487 resultados
1995Opera con cofanetto di tutti i disegni dell'artista Ingres conservati al museo di Montauban. Volume nuovo, con qualche piccolo segno su cofanetto e sovracoperta del volume. Interni intonsi.
Radius, Emilio: Ingres Opera Completa. Milan: Rizzoli, 1968. Series: Classici dell'Arte. 128pp with 64 colour plates and c.200 monochrome illustrations in the text. Cloth, 31.5x24.5cms. Text in Italian. Text in Italian
Toussaint, Helene: Les Portraits d'Ingres. Peintures des Musées Nationaux. Paris: Réunion des Musées Nationaux, 1985. 141pp with 11 colour plates and 121 monochrome illustrations. Wrappers, 26x20cms. An examination of 16 portraits in the collection of the Musées Nationaux, with accompanying drawings, plus some stained glass. Text in French. An examination of 16 portraits in the collection of the Musées Nationaux, with accompanying drawings, plus some stained glass. Text in French
Munhall, Edgar: Ingres and the Comtesse d'Haussonville. Exhibition: New York, Frick Collection, 1985. 144 pages,. Paperback. 30.5 x 23cms.
Ingres. Exhibition: Madrid, Prado, 2015. 368 pages; illustrated. Paperback. Text in Spanish. Text in Spanish
Hardcover in-8 reliure toile de l"editeur.— Exemplaire hors commerce numerote sur alfa Clairefontaine, reserve aux membres de la Guilde. Très bel exemplaire [FL-5]?[FL-7][LA-6-]
in-12°, 299 pages, reliure demi-percale, plats richement ornes, titre et filets estampes, couverture conservee Tres bel exemplaire, tres frais. [TX-17]
Hardcover in-8 reliure toile de l"editeur.— Exemplaire hors commerce numerote sur alfa Clairefontaine, reserve aux membres de la Guilde. Très bel exemplaire [FL-5]
Hardcover in-8 reliure toile de l"editeur.— Exemplaire hors commerce numerote sur alfa Clairefontaine, reserve aux membres de la Guilde. Très bel exemplaire [FL-5]
1968cm. 16 x 23, 100 pp. con 78 ill. f.t. Gabinetto disegni e stampe degli Uffizi - Cataloghi 270 gr. 100 p.
MARIE CLAIRE n° 434 Octobre 1988A l'interieur: Isabelle Huppert, Lacroix, Cheryl Cranebon etat (gr 875)E10112
1967Un volume di XXXI-359 pagine, brossura editoriale illustrata. Dimensioni: 21x23,5 cm. Minime tracce d'uso, uno strappetto al dorso e una piccola mancanza nell'angolo inferiore destro del piatto anteriore. Qualche sottolineatura a matita nel testo, per il resto ottime condizioni. Numerose illustrazioni in b/n nel testo. Catalogo della mostra, Parigi, Petit Palais, 27 ottobre 1967 - 29 gennaio 1968 in occasione del Centenario della morte di Jean-Dominique Ingres. Avant-propos di Michel Laclotte. Testo in lingua francese.
1973pp. 176, cm 33x25, rilegatura in t.t. con sopracoperta, 49 illustrazioni a colori applicate.
2003pp. 286 + pp. 32 di illustrazioni in nero f.t., cm 22x14, brossura.
1991ref. BN549903Wien : Albertina 1991. 1991. J. A. D. Ingres 1780 - 1867 : Zeichnungen und Ölstudien aus dem Musée Ingres Montauban Tiroler Landesmuseum Ferdinandeum Innsbruck 23.1. - 24.2.1991 Graphische Sammlung Albertina Wien 350. Ausstellung 15.3. - 28.4.1991. Ferdinandeum Albertina. Katalog: Christine Ekelhart-Reinwetter J. A. D. Ingres 1780 - 1867 : Zeichnungen und Ölstudien aus dem Musée Ingres Montauban Tiroler Landesmuseum Ferdinandeum Innsbruck 23.1. - 24.2.1991 Graphische Sammlung Albertina Wien 350. Ausstellung 15.3. - 28.4.1991. Ferdinandeum Albertina. Katalog: Christine Ekelhart-Reinwetter Ekelhart Christine und Jean-Auguste-Dominique Illustrator Ingres Wien : Albertina unknown
1999ref. BN644249Metropolitan Museum of Art 1999. 1999. Portraits by Ingres: Image of an Epoch Portraits by Ingres: Image of an Epoch Conisbee Philip Jean-Auguste-Dominique Ingres Gary Tinterow a. o. Metropolitan Museum of Art unknown
2000ref. BN664218Ullmann Publishing 2000. 2000. Jean-Auguste-Dominique Ingres 1780-1867 Jean-Auguste-Dominique Ingres 1780-1867 Ingres Jean A. D. Ullmann Publishing unknown
2016ref. 204635Paris: Editions de Boccard 2016. Softcover. 607 pages. Text in French. A clean near fine copy in French style wrappers. Editions de Boccard unknown
ref. DADAX0870998919New unknown
1981ref. 000987Jerusalem: Musee D'israel 1981 171pp soft cover.catalogue prepared by avigdor arikha and inscribed by him in hebrew. text in hebrew and french. bw illustrations. Musee D'israel paperback
ref. DADAX069100918XNew unknown
1879ref. 843761879. David Adolphe; Chabouillet Anatole; Ingres Jean-Auguste-Dominique. Le Camee Representant l'Apotheose de Napoleon Ier. Paris E. Belin 1879. 16 pp. Green and marbled hardcover with gilt stamped spine. Top edge gilt. Light shelfwear. Ex-library with white location label to bottom of front cover bookplates to front pastedown some library markings. Good. $50. unknown
1829ref. 893861829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Parisselecting episodes from the romantic and scandalous life of Aretino: By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode. Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an Exhibition in support of the fund for the eradication of begging held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 2021. Ingres sends them here to the respected art dealer Charles Pailletwhile noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited togetheralthough a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: There said the satirist is a very small gift for such great folly. Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. Ah Jacopo cried the frightened poet what are you doing Taking your measurements replied Tintoretto gravely. And after measuring him he added in the same tone: You are two and a half of my pistols high and let him go. unknown
1860ref. 84083Paris: Eugène Disdéri 1860. Fine. Eugène Disdéri Paris 1860 6 x 10.50 cm une feuille Full-length carte-de-visite albumen photograph of the painter Ingres. Taken by Disdéri who himself developed this carte-de-visite process in 1854. Photograph mounted on card bearing the name of Disdéri et Cie. Photographer's advertisement on verso at the address on boulevard des Italiens. Fine print. This sitting at Disdéri's studio produced several photographs of the painter with slightly different poses. This same photograph can be found at the Ingres Museum in Montauban and at the Musée d'Orsay. Eugène Disdéri unknown