Holbein, HansBiblio.com
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Best.-Nr. 0846701472New. paperback. New. Satisfaction Guaranteed or your money back. paperback
Best.-Nr. 1391695356.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0656038810.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2002Best.-Nr. DADAX110872633XCambridge University Press 2020-02-20. paperback. New. 6.00x0.71x9.00. Buy with confidence. Excellent Customer Service & Return policy. Cambridge University Press paperback
1850Best.-Nr. 19531850. Steel-engraving. 270mm by 175mm sheet 125mm by 100mm image. Sir Thomas More 1478 - 1535 was an English lawyer social philosopher author statesman and noted Renaissance humanist. He was an important councillor to Henry VIII of England and was Lord Chancellor from October 1529 to 1532. He was an opponent of the Protestant Reformation and in particular of Martin Luther and William Tyndale. unknown
Best.-Nr. 1396048529.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2004Best.-Nr. 46421New Haven & London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press 2004. First edition. 4to. xii 308 pp. Publisher's aubergine cloth gilt lettered to the spine dust jacket. Numerous illustrations many in colour. Mild bumping to the jacket edges very good. New Haven & London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press unknown
1812Best.-Nr. 73591London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73585London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73601London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73604London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73615London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
1812Best.-Nr. 73606London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73587London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73583London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812Best.-Nr. 73612London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
1812Best.-Nr. 73582London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
Best.-Nr. 1104936836.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 0331556618.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1933Best.-Nr. 99104Pot Cassé Antiqua Antiqva 1933 A l'Enseigne du Pot Cassé, Coll. Antiqva, 1933, 204 p., broché, environ 20x13cm, pages non rognées, exemplaire numéroté CXCIII (l'un des 300 sur vergé teinté de Rives), couverture composée par Albert Puyplat, frontispice dessiné par André Deslignères d'après le tableau de Holbein, vignettes d'après Hans Holbein qui les crayonna vers 1523 sur les marges d'un exemplaire de l'Eloge de la Folie conservé au Musée de Lille. Débuts de fente sur les mors, dos un peu aplati vers le premier plat, des rousseurs sur le second plat et les pages.
1856Best.-Nr. 2974Paris, Edwin Tross, 1856 In-8, n.p., cart. toile rouge, titre doré au dos et au 1er plat (cartonnage légèrement sali, petit manque à la coiffe supérieure).
1884Best.-Nr. 159806Georg Hirth Münche Georg Hirth 1884, In-8 relié demi véon blanc, plats cartonnés. Non paginé (102 pages), couverture conservée. Réédition à l'identique de l'édition de Lyon 1538, avec les bois gravés. Imprimé sur papier Van Gleder filigrané. Liebhaber-Bibliothek Alter Illustratoren in facsimile-reproduction. Bon état.
2006Best.-Nr. 7374Prestel, München 2006. 526 S. mit 465 (davon 219 farb.) Tafeln u. Abbildungen. 4°. Ln. mit Schutzumschlag. Geringe Gebrsp. Schönes Exemplar. - Beiliegen 8 farbige, sehr schön gedruckte Kunstkarten: 2 Bildnisse von Jakob Meyer zum Hasen ( 1. Kreide, 2. Silberstift), je eines von
1996211pp., with 28 illustrations, 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Erlangung der Würde eines Doktors der Philosophie vorgelegt der Philosophisch-Historischen Fakultät der Universität Basel), stamp at verso of title page, text is clean and bright, good condition, S109330
1996Best.-Nr. S109330Basel, 1996 211pp., with 28 illustrations, 21cm., softcover, text in German, Doctoral dissertation (Dissertation zur Erlangung der Würde eines Doktors der Philosophie vorgelegt der Philosophisch-Historischen Fakultät der Universität Basel), stamp at verso of title page, text is clean and bright, good condition, S109330
