730 résultats
réf. 190119Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers chipping along edges light age toning but plates otherwise clear. All plates present. Oversized tan portfolio wraps with black lettering 10 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 12th with plates numbered XII-1 through XII-10. 21"x16"x1" Julius Bard paperback books
1856réf. 193907Paris: Edwin Tross 1856. Paperback. Good Boards are shelf/edgeworn foxed and smudged; spine strip is loosening and chipped at the edges; signature is present on ffep; inner hinge is cracked at front and rear covers which are loose but still holding; textblock is cracked; textblock edges are darkened; pages are lightly smudged with occasional smudges. Brown boards with gilt lettering and illustration; 36 unnumbered pages; richly illustrated. This gorgeous book is richly illustrated with wood engravings throughout. Edwin Tross paperback books
1804réf. 13945London: np 1804. Later Edition. Full Calf. Very Good. Later Edition. Full Calf. "Dance of Death": late-medieval allegory on the universality of death. With Hans Holbein the Younger the Danse macabre takes on a completely new artistic form. This depicts the brutal irruption of Death in work and the joy of living. This representation takes precedence over the idea that death spares no social class. In 1538 with the publication of Les simulacres de la Mort Hans Holbein the Younger redefines the theme of the danse macabre. Death always aggressive and jubilant no longer dances in a long farandole but intervenes directly in scenes of daily life. This is a series of 32 engraving with a folding plate which were originally executed around 1804. This edition has continuous pagination and is in English beginning with a divisional title: 'Descriptions of the cuts in Hollar's Dance of death.' The final part 'The Dance of Macaber.' Collation: A2-B-F8 Pagination: 281p1 32 plates 2 frontis 1 folding 29 engraved leaves. This copy also includes handwritten inscriptions on the plates of Biblical verses from Genesis on several leaves. Completely detached front board shaken rear rubbing/bumping to extremities otherwise a good copy. Full mottled tree calf with gilt spine/edging decorations. 4to. 81pp. Illus. b/w 32 unnumbered leaves of engravings with folding plate frontispieces. Annotations. Lacking a plate np unknown books
198959 S. 8° , Illustr. Ppbd. - The indicated shipping costs refer to books weighing up to one kilogram. - Bücher, die schwerer als ein Kilogramm oder größer als 35 x 25 cm sind, werden als Paket verschickt und kosten innerhalb Deutschlands bis zu zwei Kilogramm 6 Euro, darüber hinaus 7 Euro Porto. -
1856réf. 787Paris, Imprimé pour Edwin Tross (par Firmin Didot Frères), 1856, in-8 ; cartonnage percaline de l’éditeur vert foncé, grands décors à froid sur les plats, titre doré au dos, entre deux fleurons décoratifs dorés et au plat ; (96) pp.
réf. 108775aafUttweil am Bodensee, C. Uhler o.J. (1860), in-8vo, VIII (Titelbl. - Vorwort) + 48 getönt. Holzst.-Tafeln, sehr sauberes Exemplar, gold- u. blindgepr. Lwd d. Zt, mit Deckeltitel, Buckblock aus d. Orig.-Einband gelöst, Rücken etwas verblasst, sonst tadellos.
2010réf. 47295Ostfildern, Deutschland : Hatje Cantz, 2010. 39 S. : überw. Ill. ; 23 cm , 1 CD Pp.
2010réf. 145426Ostfildern, Deutschland : Hatje Cantz, 2010. 44 S. + CD 8° , Hardcover/Pappeinband
1988réf. 48767[Hamburg] : Hamburger Kunsthalle - Basel : Kunstmuseum - [New York] : Johnson Repr. Corp. - [San Diego] : Harcourt Brace Jovanovich, 1988. 147 S. : überwiegend Ill. (z.T. farb.) ; 26 cm broschiert
1988réf. 48764Basel : Kunstmuseum, 1988. 272 S. : zahlr. Ill. (z.T. farb.) ; 26 cm broschiert
2001réf. 47655New Haven ; London : Yale Univ. Press, 2001. 262 S. : zahlr. Ill. ; 28 cm ; Sprache: Englisch Leinen
1538réf. RHOLBIB00twThomas Platter 1538. Very Good. Holbein Hans. Bible leaf from German 1538 Bibel with Hans Holbein illustrations. Bale: Thomas Platter 1538. 22 x 33 cm. Book condition: Very good but sadly mounted with glue on a piece of modern pres board. Lightly soiled. Pencil identifications on lower margin. Page 3 with Genesis is visible. It contains a 8.5 x 5.5 cm illustration of the flood and two black and white historiated initials 6 lines high. Thomas Platter unknown books
1950réf. 224737Germany: Im Insel 1950. Hardcover. Very Good. Very good hardcover. About 38 pages. Corners slightly rubbed and bent. In German. Spine slightly brown. Im Insel hardcover books
1832réf. 233834München 1832. 53 lithographs on tissue tipped in. 1 vols. 8vo. Bound in full brown morocco a.e.g. Very good. Bookplate of Van Nest. 53 lithographs on tissue tipped in. 1 vols. 8vo. unknown books
1832réf. 63965München, Auf Kosten des Herausgebers, 1832. Kl.-8°. Mit 53 lithogr. Tafeln. 78 S., HLdr. d. Zt. m. Rückenverg. u. goldgepr. Rückentitel.
1792réf. 65216London: W. Bulmer & Co 1792. HOLBEIN Hans; CHAMBERLAINE John. artist. CHAMBERLAINE John. Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty for the Portraits of Illustrious Persons of the Court of Henry VIII. With biographical tracts. Published by John Chamberlaine Keeper of the King's Drawings and Medals and F.S.A. London: W. Bulmer & Co. 1792. First edition of Chamberlaine's magnificent volume of 86 color stipple-engraved plates rarely found complete. Large folio 21 1/4 x 16 1/2 inches; 540 x 415 mm. Complete with the 80 listed plates all of which are mounted frontispiece portraits of Holbein and Holbein's wife and a third frontis of a group portrait two hand-colored miniatures and an additional plate of Henry Howard Earl of Surry engraved by Scriven. An impressive collection of full-page engravings after Holbein's legendary portraits of Jane Seymour Anne Boleyn Sir Thomas More a young Edward VI Anne of Cleves and other court figures with frontispiece portraits of Holbein and his wife. Of the listed plates all but four portraits are engraved by the great Bartolozzi. In total eighty-two plates are in color with four on lavender paper sixty-three on pink thirteen on white/buff inclusive of one sheet with double portrait of Henry and Charles Brandon finished by hand. With one leaf of publisher's advertisements. 19th-century full red morocco rebacked with original spine laid down. Boards elaborately stamped with floral devices and with thirteen gilt rules. Spines elaborately stamped in blind and gilt lettered in gilt. With one-inch gilt dentelles. All edges gilt. Green coated endpapers. Plates exceptionally bright and clean with only very minor instances of foxing. Most foxing is to leaves and not engravings. Title-page with 11/2-inch x 1/2 piece torn from fore-edge and a 2-inch closed tear at fore-edge neither affecting text. Many of the plates are a somewhat wrinkled. The plate of Lord Clinton with a small tear to the pink paper not affecting engraving. Occasional marginal closed tears professionally repaired. Binding a bit rubbed and bumped. Overall a very good copy of a magnificent work. German artist Hans Holbein the Younger ranks "as one of the best portrait-painters in the world. He combined artistic beauty and precision of technical execution with extraordinary truth to nature and power of interpretation of character." Holbein born in 1497 first "arrived in England in the 18th year of the reign of Henry VIII. Sir Thomas More was then Chancellor of the Exchequer and Warham. was Archbishop of Canterbury. Through them Holbein obtained easy access to the leading men of the court" painting portraits of Moore Warham and many others before returning home. He journeyed back to England in 1532 where by 1536 he was in service as "'the king's painter' and in that year he painted the new queen Jane Seymour." In 1539 as a New Year's gift to the king "he gave 'a table of the pictour of the prince's grace' possibly the portrait of the infant Edward VI at Hanover. His portrait of Anne of Cleves perhaps the one now in the Louvre was sufficiently attractive to decide the king in her favour" DNB. The majestic portraiture of Holbein who died in London in 1543 "remains unsurpassed for sureness and economy of statement penetration into character and a combined richness and purity of style" Waterhouse. At the end of the 18th century John Chamberlaine in the court of George III sought to bring together a work to pay tribute to Holbein's magnificent artistry. There had been previous unsuccessful attempts to publish the portraits in engraved reproductions such as a 1792 volume containing 33 plates of poor quality titled The Court of Henry the Eighth. Yet Chamberlain succeeded where others failed for as the king's Keeper of the Drawings he assembled in this Imitations of Original Drawings by Hans Holbein 84 splendid color stipple-engraved full-page portraits of Edward VI Anne Boleyn Thomas More Jane Seymour the Archbishop of Canterbury Anne of Cleves and other major figures of the age. "One of the most magnificent books that we have ever seen and whether we consider the genius of the painter or the talents of the engravers reflects high honor on the age and nation which produced it" London Monthly Review. Sir Walter Scott praised it as "a collection which at once satisfies the imagination and the understanding showing us. how the most distinguished of our ancestors looked moved and dressed and. how they thought acted lived and died" Allibone 1120. Color-inked on the plates these intricate stipple-engraved portraits comprise "inestimable examples of English color printing at its best" Joan Friedman. "This magnificent work is surely the finest early example of English color printing. The reduced reissue of 1812 reprinted in 1828 gives no idea of the book's quality" Ray English 19. "In every way a splendid book" Abbey Life 205. Initially issued serially in 14 parts from 1792-1800. This volume's 86 beautiful portraits were achieved with techniques that admirably succeed in honoring Holbein's portraiture. The plates were etched or engraved in gray or sepia ink with additional colored inks applied a la poupee two hand-colored. Text by Edmund Lodge. Abbey Life 206. Lowndes 1381. Abbey Life 205 206. HBS 65216. $12500. W. Bulmer & Co unknown books
1856réf. 18766Paris, Tross, 1856. Titel mit Druckermarke, 2 weiße Blatt, 30 Blatt, davon die Hälfte beidseitig bedruckt nach Holbein, die anderen weiß. 8°, Pappband mit hübschem Kleisterpapierbezug des frühen 20. Jahrhunderts, ca. 1910, zum Rücken hin mit Ockerfarbe "ausgebessert". Einband wohl gefertigt von der Buchbinderei H. Böhm, Mannheim (Etikett am hinteren Spiegel).
1959réf. 9101959 - broché - A Paris, de l'Imprimerie de GLM - MCMLIX (1959) - In-8 (22 x 15 cm) broché - Sans pagination - Nombreuses gravures de Holbein - Ouvrage tirée à 1500 exemplaires. Exemplaire sur vélin teinté, numéroté N° 232 - Titre complet : La Bible. Quatre vingt quinze images de Hans Holbein avec les textes pour chacune traduicts du latin en françois par les Docteurs de Louvain
1877réf. 190547London: Arundel Society for Promoting the Knowledge of Art 1877. Hardcover. Fair heavy shelfwear to boards internal hinges broken with pages loose all plates are present foxing spots throughout volume 2 has possible water damage to thegreen cloth of the bottom front cover volume 1 has some damp staining to top edge of beginning pages. Two oversized volumes bound in 3/4 brown leather and green cloth boards 5 raised bands on spines with gilt lettering top edge gilt marble illustrated end papers. Volume 1 contains an 8 pp preface followed by a list of the plates and plates numbered 1-40. Volume 2 contains a list of the plates followed by plates 41-80. Each plate has an accompanying text page. "Under the Sanction of the Science and Art Department of the Committee of Council on Education." title page. 18x13x3" Arundel Society for Promoting the Knowledge of Art hardcover books
réf. 15454London:: G. Smeeton 19th century early. Rare. We find no other copies of this particular print published by G. Smeeton other copies scarce as well appear later than ours. 11.5 x 19 cm. Fine impression. Minor edge wear at bottom edge margin no affect with large clean margins. Suitable for framing. Apparently created after Holbein portrait. ÒAndrew Boorde Boorde also spelled Borde born c. 1490 - 1549 English physician and author of the first English guidebook to Europe.Boorde was educated at the University of Oxford and was admitted as a member of the Carthusian order while still a minor. In 1521 he was Òdispensed from religionÓ to act as suffragan bishop of Chichester though he never filled the office and in 1529 he was freed from his monastic vows not being able to endure the hardships of religiosity. He visited the universities of Orlans Poitiers Toulouse Montpellier and Wittenberg saw Òmuch abominable vicesÓ at Rome and went on pilgrimage to Santiago de Compostela in Spain. In 1534 Boorde was again in London at the Charterhouse. Then the statesman Thomas Cromwell seems to have sent him to determine public feeling abroad about Henry VIIIÕs policies. In 1536 however he was studying and practicing medicine at Glasgow.About 1538 Boorde again traveled extensively visiting nearly all the countries of Europe and later making his way to Jerusalem. He settled for a time at Montpellier in France and before 1542 had completed his First Book of the Introduction of Knowledge in prose and Òryme doggerelÓ 1548 which ranks as the earliest continental guidebook. He also published Dietary of Health 1542 and Breviary 1547. He probably returned to England in 1542. His imprisonment toward the end of his life may have been for keeping Òloose womenÓ in his quarters at Winchester.Ó -Encylopedia Britannica. Folger 21105. G. Smeeton, unknown
1795réf. 55796London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of the gentleman. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
1538réf. RHOLBIB00twThomas Platter 1538. Very Good. Holbein Hans. Bible leaf from German 1538 Bibel with Hans Holbein illustrations. Bale: Thomas Platter 1538. 22 x 33 cm. Book condition: Very good but sadly mounted with glue on a piece of modern pres board. Lightly soiled. Pencil identifications on lower margin. Page 3 with Genesis is visible. It contains a 8.5 x 5.5 cm illustration of the flood and two black and white historiated initials 6 lines high. Thomas Platter unknown
1913réf. 22928Berlin:: Reichsdruckerei 1913. First edition thus. Stamped Leather. Fine. Reproductions of the 41 prints of Bilder Des Todes by Hans Holbein the Younger. Printed onto chain and laid paper and in an edition of 800 this copy is number 174. Reichsdruckerei, hardcover
1795réf. 58205IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman who featured in the courts of Henry VIII and Elizabeth I. Stipple engraving. Fine condition. Printed colour. Size: 30 x 41 cm. 10½ x 14 inches unknown
réf. 2926302Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1547. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
