650 risultati
rif. DADAX0271027185New unknown
rif. 58006202-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
rif. DADAX0367314827New unknown
1780rif. 038077Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Very Good. Large Original Etching 1.2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741- Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones.Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. unknown
1735rif. 038294Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12 1/8" X 9" Trimmed To Margins All Around. Small Loss At Lower Left Corner Outside Of Text. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. unknown
1735rif. 038388Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12" X 8 16/16" With 1/2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. unknown
rif. DADAX0064301281New unknown
rif. DADAX0312274742New unknown
rif. DADAX0393081494New unknown
rif. DADAX0714839663New unknown
rif. SONG8836616623Used: Good unknown
2017rif. BN153042TASCHEN GmbH Hohenzollernring 53 50672 Köln. www.taschen.com contact@taschen.com 2017. 2017. Caravaggio. Das vollständige Werk. = TASCHEN Bibliotheca Universalis. Caravaggio. Das vollständige Werk. = TASCHEN Bibliotheca Universalis. Caravaggio Michelangelo Merisi da - Schütze Sebastian TASCHEN GmbH, Hohenzollernring 53, 50672 Köln. www.taschen.com contact@taschen.com unknown
1780rif. 038306Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Near Fine. Large Original Etching 12 1/8" X 5 1/8' Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741-Circa 1790 Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. unknown
2006rif. BN18667Belser 2006. 2006. Hardcover. 296 x 248 x 24 cm. Ein Zusammentreffen der besonderen Art! Was im realen Leben nicht möglich war wird in diesem Katalogbuch zum EreignisRembrandt 1606 - 1669 die herausragende Malerpersönlichkeit des Goldenen Zeitalters in den Niederlanden trifft auf Caravaggio 1571 - 1610 das wilde Malergenie aus Italien. Beide gelten als Revolutionäre im Einsatz von Licht und Schatten. Anhand brillanter Farbabbildungen wird erlebbar wie begnadet die beiden Meister ihre Stilmittel einsetztenbetont Caravaggio die dramatische Zuspitzung der Handlung im Bild verwendet Rembrandt das Spiel von Hell-Dunkel insbesondere zum Ausdruck der tiefen Emotionen seiner Figuren. Fesselnde Texte begleiten die Gegenüberstellung der Werke und beleuchten das Umfeld und Verhältnis dieser beiden Protagonisten aus Nord und Süd. Ein Zusammentreffen der besonderen Art! Was im realen Leben nicht möglich war wird in diesem Katalogbuch zum EreignisRembrandt 1606 - 1669 die herausragende Malerpersönlichkeit des Goldenen Zeitalters in den Niederlanden trifft auf Caravaggio 1571 - 1610 das wilde Malergenie aus Italien. Beide gelten als Revolutionäre im Einsatz von Licht und Schatten. Anhand brillanter Farbabbildungen wird erlebbar wie begnadet die beiden Meister ihre Stilmittel einsetztenbetont Caravaggio die dramatische Zuspitzung der Handlung im Bild verwendet Rembrandt das Spiel von Hell-Dunkel insbesondere zum Ausdruck der tiefen Emotionen seiner Figuren. Fesselnde Texte begleiten die Gegenüberstellung der Werke und beleuchten das Umfeld und Verhältnis dieser beiden Protagonisten aus Nord und Süd. Belser hardcover
rif. 019816Bergamo: Istituto Italiano d' Arti Grafiche Book. Good Book Condition. Hardcover. First Edition. Folio - over 12" - 15" tall. Blue cloth over boards with gilt lettering and oval label appended to front cover. 282pp illustrations / reproductions throughout all present. A decent copy with some wear to covers: front hinge starting and blank endpapers loose but present. Some scuffing to covers. 2" tear to blank endpaper. Discolouration to back board. Nonethless a decent copy with all pages including plates and reproductions present clean and tightly bound. Montreal Books rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair. Istituto Italiano d' Arti Grafiche Hardcover
rif. 96898München Beck 2018. 4° 319 S. zahlr. meist farb. Abb. OLwd. m. OU. Tadell. Um 1600 erregte der junge Caravaggio 1571–1610 in Rom durch seine neuartigen Bilder großes Aufsehen. Sie stachen hervor durch ihre unerhörte psychologische Authentizität ihre kühne Naturnähe und ihre geistreichen Einfälle. Seine Kunst trug Caravaggio Wohlstand und sozialen Aufstieg ein sein Lebenswandel brachte ihn immer häufiger mit dem Recht in Konflikt.Sybille Ebert-Schifferer zeichnet in ihrem großzügig illustrierten Band ein bewegtes vielseitiges Bild von Leben und Werk des Künstlers. Dabei stellt sie zahlreiche Klischees in Frage welche das Urteil über Caravaggio von Anfang an geprägt haben. Indem sie ihn in den Kontext seiner Zeit stellt macht sie einen anderen Caravaggio sichtbar der sich als nicht weniger schillernd und fesselnd erweist. Anders als immer wieder behauptet mangelte es dem Maler weder an Bildung noch an Frömmigkeit und er war technisch höchst versiert. Er entwickelte eine erfolgreiche Marktstrategie erlangte großes Ansehen bei seinen hochstehenden Auftraggebern und selbst seine juristischen Vergehen folgten den Verhaltensnormen einer adeligen Schicht an der er sich orientierte. Alle originalen Gemälde Caravaggios sind in diesem Band abgebildet. In ihnen durchdringen sich Profanes und Heiliges auf unnachahmliche Weise. Im Geiste ihrer Zeit sollten sie die Affekte ansprechen beim Kenner Staunen erregen und die Menschen zum Glauben führen. Das Geheimnis der ungeminderten Wirkung von Caravaggios Kunst erschließt dieses neue Standardwerk. 010 München, Beck, 2018 unknown
rif. 65429Berlin Reimer 1996. Gr.8° 247 S. 128 Textabb. u. 14 farb. Taf. Kart. m. Ou Tadellos. Erstausgabe. 010 Berlin, Reimer, 1996 unknown
1730rif. 5961730. Very good. Chiaroscuro woodcut with underlying engraving on cream laid paper printed from two blocks in brown and olive. 10 1/4 x 12 3/4 inches 260 x 321 mm plate full margins with the text printing clearly below in black ink. In very good condition with scattered surface soiling and several minor flecks of light discoloration in the margins especially in the area of the lower right corner well outside of image area. Unobtrusive notations in pencil in the margin and on the verso. All condition issues are consistent with age. After a drawing of the same title by Polidoro da Caravaggio engraving done by Comte de Caylus. unknown
rif. 60749Two standing sibyls one holding a roll of paper the other a book.Latin text at bottom naming Polidoro as designer and Goltzius as engraver: 'Duae Sybillae Romae extra portam S. Angeli a Polidoro. ab Hgoltzio ibidem effigiatae et Calcographa arte culptae'.On the verso collector's mark of J. E. Wetterauer L.3183 and another unidentifiable mark.NL Twee vrouwen ten voeten uit de een met een boekrol in de handen de ander met een boek of tablet in de handen. Onder de voorstelling twee regels tekst in Latijn. Engraving on paper with small margins; plate mark: 242 x 163 mm total: 253 x 172 mm; state II/3; tiny foxing on the mantel of the sibyl on the right otherwise in outstanding conditions in passepartout; New Hollstein 323 Bartsch 248 Strauss 297. unknown
rif. 1473870712.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2016rif. __1473870712Pen & Sword 2016. Hardcover. New. 320 pages. 9.50x9.50x6.50 inches. Pen & Sword hardcover
2006rif. __0271027185Pennsylvania State Univ Pr 2006. Paperback. New. 183 pages. 9.75x7.75x0.50 inches. Pennsylvania State Univ Pr paperback
2021rif. BN660089Hirmer Verlag. 2021. 2021. Softcover. Gianni Caravaggio - Als Natur jung war / When nature was young. Texte von Nike Bätzner Caravaggio Gianni Carrara Linda; Ferrari Daniela und Holger Kube Ventura. Gianni Caravaggio - Als Natur jung war / When nature was young. Texte von Nike Bätzner Caravaggio Gianni Carrara Linda; Ferrari Daniela und Holger Kube Ventura. Caravaggio Gianni und Holger Kube Ventura Herausgeber Hirmer Verlag. paperback
rif. FORT981832Taschen America Llc. Used - Very Good. Taschen America Llc unknown
1898rif. 006743London: The Society of Bibliophiles 1898. Hardcover. Very Good. Jules Garnier and E.R. Hughes. Two Sets together: Facetious Nights 4 Volumes and The Pecorone 3 Volumes. Limited editions of 1000 copies; both sets are No. 933 of 1000. Original gray-green cloth with gilt illustrations and lettering on front board and spine Venetian deckle edge paper top edges gilt. Edge wear and rubbing on boards most notably and head/tail of spines. Spines mildly sunned/faded. Gilt still bright on front panels but faded on spines. Some gutters starting or cracked in various volumes. The Facetious Nights of Straparola was originally published in the 16th century and The Pecorone in the 14th. Both are said to be influenced in style by Boccaccio's Decameron and contain collections of stories fairy tales legends and fables of Italy. Both sets were highly influential in their day. The Facetious Nights is said to have inspired later collectors of tales such as Perrault and the Brothers Grimm and The Pecorone is said to have inspired Shakespear's Merry Wives of Windsor. A lovely 18th century set a beautiful addition to any collector's library. The Society of Bibliophiles hardcover
