Quarta RobertoMareMagnum
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2018br. Tre destini accomunati da una vocazione eretica hanno trovato nella città eterna il luogo iniziatico, il punto di non ritorno per esistenze segnate da luci e ombre, votate alla ricerca disperata quanto tenace della verità, prefigurazione di una morte annunciata. Roma ha significato per Caravaggio il successo e la notorietà ma nello stesso tempo l'inizio di una vita violenta fatta di zuffe, processi e rifiuti di opere d'arte non allineate ai dettami controriformistici: di qui la leggenda del pittore maledetto. La città assume una forte valenza simbolica anche per Giordano Bruno, il quale nell'isola domenicana della "Minerva" rinuncia allo status religioso, consapevole di quanta ipocrisia vi fosse nei custodi dell'ortodossia cattolica. "Roma matrigna" segna il destino del filosofo, che trascorre gli ultimi sette anni della sua travagliata peregrinatio esistenziale nelle carceri dell'Inquisizione romana. Egli ingaggia con i giudici un duello mortale, degno di una drammaturgia tragica, la cui catastrofe avrà luogo nella medesima piazza di Campo de' Fiori che vedrà sfilare nel novembre 1975 il feretro di Pier Paolo Pasolini. Questi arriva a Roma come Caravaggio dal lontano nord, restando affascinato dal sottoproletariato delle borgate, custode ancora incontaminato della sacralità della vita. Anche per lui processi, persecuzioni e la condanna a morte decretata da un potere osceno, del quale il poeta stava squarciando, in modo simile al prodigio della luce caravaggesca, le ombre profonde.
2020ill., br. Cercare affinità elettive, optare per confronti, illuminare dettagli, questa la meta del quarto "viaggio" di Daniela Menetto dopo i primi tre pubblicati in questa collana, 7 dipinti veneziani; Dettagli pittorici veneziani e Tracce veneziane a Vienna: l'autrice lascia parlare la realtà dei dipinti di Caravaggio, una realtà in movimento di stampo leonardesco, un amore per il "vero", per un naturalismo stupefacente che lo accomuna fortemente alla tradizione della pittura veneta cinquecentesca.
2021ill., ril. Ogni stagione ha il suo Caravaggio. Questa è la più propizia, perché l'apparizione dell'Ecce Homo a Madrid è stata accompagnata da un coro di consensi senza precedenti per un'opera apparsa dal nulla. Non capitava da tempo che un dipinto mettesse d'accordo gli studiosi, imponendosi con una evidenza inequivocabile, e questo ci fa riflettere su ciò che resta, allo stato degli studi, a partire dalla mostra di Caravaggio curata da Roberto Longhi a Palazzo Reale di Milano nel 1951, vero atto di rinascita di Caravaggio dopo una damnatio memoriae durata circa tre secoli. Da questa data, il 1951, il nome di Caravaggio si infiamma ancora una volta, accendendo i desideri del mercato e dei critici, che si affannano a individuarne di nuovi, anche laddove, essi, Caravaggio non sono. E a disconoscerne altri che Caravaggio potrebbero essere, a volte anche con grande furbizia. Questo libro di Vittorio Sgarbi, dunque, non solo dà conto, per la prima volta, in modo molto sistematico, documentato e con un ricco apparato iconografico, dell'ultimo straordinario ritrovamento caravaggesco, l'Ecce Homo, a Madrid. Ma è anche l'occasione di percorrere un viaggio avventuroso ed entusiasmante nei labirinti, rivalità, furbizie che hanno accompagnato la riscoperta di Caravaggio, a partire da quel fatidico 1951, settanta anni fa esatti.
1780réf. 038306Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Near Fine. Large Original Etching 12 1/8" X 5 1/8' Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741-Circa 1790 Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. unknown
réf. 313581Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313597Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313596Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313583Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313594Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313595Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313582Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313584Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313621Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313608Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313623Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313609Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313620Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313622Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313635Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313610Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313607Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313633Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313636Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 313634Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1651. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18698°, pp.64, t. tela recente, conserva la br. edit. Lievi increspature delle cc. Nella nota al lettore, datata Caravaggio 20 ago.1869, scriveva l'Aut.: "Rivendicare i diritti del clero e dei vescovi per renderli indipendenti dalla Corte romana...".
