729 resultados
ref. 59-3819Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 38 x 27 cm 14-7/8 x 10-5/8 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3818Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 27.3 x 19.4 cm 10-13/16 x 7-11/16 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3820Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 37.3 x 29.5 cm 14-11/16 x 11-5/8 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3814Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 28 x 20 cm 10-7/8 x 7-3/4 inches. Hans Holbein the Younger was appointed King's Painter to Henry the VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3822Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 40.4 x 29.2 cm 15-15/16 x 11-1/2 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3823Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 28 x 20.7 cm 11 x 8-1/8 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3817Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 27 x 19.5 cm 10-3/4 x 7-3/4 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
ref. 59-3816Windsor Castle: ND. One of a number of color collotype facsimiles of Holbein portraits. 26 x 22 cm 10-1/4 x 8-3/4 inches. Hans Holbein the Younger was appointed King's Painter to Henry VIII in 1535. He became famous for his portraits of the royal family and court nobility. Some of these prints have a stamp verso reading "Copyright by H M the King Windsor Castle." All are stamped recto with a crown and "ER VII." Printed in England. Windsor Castle: ND. unknown
1795ref. 5844BB1795. Basel verl. von Heckel gedr. von W. Haas 1795. Folio. Mit 1 gest. Titel 10 Kupferfafeln Portraits von Bartholomäus Hübner 1727-1795 1 gef. Aquatintatafel von Chr. de Mechel u. 1 doppelblattgr. Kupfertafel nach Hans Holbein 1497-1543. Pappband der Zeit lichtrandig Rücken am Fuss mit Fehlstelle. Thieme/Becker 17/18 355 sowie 18 44 für Hübner. - 3. Band des 4-teiligen Werkes über das Oeuvre von Hans Holbein in späterer Auflage. Es erschien erstmals 1780/92 unter dem franz. Originaltitel "Oeuvre de Jean Holbein ou Recueil de gravures d'après les plus beaux ouvrages de ce fameux peintre / publ. par Chrétien de Mechel". Unbeschnittenes Exemplar. Die Portraits zeigen u.a. Holbeins Familie Jakob Meier Anna Scheckenpürlin Bonifazius Amerbach u. Johannes Frobenius. - Vollständigkeit der Tafeln durch uns nicht nachweisbar. - Titelseite mit Fingerfleck. Stellenweise stockfleckig. unknown
1795ref. 541DB1795. Basel verl. von Heckel gedr. von W. Haas 1795. Folio. 9 Kupferfafeln Portraits von Bartholomäus Hübner 1727-1795 und 1 doppelblattgr. Aquatintatafel nach Gemälden von Hans Holbein 1497-1543. Pappband der Zeit berieben und Rücken mit neuem laienhaftem Leinenüberzug. Thieme/Becker 17/18 355 sowie Thieme-Becker 18 44 für Hübner. - 3. Band des 4-teiligen Werkes über das Oeuvre von Hans Holbein in späterer Auflage. Es erschien erstmals 1780/92 unter dem franz. Originaltitel "Oeuvre de Jean Holbein ou Recueil de gravures d'après les plus beaux ouvrages de ce fameux peintre / publ. par Chrétien de Mechel". Die Portraits zeigen u.a. Holbeins Familie Jakob Meier Anna Scheckenpürlin Bonifazius Amerbach Johannes Frobenius u. Thomas Morus. - Vollständigkeit der Tafeln durch uns nicht nachweisbar. Es fehlt das Titelblatt. Vorderes Innengelenk gebrochen. Durchgehend nur wenig stockfleckig. unknown
ref. pp10467petite déchirure à la coiffe. intérieur propre.
1828ref. 44152London: William Bulmer and Co. Shakespeare Printing-Office 1828. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. Contemporary 3/4 red morocco panelled spine elaborately gilt with brown morocco lettering-piece a.e.g. original spine neatly laid down. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. A handsome collection of portraits many printed on toned paper with letterpress commentaries on the subjects' lives. In addition to the 80 portraits called for in the printed "List of Plates" there should also be 4 plates which that list omits: the portrait of Holbein himself that of his wife and the portraits of Henry and Charles sons of Charles Brandon Duke of Suffolk. William Bulmer and Co., Shakespeare Printing-Office unknown books
1828In-4 gr. (mm. 353x245), mz. pelle con ang. coeva (lievi abras.), dorso a cordoni con ricca decoraz. e tit. oro, tagli dorati, cc.nn. 71, intervallate da 84 magnifiche tavole di ritratti inc. in rame e colorati a mano, ad imitazione dei disegni originali di Holbein. In Indice ne sono indicati solo 80, gli altri 4 sono: di Holbein e sua moglie, di Henry e Charles, figli di Charles Brandon, Duke of Suffolk. In questa splendida collezione, le illustrazioni sono stampate su carta pesante bianca o color rosa (come gli originali), sempre precedute da un foglio bianco di protezione, e sono accompagnate da una biografia del personaggio. I disegni originali si devono al grande artista tedesco Hans Holbein il Giovane (1497-1543) che divenne pittore aulico di Enrico VIII (dopo il 1532) e “nei suoi ritratti mostra una finezza di indagine psicologica e una precisione tecnica superiori a quelle che si riscontrano nel padre, Hans il Vecchio”. Così Diz. Treccani,V, p. 787. A distanza di due secoli, l’iniziativa di raccogliere i magnifici ritratti di importanti personaggi della corte di Enrico VIII e di trarne delle tavole incise fu di John Chamberlaine, antiquario inglese vissuto tra il XVIII e l’inizio del XIX secolo, mentre le note biografiche sono a firma di Edmund Lodge. "Seconda edizione" con le tavole della prima del 1812. I ritratti su carta bianca hanno il bordo del margine bianco annerito per ca. 15 mm. (non quelle su carta rosa); solo 1 tav. con fiorit., altrimenti esemplare ben conservato.
ref. 63-1467Madison N.J.: Golden Hind Press 1952. 8vo. 19 pp. String-bound Wraps Letterpress on Laid Paper. Facsimile of a portion of text facing page 9. VG. From the Collection of the Book Designer Philip Grushkin 1921 - 1998. Madison, N.J.: Golden Hind Press, 1952. paperback
1966ref. ABE-1551776385596124 PAGES-21,7 CM X 28,6 CM-COUVERTURE DE NICOLAS FASSBIND (MARTEAU ET FAUCILLE)-RENDRE LA TERRE AU PAYSAN RUSSE?, 5P-LES ANGOISSANTES RESPONSABILITES DE L'AMERIQUE, PAR ANTHONY EDEN, 4P DONT PHOTO PLEINE PAGE-DECOUVERTES SUR LA CIVILISATION ARCTIQUE, PAR JEAN MALAURIE, 6P-HOLBEIN LE VIEUX ET SON TEMPS, 8P-LA FASCINATION D'UN VISAGE, ALICE SAPRITCH, 3P DONT PHOTO PLEINE PAGE COULEURS D'EDOUARD BOUBAT-ARMAND GATTI, 5P-GABO LE PRECURSEUR, PAR JEAN CLAY, 6P-LE PELOTON DE TETE DES GRANDES ECURIES, 6P
ref. 4491Basle, Chrétien de Merchel, MDCCXC [1790]. 37,5 x 28,5 cm pour l'album contenant la page de titre et 10 gravures 27 x 18 cm au niveau de la cuvette + 3 gravures dans des cadres avec passe-partout et verre 46 x 36 cm. L'album, sous couverture d'attente brune, est débroché, mais les planches en très bel état.Rarissime ensemble complet des 12 gravures à l'eau-forte et aquatinte entièrement rehaussées en couleurs d'après Holbein le Jeune. Les planches 1, 3 et 4 des hommes sont encadrées, à part, extraites de cet exemplaire. Les planches 2, 5 et 6 des hommes sont dans l'album avec les planches des femmes, numérotées 1 à 6. Une septième planche de costume féminin a été ajoutée, titrée "Jeune bourgeoise de Basle" ; il semblerait que ce soit un tirage XIXe d'une composition absente de cette première édition. Le seul exemplaire complet répertorié à notre connaissance est celui du British Museum, fonds Robert Wylie Lloyd, inv. 1958,0712.3056.1-12.
ref. 4491Basle, Chrétien de Merchel, MDCCXC [1790]. 37,5 x 28,5 cm pour l'album contenant la page de titre et 10 gravures 27 x 18 cm au niveau de la cuvette + 3 gravures dans des cadres avec passe-partout et verre 46 x 36 cm. L'album, sous couverture d'attente brune, est débroché, mais les planches en très bel état.Rarissime ensemble complet des 12 gravures à l'eau-forte et aquatinte entièrement rehaussées en couleurs d'après Holbein le Jeune. Les planches 1, 3 et 4 des hommes sont encadrées, à part, extraites de cet exemplaire. Les planches 2, 5 et 6 des hommes sont dans l'album avec les planches des femmes, numérotées 1 à 6. Une septième planche de costume féminin a été ajoutée, titrée "Jeune bourgeoise de Basle" ; il semblerait que ce soit un tirage XIXe d'une composition absente de cette première édition. Le seul exemplaire complet répertorié à notre connaissance est celui du British Museum, fonds Robert Wylie Lloyd, inv. 1958,0712.3056.1-12.
ref. 500325320editions fabbri Sans date.
1997ref. 250810Wien 1997. 211 S., zahlr. teilw. farb. Abb. 4° Br.
2005ref. 72272Richter Verlag. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Corresponds to ISBN: 3937572341. Text in German and English. 368 pp. With 324 ills. 181 col. . 30 x 24 cm. -- with a bonus offer-- . 2005. 3937572341 . Richter Verlag hardcover
1981ref. 1367071CAN. New. 1981. Soft Cover. This is a reprint edition. . CAN paperback
2003ref. BN22607Wißner 2003. 2003. Softcover. 24 x 17 x 22 cm. Die sechs Augsburger Basilikabilder entstanden in den Jahren 1499 bis 1504 sind der größte Schatz altdeutscher Malerei in Augsburg geschaffen von Hans Holbein d.Ä. Hans Burgkmair d.Ä. und dem Monogrammisten L.F. Die einzigartigen Meisterwerke werden in der grundlegenden Arbeit von Magdalene Gärtner ausführlich dargestellt und erläutert. Reihe/Serie Schwäbische Geschichtsquellen und Forschung ; 23 Zusatzinfo 6 Taf. 1 CD Sprache deutsch Maße 170 x 240 mm Einbandart kartoniert Geisteswissenschaften Geschichte Regionalgeschichte Ländergeschichte Altdeutsche Malerei Augsburg Kunst Malerei Christliche Kunst Geschichte Regionalgeschichte Ländergeschichte Holbein Katharinenkloster Augsburg Pilger ISBN-10 3-89639-351-0 3896393510 ISBN-13 978-3-89639-351-7 9783896393517 Geschichte Regionalgeschichte Ländergeschichte Altdeutsche Malerei Augsburg Kunst Malerei Christliche Kunst Geschichte Regionalgeschichte Ländergeschichte Holbein Katharinenkloster Augsburg Pilger ISBN-10 3-89639-351-0 3896393510 ISBN-13 978-3-89639-351-7 9783896393517 Die sechs Augsburger Basilikabilder entstanden in den Jahren 1499 bis 1504 sind der größte Schatz altdeutscher Malerei in Augsburg geschaffen von Hans Holbein d.Ä. Hans Burgkmair d.Ä. und dem Monogrammisten L.F. Die einzigartigen Meisterwerke werden in der grundlegenden Arbeit von Magdalene Gärtner ausführlich dargestellt und erläutert. Reihe/Serie Schwäbische Geschichtsquellen und Forschung ; 23 Zusatzinfo 6 Taf. 1 CD Sprache deutsch Maße 170 x 240 mm Einbandart kartoniert Geisteswissenschaften Geschichte Regionalgeschichte Ländergeschichte Altdeutsche Malerei Augsburg Kunst Malerei Christliche Kunst Geschichte Regionalgeschichte Ländergeschichte Holbein Katharinenkloster Augsburg Pilger ISBN-10 3-89639-351-0 3896393510 ISBN-13 978-3-89639-351-7 9783896393517 Wißner paperback
1795ref. 54825IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 23 x 33 cm. 9 x 13 inches unknown
ref. 3518115758.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. 71-4037Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas.“Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.” OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown