665 résultats
réf. V28124Leipzig (Insel) o.J. (= Insel-Bücherei Nr.95, ). 8°, illustrierter Originalkarton (Hardcover) , 38S., 24 Abbildungen auf Tafeln
réf. 4062in 8 reliure amateur muette demi-chagrin jaune citron . faux-titre,titre avec vignette-H-XLII,206 pages, traduction par Victor DEVELAY,dessins dans le texte de Hans HOLBEIN, couverture et dos conservés,Ex-libris.Librairie des bibliophiles 1872 un des exemplaires sur hollande à la forme numéroté 77 au crayon de papier mouillure en pied,en début de volume rousseurs,fortes à certaines pages.
1960réf. 142380Wiesbaden, Steiner, (1960). M. 12 Taf. 22 S. OBr. Unaufgeschn. Ex. (Abh. d. AdW u. d. Lit.; Geistes- u. sozialwiss. Kl. 1960/4)
1844réf. 10030501844. 4to. 18 Bl. mit 32 wiederholten figürlichen Rahmungen, 3 Holzschnitt-Vign., 7 Holzschnitt-Initialen und ebensoviele figürl. Szenen. Goldgeprägter Lwdbd d. Zeit (stärker braunfl.).
1929réf. 300450Berlin, Bard, 1929. M. 135 Abb. 353 S. OLwd.
1938réf. 602378Berlin, Juncker, (1938). M. 32 (8 farb.) Taf. 17 S. OLwd.
1974réf. G0879231025I5N01Cygnet Press 1974. Hardcover. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Cygnet Press hardcover
1974réf. mon0000074425Cygnet Press 1974T. hardcover. Good. in x in x in. Ex-library hardcover. No dust jacket. Library stickers labels and stamps on cover and inside. Cover is in good condition with shelf wear on the edges and some white spots on the back cover. Spine is tight. Print on the spine is faded. Pages are clean free of markings notes or stains. Ships from Friends bookstore to benefit Beaverton Oregon library. Cygnet Press hardcover
réf. 104392London J. Coxhead 1816. 8° 1 Titelbl. Kupferstich-Portrait W. Hollar 70 S. Life of Holbein; The dance of death; Descriptions of the cuts.; Dance of macaber 1 Kupferstich-Portrait of Hans Hollbein 31 Kupfertaf. alle Kupfern handkoloriert. Privat-Lwd. m. Rückentitel Exlibris a Vors. Blätter durchgängig etwas stock- u fingerfleckig Die Bildunterschriften in den Kupfern in Latein die erläuternden Texte engl./frz. - David Deuchar 1743 - 1808 kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar 1607-1677 den jener nach Holbein neu gestochen hatte. - Massmann 57. 010 London, J. Coxhead, 1816 unknown
réf. 1d654Nach Hans Lutzelburger´s Original- Holzschnitten im Dresdner Kabinett zum ersten Mal treu copirt von Heinrich Loedel mit erläuternden Denkversen und einer geschichtlichen Abhandlung über die Todtentänze von Dr. Adolf Ellissen. Verl. der Dieterichschen Buchhandl. Göttingen 1849. 131 S. brosch. ohne Umschlag/locker/einige Seiten unaufgeschnitten/wenige Bleistiftunterstreichungen. unknown
réf. SKU0580090Penguin Classics 2017-01-03. paperback. Good. 5x0x7. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Penguin Classics paperback
réf. SKU0627597Penguin Classics 2017-01-03. paperback. New. 5x0x7. New Textbook Ships with Tracking Penguin Classics paperback
2005réf. m00013New Haven and London: Yale University Press 2005. Hardcover. As New/As New. 4to - over 9¾ - 12" tall. Yale University Press hardcover
1745réf. 64270Amsterdam: Francois L'Honoré 1745. Nouvelle édition." 12mo 15.5cm. Disbound now in later cream paper wrappers titled in gilt on spine all edges stained red; xxiv34020pp; with 5 folding plates lacking the sixth numerous in-text woodcuts and an engraved portrait of Erasmus cut out and laid down on title page verso. Title page printed in two colors. Occasional minor chips to leaf edges closely trimmed and lacking one plate but otherwise pleasing: Good only. Erasmus's famous lampoon of religion tradition and superstition also known as Moriae Encomium or In Praise of Folly was published in 1511 and quickly became popular. An edition with illustrations by Hans Holbein the Younger was published in 1515-16; the illustrations in this edition are based on Holbein's work. This edition is a French translation by Nicolas Gueudeville 1652-1721 likely bearing a false imprint. 64270. Francois L'Honoré unknown
1895réf. ZB1279678Hanfstaengel 1895. large folio 2 page introduction in German followed by 54 page-sized portraits hardcover wear to spine and covers but the portraits are in very good condition. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Hanfstaengel hardcover
1812réf. 73591London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73587London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73601London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73583London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73612London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
1812réf. 73615London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
1812réf. 73582London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1812réf. 73585London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
