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2009réf. 89112N. G. A. ; University of Washington Press Distribution. New. 2009. Paperback. 0642541930 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 288 pp. With 170 col. Ills. 29 x 24 cm. -- with a bonus offer-- . N. G. A. ; University of Washington Press (Distribution) paperback
1935réf. 001552Paris: Ambroise Vollard 1935. Book. Near Fine. Soft cover. 1st Edition. Original cardboard in grey wrappers. Loose sheets. This is no. 82 of a limited edition of 325 copies printed on Rives paper. X 84 pages. The text in French by Pierre Louys is based on the "Dialogues of the courtesans" by the Greek writer Lucianus. With 12 in-texte woodcuts in brown. 22 copper print etchings outside the text on loose sheets by Maurice Potin after Edgar Degas 4 of which in color. Typography by Aimee Jourde. 34x265 cm. Fine publication. Comes in protective mylar wrapper. Google 'Ceebe100' to watch a video of this book. Ambroise Vollard paperback
1935réf. 1529Paris. Ambroise Vollard 1935. 1 volume in-4 (340 x 270 mm) en feuilles, couverture imprimée rempliée. Célèbre édition illustrée de 34 compositions dont 22 GRAVURES SUR CUIVRE EN HORS-TEXTE DONT 4 EN COULEURS SUR JAPON et 12 bois dont certains en hors-texte gravés par Aubert. Table des illustrations en fin d'ouvrage. Les gravures furent réalisées par Maurice Potin d'après les monotypes d' Edgar Degas (1834-1917) achetés par Ambroise Vollard à René Degas avant la vente de l'atelier du peintre. Vollard entreprit l'édition de deux ouvrages : Mimes des Courtisanes de Pierre Louÿs et La Maison Tellier de Guy de Maupassant. Il s'adressa au peintre-graveur Maurice Potin pour reproduire sur cuivre ces scènettes de maisons closes que Degas appelait lui-même ses "petits plats du jour". M. Potin réussit à merveille à pénètrer la sensibilité du dessin et la subtilité des tons de Degas. L'entreprise prit 6 ans aux deux hommes pour faire paraître les deux ouvrages. Tirage unique à 350 exemplaires numérotés sur vélin de Rives. English: 1 book, 4to (340 x270 mm), on loose sheets under the original printed grey wrappers. 34 compositions after Degas (1834-1917) comprising 22 copper etchings outside the text by Maurice Potin after Edgar Degas (4 in color printed on japan paper) and 12 woodcuts by Aubert. Here is 1 of the 325 numbered copies printed on vélin de Rives paper.
1934réf. 1800Ambroise Vollard, Paris 1934. 1 volume in-4 (340 x 270 mm) en feuilles, couverture illustrée rempliée. table des illustrations in fine sous chemise. - Célèbre édition illustrée de 46 compositions dont 19 GRAVURES SUR CUIVRE EN HORS-TEXTE DONT 2 EN COULEURS SUR JAPON et 17 bois dont certains en hors-texte gravés par Aubert. Les gravures furent réalisées par Maurice Potin d'après les monotypes d' Edgar Degas (1834-1917) achetés par Ambroise Vollard à René Degas avant la vente de l'atelier du peintre. Vollard entreprit l'édition de deux ouvrages : La Maison Tellier de Guy de Maupassant et Mimes des Courtisanes de Pierre Louÿs. Il s'adressa au peintre-graveur Maurice Potin pour reproduire sur cuivre ces scènettes de maisons closes que Degas appelait lui-même ses "petits plats du jour". M. Potin réussit à merveille à pénètrer la sensibilité du dessin et la subtilité des tons de Degas. L'entreprise prit 6 ans aux deux hommes pour faire paraitre les deux ouvrages. Tirage unique à 350 exemplaires numérotés sur vélin de Rives. English: 1 book, 4to, in loose leaves under the original illustrated wrappers. 46 compositions after Degas (1834-1917) comprising 19 copper etchings (2 in color printed on japan paper) and 17 woodcuts by Aubert. 1 of the 325 numbered copies printed on vellum paper.
1976réf. C86367Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B003RA7TPE. 91 pages with 73 plates in black and white. Exhibition Catalogue Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1976. Gallery paperback
1976réf. C86368Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000SDEW80. 91 pages with 73 plates in black and white. Exhibition Catalogue Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1976. Gallery paperback
1976réf. C86369Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B001J9SPAS. 91 pages with 73 plates in black and white. Exhibition Catalogue Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1976. Gallery paperback
réf. 3615Paris 6 december. Very good conditon. 3 p In this letter Degas discusses a meeting with a friend. unknown
1957réf. 86370MANESSE VERLAG CONZETT HUBER. As New. 1957. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 169 pages with 114 plates. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee MANESSE VERLAG CONZETT HUBER hardcover
réf. 21666DEGAS EDGAR. 1834-1917. French artist and one of the founders of Impressionism. ALS. "Degas". 1p. 12mo. Paris July 26 1897. To Monsieur Baudin possibly French porcelain maker labor activist and member of the Chamber of Deputies EUGÈNE BAUDIN 1853-1918. In French with translation. "If you are still at Mont Dore the 3rd or the 4th we are going to see one another. I am going there for a cure. I am writing to you in Paris hoping it will be forwarded to you and at the same time I am writing to Mont Dore assuming that the mailman will find you…" Degas began to study painting early – first at the Ecole des Beaux-Arts and then in Italy. He exhibited his realistic works at the Salon but by the 1870s he had become disillusioned with that staid institution. At that time he took a leading role among his colleagues Renoir Monet Sisley and Pissarro to launch their own exhibit in 1874. Famously Monet's Impression: Sunrise was on viewearning its members the appellation "Impressionists" a term which Degas firmly rejected. Unlike many of his Impressionist colleagues Degas is not known for landscapes but rather for subjects such as racehorses bathers and dancers through which he depicted the experience of isolation. Degas' attempted enlistment in the Garde Nationale in 1870 was hampered by poor vision a condition that plagued him physically and emotionally and left him totally blind at his death 47 years later. Additionally by the 1890s Degas suffered from "chronic bronchitis incontinence kidney problems 'anemia caused by chronic nephritis' wonky digestion lumbago and bladder trouble" prompting him to undergo unusual treatments as "cupping rye fungus bismuth… 'a footbath aconite and Dr Franck's health grains'…'bismuth laudanum and L'Elixir Asiatique'" as well as a turpentine treatment for the bladder "Letters of Edgar Degas" London Review of Books Barnes. In addition to those remedies Degas took water cures at the spas of Cauterets Pontarlier and Mont-Dore a thermal spring located in the Dordogne Valley. Degas' published letters show that he visited Mont-Dore in August 1895 and August 1897. Written on a carte-lettre with one horizontal fold. Mounting traces on the verso. Evenly toned and in very good condition.
1976réf. 86368Gallery. As New. 1976. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000SDEW80. 91 pages with 73 plates in black and white. Exhibition Catalogue Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Gallery paperback
1976réf. 86369Gallery. As New. 1976. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B001J9SPAS. 91 pages with 73 plates in black and white. Exhibition Catalogue Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Gallery paperback
1976réf. 86367Gallery. As New. 1976. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B003RA7TPE. 91 pages with 73 plates in black and white. Exhibition Catalogue Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Gallery paperback
1999réf. CNJL1259San Francisco: Pacific Editions printed at The Greenwood Press 1999. Limited Edition. Hardcover. Fine. Hobson Charles. Number 35 of 45 copies quarto size 19 pp. signed to each plate and to the colophon by Charles Hobson. Edgar Degas 1834-1917 has long been considered one of the greatest of the French impressionists especially concerning the female body in movement which is given a masterful homage in this intriguing volume. Degas did many monotypes "and in many cases he applied pastel over the ghost version to create a finished piece." Charles Hobson's own masterful pastel and photogravures of the female nude having a self-proclaimed "lifelong influence" by Degas are given a loving home beside Degas' words. The text was selected from letters and other material his words are not only printed typographically on pages facing the plates but overlaid in Degas' actual handwriting to the copper images created by Hobson. ___DESCRIPTION: Original quarter rust-red cloth with Degas' handwriting in facsimile to the cloth in black hand painted paper covered boards illustrated with a reproduction of a Degas drawing all edges uncut concertina binding eight photogravures; BFK Rives paper Meridien type quarto size 11.5" by 7.75" unpaginated 19 pp. limited edition of 45 copies this number 35 signed to each plate and to the colophon by Charles Hobson. Housed in a matching cloth slipcase decorated with facsimiles of Degas' writing a nib pen imprinted with the title is attached to the backstrip. ___CONDITION: Fine copy like new in fine slipcase. ___CITATION: "Experiments in Navigation" pp. 30-33. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Pacific Editions, printed at The Greenwood Press hardcover books
2003réf. C86366International Arts; Et Al. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0971640807. 288 pages with many illustrations in color and in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Bronzes -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 2003. 0971640807 . International Arts; Et Al hardcover
réf. CNJL1259San Francisco: Pacific Editions printed at The Greenwood Press 1999. Limited Edition. Hardcover. Fine. Hobson Charles. Number 35 of 45 copies quarto size 19 pp. signed to each plate and to the colophon by Charles Hobson. Edgar Degas 1834-1917 has long been considered one of the greatest of the French impressionists especially concerning the female body in movement which is given a masterful homage in this intriguing volume. Degas did many monotypes "and in many cases he applied pastel over the ghost version to create a finished piece." Charles Hobson's own masterful pastel and photogravures of the female nude having a self-proclaimed "lifelong influence" by Degas are given a loving home beside Degas' words. The text was selected from letters and other material his words are not only printed typographically on pages facing the plates but overlaid in Degas' actual handwriting to the copper images created by Hobson. ___DESCRIPTION: Original quarter rust-red cloth with Degas' handwriting in facsimile to the cloth in black hand painted paper covered boards illustrated with a reproduction of a Degas drawing all edges uncut concertina binding eight photogravures; BFK Rives paper Meridien type quarto size 11 1/2" by 7 3/4" unpaginated 19 pp. limited edition of 45 copies this number 35 signed to each plate and to the colophon by Charles Hobson. Housed in a matching cloth slipcase decorated with facsimiles of Degas' writing a nib pen imprinted with the title is attached to the backstrip. ___CONDITION: Fine copy like new in fine slipcase. ___CITATION: "Experiments in Navigation" pp. 30-33. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Pacific Editions, printed at The Greenwood Press hardcover
1938réf. 196Paris, Auguste Blaizot & fils, 1938. In-4 (26x33) plein veau glacé bleu marine, dos à nerfs, étiquette de titre en maroquin beige, double filet doré, large filet de maroquin beige encadrant le plat supérieur, couvertures et dos conservés.
1989réf. C86371AW Fine Arts. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Reprinted from the Galerie Georges Petit catalogues produced nearly a century ago for the Degas atelier sales. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . 1989. 1556600259 . AW Fine Arts hardcover
réf. 105957Galerie Georges Petit Atelier Degas / Hotel Drouot Succession De Gas. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - THREE 3 HARDBOUND VOLUMES. The first volume consists of the catalogues for the first two vente sales of Degas' atelier both published in 1918. The second volume contains the catalogues for the 3rd and 4th sales both published in 1919. The third volume is the sale of the estate of M. Rene de Gras on November 101927 which included a number of works by Degas as well as works by Bartholome Braquaval Bracquemond Delacroix and others. -- with a bonus offer-- . N.D. Galerie Georges Petit (Atelier Degas) / Hotel Drouot (Succession De Gas hardcover
2003réf. 86366International Arts; Et Al. New. 2003. Hardcover. 0971640807 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 0971640807. 288 pages with many illustrations in color and in black and white. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Bronzes -- with a bonus offer . International Arts; Et Al hardcover
réf. 312891Auguste Blaizot & Fils Paris 1939 In-4 ( 322 X 245 mm ) de frontispice-( 1 f. )-161 pp.-( 1 f. )-6 planches, maroquin rouge, listel horizontal de maroquin bleu foncé bordé d un filet doré en haut et en bas de chacun des plats, titre en lettres blanches dans un cadre de rubans de maroquin bleu foncé et dorés au centre du premier plat, large cadre de maroquin rouge à l intérieur, orné de longs filets dorés et bordé d'un listel de maroquin blanc, doublures et gardes de soie moirée bleu foncé, doubles gardes, tête dorée, couverture et dos conservés, étui ( Reliure signée de MAROT-RODDE ). Edition tirée à 350 exemplaires numérotés sur papier vélin de Rives, illustrée par Edgar DEGAS de 34 beaux monotypes gravés à l'eau-forte par le peintre et graveur Maurice POTIN ( Portrait de l'auteur, 2 vignettes in-texte, 25 hors-texte en noir et 6 hors-texte en couleurs ). Un des 325 exemplaires numérotés en chiffres arabes ( N°232 ). Superbe exemplaire, non rogné, magistralement relié par MAROT-RODDE pour le collectionneur William Vincens BOUQUEREAU, petit-fils du peintre William BOUQUEREAU. Exemplaire parfaitement conservé, de la bibliothèque William Vincens BOUQUEREAU, avec ex-libris doré dans le cadre de la première doublure.
1989réf. 86371AW Fine Arts. New. 1989. Hardcover. 1556600259 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- TWO 2 VOLUME SET. Reprinted from the Galerie Georges Petit catalogues produced nearly a century ago for the Degas atelier sales. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee AW Fine Arts hardcover
1870réf. 84728Paris s. d. [années 1870] | 10.80 x 17.10 cm | trois pages sur un feuillet double
1934réf. 007150Paris: Ambroise Vollard 1934. Limited Edition; First Edition Thus. Decorated Full Morocco. Slipcase with paper pastedown. Fine. No. 271 of 325 limitation one of 305 on vélin de Rives. With a striking Art Deco full morocco binding by Leprêtre. Binding features a geometric design blindstamped and gilded onto pebbled black morocco. The design employs bands of five ruled gilded lines the lines within a band of descending width. A centerpiece which is purely blindstamped suggests a lamppost lantern with the number 10 framed. Folio 33 by 25.5 cm. 65 pp. With 19 engraved plates both b/w and tinted after Degas and executed by Maurice Potin. Most unusual are a table of plates in the back in which the non-text plates are rendered as line drawings on four plates. These are in addition to 17 engraved drawings interspersed within the text engraved by Georges Aubert and printed by Henri Jourde . With satin and marbled endpapers. Slipcase with same marbled papers as pastedown. Light wear to the slipcase. Foxing to three prelim blanks. Otherwise clean and fresh. Ambroise Vollard unknown
1870réf. 84728Paris 1870. Fine. An opera painting travels to London; Degas greets his close friend James Tissot Paris s. d. années 1870 10.80 x 17.10 cm trois pages sur un feuillet double Autograph letter dated and signed by Edgar Degas addressed to the dealer Charles Deschamps director of Durand-Ruels London branch. Three pages in ink on a bifolium. Minor marginal tears not affecting the text folds from mailing. Recently returned from New Orleans Degas writes to his London dealer to announce the imminent arrival of a delicate composition of dancers Le Foyer de la danse à lOpéra de la rue Le Peletier now held at the Musée dOrsay: ""In the meantime you will receive the little picture you saw in progress and which you had the idea of selling to Mr. Huth - May you succeed! . As for the price it seems to me that £150 to £200 is fair"" Deschamps fulfilled the painters wishes and sold the painting to Louis Huth financier and patron of Whistler for £140. The canvas would later enter the distinguished collection of Isaac de Camondo. Degas turned towards London at a time when the English art market offered relief from the collapse that followed the Franco-Prussian War of 1870. He placed great hopes in this expanding British market fuelled by lucrative blockbuster exhibitions drawing millions of visitors; Degass canvases were shown in eight exhibitions of the Société des Artistes Français. Although he often mentions financial difficulties in his correspondence ""At the end of the month I have quite a lot to pay. If some money came in I would be delighted . - Take care of me my dear Deschamps I would be most obliged - Tell me also if the season is not too far advanced. I fear it is"" his career across the Channel was flourishing and his sales profitable. The painter does not fail to salute the ""French colony"" of expatriate artists Giuseppe de Nittis and his close friend James Tissot whose financial success provided Degas with an example of how effectively a French painters work could be marketed in England. Unlike Tissot however Degas refused to adapt to market taste focusing instead on defending the Impressionist cause in France and abroad. He also devotes a passage to a voracious collector of his works the baritone Jean-Baptiste Faure patron of his celebrated series of canvases on the Paris Opéra and owner of Manets Déjeuner sur lherbe: ""I ought to have been in London some time ago according to what I said. I am not there because the picture for Jean-Baptiste Faure is not finished and I would not like to meet him there without being able to give him better news and I hardly have time to dawdle if I want not to arrive on the 1st of September with nothing to deliver to him"". Ironically Faure would later reproach Degas for leaving his canvases unfinished ! and even sue him a few years afterwards. A rare and exceptional letter tracing the history of one of Degass celebrated works and his dealings with dealers and collectors on the eve of the first Impressionist exhibition to be held the following year. ""My dear Deschamps I ought to have been in London some time ago according to what I said. I am not there because the picture for Jean-Baptiste Faure is not finished and I would not like to meet him there without being able to give him better news and I hardly have time to dawdle if I want not to arrive on the 1st of September with nothing to deliver to him - He is leaving London on the 18th or 19th I know that - Perhaps at the end of the month a little earlier however I will come to see you as well as the French colony. But nothing is less certain. In the meantime you will receive the little picture you saw in progress and which you had the idea of selling to Mr. Huth - May you succeed! At the end of the month I have quite a lot to pay. If some money came in I would be delighted - As for the price it seems to me that £150 to £200 is fair - I would like to add two other pieces a little vaporous - I am worki unknown
