486 résultats
réf. 3573633Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1815. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3573635Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1815. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 3573634Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1815. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1999réf. SKU1046104Metropolitan Museum of Art 1999. hardcover. Very Good. 9x1x12. The Metropolitan Museum of Art Harry N. Abrams; New York 1999. Hardcover. A Very Good grey cloth binding with blue lettering on spine binding sturdy and intact a hint of sunning along board and spine edges couple of small soiled specks top front free endpaper corner few small scuff marks to fore-edge rub mark bottom text block corner some scattered foxing top text block edge in a Very Good some handling/scuff marks to panels bit of edge/corner wear some offsetting to rear panel Dust wrapper. A nice clean and unmarked copy. 4toquarto or approx. 11.5 x 13.5 inches 596pp. appendices color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. Metropolitan Museum of Art hardcover
réf. AISLE10/Box61/ASh91/30072Jan 01 1999. Fine. This copy is in Like New condition — crisp clean and showing no meaningful signs of use. Pages are bright and free from any marks writing or highlighting. The spine is tight and the covers are sharp with no creasing or damage. Every book we list is individually hand-checked by our team at Kisharon Langdon New Chapters. We take pride in honest accurate grading — what you read is what you receive. New Chapters is a social enterprise supporting people with Learning Disabilities and Autistic People into meaningful work. Your purchase makes a real difference. unknown
réf. AISLE9/Box12/ASh25/060826Jan 01 1999. Fine. This copy is in Like New condition — crisp clean and showing no meaningful signs of use. Pages are bright and free from any marks writing or highlighting. The spine is tight and the covers are sharp with no creasing or damage. Every book we list is individually hand-checked by our team at Kisharon Langdon New Chapters. We take pride in honest accurate grading — what you read is what you receive. New Chapters is a social enterprise supporting people with Learning Disabilities and Autistic People into meaningful work. Your purchase makes a real difference. unknown
réf. 1416426New York: The Metropolitan Museum of Art / Harry N. Abrams Inc 0870998919. First Paperback Edition. Softcover. Quarto xii 596 pages. In Very Good minus condition. Spine green with white lettering. General shelf wear. Discoloration to rear cover. Some bleeding from pencil price onto title page. Shelved in Artist Monographs. 1416426. Shelved Dupont Bookstore. The Metropolitan Museum of Art / Harry N. Abrams, Inc unknown
réf. ANAIS-0870998900Metropolitan Museum of Art. hardcover. Good. 9.3x1.8x12.3. Buy with confidence. Excellent Customer Service & Return policy. Metropolitan Museum of Art hardcover
réf. 0870998900New. New. Satisfaction Guaranteed or your money back. unknown
réf. 0870998919New. New. Satisfaction Guaranteed or your money back. unknown
1999réf. 338898New York ; London: Harry N. Abrams 1999. 1st Edition. Softcover. Very good copy in the original stiff-card wrappers; edges slightly nicked and dust-dulled as with age. Remains particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Physical description: 500 pages: ill. some col.; 30 cm. Contents: Lenders to the exhibition -- Directors' foreword -- Acknowledgments -- Note to the reader -- Ingres's portraits and their muses / Robert Rosenblum -- Montauban - Toulouse - Paris 1780-1806 / Philip Conisbee -- Rome 1806-1820 / Philip Conisbee -- Florence 1820-1824 / Christopher Riopelle -- Paris 1824-1834 / Andrew Carrington Shelton -- Rome 1835-1841 / Christopher Riopelle -- Paris 1841-1867 / Gary Tinterow -- The critical reception of Ingres's portraits 1802-1855 / Andrew Carrington Shelton -- Ingres and Co.: a master and his collaborators / George Vigne -- Chronology / Rebecca A. Rabinow -- Bibliography -- Index -- Photograph credits. Subjects: Ingres Jean-Auguste-Dominique 1780-1867 Exhibitions. Ingres Jean-Auguste-Dominique 1780-1867 Criticism and interpretation. Ingres Jean-Auguste-Dominique 1780-1867 Exhibitions Catalogues. Ingres Jean-Auguste-Dominique 1780-1867. Painting French. Drawing French. New York ; London: Harry N. Abrams paperback
1999réf. Q-0870998919Metropolitan Museum of Art 1999-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Metropolitan Museum of Art paperback
1999réf. Q-0870998900Metropolitan Museum of Art 1999-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Metropolitan Museum of Art hardcover
1999réf. 25552New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer--; T-METINGRES; INGRES JEAN AUGUSTE DOMINIQUE 1780 Metropolitan Museum of Art ISBN: 0870998919 National Gallery Great Britain . 1999. paperback
réf. DADAX0870998919Brand: Metropolitan Museum of Art 0000-00-00. Edition Unstated. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Metropolitan Museum of Art paperback
réf. 270568915X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1946Mm 130x195 Collana "Testimonianze di artisti" diretta da M. L. Gengaro e L. Rognoni. Volume a cura di Luciano Anceschi - Brossura editoriale di 166 pagine con XX tavole fuori testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
réf. 1389653986.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1389643824.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1922réf. 59506BBParis, Editions de la Sirène. 1922. 12°. 172 p., 2ff. n.ch. broché, couverture rempliée.
réf. R320116763Edition artistique des laboratoires Le Brun. Non daté. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Une planche en monochrome - 2 photos disponibles.. . . . Classification Dewey : 750-La peinture et les peintres
1863réf. 107181863 un volume, broché (paperback) grand in-octavo, dos muet (spine without title), couverture crème imprimée (cover printed) ornée de la marque de l'imprimeur gravé sur Bois (engraving-wood), légèrement défraîchie (lightly faded), tranches non rognées (edges no smooth) gouttière en partie non coupée (fore-edge partly uncut), long papier (fore-edge - great paper), sans illustration (no illustration), excepté la marque de l'imprimeur gravé sur Bois (engraving-wood) sur la page de titre, naissances de rousseurs (beginning of the redness marks), 20 pages + 30 pages de catalogue de la Librairie Académique Didier et Cie, 1863 Paris Librairie Académique Didier et Cie Editeurs pour Ingres et 1864 pour le Catalogue,
1995firma di appartenenza, sottolineature e annotazioni a penna
1960réf. AUB-152Lausanne, la Guilde du Livre 1960. Bel exemplaire relié, cartonnage orné d'éd., in-4 oblong (23x28), numéroté, 143 pages avec annexes.
réf. 110161 page in-12°, 7 lignes autographes signées à “ Mon cher ami“. Madame Ingres demande de luis réserver “ deux places de balcon, le plus près possible du théâtre…“.