Jan Punt (1711-1779), after Jacob de Wit (1695-1754), after Pieter Paul Rubens (1577-1640)Biblio.com
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rif. PR121065Representation of one of the ceiling Paintings from the Jesuits' Church in Antwerp designed by Pieter Paul Rubens and destroyed in a fire in 1718. The iconographies were documented among others by Jacob de Wit then turned into print by Jan Punt around the 1750s. The paintings depict scenes from the Old and the New Testaments. The style adopted by Rubens is reminiscent of the Venetian tradition of the Seicento where the scenes are seen from below. Also rather than painting directly on the surface of the ceiling fresco or other the artist realized the paintings on canvas as his lagoon predecessors did with the 'teleri'.The present impression is nr. 5 the present plate is not numbered possibly a first state from the set showing the Triumph of Joseph in Egypt: Joseph in a chariot pulled by four horses the animal at far left held by a groom by its bridle two trumpeting putti in the lower right a classical temple beyond. Within an octagonal frame.Signed and dated at bottom: P.P. Rubens pinxit in Templo Societ. Jezu Antwerpiae / J de Wit delineavit J. Pun sculpsit 1747.Antwerp - Rubens - Jesuit Church - Jesuit Order - Old TestamentNL In koninklijk gewaad zetelt Jozef in een wagen van Farao. Jozef in de zegewagen door Farao aangesteld over heel Egypte. Serietitel: Les plat-fonds ou les tableaux des galeries / De plafonds of gallerystukken. Etching and engraving on paper trimmed on plate mark; total: 338 x 398 mm; state I/2; central fold some folds and staining along the margins some rubbing; in fair condition. Corpus Rubenianum / The ceiling paintings for the Jesuit Church in Antwerp nr. 13. unknown
rif. 60995Outside a stable with the Virgin lifting the Christ Child from his manger and showing him to the three kings who carry gifts at right St Joseph beyond; after Peter Paul Rubens; illustration to the 1618 reprint of 1616 edition of ""Missale Romanum"" Antwerp: 1618. c.1614. Formerly attributed to Cornelis Galle I 1576-1650. Engraving on paper with some margin; plate mark: 309 x 203 mm total: 333 x 219 mm; on the verso text in letterpress black and red ink. Nicely detailed engraving; some soil repaired tear on margin above and small tears on the margin on the left not affecting the plate; mounted on passepartout. Not in Hollstein. unknown
rif. PR121217Portrait of Justus Lipsius 1547-1606 bust directed to the right within an elaborate frame; on the right the serpent winding round the cornucopia symbolises Prudence while the scroll on the other side symbolises Doctrine and is lettered with the titles of Lipsius's major works; above is Mercury's winged hat. Frontispiece to Lipsius's edition of Seneca's works ""L. Annæi Senecæ Opera"" Antwerp: 1615 1st edition. This impression was included in the third edition from 1632.After a drawing by Rubens at the British Museum inv. 18910511.31. The preparatory drawing depicts the Flemish scholar Justus Lipsius and was for inclusion in the volume of Senecas works that was published in 1615 by the Plantin Press in Antwerp. Rubens depiction of Lipisus was produced by working from a painting by Abraham Janssens which explains for the rather static character. The portrait was drawn first and then Rubens drew in the foliate frame which is rich with emblematic meaning and incorporates a wreath cornucopia a winged hat of Mercury the sun and two lamps. Subsequent touches were added to the face of Lipsius in pen and ink. The design was subsequently engraved by Cornelis Galle I.Entry from J. Rowlands 'Rubens: Drawings and Sketches' exhibition catalogue London British Museum 1977:The sitter Justus Lipsius was a famous Flemish scholar and leading exponent of a modern stoic philosophy. He attempted to embrace and reconcile the ever increasing divisions in thought and religion in his day. In his search for a solution his restless moves from one sect to another of Christianity are not without considerable significance. Through his brother Philip who was a pupil of Lipsius Rubens adopted much of the Stoic outlook which in any case harmonised well with his temperament. He was for moderation in all things nothing to excess.This design is for the engraving in reverse by Cornelis Galle included in Lipsius's edition of Seneca's works published by the Plantin press in 1615 see 18910414.1001. Lipsius's edition of the works of the Roman rhetorician dramatist and philosopher was long to remain the standard one. The influence of Seneca's philosophical thought in the post-classical world reached its peak in Lipsius's own writings. As with all his other portraits of Lipsius Rubens based it on that now lost of the philosopher by Abraham Janssens.Lettered on the plinth with Lipsius's motto: MORIBVS ANTIQVIS. Lettered in Latin below in a cartouche with an allusion to Timanthes in two lines: LIPSIADÆ velum est Timantis imago. videri / Sol quoque sub picea non nisi nube potest. / Henr. d'Oultremannus. Lettered with production detail in lower right corner: Corn. Galle sculp.NL Antieke prent. Portret van de auteur en Belgische geleerde Justus Lipsius in een ovale omlijsting met vruchten slangen en fakkels. Aan weerszijden staan twee olielampjes op een sokkel met het opschrift: Moribus antiquis. Onder de voorstelling een cartouche met een Latijns vers van Oultreman. Justus Lipsius eigenlijk Jodocus Lips was een Zuid-Nederlandse humanist filoloog en historiograaf. Lipsius studeerde aan de katholieke Universiteit Leuven en doceerde in het lutherse Jena en in het calvinistische Leiden. Auteursportret voor: L. Annaeus Seneca ed. J. Lipsius. Opera quae extant omnia. Antwerpen ex officina Plantiniana meerdere edities; voor het eerst uitgegeven in 1615 voor het laatst gebruikt in de editie 1652.Het hoofdgebouw van de faculteit Geesteswetenschappen tot dec. 2008 faculteit Letteren van de Universiteit Leiden is vernoemd naar Lipsius net als de studievereniging van de master Encyclopedie en Filosofie van het Recht te Leiden en het gebouw waarin de Raad van de Europese Unie is ondergebracht. Dit "" Justus Lipsiusgebouw"" ligt in het hart van de Europese wijk rond het Brusselse Schumanplein. Engraving on paper text in letterpress on verso pasted down on another sheet of laid paper cut on plate; total: 295 x 193 mm; some rubbing and discolouration traces of folding on the top right corner in the middle and on the bottom corners; otherwise in good condition. Hollstein 177; Schneevoogt 183.255; Muller 3248; van Someren M.3248; Corpus Rubenianum XXI 30. unknown
rif. PR121221-5Portrait of Philip the Good 1396-1467 bust in an oval wearing crowned helmet and armour and chain with the Order of the Golden Fleece head turned to right decorated frame arms below. He lived in the Middle Ages.From the set: Graven en gravinnen van Holland Zeeland en West-Friesland. Counts and Countesses of Holland Zeeland and West-Frisia; 30/38.Lettered below portrait in six lines: PHILIPPUS IMUS INTREPIDI BURGUNDIÆ DUCIS . FLANDORUM A.o MCCCCLXVII. With two columns of text each four lines either side of arms. Numbered upper centre XXX.Lettered below left in spandrel: Ian van Eyck pinx. NL Antieke prent ets en gravure door Visscher II. Filips de Goede hertog van Bourgondië met een harnas een helm en een kroon. Hij leefde in de Middeleeuwen. Om zijn hals een keten met het ordeteken van de orde van het gulden vlies. Helm langs de randen versierd met graveerwerk en bloemen en bovenop voorzien van rol of platte tulband met kroon in harnas rondom hals keten met Orde van het Gulden Vlies. Gekroond gevierendeeld wapenschild met klimmende leeuwen lelies. In de zwikken bladvormen. Proefdruk van de dertigste prent uit de serie 'Graven en gravinnen van Holland Zeeland en West-Friesland' bestaande uit 38 prenten. Filips de Goede ook genaamd Filips III van Bourgondië was hertog van Bourgondië van 1419 tot aan zijn dood. Als landsheer van het graafschap Vlaanderen het hertogdom Brabant het graafschap Namen en het hertogdom Limburg heeft hij een belangrijke rol gespeeld in de geschiedenis van de Nederlanden. Engraving and etching on laid paper with broad margin; total: 465 x 348 mm; state II/3; except some light staining in outstanding condition. Hollstein 107. unknown
rif. PR121164Antique etching and engraving of the Greek philosopher Socrates. Made by anonymous artist after Peter Paul Rubens 1577-1640 signed in the left bottom corner.With the Dutch text: Dit is 't beeld des wijsten mens aan 't mensdom ooit gegeeven niet om de Tempelspraek maer om zijn teer en leeven . by I.v.Z.NL Portret van de Griekse filosoof Socrates.Socrates - Sokrates - Socratische methode - dialogen van Plato en Xenephon leerlingen - Apologie Plato - after the marmer statue - Sokrates Etching and engraving 290 x 230 mm platemark: 170 x 110 mm. Wide margins with some light foxing little foxing in the print. 1 small hole in the text at the ""e"" in the word ""goddelijk"". unknown
rif. 3544835Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1613. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 3544837Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1613. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 3544826Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1613. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 3544836Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1613. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 3544838Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1613. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 60957The Annunciation; the Virgin kneeling in front of a pulpit with a book at left interrupted by the Archangel Gabriel talking to her at right flowers scattered on the floor in foreground angels dropping flowers on the Virgin from clouds above the Holy Spirit in a ray of light above; after Theodor Galle who engraved after Peter Paul Rubens; illustration to a Plantin-Moretus editions of "Missale Romanum" of 1672 and 1719 Engraving on paper with some margin; plate mark: 267 x 173 mm total: 302 x 194 mm; two brown stains on the top right and left corners from former mounting unknown
rif. 2333400Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century . Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2333399Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century . Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2333401Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2333398Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century . Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1941240pp. avec illustrations + planches hors-texte, brochure originale, 24cm., bon état, [contient e.a. SCHOUTEDEN-WERY J., Tervuren en Brabant : histoire de la région de la localité et de ses chateaux (pp.5-128 avec 64 ills.), LEBEER Louis, Pierre-Paul Rubens et l'art de la gravure (pp.181-212 avec 36 ills.), …], B50426
1941240pp.avec illustrations + planches hors-texte, belle reliure cart. (plats marbrés, dos en cuir brun à 4 nerfs et titre doré), 25cm., [contient e.a. SCHOUTEDEN-WERY J., Tervuren en Brabant : histoire de la région de la localité et de ses chateaux (pp.5-128 avec 64 ills.), LEBEER Louis, Pierre-Paul Rubens et l'art de la gravure (pp.181-212 avec 36 ills.), etc.], B96245
1941rif. B50426Bruxelles, 1941 240pp. avec illustrations + planches hors-texte, brochure originale, 24cm., bon état, [contient e.a. SCHOUTEDEN-WERY J., Tervuren en Brabant : histoire de la région de la localité et de ses chateaux (pp.5-128 avec 64 ills.), LEBEER Louis, Pierre-Paul Rubens et l'art de la gravure (pp.181-212 avec 36 ills.), ], B50426
1941rif. B96245Bruxelles, 1941 240pp.avec illustrations + planches hors-texte, belle reliure cart. (plats marbrés, dos en cuir brun à 4 nerfs et titre doré), 25cm., [contient e.a. SCHOUTEDEN-WERY J., Tervuren en Brabant : histoire de la région de la localité et de ses chateaux (pp.5-128 avec 64 ills.), LEBEER Louis, Pierre-Paul Rubens et l'art de la gravure (pp.181-212 avec 36 ills.), etc.], B96245
rif. 5268Musée de Nivelles, Tome XIX, 2e partie, 1965. In-8, broché, paginé 209-329 pp. Notes au sujet de la collégiale Sainte-Gertrude de Nivelles dans le cadre des avant-corps rhénans et mosans, par Alphonse Mottart - Notes au sujet de la collégiale Sainte-Gertrude de Nivelles et de son avant-corps, par René Lesuisse - Le jugé ...
1954rif. 50402London: The Jewish Museum 1954. First editions. Hardcover. Very good- to very good condition. 1. Anglo-Jewish Portraits. Three-quarter vellum over green cloth with gilt double-ruling on covers gilt lettering and ruling on spine. Top edge gilt. Frontispiece engraving. Alfred Rubens was an avid collector. In the 1920s he started to collect prints and drawings of Jewish interest and eventually built a collection of world importance. When the Jewish Museum was founded in 1932 in London by Ruben's friend Wilfred S. Samuel he invited Alfred Rubens to join the museum's committee as its expert on prints and drawings. "Anglo-Jewish Portraits" is Rubens' very first book published in 1935 at his own expense. Illustrated with forty-eight full-page plates this work is a biographical catalogue of engraved Anglo-Jewish and Colonial portraits from the earliest times to the accession of Queen Victoria. Protective mylar with wear. Small dealer sticker on inside front cover. Some offsetting from protective mylar to endpapers. Contains bibliography appendices and list of painters and engravers. WITH 2. A Jewish Iconography. Three-quarter vellum over red cloth with gilt double-ruling on covers gilt lettering and ruling on spine. Top edge gilt. Frontispiece collotype. Title page with headpiece and lettering printed in red and black. This book is complementary to Anglo-Jewish Portraits. Based on the author's collection with help from the card index at the Jewish Theological Seminary New York and selected books. Essentially a catalogue of engravings a few original paintings drawings and silhouettes are included. Though a few modern items are included the "terminating date" is roughly 1830. Profusely illustrated with seventy-five b/w illustrations reproduced in collotype. Appendices and list of painters engravers and publishers. Limited edition of 500 copies. Very light wear of binding and lightly rubbed. Small dealer sticker on inside front cover. Unopened at foredge. The Jewish Museum hardcover books
1954rif. 50402London: The Jewish Museum 1954. First editions. Hardcover. Very good- to very good condition. 1. Anglo-Jewish Portraits. Three-quarter vellum over green cloth with gilt double-ruling on covers gilt lettering and ruling on spine. Top edge gilt. Frontispiece engraving. Alfred Rubens was an avid collector. In the 1920s he started to collect prints and drawings of Jewish interest and eventually built a collection of world importance. When the Jewish Museum was founded in 1932 in London by Ruben's friend Wilfred S. Samuel he invited Alfred Rubens to join the museum's committee as its expert on prints and drawings. "Anglo-Jewish Portraits" is Rubens' very first book published in 1935 at his own expense. Illustrated with forty-eight full-page plates this work is a biographical catalogue of engraved Anglo-Jewish and Colonial portraits from the earliest times to the accession of Queen Victoria. Protective mylar with wear. Small dealer sticker on inside front cover. Some offsetting from protective mylar to endpapers. Contains bibliography appendices and list of painters and engravers. WITH 2. A Jewish Iconography. Three-quarter vellum over red cloth with gilt double-ruling on covers gilt lettering and ruling on spine. Top edge gilt. Frontispiece collotype. Title page with headpiece and lettering printed in red and black. This book is complementary to Anglo-Jewish Portraits. Based on the author's collection with help from the card index at the Jewish Theological Seminary New York and selected books. Essentially a catalogue of engravings a few original paintings drawings and silhouettes are included. Though a few modern items are included the "terminating date" is roughly 1830. Profusely illustrated with seventy-five b/w illustrations reproduced in collotype. Appendices and list of painters engravers and publishers. Limited edition of 500 copies. Very light wear of binding and lightly rubbed. Small dealer sticker on inside front cover. Unopened at foredge. The Jewish Museum hardcover
1935rif. 000152London: The Jewish Museum 1935. First Edition . Hardcover. Near Fine. 4to. A Biographical Catalogue of Engraved Anglo-Jewish and Colonial Portraits from the Earliest Times to the Accession of Queen Victoria. With a foreword by H. M. Hake. 17191 pp. Richly illustrated. Fine. ENGLAND JUDAICA The Jewish Museum hardcover
1935rif. 030444Jewish Museum: 1935. "A biographical catalogue of engraved Anglo-Jewish and colonial portraits from the earliest times to the accession of Queen Victoria." 191 pages nicely illustrated and with a Foreward by NM. Hake. VERY GOOD HARDCOVER vellum spine and corners with green linen. Ex-library withdrawn minimum library markings. A nice clean tight copy. Hard Cover. Very Good/Not Issued with a Dust Jacket. 4to - over 9¾" - 12" tall. Ex-Library Withdrawn. Jewish Museum: Hardcover
1935rif. 5909London: The Jewish Museum 1935 xxiii 191 pp.; cover slightly tanned and a bit worn; else in a very good condition nice and clean copy. . Feel free to ask for more photos. The Jewish Museum hardcover
