Ingres

Ingres En Miroir

2012 · rif. 104155 — Museum; Et Al. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 160 pages; many color and a number of black and white illustrations. -- with a bonus offer-- . 2012. 284742184X . Museum; Et Al paperback

INGRES ET LES MODERNES / Ingres and the Moderns

2008 · rif. 88219 — Somogy Editions D'Art. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 336 pages over 500 illustrations. -- with a bonus offer-- . 2008. 2757202421 . Somogy Editions D'Art paperback

Ingres et l'Ingrismo.

1950 — Milan, Editions Albin Michel, 1950, in-8, br., pp. 298. Con 112 illustrazioni. (Lievi mancanze al dorso).

INGRES ET SON TEMPS. Exposition organisée pour le centenaire de la mort d'Ingres

1967 — Montauban, réunion des Musées nationaux, 1967. petit in-8 broché,176 pp-24 pp. d'illustrations en noir et blanc. Rousseurs sur la couverture.

Ingres Handzeichnungen aus dem Besitz des Ingres-Museums in Montauban. Poster.

rif. 16-4674 — Bremen: Kunsthalle 1961. 83 x 59 cm. Printed in blue-green and black.Loss at lower right. From the collection of Frederic Gale Ruffner Jr. the founder of Gale Research Detroit. Bremen: Kunsthalle, 1961 unknown

INGRES in ROME: a Loan Exhibition from the Musée Ingres Montauban and American Collections

1971 · rif. 68011 — IEF; Et Al. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- 138 p. Illus. 22 x 29 cm. Includes Illustrations. Participating museums: National Gallery of Art Washington D. C. and others" Based on Naef"s Rome vue par Ingres. Bibliography: p. 133-135. -- with a bonus offer-- . 1971. IEF; Et Al paperback

Ingres in American Collections - Loan Exhibition

1960 · rif. 75747 — Paul Rosenberg & Co. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 63 pages; 73 works catalogued and illlustrated in black and white. -- with a bonus offer-- . 1960. Paul Rosenberg & Co paperback

Ingres in American Collections - Loan Exhibition for the Benefit of the Lighthouse New York Association of the Blind - Paul Rosenberg & Co. NYC - April 7 - May 6 1961

1961 · rif. 58348 — Paul Rosenberg & Co. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 73 works catalogued and illustrated In b/w. -- with a bonus offer-- . 1961. Paul Rosenberg & Co paperback

Ingres in Fashion; Representations of Dress and Appearance in Ingres`s Images of Women

1999 · rif. 79158 — Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 259 pages. -- with a bonus offer--; For more than half of the nineteenth century French artist Jean-Auguste-Dominique Ingres depicted in meticulous detail the rapidly changing appearance of the fashionable woman. This book with over 150 illustrations explores for the first time the ways in which clothing accessories and fabric defined and displayed women in Ingres`s portraits including the grandes dames of elite society and the newly opulent bourgeoisie. . 1999. 0300079273 . Yale University Press hardcover

Ingres in Italia (1806-1824 - 1835-1841)

1968 — Mm 210x240 Catalogo della mostra tenutasi a Roma, Villa Medici, dal 26 febbraio al 28 aprile 1968. Brossura editoriale di pp. XXV-193 con numerose illustrazioni quasi tutte in bianco e nero. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.

Ingres inconnu. 129 reproductions de croquis à la plume du Musée de Montauban.

1942 · rif. 75648 — Paris, Librairie Rombaldi 1942. 1942. kl.-4°, 38 S. u. 129 Abbildungen auf Tafeln, Illustr. Orig.-Pappband.

Ingres L'opera Completa Di

1968 — Mm 240x315 Classici dell'Arte Rizzoli. Volume cartonato di pp. 128 con con 64 tavole a colori e numerose illustrazioni in bianco e nero. Apparati critici e filologici a cura di Ettore Camesasca. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.

Ingres Opera Completa. Classici dell'Arte

Radius, Emilio: Ingres Opera Completa. Milan: Rizzoli, 1968. Series: Classici dell'Arte. 128pp with 64 colour plates and c.200 monochrome illustrations in the text. Cloth, 31.5x24.5cms. Text in Italian. Text in Italian

Ingres Petit Palais . Paris 27 Octobre 1967-29 Janvier 1968.

1967 · rif. 54474 — Paris France: Reunion Des Musees Nationaux. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - appears unread - Description: xxxii 360 p. Illus. 24 cm. Bibliography: Bibliography: p. 346-352. -- with a bonus offer-- . 1967. Reunion Des Musees Nationaux paperback

Ingres presents two of his paintings about Pietro Aretino

1829 · rif. 89386 — 1829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Paris—selecting episodes from the romantic and scandalous life of Aretino: “By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode.” Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an “Exhibition in support of the fund for the eradication of begging” held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 20–21. Ingres sends them here to the respected art dealer Charles Paillet—while noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited together—although a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: “There” said the satirist “is a very small gift for such great folly.” Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. “Ah Jacopo” cried the frightened poet “what are you doing” “Taking your measurements” replied Tintoretto gravely. And after measuring him he added in the same tone: “You are two and a half of my pistols high” and let him go. unknown

Ingres raconté par lui-même et par ses amis. Tome premier. Pensées et écrits du peintre. Tome second. Ses contemporains. Sa postérité. Collection Les Grands Artistes vus par eux-mêmes et par leurs amis.

1947 · rif. 79536 — Genève : Pierre Cailler 1947 1948. INGRES.Ingres raconté par lui-même et par ses amis. Tome premier. Pensées et écrits du peintre. Tome second. Ses contemporains. Sa postérité. Collection Les Grands Artistes vus par eux-mêmes et par leurs amis. Genève Pierre Cailler1947 1948 195x135mm 270 199 pages broché. Tome 1 bon état. Tome 2 très bel exemplaire non coupé. Exemplaire de chapelle numéroté n.° CH 11 / 120. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Pierre Cailler unknown

INGRES raconté par lui-même et par ses amis. 2 vol. Tome 1 : Pensées et écrits du peintre - Tome 2 : ses contemporains, sa postérité.

1947 — Genève, Pierre cailler, Collection" Les grands Artistes racontés par eux-mêmes et leurs amis", 1947. 2 vol. in-8 brochés, 270-199 pp. non coupées pour la plupart. Illustrations en noir. Bon état.

Ingres sa vie & son oeuvre (1780-1861) d'apres des documents inédits. Ouvrage illustré de 400 reproductions, dont 11 en héliogravure. Paris, George Petit 1911. 4to. 584 S. Mit 400 Abb. u. 11 Lichtdrucktaf. Orig.-Ledernd. mit Rücken- u. Deckeltitel

Die wichtige Monographie über Ingres in einem schönen Exemplar in rotem Leder.

Ingres Sa Vie et Son Oeuvre (1780-1867) D'apres Des Documents Inedits

1911 — Mm 220x295 Brossura editoriale di pp. 584 con 400 illustrazioni e 14 fotoincisioni (heliogravure). Dorso in tela. Testo in lingua francese. Weighing over 1 Kg. international orders may need extra shipping. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.

Ingres sein Leben und sein Stil. Mit 80 Tafeln in Kupfertiefdruck. Wien & Leipzig 1924. 4to. 62 S. u. 80 Lichtdrucktaf. Orig.-Halblederbd.

INGRES Sketch of a figure in a Letter about drawing the human form in window light

rif. 4663 — In a remarkable letter painter and teacher Jean Ingres illustrates how window light shines on the human figure. ".although the daylight comes from the right side of the painting the daylight coming from the left side should not be dismissed. If this is the case all the charm of the brush work will be lost." To clarify the artist sketches a figure as seen from the back with one foot resting on a step. Signed "Ingres. Written in French on one 8vo sheet undated. The letter is significant because it reveals the working artist considering the effect of light on a human subject. He draws two lines of light as they might contact the figure. Ingres would occasionally use pen and ink to sketch first ideas but in this instance it would seem that he used the pen to write the letter and illustrated his meaning with the drawing. The text suggests he may have been giving advice to another artist or student rather than sketching a preliminary drawing for his own work. Condition: Docketing in upper left corner in red in another hand sunning around margins likely from prior framing slight chipping on right margin and slight soiling at center fold. The illustrated letter measures 5.25 x 8 inches and floats on a dark gray mat overlaid with a white mat framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/inch black satin wood. Frame measures 12.5 x 15.75. unknown

INGRES Sketch of a figure in a Letter about drawing the human form in window light

rif. 4663 — In a remarkable letter painter and teacher Jean Ingres illustrates how window light shines on the human figure. ".although the daylight comes from the right side of the painting the daylight coming from the left side should not be dismissed. If this is the case all the charm of the brush work will be lost." To clarify the artist sketches a figure as seen from the back with one foot resting on a step. Signed "Ingres. Written in French on one 8vo sheet undated. The letter is significant because it reveals the working artist considering the effect of light on a human subject. He draws two lines of light as they might contact the figure. Ingres would occasionally use pen and ink to sketch first ideas but in this instance it would seem that he used the pen to write the letter and illustrated his meaning with the drawing. The text suggests he may have been giving advice to another artist or student rather than sketching a preliminary drawing for his own work. Condition: Docketing in upper left corner in red in another hand sunning around margins likely from prior framing slight chipping on right margin and slight soiling at center fold. The illustrated letter measures 5.25 x 8 inches and floats on a dark gray mat overlaid with a white mat framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/inch black satin wood. Frame measures 12.5 x 15.75. unknown books

Ingres und Delacroix: Aquarelle und Zeichnungen German Edition

rif. DADAX3770118502 — DuMont 0000-00-00. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. DuMont hardcover

Ingres und Delacroix : Aquarelle und Zeichnungen ; [Ausstellung Ingres u. Delacroix - Aquarelle u. Zeichn. ; Kunsthalle Tübingen, 12. September - 28. Oktober 1986 ; Palais des Beaux-Arts Brüssel, 6. November - 21. Dezember 1986]. hrsg. von Ernst Goldschmidt u. Götz Adriani. Mit Beitr. von Hélène Lassalle.

1986 · rif. 1152969 — Köln : DuMont, 1986. 303 S. : überwiegend Ill. (z.T. farb.) ; 32 cm, kart.