Caravaggio (Michelangelo Merisi)Biblio.com
636 résultats
réf. 317321Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1597. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 317319Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1597. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1997réf. 18870Stanford 1997. 284 S., 1 Bl. OKart. (geringe Läsuren).
2011réf. 92815Waanders Uitgevers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 72 pages; 45 color illustrations. Description: "Believed to be his last painting Caravaggio's John the Baptist Reclining is barely known by comparison to his other pieces. This is due to disputes that arose after Caravaggio's death regarding the attribution of the piece as a work of the great master. However due not only to the style and subject of the piece but also facts and correspondence that add up from around the time of his death it has become universally accepted that the piece is an original Caravaggio. In this book for the first time the painting is set against Caravaggio's other masterpieces. Prominent art experts and critics reveal the adventurous circumstances under which this painting has travelled all over the world during the past 400 years. The essays provide a thoroughly in-depth examination of the piece covering biographical notes on the painter evidence for the painting's authenticity and technical analysis based on first-hand observation of the painting itself." -- with a bonus offer--; <body> <style type="text/css"> .cs162A16FE .cs1000B903width:414.7pt;padding:0.75pt 0.75pt 0pt 0.75pt;border-top:none;border-right:none;border-bottom:none;border-left:none .cs2654AE3Atext-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt .cs2CAA79F6color:#000000;background-color:transparent;font-family:Arial; font-size:10pt; font-weight:normal; font-style:normal; .cs566403DEcolor:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:normal; </style> Believed to be his last painting Caravaggio's John the Baptist Reclining is barely known by comparison to his other pieces. This is due to disputes that arose after Caravaggio's death regarding the attribution of the piece as a work of the great master. However due not only to the style and subject of the piece but also facts and correspondence that add up from around the time of his death it has become universally accepted that the piece is an original Caravaggio. In this book for the first time the painting is set against Caravaggio's other masterpieces. Prominent art experts and critics reveal the adventurous circumstances under which this painting has travelled all over the world during the past 400 years. The essays provide a thoroughly in-depth examination of the piece covering biographical notes on the painter evidence for the painting's authenticity and technical analysis based on first-hand observation of the painting itself. </body> . 2011. 9040077940 . Waanders Uitgevers paperback
1967réf. 70242Cambridge, Harvard University Press, 1967. 2 vols. XV S., 1 Bl., 345 S.; XX, 136 S. Mit 403 plates. 4°, original cloth
1988Mm 230x300 Volume cartonato di pp. 201, sovraccoperta figurata. Studio dedicato alle opere pittoriche che si trovano a malta. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
2012réf. 998885Continents. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Italian. 160 pp. ; 229 color illustrations. -- with a bonus offer--; This stunning book reveals how a version of the Medusa in private hands has been newly attributed to Caravaggio 1571-1610. The similarity of the work and its frame to the better-known version at the Uffizi in Florence attracted the attention of experts. X-rays and new technologies eventually confirmed that this version was the original. Here the results of historical and technological research are accompanied by superb illustrations and close-ups of the painting the X-rays and more enabling art lovers the opportunity to appreciate this previously neglected work. . 2012. 8874395825 . 5Continents hardcover
1898réf. 006743London: The Society of Bibliophiles 1898. Hardcover. Very Good. Jules Garnier and E.R. Hughes. Two Sets together: Facetious Nights 4 Volumes and The Pecorone 3 Volumes. Limited editions of 1000 copies; both sets are No. 933 of 1000. Original gray-green cloth with gilt illustrations and lettering on front board and spine Venetian deckle edge paper top edges gilt. Edge wear and rubbing on boards most notably and head/tail of spines. Spines mildly sunned/faded. Gilt still bright on front panels but faded on spines. Some gutters starting or cracked in various volumes. The Facetious Nights of Straparola was originally published in the 16th century and The Pecorone in the 14th. Both are said to be influenced in style by Boccaccio's Decameron and contain collections of stories fairy tales legends and fables of Italy. Both sets were highly influential in their day. The Facetious Nights is said to have inspired later collectors of tales such as Perrault and the Brothers Grimm and The Pecorone is said to have inspired Shakespear's Merry Wives of Windsor. A lovely 18th century set a beautiful addition to any collector's library. The Society of Bibliophiles hardcover
1898réf. 17654London: The Society of Bibliophiles. Near Fine. 1898. First Edition Thus. Hardcover. A handsome binding in red morocco with 5 spine bands over red marbled boards. Gilt decoration & lettering. Top edges gilt. Matching marbled endpapers. This is copy "C" of a limited edition of 26 with text printed on Japanese vellum paper. There is a triplicate set of each illustration: Aquarelle Tint and Japanese Proof. Each illustration is protected by a labeled tissue guard. Vol #1: xii 402pp 10 illus. Vol #2: 6 376pp 6 illus. Vol 3; 6 404pp 10 illus. Vol # 4: 6 318pp 6 illus. Vol # 1 is VG with light rubbing to spine top & corners. Vols #2 - 4 are near fine. Wikipedia: "First published in a single volume in 1555 THE FACETIOUS NIGHTS OF STRAPAROLA is a collection of 75 stories by Italian author and fairy-tale collector Giovanni Francesco Straparola. Modeled after Boccaccio's Decameron it is significant as often being called the first European storybook to contain fairy-tales; it would influence later fairy-tale authors like Charles Perrault and Jacob and Wilhelm Grimm". Literature. ; 8vo 8" - 9" tall; 1500 pages . The Society of Bibliophiles hardcover
réf. 332054Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1610. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 332055Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1610. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 332056Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1610. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 332057Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1610. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1934Mm 175x255 Volume rilegato di pp. XII-140+indice+126 illustrazioni in bianco e nero su tavole fuori testo, dorso in tela. Buono stato di conservazione. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
1985réf. 60775N.Y., Metropolitan Museum of Art, Electa Internat. 1985. 4°, 367 Seiten, Eigentümerwidmung auf Vorsatzblatt Broschur, Softcover/Paperback, sonst Exemplar in gutem Erhaltungszustand
1985réf. 91196New York, Metropolitan Museum of Art / Electa / Rizzoli 1985. Mit zahlr. tlw. farb. Abbildungen. 367 S. Kl.-4to. OLwd. mit OU.
1985réf. 30100N.Y., Metropolitan Museum of Art, 1985. origi.Broschur, 4°, 367 Seiten.
1985réf. 216109New York: The Metropolitan Museum of Art & Rizzoli 1985. First edition and first printing. Hardcover. 367 pages. A scholarly monograph on Caravaggio. Includes essays by Luigi Salerno Richard E. Spear and Mina Gregori. Includes numerous illustrations and a bibliography. A tight near fine copy in white cloth boards and with the small ownership signature of Pulitzer Prize winning poet Frank Bidart and in a near fine dust jacket. A very nice copy with an interesting provenance. The Metropolitan Museum of Art & Rizzoli unknown books
1985réf. BN253262N.Y. Metropolitan Museum of Art Electa Internat. 1985. 1985. The Age of Caravaggio. Caravaggio Michelangelo Merisi da Sonstige 1571-1610 ; Shultz Ellen Sonstige ; Metropolitan Museum of Art ; weitere - exhibition held at The Metropolitan Museum of Art New York February 5 - April 14 1985 and at the Museo Nazionale di Capodimonte Naples May 12 - June 30 1985 The Age of Caravaggio. Caravaggio Michelangelo Merisi da Sonstige 1571-1610 ; Shultz Ellen Sonstige ; Metropolitan Museum of Art ; weitere - exhibition held at The Metropolitan Museum of Art New York February 5 - April 14 1985 and at the Museo Nazionale di Capodimonte Naples May 12 - June 30 1985 Caravaggio Michelangelo Merisi da N.Y., Metropolitan Museum of Art, Electa Internat. unknown
1985réf. 216109New York: The Metropolitan Museum of Art & Rizzoli 1985. First edition and first printing. Hardcover. 367 pages. A scholarly monograph on Caravaggio. Includes essays by Luigi Salerno Richard E. Spear and Mina Gregori. Includes numerous illustrations and a bibliography. A tight near fine copy in white cloth boards and with the small ownership signature of Pulitzer Prize winning poet Frank Bidart and in a near fine dust jacket. A very nice copy with an interesting provenance. The Metropolitan Museum of Art & Rizzoli unknown
2001ABBATE V. (e altri) Sulle orme di Caravaggio: tra Roma e la Sicilia. Venezia, Marsilio 2001 italian, 188 2001. Catalogo della Mostra tenuta a Palermo nel 2001. Opera con copertina morbida in brossura e sovraccoperta alettata. Numerose illustrazioni a colori e b/n nt e ft. 188 p. : ill. ; 29 cm RM.6
2011IN 4°, pp.76. COPERTINA EDITORIALE ILLUSTRATA A COLORI CON TITOLO. SONO DESCRITTI CON RELATIVE SCHEDE, 18 DIPINTI CON ILLUSTRAZIONI a COL.INOLTRE ILLUSTRAZIONI a pp. DEL CARDINALE FRANCESCO MARIA DEL MONTE, DI OTTAVIO LEONI, E RITRATTO DI CARAVAGGIO, SEMPRE DI OTTAVIO LEONI. CONTRIBUTI DI ALBERTO COTTINO, FRANCO PALIAGA, ANTONIO VIGNALI.MOSTRA E CONVEGNO ORGANIZZATA DALLA LIBERA ACCADEMIA DI STUDI CARAVAGGESCHI. MONTE SANTA MARIA TIBERINA, PALAZZO MUSEO BOURBON DEL MONTE, 16 - 18 SETTEMBRE 2011. OTTIMA CONSERVAZIONE. ID, 6437
2019br. "I dipinti di Caravaggio ci dicono cosa dovrebbe essere la pittura, e questo è uno dei suoi meriti incontestabili. Le qualità della perfezione vengono costantemente sospinte in avanti, verso il primo piano del dipinto, dove è impossibile non coglierle. Caravaggio comunica l'ansia e l'urgenza implicite nei meccanismi dell'espressione pittorica, riuscendo al tempo stesso a far compiere a questi stessi meccanismi miracoli assoluti. Oseremmo chiedere di più?". In appendice: "vita di Michelangelo Merigi da Caravaggio" di Giovan Pietro Bellori.
2020br. «Circa trent'anni fa, quando la critica volse nuovamente lo sguardo verso il Caravaggio, questi, salvo che di nome (un nome ancora tutto romanticamente avvolto nell'alone di tempesta delle sue vicende mortali), era uno dei pittori meno conosciuti di tutta l'arte italiana. Inevitabile, perciò, che la ricerca dovesse durar fatiche particolari solo a ritrovar la bussola di un primo orientamento. Per il Caravaggio infatti e per la sua cerchia immediata non si trattava solamente di riparare a un lungo sviamento del gusto; si trattava anche di ricostruire una storia e perciò una critica che, in extenso, non eran mai state scritte; e la ricostruzione veniva a proporre delle esigenze metodiche affatto particolari». Premessa di Mina Gregori.
2017R. LONGHI Studi caravaggeschi. Milano, Abscondita 2017 italian, 115 ST1096R Brossura editoriale, volume come nuovo, copertina e interno in condizioni eccellenti, legatura salda, con tavole fuori testo in b\n 115 pagine circaCopertina come da foto
