Polidoro da CaravaggioBiblio.com
625 résultats
réf. 3492422Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1510. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 124725Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 16th century c. 1524. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 124380Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3482309Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1512. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 303450Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1600–1800. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 303462Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1600–1800. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 303438Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1600–1800. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 8700Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 18th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 303474Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313621Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313608Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313634Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1985réf. 91196New York, Metropolitan Museum of Art / Electa / Rizzoli 1985. Mit zahlr. tlw. farb. Abbildungen. 367 S. Kl.-4to. OLwd. mit OU.
2011pp. 333, cm 28x23, rilegatura editoriale con sopracoperta, illustrazioni a colori, Nuovo.
1973pp. 168, cm 35x25, rilegatura editoriale in t.t. con sopracoperta e astuccio tigido illustrato, 61 illustrazioni a colori fuori testo, ottomo stato.
189818,5x12,5 cm; 180 pp. Bella legatura fine XIX° primissimi del XX° secolo in cartoncino rigido foderato con bella carta a motivi geometrici, titolo e autore in oro su fascetta in pelle al dorso. Prima edizione rara, di questo scritto della grande scrittrice milanese, Neera (pseudonimo di Anna Zuccari), nata a Milano nel 1846. Trascorse la sua infanzia e adolescenza nel paese bergamasco di Caravaggio al quale rimase legata sentimentalmente per tutta la vita. Caratteristica della scrittrice è l'accento sull'esigenza di una più profonda spiritualità come risposta al materialismo dilagante dell'epoca in cui visse. Neera si mantenne sempre attenta a non avvicinarsi troppo al femminismo ed al sentimentalismo radicali tanto da essere considerata una antifemminista. Proprio in questo filone si inserisce l'opera qui presentata su cui Tissot scrisse un infuocato articolo "La croisade antiféministe de M.me Neera" nel Journal des Dèbats, del 28 agosto 1899. Studii moderni tendono invece a collocare il pensiero dell'autrice come complementare al femminismo e non in contrapposizione con esso. Fu scrittrice apprezzata da grandi critici come Croce o Luigi Capuana. Croce scrisse di lei: "Quan'abbondanza di pensieri e di affetti nei libri di Neera: a lei bastava aprire le chiuse dell'anima perchè ne prorompesse un'onda copiosa e calda... sentiva meditava come respirava nello stesso modo, senza sforzo". Le sue opere vennero tradotte in varie lingue dagli stessi traduttori che traducevano d'Annunzio e Fogazzaro. OPERA RARA IN BUONE-OTTIME CONDIZIONI DI CONSERVAZIONE.
1921Con dati storici inediti. In 8vo, cm. 18,2x25,7h; pagine 284 (4) + 50 tavle in nero e a colori di atlante delle pitture del Caravaggio. Brossura editoriale con illustrazione a colori applicata sul piatto, minimi strappi e piccola mancanza sulla 4ta di copertina, esemplare slegato ma ben completo, conservato in custodia di cartone rigido decorato. Codice inv.1030678
réf. 1487696Silvana Editoriale. New. Brand New. Silvana Editoriale unknown
1959réf. 11674Paris Editions de Minuit, coll. "Forces Vives" 1959 1 vol. relié in-8 carré, toile éditeur grise imprimée en noir, jaquette verte illustrée et imprimée en noir et blanc, 400 pp., 158 illustrations, index. Edition originale de ce classique de la critique d'art sur le problème des attributions en peinture. Bon exemplaire avec un envoi de l'auteur à Nathalie Sarraute.
1959réf. 11674Paris Editions de Minuit, coll. "Forces Vives" 1959 1 vol. relié in-8 carré, toile éditeur grise imprimée en noir, jaquette verte illustrée et imprimée en noir et blanc, 400 pp., 158 illustrations, index. Edition originale de ce classique de la critique d'art sur le problème des attributions en peinture. Bon exemplaire avec un envoi de l'auteur à Nathalie Sarraute.
1999réf. 257494Torino: Cassa di Risparmio 1999. 374 S., 96 Farbatf., zahlr. Abb. Lit.verz. Reg. 4° Ln.mS. *neuwertig*.
2005pp. 520, cm 29x25, rilegatura editoriale con sopracoperta, illustrazioni a colori, Nuovo.
2010réf. 1245332010 Diane de Selliers, éditeur, "La petite collection" - 2010 - 2 volumes In-4, brochés sous jaquettes à rabats illustrées sous emboîtage illustré de l'éditeur - 309 + 477 pages - Nombreuses reproductions et photographie en couleurs in et hors texte
réf. 96898München Beck 2018. 4° 319 S. zahlr. meist farb. Abb. OLwd. m. OU. Tadell. Um 1600 erregte der junge Caravaggio 1571–1610 in Rom durch seine neuartigen Bilder großes Aufsehen. Sie stachen hervor durch ihre unerhörte psychologische Authentizität ihre kühne Naturnähe und ihre geistreichen Einfälle. Seine Kunst trug Caravaggio Wohlstand und sozialen Aufstieg ein sein Lebenswandel brachte ihn immer häufiger mit dem Recht in Konflikt.Sybille Ebert-Schifferer zeichnet in ihrem großzügig illustrierten Band ein bewegtes vielseitiges Bild von Leben und Werk des Künstlers. Dabei stellt sie zahlreiche Klischees in Frage welche das Urteil über Caravaggio von Anfang an geprägt haben. Indem sie ihn in den Kontext seiner Zeit stellt macht sie einen anderen Caravaggio sichtbar der sich als nicht weniger schillernd und fesselnd erweist. Anders als immer wieder behauptet mangelte es dem Maler weder an Bildung noch an Frömmigkeit und er war technisch höchst versiert. Er entwickelte eine erfolgreiche Marktstrategie erlangte großes Ansehen bei seinen hochstehenden Auftraggebern und selbst seine juristischen Vergehen folgten den Verhaltensnormen einer adeligen Schicht an der er sich orientierte. Alle originalen Gemälde Caravaggios sind in diesem Band abgebildet. In ihnen durchdringen sich Profanes und Heiliges auf unnachahmliche Weise. Im Geiste ihrer Zeit sollten sie die Affekte ansprechen beim Kenner Staunen erregen und die Menschen zum Glauben führen. Das Geheimnis der ungeminderten Wirkung von Caravaggios Kunst erschließt dieses neue Standardwerk. 010 München, Beck, 2018 unknown
Negro, Emilio; Nicosetta Roio: Caravaggio e il ritratto. Dal realismo lombardo al naturale romano. Rome: 2017. 164 pages; illustrated. Hardback. 31 x 24cms. Text in Italian. Text in Italian
