486 results
1879ref. 843761879. David Adolphe; Chabouillet Anatole; Ingres Jean-Auguste-Dominique. Le Camee Representant l'Apotheose de Napoleon Ier. Paris E. Belin 1879. 16 pp. Green and marbled hardcover with gilt stamped spine. Top edge gilt. Light shelfwear. Ex-library with white location label to bottom of front cover bookplates to front pastedown some library markings. Good. $50. unknown books
2016ref. 204635Paris: Editions de Boccard 2016. Softcover. 607 pages. Text in French. A clean near fine copy in French style wrappers. Editions de Boccard unknown books
1995ref. 52053Paris: Gallimard 1995. Fine in fine jacket. First edition of this mammoth collection from the Ingres Bourdelle Museum - a detailed Catalogue Raisonné of the French Neoclassical painter's prepatory drawings with reproductions of each and every one. A rigorous and encyclopedic approach to Ingres's work in this form lavishly illustrated on nearly every page - some full-page others a suite of images focusing on smaller details of individual pieces. 11.5'' x 9''. Original dark blue cloth blind stamping to front board white-lettered spine. In original color pictorial jacket. Original blue cloth-covered slipcase with pictorial onlay. Illustrated throughout in color and in black and white. Text in French. 852 pages. Jacket and slipcase with trace edgewear. Book fresh and clean. Gallimard unknown books
1980ref. 323745Bern: Benteli Verlag 1980. Volume I 585 3 pp; Volume II 587 3 pp; Volume III 547 3 pp; Vol IV 470 pp; Volume V 547 2 pp. Illustrated with black ands white plates. 5 vols. 4to. Blue rexine. Fine in fine dust jackets. Volume I 585 3 pp; Volume II 587 3 pp; Volume III 547 3 pp; Vol IV 470 pp; Volume V 547 2 pp. Illustrated with black ands white plates. 5 vols. 4to. Benteli Verlag unknown books
ref. 4663In a remarkable letter painter and teacher Jean Ingres illustrates how window light shines on the human figure. ".although the daylight comes from the right side of the painting the daylight coming from the left side should not be dismissed. If this is the case all the charm of the brush work will be lost." To clarify the artist sketches a figure as seen from the back with one foot resting on a step. Signed "Ingres. Written in French on one 8vo sheet undated. The letter is significant because it reveals the working artist considering the effect of light on a human subject. He draws two lines of light as they might contact the figure. Ingres would occasionally use pen and ink to sketch first ideas but in this instance it would seem that he used the pen to write the letter and illustrated his meaning with the drawing. The text suggests he may have been giving advice to another artist or student rather than sketching a preliminary drawing for his own work. Condition: Docketing in upper left corner in red in another hand sunning around margins likely from prior framing slight chipping on right margin and slight soiling at center fold. The illustrated letter measures 5.25 x 8 inches and floats on a dark gray mat overlaid with a white mat framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/inch black satin wood. Frame measures 12.5 x 15.75. unknown books
ref. 1416426New York: The Metropolitan Museum of Art / Harry N. Abrams Inc 0870998919. First Paperback Edition. Softcover. Quarto xii 596 pages. In Very Good minus condition. Spine green with white lettering. General shelf wear. Discoloration to rear cover. Some bleeding from pencil price onto title page. Shelved in Artist Monographs. 1416426. Shelved Dupont Bookstore. The Metropolitan Museum of Art / Harry N. Abrams, Inc unknown books
1980ref. 173128Bern: Benteli 1980. Hardcover. VG slight foxing spots on outer edges interiors clean and tight. 5 volumes navy rexine boards gilt lettering on front and spine blue/gray illustrated dust jacket with black and white lettering Vol I 585 3 pp Vol II 587 3 pp Vol III 547 3 pp Vol IV 470 pp Vol V 547 2 pp profusely illustrated with bw illustrations. This 5 volume set is written in German and includes text in English French and Italian. These works show more than 450 illustrations of artwork. Includes bibliographical references and index. Benteli hardcover books
ref. 741024 pp. 8vo 212 x 135 mm. orig. green printed wrappers stitched as issued. Autun: Dejussieu & L. Villedey 1856. Scarce critical essay on Ingres’s painting Le Martyre de saint Symphorien which has been housed in the Cathédrale Saint-Lazare d’Autun since 1834. The painting was originally ordered by Roch-Etienne de Vichy the bishop of Autun in 1824. Ingres finally completed it in 1834 and selected it for that year’s Salon where it was received negatively leading to Ingres never again participating in the event. The anonymous author of this critique provides the historical context for the picture and meticulously describes it. Over the years despite Ingres considering this one of his greatest achievements critics have always been derisive. Near fine copy of a rare work; some minor foxing. unknown books
ref. B28160-8Paris Éditions des Musées Nationaux 1965. 24pp. 256 illus. hors texte. Sm. 4to. New boards 1/4 cloth; orig. wraps. bound in. Paris (Éditions des Musées Nationaux), 1965. hardcover books
ref. B169785-2Montauban 1995. 83pp. 126 illus. 4to. Stiff wraps. Montauban, 1995. paperback books
1995ref. 48404New Haven, London : Yale University Press, 1995. 178 Seiten : Ill. ; Sprache: Englisch Leinen
2000ref. 58626Köln: Könemann 2000. 140 S., zahlr. Farbtaf. u. Abb. Glossar. 4° Ln.mS. *neuwertig*.
1925ref. R4896-94Basel,Schwabe (1925). 4°. (8),115 S. mit zahlr. schw.-w. Abb. im Text. Illustr. Ohln. mit OU., Schutzumschlag leicht beschädigt, Vorsätze tls. etw. gebräunt, insges. gut erh. [2 Warenabbildungen]
1999ref. 2190Paris : Adam Biro, 1999. 383 S. (30x25 cm) Großformat, Pappband mit Umschlag im ill. Schuber
1981ref. 51042Stuttgart : Skira-Klett-Cotta, 1981. 151 S. : zahlr. Ill. (z.T. farb.) ; 35 cm Leinen
1996ref. 47332Frankfurt am Main : Fischer-Taschenbuch-Verl., 1996. Orig.-Ausg. 100 S. : Ill. ; 19 cm broschiert
1955ref. 25376[S. l.] : [Holbein-Verl.], [ca. 1955]. [61] S.; überw. Ill.; 25 cm Pp.
1927ref. 118778Wien: Verlag Anton Schroll & Co., 1927. 24 cm ; kart. ;
1968ref. 122729Rizzoli Editore, Milano, 1968. 127 S. ; 31,5 x 24 cm ; Pp. ;
1965ref. 115794Éditions des Musées Nationaux, Palais du Louvre, Paris, 1965. 24 x 18 cm ; kart.
1981ref. 78392Éditions de vergeures, Paris, 1981. 29 cm ; kart.
1962ref. 128618Zürich: Manesse Verlag, 1962. 143 S. ; 28,5 x 23 cm quer ; Pp. ;
1986ref. 120316Köln: DuMont Verlag, 1986. 303 S. ; 31,5 x 25 cm ; kart. ;
1962ref. 122855Zürich: Manesse Verlag, 1962. 143 S. ; 28,5 x 23 cm ; Pp. ;
1924ref. EEzz7983zWien und Leipzig, Manz 1924. 4°. Tit., 2 Bll., 62 S. Mit einem Porträt des Künstlers als Front. und 79 Tafeln in Kupfertiefdruck mit Seidenhemdchen. Restaurierter, roter OHalblederband m. goldgepr. Rü.titel u. -verz. sowie marmor. Überzugspapier. Rücken fachmänisch unter Verwendung des Orig.-Rückens erneuert, Kanten etwas abgerieben, Vorsätze erneuert, mit kl. Nam.stemp. des Vorbesitzers, Text u. Tafeln geringf. gebräunt aber sauber u. kaum abgegriffen. Die Kunsthistorikerin Lili Fröhlich-Bum (1886-1981) war mit dem Kunsthändler Otto Fröhlich verheiratet. Das Ehepaar emigrierte 1939 nach London, wo Lili noch bis 1948 als Kunsthändlerin tätig war.
