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2025rif. BIBHB0368033072025. Hardcover. New. About The Book: Ulwar and Its Art Treasures by Thomas Holbein Hendley is a detailed study of the art architecture and cultural heritage of Ulwar now Alwar in Rajasthan India. The book documents palaces temples frescoes sculptures and decorative arts highlighting their historical and artistic significance. Hendley combines careful observation with historical context aiming to preserve knowledge of regional craftsmanship. Written for scholars and art enthusiasts the work provides an early comprehensive account of Ulwar�s rich artistic and architectural legacy. About The Author: Thomas Holbein Hendley 1847�1917 was a British physician administrator and art historian who served in India during the colonial period. He is best known for his studies of Indian art crafts and architecture particularly in Rajasthan. As a medical officer and curator of museums in Jaipur Hendley documented traditional Indian aesthetics with scholarly care. His writings helped introduce Indian decorative arts to Western audiences and remain valuable sources on regional art history. The Title 'Ulwar and Its Art Treasures written/authored/edited by Thomas Holbein Hendley' published in the year 2025. The ISBN 9789376614660 is assigned to the Hardcover version of this title. This book has total of pp. 232 Pages. The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is Art. Size of the book is 22.59 x 28.94 cms Vol: hardcover
rif. 10626-9376614666Paperback. New. Book Condition is in New Paperback Original Edition. Shipped Same Day. We do not ship APO and FPO. Will be dispatched fast. Please send me an email if you have any questions. 100% Satisfaction. paperback
2015rif. 134388München : Edition Text + Kritik im Richard-Boorberg-Verlag, 2015. 101 S.; 23 cm; Orig.-Broschur;
2008rif. BN624282Haffmans Verlag bei Zweitausendeins 2008. 2008. Softcover. Ulrich Holbein`s Weltverschönerung . - signiert Ulrich Holbein`s Weltverschönerung . - signiert Ulrich Holbein Haffmans Verlag bei Zweitausendeins paperback
rif. 126098aafZürich, Adrian Flühmann schöne Bücher, 1998, in-4to, 88 S., 29 Abbildungen, davon 21 in Farbe + 1 Bl. ‘Angebot Katalog 11’, mit Preisen in Sfr. (1998). OLwd. mit Silberprägung, Schönes Ex.
2003rif. BN206924Tsunami-Comics an Imprint of mg/publishing/ 2003. 2003. Tsunami Graphix 3D Tsunami Graphix 3D ed.: Christina Holbein Tsunami-Comics an Imprint of mg/publishing/ unknown
1976Numerous illustrations. 146 pages. Various contributors on the collection. Heavy book, may incur extra postage for countries other than UK
1979rif. 1367072CAN. New. 1979. Soft Cover. This is a reprint edition. . CAN paperback
rif. 34010Paris, Flammarion (coll. "Les classiques de l'art"), (1972). In-4°, 112p. Cartonnage d'éditeur, sous jaquette illustrée.
2008rif. 58057Flammarion 2008 Reliure éditeur sous jaquette. Très bon état d’occasion. Poids sans emballage : 1050 grammes.
2003rif. 20236Wiesbaden, fourier verlag, 2003. Neugesetzte Fassung der Urausgabe, mit neuem Vorowrt u. deutschen Übersetztungen der lateineischen Bibelverse versehen, Lizenzausgabe, 8°, 142 S., mit zahlreichen Abbildungen Holzschnitte von Hans Holbein dem Jüngeren), illustr. Halleinen-Einband gebunden mit Goldprägung
1572rif. 88The Dance of the Dead described in the British Museum as follows: " A series of 40 woodcuts by Jost de Negker which are free and enlarged copies after Hans Holbein the Younger's " Dance of Death " series with exception of the first two leaves all leaves with woodcuts on verso and German letterpress on recto both text and images in decorative woodcut borders the woodcuts with traces of colour and with a titlepage mutilated the text partly cut up and rearranged mounted and in modern binding ; fourth edition published in Leipzig by David de Negker. 1572 Woodcut and letterpress. According to Hollstein there were four editions of Jost de Negker's 'Todtentantz' after Holbein : Augsburg 1544 n.p.; n.d; Augsburg 1561 and Leipzig1572 the last two by David de Negker. The BL holds an imperfect coloured copy of the 1544 Jobst Denecker Jost de Negker edition C.43.d.3. A comparison of that and the 1572 edition would confirm that the woodcuts are by Jost de Negker as stated by Hollstein and not by David de Negker as stated by Paisey. The 1544 edition appears to have two woodcuts with inscriptions fol.F2 verso with date '1542' and fol.D3 verso with monogram 'HVE' see Dodgson II.207 which however this edition does not have. The original woodcuts for Holbein's Dance of Death series were cut by Lützelberger. " B.M. Engraved title framed by a large woodcut frieze depicting faces animals and plant decorations 10 pages of text 2 blank pages and 40 full-page engravings framed by a large frieze 4 types repeated text in Latin gothic characters framed by identical friezes opposite. Jost de Negker c. 1485-1544 was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century mostly in Augsburg Germany. He was a leading "formschneider" or blockcutter of his day but always to the design of an artist. He is "closely tied to the evolution of the fine woodcut in Northern Europe". For Adam von Bartsch although he did not usually design or draw the quality of his work along with that of Hans Lützelburger and Hieronymus Andreae was such that he should be considered as an artist. Some prints where the designer is unknown are described as by de Negker but it is assumed there was an artist who drew the design although it has been suggested that de Negker might fill in a landscape background to a drawing of a figure… On Maximilian's death in 1519 the large teams assembled for his projects dispersed and de Negker became as much a publisher as a cutter retaining many blocks by Burgkmair Hans Weiditz and others and infringing many works such as the Dance of Death by Holbein Lützelburger's masterpiece as a cutter. Negker's edition of this was published in 1544 and is his last known work. Rare complete copy of this very interesting Danse des Morts. Durch David de Necker Formschneider hardcover
1572rif. 117A rare complete copy of de Jost de Negker's Dance of Death well described by the British Museum. From A. Brölemann's library. The Dance of Death's description by theBritish Museum : " A series of 40 woodcuts by Jost de Negker which are free and enlarged copies after Hans Holbein the Younger's " Dance of Death " series with exception of the first two leaves all leaves with woodcuts on verso and German letterpress on recto both text and images in decorative woodcut borders the woodcuts with traces of colour and with a titlepage mutilated the text partly cut up and rearranged mounted and in modern binding ; fourth edition published in Leipzig by David de Negker. 1572 Woodcut and letterpress. According to Hollstein there were four editions of Jost de Negker's 'Todtentantz' after Holbein : Augsburg 1544 n.p.; n.d; Augsburg 1561 and Leipzig1572 the last two by David de Negker. The BL holds an imperfect coloured copy of the 1544 Jobst Denecker Jost de Negker edition C.43.d.3. A comparison of that and the 1572 edition would confirm that the woodcuts are by Jost de Negker as stated by Hollstein and not by David de Negker as stated by Paisey. The 1544 edition appears to have two woodcuts with inscriptions fol.F2 verso with date '1542' and fol.D3 verso with monogram 'HVE' see Dodgson II.207 which however this edition does not have. The original woodcuts for Holbein's Dance of Death series were cut by Lützelberger. " B.M. Engraved title with an engraved border illustrated withfaces animals vegetal 10 pages of text 2 blank pages and 40 full page engravings with border text in Latin gothic. Jost de Negker c. 1485-1544 was a cutter of woodcuts and also a printer and publisher of prints during the early 16th century mostly in Augsburg Germany. He was a leading "formschneider" or blockcutter of his day but always to the design of an artist. He is "closely tied to the evolution of the fine woodcut in Northern Europe". For Adam von Bartsch although he did not usually design or draw the quality of his work along with that of Hans Lützelburger and Hieronymus Andreae was such that he should be considered as an artist. Some prints where the designer is unknown are described as by de Negker but it is assumed there was an artist who drew the design although it has been suggested that de Negker might fill in a landscape background to a drawing of a figure… On Maximilian's death in 1519 the large teams assembled for his projects dispersed and de Negker became as much a publisher as a cutter retaining many blocks by Burgkmair Hans Weiditz and others and infringing many works such as the Dance of Death by Holbein Lützelburger's masterpiece as a cutter. Negker's edition of this was published in 1544 and is his last known work. A rare complete copy of this very interesting Dance of Death. Durch David de Necker Formschneider hardcover
1903rif. 36293München, Georg Hirth, 1903. Small 4to. Uncut in orig. printed wrappers. Woodcuts.
rif. 2926354Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2926356Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2926355Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 2926353Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1523. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
rif. 200728Prestel, ohne Jahr. XXVII., 56 schwarz/weiß Tafeln gebundene Ausgabe
1812rif. 73612London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
1795rif. 58204IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the courts of Edward VI and Elizabeth I. Stipple engraving. Very good condition. Printed colour. Size: 17.5 x 24 cm. 7 x 9½ inches unknown
1812rif. 73583London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
rif. 0348-25London um 1630. Radierung. 27 5 x 20 2 cm. Plattengr. Mit schmalem Rand. Auf Trägerkarton montiert. Sonst gut erhalten. Gestochenes Portrait des britischen Adeligen und Staatsmannes Thomas Howard 3. Duke of Norfolk 1473-1554 nach dem Gemälde von Hans Holbein d. J. 1497-1543 aus dem Jahr 1539. Lucas Vorsterman 1595-1675 dürfte das Gemälde Holbeins in einem der Anwesen der Earls of Arundel gesehen und studiert haben. In der Platte mit gestochenem Vermerk: Visitur in Aedibus Arondelianis Londini Vorsterman fecit". London?, um 1630. unknown
1793rif. 54841IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman who was a favourite of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 26 x 35.5 cm. 10 x 14 inches unknown
rif. 67988°: A-G 8 H 4 H4 chi gepag.: 120 2 pp. Papieren omslag laatste bladzijden van de tweede druk uit 1836 zijn voorin bijgebonden verder aantekeningen en schrappingen in de tekst. Lit.: Van Aken II p.33; CBMNL 2424; Saalmink I p.867Special edition with manuscript notes. Inscription of former owner Gustave Roelofs. Stamp on titlepage dated 1888. unknown
