Holbein

Eloge de la folie d'Erasme, traduit par de La Veaux - Dessins de Jean Holbein

1877 · réf. 48856 — 1877 PARIS, Delarue, 1877 - Edition numérotée 68/500 sur vergé - In-8, 14 x 23 cm - Reliure 12 maroquin marron - Dos à nerfs - couverture conservée - Tête orangée - Gardes et contreplats marbrés - XII préface d'Erasme adressée à Thomas Morus (More)-318 pages - Dessins de Jean Holbein exécutés d'après les originaux du Musée de Bâle - Ex-libris Gilbert Bignet - signet - infimes rousseurs - Bel exemplaire - Réf. 48856.

Eloge de la folie.

1957 · réf. 128748 — Couverture rigide. Reliure de l'éditeur. 18 x 21 cm. 245 pages. Rhodoïd.

Eloge de la Folie.

1876 · réf. 7393 — 1876 Smeers Paris, Jouaust, 1876. Un volume in-8 demi maroquin marine à coins, dos à nerfs, caissons décorés, titre doré, filet doré sur les plats, tête dorée, reliure signée Smeers, xi, 247 pp., illustrations in-texte. Très bel exemplaire sur Hollande, rousseurs sur les feuillets de garde, sinon intérieur frais.

Eloge de la folie. Composé en forme de déclamation. Traduit par Mr. Gueudeville. Avec les notes de Gérard Listre et les belles figures de Holbein. Nouvelle édition.

réf. 41561 — A Amsterdam, chez François L'Honoré, 1745. In-8°, [24]-340-[20] pages. Reliure plein veau caillouté, dos lisse orné de fleurons dorés, pièce de tiotre marron, triple filet doré encadrant les plats, tranches rouges.

Eloge de la Folie. D'après l'exemplaire de l'édition de 1515 de J. Froben. (Coffret comprenant : Deux volumes dont un représentation l'édition en fac-similé de l'originale + un fascicule de présentation)

1967 · réf. 123309 — 1967 Union Latine d'éditions, Paris - 1967 - Deux volumes, in-octavio, une reliure plein cuir noir avec décor doré et auteur doré au dos, dos à cinq + une reliure plein cuir couleur vanille, décors à froid sur les plats, auteur en marron au dos, petit fascicule broché d'une quinzaine de page, le tout dans un coffret cartonné, intérieur velours rouge - Premier volume sans pagination (fac-similé de l'édition originale, texte en latin) + 181 pages (texte du deuxième volume en français moderne) - Très belles illustrations et beaux gravés - Tirage limité à 5000 exemplaire, Ex. N°909.

Eloge de la folie. Présentation, traduction et notes par Jacques et Anne-Marie Yvon d'après l'exemplaire de l'édition de 1515 de J. Froben illustré par Holbein et conservé au Musée des Beaux-arts de Bâle. Bois gravés originaux de Jean Chièze

1980 · réf. 20514 — 1980 Paris, Union Latine d'éditions, tirage spécial réservé au "Club du Livre", 1980, 2 volumes : 1 volume, très beau fac similé de l'édition de Bâle (1515), avec les dessins en bistre en marge par Holbein, en reliure de plein velin avec plats estampés à froid d'un décor à encadrements imitant les reliures du XVIe siècle. 1 volume de 181-(1) pp., reliure de l'éditeur de plein cuir noir, ornée sur les plats d'un motif doré représentant un fou, tête dorée, intérieur des plats et gardes de suédine bordeaux, étui de l'éditeur bordé de cuir noir, de rangement pour les 2 volumes, très bel exemplaire, à l'état de neuf.

Emblem with crab and butterfly in oval cartouche with rolling Photo Matt Fibre A2

réf. 2926315 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Emblem with crab and butterfly in oval cartouche with rolling Photo Rag Bright White Premium Quality A2

réf. 2926316 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Emblem with crab and butterfly in oval cartouche with rolling Museum Etching Museum Quality A2

réf. 2926317 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Emblem with crab and butterfly in oval cartouche with rolling Museum Etching Museum Quality A3

réf. 2926314 — Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown

Emblems of Mortality; Representing by Numerous Engravings Death: Seizing All Ranks and Conditions of People; Imitated From a Painting in the . at Basil in Switzerland Classic Reprint

réf. 0331392283.G — hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover

Erasmus

1928 · réf. 990602.23 — Benno Schwabe & Co. Basel 1928. Hardcover. Good. 4to hardcover in slipcase. Spine faintly browned under dj else vg condition in lightly edge-worn otherwise good dj. Slipcase browned moderately scuffed & edge-rubbed otherwise solid though not very attractive. 248 pp. Benno Schwabe & Co., Basel hardcover

Erasmus von Rotterdam.

réf. 19-8591 — Zurich: Stehli Freres S.A. ca. 1940s. Large format color reproduction print poster 15” x 21”. Very Good. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1940s?]. unknown

Erasmus.

réf. 01-0861 — 16th Century . Woodcut. From Cosmographie Universelle by Sebastian Munster 1548-1556. 12 x 10 cm. on page 30 x 20 cm. 16th Century unknown

Erasmvs in Praise of Folly Erasmus Desiderius; edited by Horace Bridges. Illustrated by Hans

1925 · réf. RD-PZBF-OZ0S — 1925. Hardcover. Good. Covici 1925 number 381 of 1100 copies. Good plus. Corners worn through otherwise moderate wear soiling sun-fading. Pages yellowed with occasional smudges minor blemishes. Binding reasonably firm. hardcover

Etienne Gardiner. B&W engraving.

réf. 17-3016 — London: A. Salmon 1700. Original B&W gravure. 16.5 x 11 inches. Very Good. Minor toning from age. Light matting. [London]: A. Salmon, [1700?]. unknown

Exhibition of works by Holbein and other masters of the 16th & 17th centuries. Illustrated Souvenir.

London, Royal Academy of Arts, 1950-51, in-8, br., pp. 61. Con 78 ill. in b.n.

FACSIMILES OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY

1884 · réf. 2059 — London: Hamilton Adams 1884. Hardcover. Very Good. Very Good hardcover red leather spine and corners over marbled boards. Wear to lower edge of covers some starting separation over cover at lower spine area but not just weak. Glit edges on all sides. Pictures on request oversize item will require extra postage Hamilton, Adams hardcover

Facsimiles of original drawings by Hans Holbein in the collection of his Majesty, for the portraits of illustrious persons of the Court of Henry VIII. engraved by Francis Bartolozzi. With biographical notices by. E. Lodge. London, Hamillton, Adams & Co. 1884. Folio. 93 S. u. 88 farb. Lichtdrucktaf. Orig.-Halblederbd. d. Zeit mit Rückenvergoldung.

Family of Sir Thomas More: Facsimiles of the Drawings

1977 · réf. 82893 — 1977. HOLBEIN Hans. Jane Roberts intro. The Family of Sir Thomas More: Facsimiles of the Drawings by Hans Holbein the Younger from the Royal Library Windsor Castle. Orig. cloth portfolio. New York: Johnson Reprint Company / Harcourt Brace Jovanovich 1977. First edition. Minor creasing to the portfolio flaps else a near fine copy. The 8-page catalogue and introductory note is stitched in self-wrappers and housed in cloth portfolio with 8 plates measuring 19" x 13.5." Beautiful reproductions of Holbein's drawings. unknown

Figures de L’Eloge de la Folie d’Erasme.

réf. 03-0651 — Basel: Guillaume Haas 1829. Woodcuts after Holbein from his ink drawings in the margins of a copy of the book in the public library of Basel. 12 plates with mainly 5-9 wood-engravings on each plate. Half vellum. From H. Scofield’s Library. Basel: Guillaume Haas, 1829. hardcover

Fitz Williams Earl of Southampton.

1793 · réf. 58211 — IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Handsome engraving of the nobleman in the court of Henry VIII. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Stipple engraving. Very good condition. Printed colour. Size: 25.5 x 33 cm. 10 x 13 inches unknown

Francis II. Dauphin of France.

1795 · réf. 55795 — London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of Francis II. Engraved by BARTOLOZZI Francesco. Size: 270 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown

Franz V. Holbein's Theater

1811 · réf. 862T34 — Rudolstadt: Berlag 1811-12. Paperback. Good Only. 8" by 5". None. A scarce collection of Franz Ignaz von Holbein's theatrical works in the original German language. German language. Two volumes. Scarce work. A collection of theatrical works including: Fridolin Der Berstorbene Leonidas and Mirina. Written by Franz Ignaz von Holbein an Austrian playwright and theatre director. In the original paper wraps with pattern. Externally sound with rubbing and chipping to the extremities. Tide marks to the front board of volume one. Paste marks to the boards. Internally firmly bound. Pages are bright with light scattered spotting and the odd pencil mark. Good Only Berlag paperback