620 résultats
2000réf. ART84587450715Flammarion, "Idées et Recherches", 2000, 17 x 24, 448 pages sous couverture illustrée. Iconographie en noir & blanc. Avant-propos par Yves Bonnefoy. Préface et notes par Arnaud Bréjon de Lavergnée.
1998réf. LFA-126716381Un ouvrage de 191 pages, format 145 x 210 mm, broché, publié en 1998, Aléas, bon état
2005réf. LFA-126712833Publication trimestrielle de "La Diana", Société Historique et Archéologique du Forez : 104 pages, format 170 x 250 mm, brochée, illustrée
1949réf. GIT00cb5Paris Editions Contemporaines Boivin 1949. In-8 broché VIII 244pp. Orné de 39 planches hors texte, cetaines regroupant plusieurs sujets.
1985réf. 216109New York: The Metropolitan Museum of Art & Rizzoli 1985. First edition and first printing. Hardcover. 367 pages. A scholarly monograph on Caravaggio. Includes essays by Luigi Salerno Richard E. Spear and Mina Gregori. Includes numerous illustrations and a bibliography. A tight near fine copy in white cloth boards and with the small ownership signature of Pulitzer Prize winning poet Frank Bidart and in a near fine dust jacket. A very nice copy with an interesting provenance. The Metropolitan Museum of Art & Rizzoli unknown
2006réf. x-0271027185Pennsylvania State Univ Pr 2006. Paperback. New. 183 pages. 9.75x7.75x0.50 inches. Pennsylvania State Univ Pr paperback
réf. 58006202-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1730réf. 5961730. Very good. Chiaroscuro woodcut with underlying engraving on cream laid paper printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches 260 x 321 mm plate full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins especially in the area of the lower right corner well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio engraving done by Comte de Caylus. unknown
1680réf. P5210Rome: Johann Jakob Frey 1680. Very Good. Notes: Muses on Mount Parnassus. A group of poets and muses conversing on Mount Parnassus a pegaus in the background after Polidoro da Caravaggio. Polidoro da Caravaggio ca. 1499 - ca.1543 Messina Johann Jakob Frey the Elder Swiss active in Rome 1681–1752. Image Size : 218x441 mm 8.58x17.36 Inches Platemark Size : 225x446 mm 8.86x17.56 Inches Paper Size : 422x574 mm 16.61x22.60 Inches Coloring: Black & White Medium: Etching Categories: Old Masters; Johann Jakob Frey unknown
1780réf. 038077Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Very Good. Large Original Etching 1.2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741- Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones.Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. unknown
1735réf. 038294Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12 1/8" X 9" Trimmed To Margins All Around. Small Loss At Lower Left Corner Outside Of Text. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. unknown
1735réf. 038388Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12" X 8 16/16" With 1/2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. unknown
réf. 60749Two standing sibyls one holding a roll of paper the other a book.Latin text at bottom naming Polidoro as designer and Goltzius as engraver: 'Duae Sybillae Romae extra portam S. Angeli a Polidoro. ab Hgoltzio ibidem effigiatae et Calcographa arte culptae'.On the verso collector's mark of J. E. Wetterauer L.3183 and another unidentifiable mark.NL Twee vrouwen ten voeten uit de een met een boekrol in de handen de ander met een boek of tablet in de handen. Onder de voorstelling twee regels tekst in Latijn. Engraving on paper with small margins; plate mark: 242 x 163 mm total: 253 x 172 mm; state II/3; tiny foxing on the mantel of the sibyl on the right otherwise in outstanding conditions in passepartout; New Hollstein 323 Bartsch 248 Strauss 297. unknown
réf. 96898München Beck 2018. 4° 319 S. zahlr. meist farb. Abb. OLwd. m. OU. Tadell. Um 1600 erregte der junge Caravaggio 1571–1610 in Rom durch seine neuartigen Bilder großes Aufsehen. Sie stachen hervor durch ihre unerhörte psychologische Authentizität ihre kühne Naturnähe und ihre geistreichen Einfälle. Seine Kunst trug Caravaggio Wohlstand und sozialen Aufstieg ein sein Lebenswandel brachte ihn immer häufiger mit dem Recht in Konflikt.Sybille Ebert-Schifferer zeichnet in ihrem großzügig illustrierten Band ein bewegtes vielseitiges Bild von Leben und Werk des Künstlers. Dabei stellt sie zahlreiche Klischees in Frage welche das Urteil über Caravaggio von Anfang an geprägt haben. Indem sie ihn in den Kontext seiner Zeit stellt macht sie einen anderen Caravaggio sichtbar der sich als nicht weniger schillernd und fesselnd erweist. Anders als immer wieder behauptet mangelte es dem Maler weder an Bildung noch an Frömmigkeit und er war technisch höchst versiert. Er entwickelte eine erfolgreiche Marktstrategie erlangte großes Ansehen bei seinen hochstehenden Auftraggebern und selbst seine juristischen Vergehen folgten den Verhaltensnormen einer adeligen Schicht an der er sich orientierte. Alle originalen Gemälde Caravaggios sind in diesem Band abgebildet. In ihnen durchdringen sich Profanes und Heiliges auf unnachahmliche Weise. Im Geiste ihrer Zeit sollten sie die Affekte ansprechen beim Kenner Staunen erregen und die Menschen zum Glauben führen. Das Geheimnis der ungeminderten Wirkung von Caravaggios Kunst erschließt dieses neue Standardwerk. 010 München, Beck, 2018 unknown
réf. 65429Berlin Reimer 1996. Gr.8° 247 S. 128 Textabb. u. 14 farb. Taf. Kart. m. Ou Tadellos. Erstausgabe. 010 Berlin, Reimer, 1996 unknown
réf. 019816Bergamo: Istituto Italiano d' Arti Grafiche Book. Good Book Condition. Hardcover. First Edition. Folio - over 12" - 15" tall. Blue cloth over boards with gilt lettering and oval label appended to front cover. 282pp illustrations / reproductions throughout all present. A decent copy with some wear to covers: front hinge starting and blank endpapers loose but present. Some scuffing to covers. 2" tear to blank endpaper. Discolouration to back board. Nonethless a decent copy with all pages including plates and reproductions present clean and tightly bound. Montreal Books rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair. Istituto Italiano d' Arti Grafiche Hardcover
réf. 1473870712.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2016réf. __1473870712Pen & Sword 2016. Hardcover. New. 320 pages. 9.50x9.50x6.50 inches. Pen & Sword hardcover
1993réf. BN151522Dresden ; Basel : Verlag der Kunst 1993. 1993. Caravaggio. Roberto Longhi. Nach einer Übers. aus dem Ital. von Brigitte Schönert Caravaggio. Roberto Longhi. Nach einer Übers. aus dem Ital. von Brigitte Schönert Longhi Roberto und Michelangelo Merisi da Caravaggio Dresden ; Basel : Verlag der Kunst unknown
2017réf. BN153042TASCHEN GmbH Hohenzollernring 53 50672 Köln. www.taschen.com contact@taschen.com 2017. 2017. Caravaggio. Das vollständige Werk. = TASCHEN Bibliotheca Universalis. Caravaggio. Das vollständige Werk. = TASCHEN Bibliotheca Universalis. Caravaggio Michelangelo Merisi da - Schütze Sebastian TASCHEN GmbH, Hohenzollernring 53, 50672 Köln. www.taschen.com contact@taschen.com unknown
2009réf. BN254085München : Hirmer 2009. 2009. Caravaggio in Holland : Musik und Genre bei Caravaggio und den Utrechter Caravaggisten ; eine Ausstellung des Städel-Museums Frankfurt am Main 1. April bis 26. Juli 2009 ; anlässlich der Ausstellung "Caravaggio in Holland. Musik und Genre bei Caravaggio und den Utrechter Caravaggisten". hrsg. von Jochen Sander . Städel-Museum. Übers.: Hubert Beck . Caravaggio in Holland : Musik und Genre bei Caravaggio und den Utrechter Caravaggisten ; eine Ausstellung des Städel-Museums Frankfurt am Main 1. April bis 26. Juli 2009 ; anlässlich der Ausstellung "Caravaggio in Holland. Musik und Genre bei Caravaggio und den Utrechter Caravaggisten". hrsg. von Jochen Sander . Städel-Museum. Übers.: Hubert Beck . Sander Jochen und Michelangelo Merisi da Caravaggio München : Hirmer unknown
1985réf. BN253262N.Y. Metropolitan Museum of Art Electa Internat. 1985. 1985. The Age of Caravaggio. Caravaggio Michelangelo Merisi da Sonstige 1571-1610 ; Shultz Ellen Sonstige ; Metropolitan Museum of Art ; weitere - exhibition held at The Metropolitan Museum of Art New York February 5 - April 14 1985 and at the Museo Nazionale di Capodimonte Naples May 12 - June 30 1985 The Age of Caravaggio. Caravaggio Michelangelo Merisi da Sonstige 1571-1610 ; Shultz Ellen Sonstige ; Metropolitan Museum of Art ; weitere - exhibition held at The Metropolitan Museum of Art New York February 5 - April 14 1985 and at the Museo Nazionale di Capodimonte Naples May 12 - June 30 1985 Caravaggio Michelangelo Merisi da N.Y., Metropolitan Museum of Art, Electa Internat. unknown
2005réf. BN492678Milano : Skira 2005. 2005. Caravaggio e lEuropa : il movimento caravaggesco internazionale da Caravaggio a Mattia Preti Caravaggio e lEuropa : il movimento caravaggesco internazionale da Caravaggio a Mattia Preti Caravaggio Michelangelo Merisi da Ill. Mattia Ill. Preti Franco Hrsg. Ambrosio u. a. Milano : Skira unknown
2017réf. BN530759Verlag Bernd Detsch Köln 2017. 2017. Caravaggio. Meisterwerke im Detail. Caravaggio. Meisterwerke im Detail. Zuffi Stefano und Michelangelo Merisi da Illustrator Caravaggio Verlag Bernd Detsch, Köln unknown
réf. BN703046o.J. Begleitband zur Ausstellung im Centraal Museum Utrecht u. in der Alten Pinakothek München Begleitband zur Ausstellung im Centraal Museum Utrecht u. in der Alten Pinakothek München Utrecht Caravaggio und Europa o.J. unknown