640 résultats
1916pp. 16 + Plus Thirty-seven high quality photo engravings. Wide margins. Uncut. Folio. Original full gold stamped green cloth binding, very slightly worn. Widener family copy of an important catalogue of French and Dutch Masters. 38 works catalogued; most illustrated in lovely black and white plates. Among the artists represented: Akkeringa, Jules Dupre. Bosboom, Corot, Daubigny, Jozef Israels, Jean Francois Millet, Albert Neuhuys and Troyon. Scarce. **PRICE JUST REDUCED! ART 3
1960réf. 136351960 P., Corot, Dillard & Cie imp., s.d. (Ca. 1960), 42 planches en couleurs, conservées dans une pochette à rabats crème format oblong (185 x 235 mm), « C » gaufré et nom imprimé sur le plat supérieur.Bel état de l'ensemble.
réf. 846710,5 x 13,5 "Mon cher Mr Tanchons [?] obligé d'être auprès d'un ami malade à St Mandé, je ne pourrai me rendre demain comme nous étions convenus. Tout à vous." [signature] "C.Corot". "Recevez mes regrets, ce vendredi soir." Très bon état. PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
réf. 846710,5 x 13,5 "Mon cher Mr Tanchons [?] obligé d'être auprès d'un ami malade à St Mandé, je ne pourrai me rendre demain comme nous étions convenus. Tout à vous." [signature] "C.Corot". "Recevez mes regrets, ce vendredi soir." Très bon état. PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST
réf. 14998Paris, Éditions du "Studio", 1913. 6 parties reliées en un volume in-folio oblong, 29 pp et 30 pl., demi-basane caramel, dos à nerfs orné, pièce de titre corail (mors et coiffes frottée, petites épidermures, rousseurs sur le texte et les passe-partout).
1924réf. boz_002743Étienne Moreau-Nélaton Titre : Corot raconté par lui-même Auteur : Étienne Moreau-Nélaton Édition : 1ère édition, Henri LAURENS Tirage : Un des 600 exemplaires de l'édition limitée, imprimé en 1924, par Henri LAURENS, éditeur à Paris. Reliure : Couverture souple État : Livres non coupés. Dimensions : 28,6 x 23 cm (Tome premier), 28,7 x 23 cm (Tome deuxième) Nombre de pages : 332 - Tome premier : contient 172 gravures, 143 pages de texte. Tome deuxième : contient 112 gravures, 189 pages de texte.
réf. 16-4610Paris: 1912. Als manuscript. 26 x 21cm. 7pp; together with the printed article.Etienne Corot "Chevalerie caucasienne" 7 ff. paru dans Paris Journal 1912Expertise by Cabinet Pierre Poulain5 rue de Saintonge 75003 PARIS Paris: 1912 unknown
1930réf. 270771930 Berlin: Bruno Cassirer Und Klinkhardt & Biermann, 1930. Berlin: Bruno Cassirer Und Klinkhardt & Biermann. As New. 118 pages of text in German followed by 153 photolithographic plates. - reliure gd.IN4, plein maroquin tabac ,dos bruni titré,tete dorée; exemplaire n°F signé par l'auteur; edition originale.First edition.
1875réf. 65101875 Notice biographique par M. Ph. BurtyParis, Jules-Juteau et fils, 1875. In-8, 11 x 17 cm, broché, couverture imprimée, 72 pages.Avec en frontispice :1 portrait photographique de Corot reproduit en photoglyptie signée de Lemercier et Cie, Paris .
réf. 294Henri Laurens éditeur, Paris,1924. In-4, deux volumes brochés sous couverture rempliée illustrée en noir et blanc, 143 et 189 pp. Tome premier : Histoire de Corot et de ses oeuvres : avant-propos. I. Premières années (1796-1825) - II. Premier voyage en Italie (1825-1828) - III. Etude et intimité. La Normandie et Fontainebleau. Premier tour de France (1828-1834) - IV. Deuxième ...
réf. 117693aafParis, Ludovic BASCHET, Éditeur, s.d., (vers 1880), in-4to, 10 ff. à double col. ill. de croquis + 1 photogr. originale (photoglyptie) collée à même le texte sur la première feuille ‘Phot Goupil’ - ‘Cliché Mulnier’ (12x8.5 cm) + 3 planches non rel. de photogr. orig. ‘Cliché Phot. Goupil et Cie’ montées sur support carton avec texte (Oeuvres de Corot), reliure en toile originale. Titre or sur le plat devant, couverture grise illustrée du fasc. originale cons.
1930réf. 013083Paris Bernheim-Jeune 1930 In-4 Broché, couverture rempliée
1910réf. EXE-463Paris, chez l'auteur, 1910; petit in-folio, reliure demi toile. Cinquième tome de " Le peintre-graveur illustré XIXe siècle et XXe siècle".
réf. 293Hotel DROUOT 25 mai 1878 catalogue illustré de vente:tableaux modernes et anciens composant la collection LAURENT RICHARD- [expert] Paul Durand-Ruel. IN8 br.xxxv, 115 p, 52 eaux fortes originales, gravées hors texte,d'aprés les tableaux,par LAGUILLERMIE etc,introduction de Charles Blanc etc..dos cassé,à relier- Remise de 20% pour toutes commandes égales ou supérieures à 100 €
1862réf. 212681862 Eau-forte et pointe-sèche sur papier Chine appliqué du deuxième état sur trois à grandes marges, 1862, 7.1 x 12 cm. (format à vue), 21.5 x 28 cm. (format de la feuille), signée dans la planche en haut à droite.
réf. 51-4004Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. circa 1883. Original etching on laid paper with a crown watermark. Signed in the plate. 18 x 26 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., circa 1883 unknown
1875réf. 015992Paris Drouot. Boussaton & Baubigny 1875 in-8° Broché
1948réf. 115873Dieterle, Jean and Andrà Schoeller: Corot : Premier Supplement a 'L'Oeuvre De Corot' Par A. Robaut et Moreau-Nelaton Editions Floury. Paris: Arts et MÃtiers Graphiques, 1948. No. 181 of 550 copies of this edition. 100 plates with illustrations in black and white, and short descriptions. Loose with original wrappers, needs re-binding. 38.5 x 28.5cms. Text in French.
1948réf. 115873Dieterle, Jean and Andrà Schoeller: Corot : Premier Supplement a 'L'Oeuvre De Corot' Par A. Robaut et Moreau-Nelaton Editions Floury. Paris: Arts et MÃtiers Graphiques, 1948. No. 181 of 550 copies of this edition. 100 plates with illustrations in black and white, and short descriptions. Loose with original wrappers, needs re-binding. 38.5 x 28.5cms. Text in French.
1948réf. 215332Paris France: Arts et Metiers Graphiques 1948. Hardcover. Good- shelfwear and wear around edges of boards pages uniformly yellowed with some minor fraying to edges content excellent. Red boards with gilt text on spine. 113 pages 100 bw illustrations. Text in French. Corot: First supplement to The Works of Corot by A. Robaut and Moreau-Nélaton Floury Publishers. Arts et Metiers Graphiques hardcover
1948réf. 215332Paris France: Arts et Metiers Graphiques 1948. Hardcover. Good- shelfwear and wear around edges of boards pages uniformly yellowed with some minor fraying to edges content excellent. Red boards with gilt text on spine. 113 pages 100 bw illustrations. Text in French. Corot: First supplement to The Works of Corot by A. Robaut and Moreau-Nélaton Floury Publishers. Arts et Metiers Graphiques hardcover books
Dieterle, Jean and André Schoeller: Corot : Premier Supplement a 'L'Oeuvre De Corot' Par A. Robaut et Moreau-Nelaton Editions Floury. Paris: Arts et Métiers Graphiques, 1948. No. 181 of 550 copies of this edition. 100 plates with illustrations in black and white, and short descriptions. Loose with original wrappers, needs re-binding. 38.5 x 28.5cms. Text in French. Text in French
1863réf. 36846Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on laid paper partial watermark Annonay. This is a rich impression of the third state of four of Corot's famous landscape etching "Souvenir d'Italia." Jean Baptiste Camille Corot was a founding figure in the Barbizon school and his transient atmospheric landscapes are often considered precursors of impressionism. Born in Paris Corot studied under the neoclassical masters Michallon and Bertin but he advocated a more naturalistic painting technique and pioneered the practice of painting in the open air. Corot was also an innovative printmaker who mastered etching lithography and glass printing. In 1825 he made the first of three trips to Italy where he was greatly influenced by both the art that he viewed and the landscape he traveled through. It was not until the age of fifty that Corot learned to etch and it was from his early Italian sketches that the majority of his fine etchings derive. This remarkable print is a superlative example of Corot's distinctive sketch-like engraving style. Corot's use of soft wispy outline and hazy diffused light is characteristic of his later style which seems to perfectly capture the mood of a landscape. Corot was one of the most important French printmakers of the nineteenth century and this haunting print is one of the best examples of his beautiful etched landscapes. It was included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best. Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 50 no. 5 iii/iv; Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs.7; Delteil Le Peintre-Gravure Illustre vol. V no. 5 iii/iv; Laran Inventaire du Fonds Francais après 1800 vol. 5 p. 186 no. 5. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown
1863réf. 36846Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on laid paper partial watermark Annonay. This is a rich impression of the third state of four of Corot's famous landscape etching "Souvenir d'Italia." Jean Baptiste Camille Corot was a founding figure in the Barbizon school and his transient atmospheric landscapes are often considered precursors of impressionism. Born in Paris Corot studied under the neoclassical masters Michallon and Bertin but he advocated a more naturalistic painting technique and pioneered the practice of painting in the open air. Corot was also an innovative printmaker who mastered etching lithography and glass printing. In 1825 he made the first of three trips to Italy where he was greatly influenced by both the art that he viewed and the landscape he traveled through. It was not until the age of fifty that Corot learned to etch and it was from his early Italian sketches that the majority of his fine etchings derive. This remarkable print is a superlative example of Corot's distinctive sketch-like engraving style. Corot's use of soft wispy outline and hazy diffused light is characteristic of his later style which seems to perfectly capture the mood of a landscape. Corot was one of the most important French printmakers of the nineteenth century and this haunting print is one of the best examples of his beautiful etched landscapes. It was included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best. Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 50 no. 5 iii/iv; Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs.7; Delteil Le Peintre-Gravure Illustre vol. V no. 5 iii/iv; Laran Inventaire du Fonds Francais après 1800 vol. 5 p. 186 no. 5. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown books
1873réf. 275461873 Paris : Siège de la Société Iconographique, [s.d.]- In-fol. couvertures factices - 25 GRAVURES,lithographies à la plume, impressions sur chine collé, complet ; très rare, un seul exemplaire dans les bibliothèques publiques (BNF)- 469652462
