many as 250 separate engravings were done of his paintings during his lifetime. His brother-in-law William Ward engraved a great number of them. Here a young girl clings to her mother's apron as her father takes up his rifle to go hunting. Her fearful reaction is contrasted with that of the dogs who are excited and the maid who indifferently prepares the fire in the fireplace. Dawe G. Morland p. 146. Published by H. Macklin, Poets Gallery, Fleet Street unknown