665 resultados
1977ref. 1367074CAN. New. 1977. Soft Cover. This is a reprint edition. . CAN paperback
1979ref. 1367073CAN. New. 1979. Soft Cover. This is a reprint edition. . CAN paperback
1981ref. 1367071CAN. New. 1981. Soft Cover. This is a reprint edition. . CAN paperback
1981ref. 1367070CAN. New. 1981. Soft Cover. This is a reprint edition. . CAN paperback
1981ref. 1367069CAN. New. 1981. Soft Cover. This is a reprint edition. . CAN paperback
1979ref. 1367072CAN. New. 1979. Soft Cover. This is a reprint edition. . CAN paperback
ref. 393224530X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960ref. 652München Deutscher Kunstverlag, 1960. 122 S. 348 Abb. 8° Oln mit goldgepr. Deckel- und Rückentitel
1871Sm. 4to., First Edition, with a portrait frontispiece and very numerous fine full-page facsimiles in the text, neat signature on half-title and verso; original maroon cloth, boards elaborately blocked in blind and lettered in gilt, gilt back, uncut, black endpapers, backstrip moderately sunned else a very good, bright, clean copy. High-quality photo-lithographic facsimile reissue, with an introduction, alphabetical list of all the Latin mottoes and general index. Very scarce.
1947ref. 027074Laclaustra y Compañia 1947. Soft Cover. Near Fine. One of 80 copies on Liverpool Ledger paper with one original copperplate etched Exodi XIX 93 rectangular and 4 oval illustrations. In publishers good only box. Loose leaves in a softcover protected by a glassine paper dust wrapper Laclaustra y Compañia paperback
ref. 39838078-nnew. unknown
ref. 39838078like new. unknown
ref. 35893635-nnew. unknown
ref. 35893635like new. unknown
1959ref. 18361Guy Lévis Mano, 1959. Broché, couverture beige imprimée et illustrée, non coupé. 21,7 x 15,1 cm.
1876ref. 1608140010Librarie Des Bibliophiles 1876-01-01. Hardcover. Very Good. Bound in 1/2 moroccan leather over marbled boards. Marbled end pages. Limited edition no. 295 of 550. xi 247 pages : illustrations ; 20 cm. 83 illustrations. Hardcover. Printed on Holland paper. Good binding and cover. Top edge gilt. Minor shelf wear. Clean unmarked pages. Ships daily. Librarie Des Bibliophiles, hardcover
ref. 15454London:: G. Smeeton 19th century early. Rare. We find no other copies of this particular print published by G. Smeeton other copies scarce as well appear later than ours. 11.5 x 19 cm. Fine impression. Minor edge wear at bottom edge margin no affect with large clean margins. Suitable for framing. Apparently created after Holbein portrait. ÒAndrew Boorde Boorde also spelled Borde born c. 1490 - 1549 English physician and author of the first English guidebook to Europe.Boorde was educated at the University of Oxford and was admitted as a member of the Carthusian order while still a minor. In 1521 he was Òdispensed from religionÓ to act as suffragan bishop of Chichester though he never filled the office and in 1529 he was freed from his monastic vows not being able to endure the hardships of religiosity. He visited the universities of Orlans Poitiers Toulouse Montpellier and Wittenberg saw Òmuch abominable vicesÓ at Rome and went on pilgrimage to Santiago de Compostela in Spain. In 1534 Boorde was again in London at the Charterhouse. Then the statesman Thomas Cromwell seems to have sent him to determine public feeling abroad about Henry VIIIÕs policies. In 1536 however he was studying and practicing medicine at Glasgow.About 1538 Boorde again traveled extensively visiting nearly all the countries of Europe and later making his way to Jerusalem. He settled for a time at Montpellier in France and before 1542 had completed his First Book of the Introduction of Knowledge in prose and Òryme doggerelÓ 1548 which ranks as the earliest continental guidebook. He also published Dietary of Health 1542 and Breviary 1547. He probably returned to England in 1542. His imprisonment toward the end of his life may have been for keeping Òloose womenÓ in his quarters at Winchester.Ó -Encylopedia Britannica. Folger 21105. G. Smeeton, unknown
1977ref. 828931977. HOLBEIN Hans. Jane Roberts intro. The Family of Sir Thomas More: Facsimiles of the Drawings by Hans Holbein the Younger from the Royal Library Windsor Castle. Orig. cloth portfolio. New York: Johnson Reprint Company / Harcourt Brace Jovanovich 1977. First edition. Minor creasing to the portfolio flaps else a near fine copy. The 8-page catalogue and introductory note is stitched in self-wrappers and housed in cloth portfolio with 8 plates measuring 19" x 13.5." Beautiful reproductions of Holbein's drawings. unknown
2005ref. 142818Oceana / Oxford Univ Press 2005. Hardcover. As new clean tight & bright condition. 1047pp. Oceana / Oxford Univ Press hardcover
1949ref. 133539Paris: GLM 1949. Softcover. Umschlag minim angestaubt aufgeschnitten. kl.8°. mit insgesamt 48 Abbildungen davon 41 nach den Holzschnitten der ersten Ausgabe sowie 7 weiteren zu verwandten Themen. Or.br. fadengeheftet mit mont. Deckelillustration Coron 297. - Nummerierte Ausgabe gedruckt auf vélin du Renage. Eines der 25 von Guy Lévis Mano im Kolophon eigenhändig signierten und nummerierten Exemplare "reservé aux Amis de GLM". Das Exemplar "K" . Die Gesamtauflage betrug 1120. Frankreich; 20. Jahrhundert; Totentanz Der Tod GLM, paperback
1728ref. 97391728 Amsterdam, L'Honoeé, 1728; in-8°, plein veau marbré brun de l'époque, dos à nerfs, caissons de double filet dorés,ornés de fleurons dorés, titre doré sur étiquette brune, tranches rouges; (12)ff., 234pp.,(7)ff. Exemplaire comportant 1 frontispice rassemblant les 3 portraits en médaillons d'Erasme, Thomas More et Holbein, 75 figures dans le texte, 1 figure dépliante ( sur 6).
ref. ria9783111091761_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1793ref. 58211IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Handsome engraving of the nobleman in the court of Henry VIII. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Stipple engraving. Very good condition. Printed colour. Size: 25.5 x 33 cm. 10 x 13 inches unknown
1792ref. 54842IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1792. Conrad Martin Metz was an eminent engraver in the chalk manner and aquatint. He received his education in art under the celebrated Bartolozzi. Bartolozzi the main engraver of this collection developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Metz also specialized in imitations and facsimiles of old masters such as Hans Holbein. Engraved by METZ C. Stipple engraving. Good condition despite some very slight scratching at top. Printed colour. Size: 23 x 26.5 cm. 9 x 10½ inches unknown
1795ref. 58204IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the courts of Edward VI and Elizabeth I. Stipple engraving. Very good condition. Printed colour. Size: 17.5 x 24 cm. 7 x 9½ inches unknown
